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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 112 128 it is the complementary color RGB 77 143 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 112 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 178 112 128 shade: RGB 183 112 123, RGB 200 130 142, RGB 217 148 161, RGB 234 166 180 and RGB 251 184 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 112 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 178 112 128 shade: RGB 178 112 128, RGB 161 94 109, RGB 144 76 90, RGB 127 58 71 and RGB 110 40 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 178 112 128 shade: RGB 178 112 128 and RGB 178 112 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 178 112 128 shade: RGB 178 112 128, RGB 178 112 146, RGB 178 112 163, RGB 174 112 178 and RGB 157 112 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 178 112 128 shade matches the following richer shades: RGB 178 112 128, RGB 195 94 119, RGB 213 76 110, RGB 231 59 100 and RGB 249 41 91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 178 112 128 shade: RGB 178 112 128, RGB 160 130 137, RGB 142 147 146, RGB 125 165 155 and RGB 107 183 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 178 112 128 shade: RGB 178 112 163, RGB 178 112 146, RGB 178 112 128, RGB 178 113 112 and RGB 178 131 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 178 112 128 shade: RGB 135 72 88, RGB 162 87 105, RGB 178 112 128, RGB 192 139 152 and RGB 207 166 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 178 112 128 shade: RGB 178 112 128, RGB 178 174 112 and RGB 112 155 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 178 112 128 shade: RGB 178 112 128, RGB 128 178 112 and RGB 112 128 178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 178 112 128 shade: RGB 178 112 128, RGB 178 174 112, RGB 112 178 161 and RGB 112 115 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 178 112 128 shade: RGB 178 112 128, RGB 161 178 112, RGB 112 178 161 and RGB 128 112 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 28 / 30

HEX #B27080

RGB 178 112 128

HSL 345.45, 0.3%, 0.57%

LAB 54.67, 28.28, 2.2

 

Complementary color

CMYK 46 / 0 / 11 / 44

HEX #4D8F7F

RGB 77 143 127

HSL 165.45, 0.3%, 0.43%

LAB 54.82, -25.13, 1.98

 

CMYK 0 / 39 / 33 / 28

HEX #B7707B

RGB 183 112 123

HSL 350.7, 0.33%, 0.58%

LAB 55.16, 29.48, 5.92

 

CMYK 0 / 35 / 29 / 22

HEX #C8828E

RGB 200 130 142

HSL 349.71, 0.39%, 0.65%

LAB 61.82, 28.59, 4.78

 

CMYK 0 / 32 / 26 / 15

HEX #D994A1

RGB 217 148 161

HSL 348.7, 0.48%, 0.72%

LAB 68.39, 27.78, 3.78

 

CMYK 0 / 29 / 23 / 8

HEX #EAA6B4

RGB 234 166 180

HSL 347.65, 0.62%, 0.78%

LAB 74.86, 27.03, 2.86

 

CMYK 0 / 27 / 21 / 2

HEX #FBB8C7

RGB 251 184 199

HSL 346.57, 0.89%, 0.85%

LAB 81.24, 26.35, 2.02

 

CMYK 0 / 37 / 28 / 30

HEX #B27080

RGB 178 112 128

HSL 345.45, 0.3%, 0.57%

LAB 54.67, 28.28, 2.2

 

CMYK 0 / 42 / 32 / 37

HEX #A15E6D

RGB 161 94 109

HSL 346.57, 0.26%, 0.5%

LAB 47.86, 29.2, 3.36

 

CMYK 0 / 47 / 38 / 44

HEX #904C5A

RGB 144 76 90

HSL 347.65, 0.31%, 0.43%

LAB 40.95, 30.19, 4.72

 

CMYK 0 / 54 / 44 / 50

HEX #7F3A47

RGB 127 58 71

HSL 348.7, 0.37%, 0.36%

LAB 33.97, 31.22, 6.4

 

CMYK 0 / 64 / 53 / 57

HEX #6E2834

RGB 110 40 52

HSL 349.71, 0.47%, 0.29%

LAB 26.96, 32.18, 8.61

 

