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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 115 4 it is the complementary color RGB 77 140 251. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 115 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 178 115 4 shade: RGB 183 115 0, RGB 200 133 18, RGB 217 151 37, RGB 234 169 56 and RGB 251 187 75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 115 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 178 115 4 shade: RGB 178 115 4, RGB 161 97 0, RGB 144 79 0, RGB 127 61 0 and RGB 110 43 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 178 115 4 shade: RGB 179 116 3, RGB 179 68 3, RGB 179 21 3 and RGB 179 3 3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 178 115 4 shade: RGB 179 116 3, RGB 179 163 3, RGB 148 179 3, RGB 101 179 3 and RGB 53 179 3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 178 115 4 shade matches the following richer shades: RGB 179 116 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 178 115 4 shade: RGB 179 116 3, RGB 165 112 18, RGB 150 107 33, RGB 135 103 48 and RGB 120 99 63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 178 115 4 shade: RGB 179 21 3, RGB 179 68 3, RGB 179 115 3, RGB 179 162 3 and RGB 150 179 3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 178 115 4 shade: RGB 99 63 2, RGB 139 90 2, RGB 179 116 3, RGB 220 142 4 and RGB 250 165 15

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 178 115 4 shade: RGB 178 115 4, RGB 33 179 3 and RGB 44 3 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 178 115 4 shade: RGB 178 115 4, RGB 3 179 115 and RGB 115 3 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 178 115 4 shade: RGB 178 115 4, RGB 33 179 3, RGB 3 68 179 and RGB 150 3 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 178 115 4 shade: RGB 178 115 4, RGB 3 179 27, RGB 3 68 179 and RGB 179 3 156

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 98 / 30

HEX #B27304

RGB 178 115 4

HSL 38.28, 0.96%, 0.36%

LAB 53.74, 17.64, 59.72

 

Complementary color

CMYK 69 / 44 / 0 / 2

HEX #4D8CFB

RGB 77 140 251

HSL 218.28, 0.96%, 0.64%

LAB 59.25, 15.52, -61.34

 

CMYK 0 / 37 / 100 / 28

HEX #B77300

RGB 183 115 0

HSL 37.7, 1%, 0.36%

LAB 54.37, 19.81, 61.21

 

CMYK 0 / 34 / 91 / 22

HEX #C88512

RGB 200 133 18

HSL 37.91, 0.83%, 0.43%

LAB 60.87, 17.65, 63.46

 

CMYK 0 / 30 / 83 / 15

HEX #D99725

RGB 217 151 37

HSL 38, 0.71%, 0.5%

LAB 67.29, 15.73, 64.31

 

CMYK 0 / 28 / 76 / 8

HEX #EAA938

RGB 234 169 56

HSL 38.09, 0.81%, 0.57%

LAB 73.65, 14.06, 64.1

 

CMYK 0 / 25 / 70 / 2

HEX #FBBB4B

RGB 251 187 75

HSL 38.18, 0.96%, 0.64%

LAB 79.93, 12.6, 63.33

 

CMYK 0 / 35 / 98 / 30

HEX #B27304

RGB 178 115 4

HSL 38.28, 0.96%, 0.36%

LAB 53.74, 17.64, 59.72

 

CMYK 0 / 40 / 100 / 37

HEX #A16100

RGB 161 97 0

HSL 36.15, 1%, 0.32%

LAB 47.14, 20.06, 55.12

 

CMYK 0 / 45 / 100 / 44

HEX #904F00

RGB 144 79 0

HSL 32.92, 1%, 0.28%

LAB 40.44, 22.62, 49.69

 

CMYK 0 / 52 / 100 / 50

HEX #7F3D00

RGB 127 61 0

HSL 28.82, 1%, 0.25%

LAB 33.67, 25.23, 44.23

 

CMYK 0 / 61 / 100 / 57

HEX #6E2B00

RGB 110 43 0

HSL 23.45, 1%, 0.22%

LAB 26.86, 27.75, 37.88

 

