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Color name
RGB 178 112 41

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 112 41 it is the complementary color RGB 77 143 214. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 112 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 178 112 41 shade: RGB 183 112 36, RGB 200 130 55, RGB 217 148 74, RGB 234 166 93 and RGB 251 184 112

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 112 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 178 112 41 shade: RGB 178 112 41, RGB 161 94 22, RGB 144 76 3, RGB 127 58 0 and RGB 110 40 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 178 112 41 shade: RGB 178 112 40, RGB 178 74 40 and RGB 178 40 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 178 112 41 shade: RGB 178 112 40, RGB 178 149 40, RGB 170 178 40, RGB 133 178 40 and RGB 96 178 40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 178 112 41 shade matches the following richer shades: RGB 178 112 40, RGB 196 112 22 and RGB 214 113 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 178 112 41 shade: RGB 178 112 40, RGB 160 111 58, RGB 143 110 76, RGB 125 110 93 and RGB 107 109 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 178 112 41 shade: RGB 178 40 42, RGB 178 75 40, RGB 178 111 40, RGB 178 148 40 and RGB 171 178 40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 178 112 41 shade: RGB 111 69 25, RGB 145 91 32, RGB 178 112 40, RGB 208 133 51 and RGB 216 153 85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 178 112 41 shade: RGB 178 112 41, RGB 79 178 40 and RGB 56 40 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 178 112 41 shade: RGB 178 112 41, RGB 40 178 111 and RGB 111 40 178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 178 112 41 shade: RGB 178 112 41, RGB 79 178 40, RGB 40 107 178 and RGB 139 40 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 178 112 41 shade: RGB 178 112 41, RGB 40 178 42, RGB 40 107 178 and RGB 178 40 176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 77 / 30

HEX #B27029

RGB 178 112 41

HSL 31.09, 0.63%, 0.43%

LAB 53.18, 20.25, 48.15

 

Complementary color

CMYK 64 / 33 / 0 / 16

HEX #4D8FD6

RGB 77 143 214

HSL 211.09, 0.63%, 0.57%

LAB 58.11, 1, -42.62

 

CMYK 0 / 39 / 80 / 28

HEX #B77024

RGB 183 112 36

HSL 31.02, 0.67%, 0.43%

LAB 53.8, 22.23, 51.08

 

CMYK 0 / 35 / 73 / 22

HEX #C88237

RGB 200 130 55

HSL 31.03, 0.57%, 0.5%

LAB 60.36, 20.49, 50

 

CMYK 0 / 32 / 66 / 15

HEX #D9944A

RGB 217 148 74

HSL 31.05, 0.65%, 0.57%

LAB 66.84, 18.98, 48.63

 

CMYK 0 / 29 / 60 / 8

HEX #EAA65D

RGB 234 166 93

HSL 31.06, 0.77%, 0.64%

LAB 73.26, 17.67, 47.18

 

CMYK 0 / 27 / 55 / 2

HEX #FBB870

RGB 251 184 112

HSL 31.08, 0.95%, 0.71%

LAB 79.59, 16.53, 45.74

 

CMYK 0 / 37 / 77 / 30

HEX #B27029

RGB 178 112 41

HSL 31.09, 0.63%, 0.43%

LAB 53.18, 20.25, 48.15

 

CMYK 0 / 42 / 86 / 37

HEX #A15E16

RGB 161 94 22

HSL 31.08, 0.76%, 0.36%

LAB 46.5, 22.17, 48.83

 

CMYK 0 / 47 / 98 / 44

HEX #904C03

RGB 144 76 3

HSL 31.06, 0.96%, 0.29%

LAB 39.76, 24.37, 48.33

 

CMYK 0 / 54 / 100 / 50

HEX #7F3A00

RGB 127 58 0

HSL 27.4, 1%, 0.25%

LAB 33, 26.9, 43.83

 

CMYK 0 / 64 / 100 / 57

HEX #6E2800

RGB 110 40 0

HSL 21.82, 1%, 0.22%

LAB 26.25, 29.33, 37.34

 

