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Color name
RGB 178 100 164

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 100 164 it is the complementary color RGB 77 155 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 100 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 178 100 164 shade: RGB 183 100 159, RGB 200 118 178, RGB 217 136 197, RGB 234 154 216 and RGB 251 172 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 100 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 178 100 164 shade: RGB 178 100 164, RGB 161 82 145, RGB 144 64 126, RGB 127 46 107 and RGB 110 28 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 178 100 164 shade: RGB 179 101 165, RGB 179 101 144, RGB 179 101 123, RGB 179 101 102 and RGB 179 101 101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 178 100 164 shade: RGB 179 101 165, RGB 172 101 179, RGB 151 101 179, RGB 130 101 179 and RGB 109 101 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 178 100 164 shade matches the following richer shades: RGB 179 101 165, RGB 197 82 177, RGB 216 64 189, RGB 234 45 200 and RGB 253 26 212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 178 100 164 shade: RGB 179 101 165, RGB 160 119 153, RGB 142 138 141, RGB 123 156 129 and RGB 104 175 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 178 100 164 shade: RGB 150 101 179, RGB 171 101 179, RGB 179 101 166, RGB 179 101 145 and RGB 179 101 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 178 100 164 shade: RGB 132 65 120, RGB 160 78 145, RGB 179 101 165, RGB 192 128 181 and RGB 206 156 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 178 100 164 shade: RGB 178 100 164, RGB 179 129 101 and RGB 101 179 161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 178 100 164 shade: RGB 178 100 164, RGB 166 179 101 and RGB 101 166 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 178 100 164 shade: RGB 178 100 164, RGB 179 129 101, RGB 101 179 114 and RGB 101 150 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 178 100 164 shade: RGB 178 100 164, RGB 179 153 101, RGB 101 179 114 and RGB 101 127 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 8 / 30

HEX #B264A4

RGB 178 100 164

HSL 310.77, 0.34%, 0.55%

LAB 53.23, 40.57, -21.03

 

Complementary color

CMYK 50 / 0 / 41 / 39

HEX #4D9B5B

RGB 77 155 91

HSL 130.77, 0.34%, 0.45%

LAB 57.82, -38.33, 26.35

 

CMYK 0 / 45 / 13 / 28

HEX #B7649F

RGB 183 100 159

HSL 317.35, 0.37%, 0.55%

LAB 53.69, 41.34, -17.35

 

CMYK 0 / 41 / 11 / 22

HEX #C876B2

RGB 200 118 178

HSL 316.1, 0.43%, 0.62%

LAB 60.29, 40.57, -18.08

 

CMYK 0 / 37 / 9 / 15

HEX #D988C5

RGB 217 136 197

HSL 314.81, 0.52%, 0.69%

LAB 66.82, 39.8, -18.72

 

CMYK 0 / 34 / 8 / 8

HEX #EA9AD8

RGB 234 154 216

HSL 313.5, 0.66%, 0.76%

LAB 73.26, 39.07, -19.3

 

CMYK 0 / 31 / 6 / 2

HEX #FBACEB

RGB 251 172 235

HSL 312.15, 0.91%, 0.83%

LAB 79.62, 38.36, -19.83

 

CMYK 0 / 44 / 8 / 30

HEX #B264A4

RGB 178 100 164

HSL 310.77, 0.34%, 0.55%

LAB 53.23, 40.57, -21.03

 

CMYK 0 / 49 / 10 / 37

HEX #A15291

RGB 161 82 145

HSL 312.15, 0.33%, 0.48%

LAB 46.52, 41.31, -20.3

 

CMYK 0 / 56 / 13 / 44

HEX #90407E

RGB 144 64 126

HSL 313.5, 0.38%, 0.41%

LAB 39.75, 41.96, -19.39

 

CMYK 0 / 64 / 16 / 50

HEX #7F2E6B

RGB 127 46 107

HSL 314.81, 0.47%, 0.34%

LAB 32.98, 42.36, -18.18

 

CMYK 0 / 75 / 20 / 57

HEX #6E1C58

RGB 110 28 88

HSL 316.1, 0.59%, 0.27%

LAB 26.3, 42.19, -16.43

 

CMYK 0 / 44 / 8 / 30

HEX #B365A5

RGB 179 101 165

HSL 310.77, 0.34%, 0.55%

LAB 53.61, 40.53, -21.03

 