CMYK 0 / 35 / 98 / 30

HEX #B37403

RGB 179 116 3

HSL 38.52, 0.97%, 0.36%

LAB 54.11, 17.52, 60.22

 

CMYK 0 / 62 / 98 / 30

HEX #B34403

RGB 179 68 3

HSL 22.16, 0.97%, 0.36%

LAB 43.84, 42.79, 53.72

 

CMYK 0 / 88 / 98 / 30

HEX #B31503

RGB 179 21 3

HSL 6.14, 0.97%, 0.36%

LAB 38.07, 58.66, 50.71

 

CMYK 0 / 98 / 98 / 30

HEX #B30303

RGB 179 3 3

HSL 0, 0.97%, 0.36%

LAB 37.22, 61.11, 50.33

 

CMYK 0 / 35 / 98 / 30

HEX #B37403

RGB 179 116 3

HSL 38.52, 0.97%, 0.36%

LAB 54.11, 17.52, 60.22

 

CMYK 0 / 9 / 98 / 30

HEX #B3A303

RGB 179 163 3

HSL 54.55, 0.97%, 0.36%

LAB 66.36, -8.22, 68.86

 

CMYK 17 / 0 / 98 / 30

HEX #94B303

RGB 148 179 3

HSL 70.57, 0.97%, 0.36%

LAB 68.42, -29.8, 69.31

 

CMYK 44 / 0 / 98 / 30

HEX #65B303

RGB 101 179 3

HSL 86.59, 0.97%, 0.36%

LAB 65.76, -47.74, 66.1

 

CMYK 70 / 0 / 98 / 30

HEX #35B303

RGB 53 179 3

HSL 102.95, 0.97%, 0.36%

LAB 64.16, -60.52, 64.15

 

CMYK 0 / 35 / 98 / 30

HEX #B37403

RGB 179 116 3

HSL 38.52, 0.97%, 0.36%

LAB 54.11, 17.52, 60.22

 

CMYK 0 / 35 / 98 / 30

HEX #B37403

RGB 179 116 3

HSL 38.52, 0.97%, 0.36%

LAB 54.11, 17.52, 60.22

 

CMYK 0 / 32 / 89 / 35

HEX #A57012

RGB 165 112 18

HSL 38.37, 0.8%, 0.36%

LAB 51.42, 13.68, 54.31

 

CMYK 0 / 29 / 78 / 41

HEX #966B21

RGB 150 107 33

HSL 37.95, 0.64%, 0.36%

LAB 48.4, 10.14, 45.75

 

CMYK 0 / 24 / 64 / 47

HEX #876730

RGB 135 103 48

HSL 37.93, 0.48%, 0.36%

LAB 45.72, 6.39, 35.31

 

CMYK 0 / 18 / 48 / 53

HEX #78633F

RGB 120 99 63

HSL 37.89, 0.31%, 0.36%

LAB 43.18, 3.24, 23.56

 

CMYK 0 / 88 / 98 / 30

HEX #B31503

RGB 179 21 3

HSL 6.14, 0.97%, 0.36%

LAB 38.07, 58.66, 50.71

 

CMYK 0 / 62 / 98 / 30

HEX #B34403

RGB 179 68 3

HSL 22.16, 0.97%, 0.36%

LAB 43.84, 42.79, 53.72

 

CMYK 0 / 36 / 98 / 30

HEX #B37303

RGB 179 115 3

HSL 38.18, 0.97%, 0.36%

LAB 53.87, 18.07, 60.06

 

CMYK 0 / 9 / 98 / 30

HEX #B3A203

RGB 179 162 3

HSL 54.2, 0.97%, 0.36%

LAB 66.08, -7.69, 68.67

 

CMYK 16 / 0 / 98 / 30

HEX #96B303

RGB 150 179 3

HSL 69.89, 0.97%, 0.36%

LAB 68.56, -28.97, 69.47

 

