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Color name
RGB 178 103 199

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 103 199 it is the complementary color RGB 77 152 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 103 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 178 103 199 shade: RGB 183 103 194, RGB 200 121 213, RGB 217 139 232, RGB 234 157 251 and RGB 251 175 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 103 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 178 103 199 shade: RGB 178 103 199, RGB 161 85 180, RGB 144 67 161, RGB 127 49 142 and RGB 110 31 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 178 103 199 shade: RGB 177 102 198, RGB 198 102 193, RGB 198 102 167, RGB 198 102 141 and RGB 198 102 115

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 178 103 199 shade: RGB 177 102 198, RGB 151 102 198, RGB 125 102 198 and RGB 102 102 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 178 103 199 shade matches the following richer shades: RGB 177 102 198, RGB 187 85 215, RGB 196 68 232 and RGB 206 51 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 178 103 199 shade: RGB 177 102 198, RGB 167 119 181, RGB 158 136 164, RGB 148 153 147 and RGB 139 170 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 178 103 199 shade: RGB 124 102 198, RGB 150 102 198, RGB 176 102 198, RGB 198 102 195 and RGB 198 102 169

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 178 103 199 shade: RGB 137 58 159, RGB 162 72 187, RGB 177 102 198, RGB 192 132 209 and RGB 208 162 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 178 103 199 shade: RGB 178 103 199, RGB 198 102 105 and RGB 102 198 137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 178 103 199 shade: RGB 178 103 199, RGB 198 176 102 and RGB 102 198 176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 178 103 199 shade: RGB 178 103 199, RGB 198 102 105, RGB 124 198 102 and RGB 102 198 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 178 103 199 shade: RGB 178 103 199, RGB 198 128 102, RGB 124 198 102 and RGB 102 172 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 48 / 0 / 22

HEX #B267C7

RGB 178 103 199

HSL 286.88, 0.46%, 0.59%

LAB 55.37, 45.63, -37.91

 

Complementary color

CMYK 49 / 0 / 63 / 40

HEX #4D9838

RGB 77 152 56

HSL 106.88, 0.46%, 0.41%

LAB 56.41, -41.88, 42.33

 

CMYK 6 / 47 / 0 / 24

HEX #B767C2

RGB 183 103 194

HSL 292.75, 0.43%, 0.58%

LAB 55.75, 46.08, -34.42

 

CMYK 6 / 43 / 0 / 16

HEX #C879D5

RGB 200 121 213

HSL 291.52, 0.52%, 0.65%

LAB 62.3, 45.33, -34.8

 

CMYK 6 / 40 / 0 / 9

HEX #D98BE8

RGB 217 139 232

HSL 290.32, 0.67%, 0.73%

LAB 68.78, 44.58, -35.13

 

CMYK 7 / 37 / 0 / 2

HEX #EA9DFB

RGB 234 157 251

HSL 289.15, 0.92%, 0.8%

LAB 75.18, 43.84, -35.43

 

CMYK 2 / 31 / 0 / 0

HEX #FBAFFF

RGB 251 175 255

HSL 297, 1%, 0.84%

LAB 80.95, 40.33, -28.54

 

CMYK 11 / 48 / 0 / 22

HEX #B267C7

RGB 178 103 199

HSL 286.88, 0.46%, 0.59%

LAB 55.37, 45.63, -37.91

 

CMYK 11 / 53 / 0 / 29

HEX #A155B4

RGB 161 85 180

HSL 288, 0.39%, 0.52%

LAB 48.72, 46.37, -37.55

 

CMYK 11 / 58 / 0 / 37

HEX #9043A1

RGB 144 67 161

HSL 289.15, 0.41%, 0.45%

LAB 42.03, 46.99, -37.07

 

CMYK 11 / 65 / 0 / 44

HEX #7F318E

RGB 127 49 142

HSL 290.32, 0.49%, 0.37%

LAB 35.32, 47.36, -36.36

 

CMYK 11 / 75 / 0 / 52

HEX #6E1F7B

RGB 110 31 123

HSL 291.52, 0.6%, 0.3%

LAB 28.71, 47.17, -35.25

 