CMYK 0 / 37 / 78 / 30

HEX #B27028

RGB 178 112 40

HSL 31.3, 0.63%, 0.43%

LAB 53.17, 20.2, 48.58

 

CMYK 0 / 58 / 78 / 30

HEX #B24A28

RGB 178 74 40

HSL 14.78, 0.63%, 0.43%

LAB 44.96, 40.41, 40.37

 

CMYK 0 / 78 / 78 / 30

HEX #B22828

RGB 178 40 40

HSL 0, 0.63%, 0.43%

LAB 39.81, 54.35, 34.96

 

CMYK 0 / 37 / 78 / 30

HEX #B27028

RGB 178 112 40

HSL 31.3, 0.63%, 0.43%

LAB 53.17, 20.2, 48.58

 

CMYK 0 / 16 / 78 / 30

HEX #B29528

RGB 178 149 40

HSL 47.39, 0.63%, 0.43%

LAB 62.6, -0.31, 57.52

 

CMYK 4 / 0 / 78 / 30

HEX #AAB228

RGB 170 178 40

HSL 63.48, 0.63%, 0.43%

LAB 69.85, -19.06, 63.91

 

CMYK 25 / 0 / 78 / 30

HEX #85B228

RGB 133 178 40

HSL 79.57, 0.63%, 0.43%

LAB 67.26, -34.41, 60.58

 

CMYK 46 / 0 / 78 / 30

HEX #60B228

RGB 96 178 40

HSL 95.65, 0.63%, 0.43%

LAB 65.34, -47.73, 58.08

 

CMYK 0 / 37 / 78 / 30

HEX #B27028

RGB 178 112 40

HSL 31.3, 0.63%, 0.43%

LAB 53.17, 20.2, 48.58

 

CMYK 0 / 43 / 89 / 23

HEX #C47016

RGB 196 112 22

HSL 31.03, 0.8%, 0.43%

LAB 55.46, 27.42, 58.09

 

CMYK 0 / 47 / 98 / 16

HEX #D67105

RGB 214 113 5

HSL 31, 0.95%, 0.43%

LAB 58.15, 34.16, 64.8

 

CMYK 0 / 37 / 78 / 30

HEX #B27028

RGB 178 112 40

HSL 31.3, 0.63%, 0.43%

LAB 53.17, 20.2, 48.58

 

CMYK 0 / 31 / 64 / 37

HEX #A06F3A

RGB 160 111 58

HSL 31.18, 0.47%, 0.43%

LAB 50.86, 13.82, 36.73

 

CMYK 0 / 23 / 47 / 44

HEX #8F6E4C

RGB 143 110 76

HSL 30.45, 0.31%, 0.43%

LAB 48.9, 8.49, 23.95

 

CMYK 0 / 12 / 26 / 51

HEX #7D6E5D

RGB 125 110 93

HSL 31.88, 0.15%, 0.43%

LAB 47.37, 2.99, 11.64

 

CMYK 4 / 2 / 0 / 56

HEX #6B6D6F

RGB 107 109 111

HSL 210, 0.02%, 0.43%

LAB 45.92, -0.35, -1.39

 

CMYK 0 / 78 / 76 / 30

HEX #B2282A

RGB 178 40 42

HSL 359.13, 0.63%, 0.43%

LAB 39.83, 54.43, 33.82

 

CMYK 0 / 58 / 78 / 30

HEX #B24B28

RGB 178 75 40

HSL 15.22, 0.63%, 0.43%

LAB 45.15, 39.93, 40.57

 

CMYK 0 / 38 / 78 / 30

HEX #B26F28

RGB 178 111 40

HSL 30.87, 0.63%, 0.43%

LAB 52.94, 20.76, 48.35

 

CMYK 0 / 17 / 78 / 30

HEX #B29428

RGB 178 148 40

HSL 46.96, 0.63%, 0.43%

LAB 62.34, 0.23, 57.28

 

