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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 11 142 it is the complementary color RGB 77 244 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 11 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 178 11 142 shade: RGB 183 11 137, RGB 200 29 156, RGB 217 47 175, RGB 234 65 194 and RGB 251 83 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 11 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 178 11 142 shade: RGB 178 11 142, RGB 161 0 123, RGB 144 0 104, RGB 127 0 85 and RGB 110 0 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 178 11 142 shade: RGB 177 11 141, RGB 177 11 96, RGB 177 11 52 and RGB 177 11 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 178 11 142 shade: RGB 177 11 141, RGB 168 11 177, RGB 123 11 177, RGB 78 11 177 and RGB 34 11 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 178 11 142 shade matches the following richer shades: RGB 177 11 141

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 178 11 142 shade: RGB 177 11 141, RGB 162 26 132, RGB 146 41 124, RGB 131 57 115 and RGB 116 72 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 178 11 142 shade: RGB 122 11 177, RGB 166 11 177, RGB 177 11 144, RGB 177 11 99 and RGB 177 11 55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 178 11 142 shade: RGB 99 6 79, RGB 138 8 110, RGB 177 11 141, RGB 216 13 172 and RGB 240 30 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 178 11 142 shade: RGB 178 11 142, RGB 177 77 11 and RGB 11 177 144

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 178 11 142 shade: RGB 178 11 142, RGB 144 177 11 and RGB 11 144 177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 178 11 142 shade: RGB 178 11 142, RGB 177 77 11, RGB 11 177 44 and RGB 11 110 177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 178 11 142 shade: RGB 178 11 142, RGB 177 127 11, RGB 11 177 44 and RGB 11 61 177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 20 / 30

HEX #B20B8E

RGB 178 11 142

HSL 312.93, 0.88%, 0.37%

LAB 40.67, 68.95, -27.34

 

Complementary color

CMYK 68 / 0 / 54 / 4

HEX #4DF471

RGB 77 244 113

HSL 132.93, 0.88%, 0.63%

LAB 85.74, -68.94, 50.35

 

CMYK 0 / 94 / 25 / 28

HEX #B70B89

RGB 183 11 137

HSL 316.05, 0.89%, 0.38%

LAB 41.39, 69.35, -23.07

 

CMYK 0 / 86 / 22 / 22

HEX #C81D9C

RGB 200 29 156

HSL 315.44, 0.75%, 0.45%

LAB 46.39, 72.49, -26.59

 

CMYK 0 / 78 / 19 / 15

HEX #D92FAF

RGB 217 47 175

HSL 314.82, 0.69%, 0.52%

LAB 51.7, 74.48, -29.35

 

CMYK 0 / 72 / 17 / 8

HEX #EA41C2

RGB 234 65 194

HSL 314.2, 0.8%, 0.59%

LAB 57.24, 75.62, -31.54

 

CMYK 0 / 67 / 15 / 2

HEX #FB53D5

RGB 251 83 213

HSL 313.57, 0.95%, 0.65%

LAB 62.93, 76.17, -33.3

 

CMYK 0 / 94 / 20 / 30

HEX #B20B8E

RGB 178 11 142

HSL 312.93, 0.88%, 0.37%

LAB 40.67, 68.95, -27.34

 

CMYK 0 / 100 / 24 / 37

HEX #A1007B

RGB 161 0 123

HSL 314.16, 1%, 0.32%

LAB 36, 64.45, -23.11

 

CMYK 0 / 100 / 28 / 44

HEX #900068

RGB 144 0 104

HSL 316.67, 1%, 0.28%

LAB 31.64, 58.7, -18.06

 

CMYK 0 / 100 / 33 / 50

HEX #7F0055

RGB 127 0 85

HSL 319.84, 1%, 0.25%

LAB 27.21, 52.85, -12.77

 

CMYK 0 / 100 / 40 / 57

HEX #6E0042

RGB 110 0 66

HSL 324, 1%, 0.22%

LAB 22.68, 46.9, -7.14

 