CMYK 0 / 36 / 98 / 61

HEX #633F02

RGB 99 63 2

HSL 37.73, 0.96%, 0.2%

LAB 29.94, 10.9, 38.88

 

CMYK 0 / 35 / 99 / 45

HEX #8B5A02

RGB 139 90 2

HSL 38.54, 0.97%, 0.28%

LAB 42.47, 14, 50.1

 

CMYK 0 / 35 / 98 / 30

HEX #B37403

RGB 179 116 3

HSL 38.52, 0.97%, 0.36%

LAB 54.11, 17.52, 60.22

 

CMYK 0 / 35 / 98 / 14

HEX #DC8E04

RGB 220 142 4

HSL 38.33, 0.96%, 0.44%

LAB 65.41, 21.29, 70.1

 

CMYK 0 / 34 / 94 / 2

HEX #FAA50F

RGB 250 165 15

HSL 38.3, 0.96%, 0.52%

LAB 74.36, 21.97, 76.51

 

CMYK 0 / 35 / 98 / 30

HEX #B27304

RGB 178 115 4

HSL 38.28, 0.96%, 0.36%

LAB 53.74, 17.64, 59.72

 

CMYK 82 / 0 / 98 / 30

HEX #21B303

RGB 33 179 3

HSL 109.77, 0.97%, 0.36%

LAB 63.81, -63.61, 63.72

 

CMYK 75 / 98 / 0 / 30

HEX #2C03B3

RGB 44 3 179

HSL 253.98, 0.97%, 0.36%

LAB 23.19, 60.73, -79.06

 

CMYK 0 / 35 / 98 / 30

HEX #B27304

RGB 178 115 4

HSL 38.28, 0.96%, 0.36%

LAB 53.74, 17.64, 59.72

 

CMYK 98 / 0 / 36 / 30

HEX #03B373

RGB 3 179 115

HSL 158.18, 0.97%, 0.36%

LAB 64.56, -53.61, 22.13

 

CMYK 36 / 98 / 0 / 30

HEX #7303B3

RGB 115 3 179

HSL 278.18, 0.97%, 0.36%

LAB 31.73, 65.92, -64.66

 

CMYK 0 / 35 / 98 / 30

HEX #B27304

RGB 178 115 4

HSL 38.28, 0.96%, 0.36%

LAB 53.74, 17.64, 59.72

 

CMYK 82 / 0 / 98 / 30

HEX #21B303

RGB 33 179 3

HSL 109.77, 0.97%, 0.36%

LAB 63.81, -63.61, 63.72

 

CMYK 98 / 62 / 0 / 30

HEX #0344B3

RGB 3 68 179

HSL 217.84, 0.97%, 0.36%

LAB 32.72, 27.93, -63.35

 

CMYK 16 / 98 / 0 / 30

HEX #9603B3

RGB 150 3 179

HSL 290.11, 0.97%, 0.36%

LAB 37.49, 70.5, -55.02

 

CMYK 0 / 35 / 98 / 30

HEX #B27304

RGB 178 115 4

HSL 38.28, 0.96%, 0.36%

LAB 53.74, 17.64, 59.72

 

CMYK 98 / 0 / 85 / 30

HEX #03B31B

RGB 3 179 27

HSL 128.18, 0.97%, 0.36%

LAB 63.62, -65.09, 59.45

 

CMYK 98 / 62 / 0 / 30

HEX #0344B3

RGB 3 68 179

HSL 217.84, 0.97%, 0.36%

LAB 32.72, 27.93, -63.35

 

CMYK 0 / 98 / 13 / 30

HEX #B3039C

RGB 179 3 156

HSL 307.84, 0.97%, 0.36%

LAB 41.29, 71.79, -34.85

 

Description

Color code: RGB 178 115 4 | qconv.com Color code: RGB 178 115 4 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 115 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 115 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 98 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 98% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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