CMYK 4 / 0 / 78 / 30

HEX #ABB228

RGB 171 178 40

HSL 63.04, 0.63%, 0.43%

LAB 69.93, -18.62, 64.01

 

CMYK 0 / 38 / 77 / 56

HEX #6F4519

RGB 111 69 25

HSL 30.7, 0.63%, 0.27%

LAB 33.36, 13.93, 32.87

 

CMYK 0 / 37 / 78 / 43

HEX #915B20

RGB 145 91 32

HSL 31.33, 0.64%, 0.35%

LAB 43.66, 17.05, 41.36

 

CMYK 0 / 37 / 78 / 30

HEX #B27028

RGB 178 112 40

HSL 31.3, 0.63%, 0.43%

LAB 53.17, 20.2, 48.58

 

CMYK 0 / 36 / 75 / 18

HEX #D08533

RGB 208 133 51

HSL 31.34, 0.63%, 0.51%

LAB 62.02, 22.09, 53.79

 

CMYK 0 / 29 / 61 / 15

HEX #D89955

RGB 216 153 85

HSL 31.15, 0.63%, 0.59%

LAB 68.05, 16.59, 44.55

 

CMYK 0 / 37 / 77 / 30

HEX #B27029

RGB 178 112 41

HSL 31.09, 0.63%, 0.43%

LAB 53.18, 20.25, 48.15

 

CMYK 56 / 0 / 78 / 30

HEX #4FB228

RGB 79 178 40

HSL 103.04, 0.63%, 0.43%

LAB 64.69, -52.76, 57.23

 

CMYK 69 / 78 / 0 / 30

HEX #3828B2

RGB 56 40 178

HSL 246.96, 0.63%, 0.43%

LAB 28.31, 48.36, -69.94

 

CMYK 0 / 37 / 77 / 30

HEX #B27029

RGB 178 112 41

HSL 31.09, 0.63%, 0.43%

LAB 53.18, 20.25, 48.15

 

CMYK 78 / 0 / 38 / 30

HEX #28B26F

RGB 40 178 111

HSL 150.87, 0.63%, 0.43%

LAB 64.52, -51.32, 24.27

 

CMYK 38 / 78 / 0 / 30

HEX #6F28B2

RGB 111 40 178

HSL 270.87, 0.63%, 0.43%

LAB 34.21, 55.85, -60.02

 

CMYK 0 / 37 / 77 / 30

HEX #B27029

RGB 178 112 41

HSL 31.09, 0.63%, 0.43%

LAB 53.18, 20.25, 48.15

 

CMYK 56 / 0 / 78 / 30

HEX #4FB228

RGB 79 178 40

HSL 103.04, 0.63%, 0.43%

LAB 64.69, -52.76, 57.23

 

CMYK 78 / 40 / 0 / 30

HEX #286BB2

RGB 40 107 178

HSL 210.87, 0.63%, 0.43%

LAB 44.49, 4.38, -43.69

 

CMYK 22 / 78 / 0 / 30

HEX #8B28B2

RGB 139 40 178

HSL 283.04, 0.63%, 0.43%

LAB 38.24, 60.83, -53.3

 

CMYK 0 / 37 / 77 / 30

HEX #B27029

RGB 178 112 41

HSL 31.09, 0.63%, 0.43%

LAB 53.18, 20.25, 48.15

 

CMYK 78 / 0 / 76 / 30

HEX #28B22A

RGB 40 178 42

HSL 120.87, 0.63%, 0.43%

LAB 63.72, -60.74, 55.29

 

CMYK 78 / 40 / 0 / 30

HEX #286BB2

RGB 40 107 178

HSL 210.87, 0.63%, 0.43%

LAB 44.49, 4.38, -43.69

 

CMYK 0 / 78 / 1 / 30

HEX #B228B0

RGB 178 40 176

HSL 300.87, 0.63%, 0.43%

LAB 44.4, 68.16, -41.89

 

Description

Color code: RGB 178 112 41 | qconv.com Color code: RGB 178 112 41 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 112 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 112 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 77 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 77% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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