CMYK 0 / 37 / 28 / 30

HEX #B27080

RGB 178 112 128

HSL 345.45, 0.3%, 0.57%

LAB 54.67, 28.28, 2.2

 

CMYK 0 / 37 / 37 / 30

HEX #B27070

RGB 178 112 112

HSL 0, 0.3%, 0.57%

LAB 54.26, 26.15, 10.99

 

CMYK 0 / 37 / 28 / 30

HEX #B27080

RGB 178 112 128

HSL 345.45, 0.3%, 0.57%

LAB 54.67, 28.28, 2.2

 

CMYK 0 / 37 / 18 / 30

HEX #B27092

RGB 178 112 146

HSL 329.09, 0.3%, 0.57%

LAB 55.2, 31.01, -7.54

 

CMYK 0 / 37 / 8 / 30

HEX #B270A3

RGB 178 112 163

HSL 313.64, 0.3%, 0.57%

LAB 55.78, 33.89, -16.55

 

CMYK 2 / 37 / 0 / 30

HEX #AE70B2

RGB 174 112 178

HSL 296.36, 0.3%, 0.57%

LAB 55.89, 35.36, -25.1

 

CMYK 12 / 37 / 0 / 30

HEX #9D70B2

RGB 157 112 178

HSL 280.91, 0.3%, 0.57%

LAB 54, 29.93, -28.18

 

CMYK 0 / 37 / 28 / 30

HEX #B27080

RGB 178 112 128

HSL 345.45, 0.3%, 0.57%

LAB 54.67, 28.28, 2.2

 

CMYK 0 / 52 / 39 / 24

HEX #C35E77

RGB 195 94 119

HSL 345.15, 0.46%, 0.57%

LAB 52.88, 42.91, 5.22

 

CMYK 0 / 64 / 48 / 16

HEX #D54C6E

RGB 213 76 110

HSL 345.11, 0.62%, 0.57%

LAB 52.33, 56.32, 10.19

 

CMYK 0 / 74 / 57 / 9

HEX #E73B64

RGB 231 59 100

HSL 345.7, 0.78%, 0.57%

LAB 52.99, 67.12, 17.58

 

CMYK 0 / 84 / 63 / 2

HEX #F9295B

RGB 249 41 91

HSL 345.58, 0.95%, 0.57%

LAB 54.53, 76.05, 25.62

 

CMYK 0 / 37 / 28 / 30

HEX #B27080

RGB 178 112 128

HSL 345.45, 0.3%, 0.57%

LAB 54.67, 28.28, 2.2

 

CMYK 0 / 19 / 14 / 37

HEX #A08289

RGB 160 130 137

HSL 346, 0.14%, 0.57%

LAB 57.31, 12.66, 0.57

 

CMYK 3 / 0 / 1 / 42

HEX #8E9392

RGB 142 147 146

HSL 168, 0.02%, 0.57%

LAB 60.51, -2.01, -0.11

 

CMYK 24 / 0 / 6 / 35

HEX #7DA59B

RGB 125 165 155

HSL 165, 0.18%, 0.57%

LAB 64.67, -15.72, 0.75

 

CMYK 42 / 0 / 10 / 28

HEX #6BB7A4

RGB 107 183 164

HSL 165, 0.35%, 0.57%

LAB 69.24, -28.11, 2.28

 

CMYK 0 / 37 / 8 / 30

HEX #B270A3

RGB 178 112 163

HSL 313.64, 0.3%, 0.57%

LAB 55.78, 33.89, -16.55

 

CMYK 0 / 37 / 18 / 30

HEX #B27092

RGB 178 112 146

HSL 329.09, 0.3%, 0.57%

LAB 55.2, 31.01, -7.54

 

CMYK 0 / 37 / 28 / 30

HEX #B27080

RGB 178 112 128

HSL 345.45, 0.3%, 0.57%

LAB 54.67, 28.28, 2.2

 

CMYK 0 / 37 / 37 / 30

HEX #B27170

RGB 178 113 112

HSL 0.91, 0.3%, 0.57%

LAB 54.5, 25.59, 11.32

 

