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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 101 246 it is the complementary color RGB 77 154 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 101 246. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 178 101 246 shade: RGB 183 101 241, RGB 200 119 255, RGB 217 137 255, RGB 234 155 255 and RGB 251 173 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 101 246. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 178 101 246 shade: RGB 178 101 246, RGB 161 83 227, RGB 144 65 208, RGB 127 47 189 and RGB 110 29 170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 178 101 246 shade: RGB 177 100 246, RGB 217 100 246, RGB 246 100 235, RGB 246 100 196 and RGB 246 100 157

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 178 101 246 shade: RGB 177 100 246, RGB 138 100 246 and RGB 100 100 246

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 178 101 246 shade matches the following richer shades: RGB 177 100 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 178 101 246 shade: RGB 177 100 246, RGB 177 113 232, RGB 176 127 219, RGB 175 140 206 and RGB 174 153 193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 178 101 246 shade: RGB 100 103 246, RGB 137 100 246, RGB 175 100 246, RGB 214 100 246 and RGB 246 100 238

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 178 101 246 shade: RGB 138 22 241, RGB 158 61 243, RGB 177 100 246, RGB 197 139 248 and RGB 216 178 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 178 101 246 shade: RGB 178 101 246, RGB 246 100 141 and RGB 100 246 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 178 101 246 shade: RGB 178 101 246, RGB 246 175 100 and RGB 100 246 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 178 101 246 shade: RGB 178 101 246, RGB 246 100 141, RGB 170 246 100 and RGB 100 246 204

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 178 101 246 shade: RGB 178 101 246, RGB 246 103 100, RGB 170 246 100 and RGB 100 243 246

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 59 / 0 / 4

HEX #B265F6

RGB 178 101 246

HSL 271.86, 0.89%, 0.68%

LAB 57.49, 56.83, -61

 

Complementary color

CMYK 50 / 0 / 94 / 40

HEX #4D9A09

RGB 77 154 9

HSL 91.86, 0.89%, 0.32%

LAB 56.79, -45.57, 57.63

 

CMYK 24 / 58 / 0 / 5

HEX #B765F1

RGB 183 101 241

HSL 275.14, 0.83%, 0.67%

LAB 57.78, 56.88, -57.73

 

CMYK 22 / 53 / 0 / 0

HEX #C877FF

RGB 200 119 255

HSL 275.74, 1%, 0.73%

LAB 63.91, 55.01, -55.56

 

CMYK 15 / 46 / 0 / 0

HEX #D989FF

RGB 217 137 255

HSL 280.68, 1%, 0.77%

LAB 69.37, 50.21, -46.8

 

CMYK 8 / 39 / 0 / 0

HEX #EA9BFF

RGB 234 155 255

HSL 287.4, 1%, 0.8%

LAB 74.92, 45.66, -38

 

CMYK 2 / 32 / 0 / 0

HEX #FBADFF

RGB 251 173 255

HSL 297.07, 1%, 0.84%

LAB 80.53, 41.37, -29.2

 

CMYK 28 / 59 / 0 / 4

HEX #B265F6

RGB 178 101 246

HSL 271.86, 0.89%, 0.68%

LAB 57.49, 56.83, -61

 

CMYK 29 / 63 / 0 / 11

HEX #A153E3

RGB 161 83 227

HSL 272.5, 0.72%, 0.61%

LAB 51.05, 57.59, -60.82

 

CMYK 31 / 69 / 0 / 18

HEX #9041D0

RGB 144 65 208

HSL 273.15, 0.6%, 0.54%

LAB 44.61, 58.16, -60.49

 

CMYK 33 / 75 / 0 / 26

HEX #7F2FBD

RGB 127 47 189

HSL 273.8, 0.6%, 0.46%

LAB 38.23, 58.36, -59.88

 

CMYK 35 / 83 / 0 / 33

HEX #6E1DAA

RGB 110 29 170

HSL 274.47, 0.71%, 0.39%

LAB 32.02, 57.84, -58.82

 

CMYK 28 / 59 / 0 / 4

HEX #B164F6

RGB 177 100 246

HSL 271.64, 0.89%, 0.68%

LAB 57.19, 57.11, -61.49

 

CMYK 12 / 59 / 0 / 4

HEX #D964F6

RGB 217 100 246

HSL 288.08, 0.89%, 0.68%

LAB 62.1, 66.47, -53.36

 

CMYK 0 / 59 / 4 / 4

HEX #F664EB

RGB 246 100 235

HSL 304.52, 0.89%, 0.68%

LAB 65.52, 71.65, -41.61

 

CMYK 0 / 59 / 20 / 4

HEX #F664C4

RGB 246 100 196

HSL 320.55, 0.89%, 0.68%

LAB 63.91, 65.87, -22.24

 

CMYK 0 / 59 / 36 / 4

HEX #F6649D

RGB 246 100 157

HSL 336.58, 0.89%, 0.68%

LAB 62.63, 61.05, -1.89

 

CMYK 28 / 59 / 0 / 4

HEX #B164F6

RGB 177 100 246

HSL 271.64, 0.89%, 0.68%

LAB 57.19, 57.11, -61.49

 

CMYK 44 / 59 / 0 / 4

HEX #8A64F6

RGB 138 100 246

HSL 255.62, 0.89%, 0.68%

LAB 53.14, 48.64, -68.22

 

CMYK 59 / 59 / 0 / 4

HEX #6464F6

RGB 100 100 246

HSL 240, 0.89%, 0.68%

LAB 50.07, 41.64, -73.34

 

CMYK 28 / 59 / 0 / 4

HEX #B164F6

RGB 177 100 246

HSL 271.64, 0.89%, 0.68%

LAB 57.19, 57.11, -61.49

 