CMYK 0 / 44 / 20 / 30

HEX #B36590

RGB 179 101 144

HSL 326.92, 0.34%, 0.55%

LAB 52.85, 37.04, -9.88

 

CMYK 0 / 44 / 31 / 30

HEX #B3657B

RGB 179 101 123

HSL 343.08, 0.34%, 0.55%

LAB 52.2, 33.99, 1.58

 

CMYK 0 / 44 / 43 / 30

HEX #B36566

RGB 179 101 102

HSL 359.23, 0.34%, 0.55%

LAB 51.67, 31.41, 13.26

 

CMYK 0 / 44 / 44 / 30

HEX #B36565

RGB 179 101 101

HSL 0, 0.34%, 0.55%

LAB 51.65, 31.3, 13.82

 

CMYK 0 / 44 / 8 / 30

HEX #B365A5

RGB 179 101 165

HSL 310.77, 0.34%, 0.55%

LAB 53.61, 40.53, -21.03

 

CMYK 4 / 44 / 0 / 30

HEX #AC65B3

RGB 172 101 179

HSL 294.62, 0.34%, 0.55%

LAB 53.31, 40.93, -29.69

 

CMYK 16 / 44 / 0 / 30

HEX #9765B3

RGB 151 101 179

HSL 278.46, 0.34%, 0.55%

LAB 50.85, 34.55, -33.71

 

CMYK 27 / 44 / 0 / 30

HEX #8265B3

RGB 130 101 179

HSL 262.31, 0.34%, 0.55%

LAB 48.65, 28.33, -37.33

 

CMYK 39 / 44 / 0 / 30

HEX #6D65B3

RGB 109 101 179

HSL 246.15, 0.34%, 0.55%

LAB 46.73, 22.47, -40.48

 

CMYK 0 / 44 / 8 / 30

HEX #B365A5

RGB 179 101 165

HSL 310.77, 0.34%, 0.55%

LAB 53.61, 40.53, -21.03

 

CMYK 0 / 58 / 10 / 23

HEX #C552B1

RGB 197 82 177

HSL 310.43, 0.5%, 0.55%

LAB 53.04, 57.29, -28.69

 

CMYK 0 / 70 / 13 / 15

HEX #D840BD

RGB 216 64 189

HSL 310.66, 0.66%, 0.55%

LAB 53.96, 71.05, -33.99

 

CMYK 0 / 81 / 15 / 8

HEX #EA2DC8

RGB 234 45 200

HSL 310.79, 0.82%, 0.55%

LAB 55.62, 81.83, -37.51

 

CMYK 0 / 90 / 16 / 1

HEX #FD1AD4

RGB 253 26 212

HSL 310.84, 0.98%, 0.55%

LAB 58.39, 90.27, -39.79

 

CMYK 0 / 44 / 8 / 30

HEX #B365A5

RGB 179 101 165

HSL 310.77, 0.34%, 0.55%

LAB 53.61, 40.53, -21.03

 

CMYK 0 / 26 / 4 / 37

HEX #A07799

RGB 160 119 153

HSL 310.24, 0.18%, 0.55%

LAB 55.04, 21.85, -12.07

 

CMYK 0 / 3 / 1 / 44

HEX #8E8A8D

RGB 142 138 141

HSL 315, 0.02%, 0.55%

LAB 57.9, 2.07, -1.08

 

CMYK 21 / 0 / 17 / 39

HEX #7B9C81

RGB 123 156 129

HSL 130.91, 0.14%, 0.55%

LAB 61.28, -17.01, 10.44

 

CMYK 41 / 0 / 33 / 31

HEX #68AF75

RGB 104 175 117

HSL 130.99, 0.31%, 0.55%

LAB 65.66, -34.86, 22.93

 

CMYK 16 / 44 / 0 / 30

HEX #9665B3

RGB 150 101 179

HSL 277.69, 0.34%, 0.55%

LAB 50.74, 34.25, -33.89

 

CMYK 4 / 44 / 0 / 30

HEX #AB65B3

RGB 171 101 179

HSL 293.85, 0.34%, 0.55%

LAB 53.19, 40.63, -29.89

 

CMYK 0 / 44 / 7 / 30

HEX #B365A6

RGB 179 101 166

HSL 310, 0.34%, 0.55%

LAB 53.65, 40.71, -21.55

 