CMYK 0 / 94 / 20 / 31

HEX #B10B8D

RGB 177 11 141

HSL 313.01, 0.88%, 0.37%

LAB 40.43, 68.63, -27.12

 

CMYK 0 / 94 / 46 / 31

HEX #B10B60

RGB 177 11 96

HSL 329.28, 0.88%, 0.37%

LAB 38.61, 63.81, -1.76

 

CMYK 0 / 94 / 71 / 31

HEX #B10B34

RGB 177 11 52

HSL 345.18, 0.88%, 0.37%

LAB 37.54, 60.9, 25

 

CMYK 0 / 94 / 94 / 31

HEX #B10B0B

RGB 177 11 11

HSL 0, 0.88%, 0.37%

LAB 37.13, 59.75, 47.02

 

CMYK 0 / 94 / 20 / 31

HEX #B10B8D

RGB 177 11 141

HSL 313.01, 0.88%, 0.37%

LAB 40.43, 68.63, -27.12

 

CMYK 5 / 94 / 0 / 31

HEX #A80BB1

RGB 168 11 177

HSL 296.75, 0.88%, 0.37%

LAB 40.8, 72.11, -48.33

 

CMYK 31 / 94 / 0 / 31

HEX #7B0BB1

RGB 123 11 177

HSL 280.48, 0.88%, 0.37%

LAB 33.19, 65.34, -61.02

 

CMYK 56 / 94 / 0 / 31

HEX #4E0BB1

RGB 78 11 177

HSL 264.22, 0.88%, 0.37%

LAB 26.83, 60.5, -71.72

 

CMYK 81 / 94 / 0 / 31

HEX #220BB1

RGB 34 11 177

HSL 248.31, 0.88%, 0.37%

LAB 22.84, 58.05, -78.46

 

CMYK 0 / 94 / 20 / 31

HEX #B10B8D

RGB 177 11 141

HSL 313.01, 0.88%, 0.37%

LAB 40.43, 68.63, -27.12

 

CMYK 0 / 94 / 20 / 31

HEX #B10B8D

RGB 177 11 141

HSL 313.01, 0.88%, 0.37%

LAB 40.43, 68.63, -27.12

 

CMYK 0 / 84 / 19 / 36

HEX #A21A84

RGB 162 26 132

HSL 313.24, 0.72%, 0.37%

LAB 38, 61.82, -25.58

 

CMYK 0 / 72 / 15 / 43

HEX #92297C

RGB 146 41 124

HSL 312.57, 0.56%, 0.37%

LAB 36.28, 52.38, -23.52

 

CMYK 0 / 56 / 12 / 49

HEX #833973

RGB 131 57 115

HSL 312.97, 0.39%, 0.37%

LAB 35.96, 39.56, -18.57

 

CMYK 0 / 38 / 9 / 55

HEX #74486A

RGB 116 72 106

HSL 313.64, 0.23%, 0.37%

LAB 36.72, 24.43, -11.95

 

CMYK 31 / 94 / 0 / 31

HEX #7A0BB1

RGB 122 11 177

HSL 280.12, 0.88%, 0.37%

LAB 33.03, 65.21, -61.29

 

CMYK 6 / 94 / 0 / 31

HEX #A60BB1

RGB 166 11 177

HSL 296.02, 0.88%, 0.37%

LAB 40.44, 71.77, -48.92

 

CMYK 0 / 94 / 19 / 31

HEX #B10B90

RGB 177 11 144

HSL 311.93, 0.88%, 0.37%

LAB 40.57, 69.01, -28.72

 

CMYK 0 / 94 / 44 / 31

HEX #B10B63

RGB 177 11 99

HSL 328.19, 0.88%, 0.37%

LAB 38.7, 64.08, -3.53

 

CMYK 0 / 94 / 69 / 31

HEX #B10B37

RGB 177 11 55

HSL 344.1, 0.88%, 0.37%

LAB 37.59, 61.04, 23.15

 