CMYK 28 / 59 / 0 / 4

HEX #B164F6

RGB 177 100 246

HSL 271.64, 0.89%, 0.68%

LAB 57.19, 57.11, -61.49

 

CMYK 24 / 51 / 0 / 9

HEX #B171E8

RGB 177 113 232

HSL 272.27, 0.72%, 0.68%

LAB 58.96, 47.18, -50.87

 

CMYK 20 / 42 / 0 / 14

HEX #B07FDB

RGB 176 127 219

HSL 271.96, 0.56%, 0.68%

LAB 61.24, 36.31, -40.01

 

CMYK 15 / 32 / 0 / 19

HEX #AF8CCE

RGB 175 140 206

HSL 271.82, 0.4%, 0.68%

LAB 63.61, 25.83, -29.06

 

CMYK 10 / 21 / 0 / 24

HEX #AE99C1

RGB 174 153 193

HSL 271.5, 0.24%, 0.68%

LAB 66.24, 15.39, -17.78

 

CMYK 59 / 58 / 0 / 4

HEX #6467F6

RGB 100 103 246

HSL 238.77, 0.89%, 0.68%

LAB 50.76, 39.86, -72.21

 

CMYK 44 / 59 / 0 / 4

HEX #8964F6

RGB 137 100 246

HSL 255.21, 0.89%, 0.68%

LAB 53.04, 48.44, -68.38

 

CMYK 29 / 59 / 0 / 4

HEX #AF64F6

RGB 175 100 246

HSL 270.82, 0.89%, 0.68%

LAB 56.96, 56.65, -61.86

 

CMYK 13 / 59 / 0 / 4

HEX #D664F6

RGB 214 100 246

HSL 286.85, 0.89%, 0.68%

LAB 61.71, 65.75, -54

 

CMYK 0 / 59 / 3 / 4

HEX #F664EE

RGB 246 100 238

HSL 303.29, 0.89%, 0.68%

LAB 65.66, 72.13, -43.05

 

CMYK 43 / 91 / 0 / 5

HEX #8A16F1

RGB 138 22 241

HSL 271.78, 0.89%, 0.52%

LAB 41.73, 78.39, -84.03

 

CMYK 35 / 75 / 0 / 5

HEX #9E3DF3

RGB 158 61 243

HSL 271.98, 0.88%, 0.6%

LAB 48.36, 70.24, -74.2

 

CMYK 28 / 59 / 0 / 4

HEX #B164F6

RGB 177 100 246

HSL 271.64, 0.89%, 0.68%

LAB 57.19, 57.11, -61.49

 

CMYK 21 / 44 / 0 / 3

HEX #C58BF8

RGB 197 139 248

HSL 271.93, 0.89%, 0.76%

LAB 67.36, 42.15, -46.29

 

CMYK 14 / 29 / 0 / 2

HEX #D8B2FA

RGB 216 178 250

HSL 271.67, 0.88%, 0.84%

LAB 78.08, 26.95, -30.57

 

CMYK 28 / 59 / 0 / 4

HEX #B265F6

RGB 178 101 246

HSL 271.86, 0.89%, 0.68%

LAB 57.49, 56.83, -61

 

CMYK 0 / 59 / 43 / 4

HEX #F6648D

RGB 246 100 141

HSL 343.15, 0.89%, 0.68%

LAB 62.19, 59.38, 6.71

 

CMYK 59 / 0 / 52 / 4

HEX #64F675

RGB 100 246 117

HSL 126.99, 0.89%, 0.68%

LAB 86.95, -64.67, 50.11

 

CMYK 28 / 59 / 0 / 4

HEX #B265F6

RGB 178 101 246

HSL 271.86, 0.89%, 0.68%

LAB 57.49, 56.83, -61

 

CMYK 0 / 29 / 59 / 4

HEX #F6AF64

RGB 246 175 100

HSL 30.82, 0.89%, 0.68%

LAB 76.78, 18.33, 48.21

 

CMYK 59 / 0 / 29 / 4

HEX #64F6AF

RGB 100 246 175

HSL 150.82, 0.89%, 0.68%

LAB 87.83, -55.13, 22.71

 

CMYK 28 / 59 / 0 / 4

HEX #B265F6

RGB 178 101 246

HSL 271.86, 0.89%, 0.68%

LAB 57.49, 56.83, -61

 

CMYK 0 / 59 / 43 / 4

HEX #F6648D

RGB 246 100 141

HSL 343.15, 0.89%, 0.68%

LAB 62.19, 59.38, 6.71

 

CMYK 31 / 0 / 59 / 4

HEX #AAF664

RGB 170 246 100

HSL 91.23, 0.89%, 0.68%

LAB 89.57, -46.54, 61.42

 

CMYK 59 / 0 / 17 / 4

HEX #64F6CC

RGB 100 246 204

HSL 162.74, 0.89%, 0.68%

LAB 88.44, -48.95, 8.59

 

CMYK 28 / 59 / 0 / 4

HEX #B265F6

RGB 178 101 246

HSL 271.86, 0.89%, 0.68%

LAB 57.49, 56.83, -61

 

CMYK 0 / 58 / 59 / 4

HEX #F66764

RGB 246 103 100

HSL 1.23, 0.89%, 0.68%

LAB 61.84, 54.64, 29.76

 

CMYK 31 / 0 / 59 / 4

HEX #AAF664

RGB 170 246 100

HSL 91.23, 0.89%, 0.68%

LAB 89.57, -46.54, 61.42

 

CMYK 59 / 1 / 0 / 4

HEX #64F3F6

RGB 100 243 246

HSL 181.23, 0.89%, 0.68%

LAB 88.67, -37.19, -12.98

 

Description

Color code: RGB 178 101 246 | qconv.com Color code: RGB 178 101 246 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 101 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 101 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 59 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 59% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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