CMYK 0 / 44 / 19 / 30

HEX #B36591

RGB 179 101 145

HSL 326.15, 0.34%, 0.55%

LAB 52.88, 37.2, -10.42

 

CMYK 0 / 44 / 31 / 30

HEX #B3657C

RGB 179 101 124

HSL 342.31, 0.34%, 0.55%

LAB 52.23, 34.13, 1.03

 

CMYK 0 / 51 / 9 / 48

HEX #844178

RGB 132 65 120

HSL 310.75, 0.34%, 0.39%

LAB 37.92, 36.57, -18.66

 

CMYK 0 / 51 / 9 / 37

HEX #A04E91

RGB 160 78 145

HSL 310.98, 0.34%, 0.47%

LAB 45.59, 43.07, -21.75

 

CMYK 0 / 44 / 8 / 30

HEX #B365A5

RGB 179 101 165

HSL 310.77, 0.34%, 0.55%

LAB 53.61, 40.53, -21.03

 

CMYK 0 / 33 / 6 / 25

HEX #C080B5

RGB 192 128 181

HSL 310.31, 0.34%, 0.63%

LAB 61.64, 33.04, -17.84

 

CMYK 0 / 24 / 4 / 19

HEX #CE9CC5

RGB 206 156 197

HSL 310.8, 0.34%, 0.71%

LAB 70.13, 25.33, -13.84

 

CMYK 0 / 44 / 8 / 30

HEX #B264A4

RGB 178 100 164

HSL 310.77, 0.34%, 0.55%

LAB 53.23, 40.57, -21.03

 

CMYK 0 / 28 / 44 / 30

HEX #B38165

RGB 179 129 101

HSL 21.54, 0.34%, 0.55%

LAB 58.25, 15.75, 22.79

 

CMYK 44 / 0 / 10 / 30

HEX #65B3A1

RGB 101 179 161

HSL 166.15, 0.34%, 0.55%

LAB 67.71, -28.44, 1.69

 

CMYK 0 / 44 / 8 / 30

HEX #B264A4

RGB 178 100 164

HSL 310.77, 0.34%, 0.55%

LAB 53.23, 40.57, -21.03

 

CMYK 7 / 0 / 44 / 30

HEX #A6B365

RGB 166 179 101

HSL 70, 0.34%, 0.55%

LAB 70.38, -16.7, 38.19

 

CMYK 44 / 7 / 0 / 30

HEX #65A6B3

RGB 101 166 179

HSL 190, 0.34%, 0.55%

LAB 64.4, -17.29, -13.22

 

CMYK 0 / 44 / 8 / 30

HEX #B264A4

RGB 178 100 164

HSL 310.77, 0.34%, 0.55%

LAB 53.23, 40.57, -21.03

 

CMYK 0 / 28 / 44 / 30

HEX #B38165

RGB 179 129 101

HSL 21.54, 0.34%, 0.55%

LAB 58.25, 15.75, 22.79

 

CMYK 44 / 0 / 36 / 30

HEX #65B372

RGB 101 179 114

HSL 130, 0.34%, 0.55%

LAB 66.69, -38.1, 25.89

 

CMYK 44 / 16 / 0 / 30

HEX #6596B3

RGB 101 150 179

HSL 202.31, 0.34%, 0.55%

LAB 59.74, -8.64, -20.28

 

CMYK 0 / 44 / 8 / 30

HEX #B264A4

RGB 178 100 164

HSL 310.77, 0.34%, 0.55%

LAB 53.23, 40.57, -21.03

 

CMYK 0 / 15 / 44 / 30

HEX #B39965

RGB 179 153 101

HSL 40, 0.34%, 0.55%

LAB 64.41, 2.44, 30.86

 

CMYK 44 / 0 / 36 / 30

HEX #65B372

RGB 101 179 114

HSL 130, 0.34%, 0.55%

LAB 66.69, -38.1, 25.89

 

CMYK 44 / 29 / 0 / 30

HEX #657FB3

RGB 101 127 179

HSL 220, 0.34%, 0.55%

LAB 53.17, 4.58, -30.41

 

Description

Color code: RGB 178 100 164 | qconv.com Color code: RGB 178 100 164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 100 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 100 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 8 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 8% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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