CMYK 0 / 26 / 37 / 30

HEX #B28370

RGB 178 131 112

HSL 17.27, 0.3%, 0.57%

LAB 58.85, 15.52, 17.36

 

CMYK 0 / 47 / 35 / 47

HEX #874858

RGB 135 72 88

HSL 344.76, 0.3%, 0.41%

LAB 38.71, 28.69, 2.56

 

CMYK 0 / 46 / 35 / 36

HEX #A25769

RGB 162 87 105

HSL 345.6, 0.3%, 0.49%

LAB 46.34, 32.9, 3.59

 

CMYK 0 / 37 / 28 / 30

HEX #B27080

RGB 178 112 128

HSL 345.45, 0.3%, 0.57%

LAB 54.67, 28.28, 2.2

 

CMYK 0 / 28 / 21 / 25

HEX #C08B98

RGB 192 139 152

HSL 345.28, 0.3%, 0.65%

LAB 63.29, 22.11, 1.1

 

CMYK 0 / 20 / 15 / 19

HEX #CFA6B0

RGB 207 166 176

HSL 345.37, 0.3%, 0.73%

LAB 72.01, 16.61, 0.57

 

CMYK 0 / 37 / 28 / 30

HEX #B27080

RGB 178 112 128

HSL 345.45, 0.3%, 0.57%

LAB 54.67, 28.28, 2.2

 

CMYK 0 / 2 / 37 / 30

HEX #B2AE70

RGB 178 174 112

HSL 56.36, 0.3%, 0.57%

LAB 70.11, -8, 32.36

 

CMYK 37 / 13 / 0 / 30

HEX #709BB2

RGB 112 155 178

HSL 200.91, 0.3%, 0.57%

LAB 61.74, -8.7, -16.61

 

CMYK 0 / 37 / 28 / 30

HEX #B27080

RGB 178 112 128

HSL 345.45, 0.3%, 0.57%

LAB 54.67, 28.28, 2.2

 

CMYK 28 / 0 / 37 / 30

HEX #80B270

RGB 128 178 112

HSL 105.45, 0.3%, 0.57%

LAB 67.72, -29.19, 28.57

 

CMYK 37 / 28 / 0 / 30

HEX #7080B2

RGB 112 128 178

HSL 225.45, 0.3%, 0.57%

LAB 54.13, 6.73, -28.28

 

CMYK 0 / 37 / 28 / 30

HEX #B27080

RGB 178 112 128

HSL 345.45, 0.3%, 0.57%

LAB 54.67, 28.28, 2.2

 

CMYK 0 / 2 / 37 / 30

HEX #B2AE70

RGB 178 174 112

HSL 56.36, 0.3%, 0.57%

LAB 70.11, -8, 32.36

 

CMYK 37 / 0 / 10 / 30

HEX #70B2A1

RGB 112 178 161

HSL 164.55, 0.3%, 0.57%

LAB 67.92, -24.96, 2.05

 

CMYK 37 / 35 / 0 / 30

HEX #7073B2

RGB 112 115 178

HSL 237.27, 0.3%, 0.57%

LAB 50.59, 14.5, -33.8

 

CMYK 0 / 37 / 28 / 30

HEX #B27080

RGB 178 112 128

HSL 345.45, 0.3%, 0.57%

LAB 54.67, 28.28, 2.2

 

CMYK 10 / 0 / 37 / 30

HEX #A1B270

RGB 161 178 112

HSL 75.45, 0.3%, 0.57%

LAB 69.89, -16.86, 31.8

 

CMYK 37 / 0 / 10 / 30

HEX #70B2A1

RGB 112 178 161

HSL 164.55, 0.3%, 0.57%

LAB 67.92, -24.96, 2.05

 

CMYK 28 / 37 / 0 / 30

HEX #8070B2

RGB 128 112 178

HSL 254.55, 0.3%, 0.57%

LAB 51.14, 20.96, -32.84

 

Description

Color code: RGB 178 112 128 | qconv.com Color code: RGB 178 112 128 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 112 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 112 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 28 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 28% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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