CMYK 11 / 48 / 0 / 22

HEX #B166C6

RGB 177 102 198

HSL 286.88, 0.46%, 0.59%

LAB 55, 45.67, -37.93

 

CMYK 0 / 48 / 3 / 22

HEX #C666C1

RGB 198 102 193

HSL 303.13, 0.46%, 0.59%

LAB 57.42, 50.78, -31.09

 

CMYK 0 / 48 / 16 / 22

HEX #C666A7

RGB 198 102 167

HSL 319.38, 0.46%, 0.59%

LAB 56.39, 46.43, -17.72

 

CMYK 0 / 48 / 29 / 22

HEX #C6668D

RGB 198 102 141

HSL 335.63, 0.46%, 0.59%

LAB 55.51, 42.63, -3.87

 

CMYK 0 / 48 / 42 / 22

HEX #C66673

RGB 198 102 115

HSL 351.88, 0.46%, 0.59%

LAB 54.81, 39.46, 10.38

 

CMYK 11 / 48 / 0 / 22

HEX #B166C6

RGB 177 102 198

HSL 286.88, 0.46%, 0.59%

LAB 55, 45.67, -37.93

 

CMYK 24 / 48 / 0 / 22

HEX #9766C6

RGB 151 102 198

HSL 270.63, 0.46%, 0.59%

LAB 52.02, 38.35, -42.83

 

CMYK 37 / 48 / 0 / 22

HEX #7D66C6

RGB 125 102 198

HSL 254.38, 0.46%, 0.59%

LAB 49.42, 31.39, -47.11

 

CMYK 48 / 48 / 0 / 22

HEX #6666C6

RGB 102 102 198

HSL 240, 0.46%, 0.59%

LAB 47.5, 25.77, -50.29

 

CMYK 11 / 48 / 0 / 22

HEX #B166C6

RGB 177 102 198

HSL 286.88, 0.46%, 0.59%

LAB 55, 45.67, -37.93

 

CMYK 13 / 60 / 0 / 16

HEX #BB55D7

RGB 187 85 215

HSL 287.08, 0.62%, 0.59%

LAB 53.99, 60.09, -49.12

 

CMYK 16 / 71 / 0 / 9

HEX #C444E8

RGB 196 68 232

HSL 286.83, 0.78%, 0.59%

LAB 53.7, 72.36, -59.12

 

CMYK 17 / 80 / 0 / 2

HEX #CE33F9

RGB 206 51 249

HSL 286.97, 0.94%, 0.59%

LAB 54.37, 82.68, -67.49

 

CMYK 11 / 48 / 0 / 22

HEX #B166C6

RGB 177 102 198

HSL 286.88, 0.46%, 0.59%

LAB 55, 45.67, -37.93

 

CMYK 8 / 34 / 0 / 29

HEX #A777B5

RGB 167 119 181

HSL 286.45, 0.3%, 0.59%

LAB 56.83, 29.8, -25.44

 

CMYK 4 / 17 / 0 / 36

HEX #9E88A4

RGB 158 136 164

HSL 287.14, 0.13%, 0.59%

LAB 59.49, 13.56, -11.74

 

CMYK 3 / 0 / 4 / 40

HEX #949993

RGB 148 153 147

HSL 110, 0.03%, 0.59%

LAB 62.66, -2.96, 2.51

 

CMYK 18 / 0 / 24 / 33

HEX #8BAA82

RGB 139 170 130

HSL 106.5, 0.19%, 0.59%

LAB 66.41, -18.39, 17.2

 

CMYK 37 / 48 / 0 / 22

HEX #7C66C6

RGB 124 102 198

HSL 253.75, 0.46%, 0.59%

LAB 49.33, 31.13, -47.26

 

CMYK 24 / 48 / 0 / 22

HEX #9666C6

RGB 150 102 198

HSL 270, 0.46%, 0.59%

LAB 51.91, 38.08, -43.01

 

CMYK 11 / 48 / 0 / 22

HEX #B066C6

RGB 176 102 198

HSL 286.25, 0.46%, 0.59%

LAB 54.88, 45.38, -38.13

 

CMYK 0 / 48 / 2 / 22

HEX #C666C3

RGB 198 102 195

HSL 301.88, 0.46%, 0.59%

LAB 57.51, 51.13, -32.1

 