CMYK 0 / 94 / 20 / 61

HEX #63064F

RGB 99 6 79

HSL 312.9, 0.89%, 0.21%

LAB 21.38, 44.6, -18.23

 

CMYK 0 / 94 / 20 / 46

HEX #8A086E

RGB 138 8 110

HSL 312.92, 0.89%, 0.29%

LAB 31.12, 57.01, -22.83

 

CMYK 0 / 94 / 20 / 31

HEX #B10B8D

RGB 177 11 141

HSL 313.01, 0.88%, 0.37%

LAB 40.43, 68.63, -27.12

 

CMYK 0 / 94 / 20 / 15

HEX #D80DAC

RGB 216 13 172

HSL 313, 0.89%, 0.45%

LAB 49.33, 79.85, -31.29

 

CMYK 0 / 88 / 19 / 6

HEX #F01EC3

RGB 240 30 195

HSL 312.86, 0.88%, 0.53%

LAB 55.48, 85.19, -34.79

 

CMYK 0 / 94 / 20 / 30

HEX #B20B8E

RGB 178 11 142

HSL 312.93, 0.88%, 0.37%

LAB 40.67, 68.95, -27.34

 

CMYK 0 / 56 / 94 / 31

HEX #B14D0B

RGB 177 77 11

HSL 23.86, 0.88%, 0.37%

LAB 45.19, 37.77, 52.29

 

CMYK 94 / 0 / 19 / 31

HEX #0BB190

RGB 11 177 144

HSL 168.07, 0.88%, 0.37%

LAB 64.59, -45.59, 6.31

 

CMYK 0 / 94 / 20 / 30

HEX #B20B8E

RGB 178 11 142

HSL 312.93, 0.88%, 0.37%

LAB 40.67, 68.95, -27.34

 

CMYK 19 / 0 / 94 / 31

HEX #90B10B

RGB 144 177 11

HSL 71.93, 0.88%, 0.37%

LAB 67.57, -30.4, 67.58

 

CMYK 94 / 19 / 0 / 31

HEX #0B90B1

RGB 11 144 177

HSL 191.93, 0.88%, 0.37%

LAB 55.27, -19.81, -26.23

 

CMYK 0 / 94 / 20 / 30

HEX #B20B8E

RGB 178 11 142

HSL 312.93, 0.88%, 0.37%

LAB 40.67, 68.95, -27.34

 

CMYK 0 / 56 / 94 / 31

HEX #B14D0B

RGB 177 77 11

HSL 23.86, 0.88%, 0.37%

LAB 45.19, 37.77, 52.29

 

CMYK 94 / 0 / 75 / 31

HEX #0BB12C

RGB 11 177 44

HSL 131.93, 0.88%, 0.37%

LAB 63.09, -63.04, 53.87

 

CMYK 94 / 38 / 0 / 31

HEX #0B6EB1

RGB 11 110 177

HSL 204.22, 0.88%, 0.37%

LAB 44.8, -0.22, -42.65

 

CMYK 0 / 94 / 20 / 30

HEX #B20B8E

RGB 178 11 142

HSL 312.93, 0.88%, 0.37%

LAB 40.67, 68.95, -27.34

 

CMYK 0 / 28 / 94 / 31

HEX #B17F0B

RGB 177 127 11

HSL 41.93, 0.88%, 0.37%

LAB 56.63, 10.58, 60.47

 

CMYK 94 / 0 / 75 / 31

HEX #0BB12C

RGB 11 177 44

HSL 131.93, 0.88%, 0.37%

LAB 63.09, -63.04, 53.87

 

CMYK 94 / 66 / 0 / 31

HEX #0B3DB1

RGB 11 61 177

HSL 221.93, 0.88%, 0.37%

LAB 30.84, 32.11, -65.24

 

Description

Color code: RGB 178 11 142 | qconv.com Color code: RGB 178 11 142 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 11 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 11 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 20 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 20% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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