CMYK 0 / 48 / 15 / 22

HEX #C666A9

RGB 198 102 169

HSL 318.13, 0.46%, 0.59%

LAB 56.46, 46.74, -18.77

 

CMYK 14 / 64 / 0 / 38

HEX #893A9F

RGB 137 58 159

HSL 286.93, 0.47%, 0.43%

LAB 39.32, 49.14, -40.22

 

CMYK 13 / 61 / 0 / 27

HEX #A248BB

RGB 162 72 187

HSL 286.96, 0.46%, 0.51%

LAB 46.85, 54.45, -44.6

 

CMYK 11 / 48 / 0 / 22

HEX #B166C6

RGB 177 102 198

HSL 286.88, 0.46%, 0.59%

LAB 55, 45.67, -37.93

 

CMYK 8 / 37 / 0 / 18

HEX #C084D1

RGB 192 132 209

HSL 286.75, 0.46%, 0.67%

LAB 63.6, 36.21, -30.62

 

CMYK 5 / 26 / 0 / 14

HEX #D0A2DC

RGB 208 162 220

HSL 287.59, 0.45%, 0.75%

LAB 72.51, 27.05, -22.89

 

CMYK 11 / 48 / 0 / 22

HEX #B267C7

RGB 178 103 199

HSL 286.88, 0.46%, 0.59%

LAB 55.37, 45.63, -37.91

 

CMYK 0 / 48 / 47 / 22

HEX #C66669

RGB 198 102 105

HSL 358.13, 0.46%, 0.59%

LAB 54.58, 38.41, 15.93

 

CMYK 48 / 0 / 31 / 22

HEX #66C689

RGB 102 198 137

HSL 141.88, 0.46%, 0.59%

LAB 72.9, -42.06, 22.04

 

CMYK 11 / 48 / 0 / 22

HEX #B267C7

RGB 178 103 199

HSL 286.88, 0.46%, 0.59%

LAB 55.37, 45.63, -37.91

 

CMYK 0 / 11 / 48 / 22

HEX #C6B066

RGB 198 176 102

HSL 46.25, 0.46%, 0.59%

LAB 72.24, -1.9, 40.58

 

CMYK 48 / 0 / 11 / 22

HEX #66C6B0

RGB 102 198 176

HSL 166.25, 0.46%, 0.59%

LAB 73.77, -33.72, 2.29

 

CMYK 11 / 48 / 0 / 22

HEX #B267C7

RGB 178 103 199

HSL 286.88, 0.46%, 0.59%

LAB 55.37, 45.63, -37.91

 

CMYK 0 / 48 / 47 / 22

HEX #C66669

RGB 198 102 105

HSL 358.13, 0.46%, 0.59%

LAB 54.58, 38.41, 15.93

 

CMYK 37 / 0 / 48 / 22

HEX #7CC666

RGB 124 198 102

HSL 106.25, 0.46%, 0.59%

LAB 73.31, -41.12, 40.76

 

CMYK 48 / 0 / 2 / 22

HEX #66C6C3

RGB 102 198 195

HSL 178.13, 0.46%, 0.59%

LAB 74.29, -29.01, -7.25

 

CMYK 11 / 48 / 0 / 22

HEX #B267C7

RGB 178 103 199

HSL 286.88, 0.46%, 0.59%

LAB 55.37, 45.63, -37.91

 

CMYK 0 / 35 / 48 / 22

HEX #C68066

RGB 198 128 102

HSL 16.25, 0.46%, 0.59%

LAB 60.25, 24.19, 25.29

 

CMYK 37 / 0 / 48 / 22

HEX #7CC666

RGB 124 198 102

HSL 106.25, 0.46%, 0.59%

LAB 73.31, -41.12, 40.76

 

CMYK 48 / 13 / 0 / 22

HEX #66ACC6

RGB 102 172 198

HSL 196.25, 0.46%, 0.59%

LAB 66.83, -14.99, -20.1

 

Description

Color code: RGB 178 103 199 | qconv.com Color code: RGB 178 103 199 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 103 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 103 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 48 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 48% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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