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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 96 235 it is the complementary color RGB 78 159 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 96 235. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 177 96 235 shade: RGB 182 96 230, RGB 199 114 249, RGB 216 132 255, RGB 233 150 255 and RGB 250 168 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 96 235. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 177 96 235 shade: RGB 177 96 235, RGB 160 78 216, RGB 143 60 197, RGB 126 42 178 and RGB 109 24 159

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 177 96 235 shade: RGB 177 96 235, RGB 214 96 235, RGB 235 96 218, RGB 235 96 180 and RGB 235 96 143

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 177 96 235 shade: RGB 177 96 235, RGB 139 96 235, RGB 102 96 235 and RGB 96 96 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 177 96 235 shade matches the following richer shades: RGB 177 96 235 and RGB 179 81 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 177 96 235 shade: RGB 177 96 235, RGB 174 110 220, RGB 172 125 206, RGB 170 139 192 and RGB 167 153 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 177 96 235 shade: RGB 100 96 235, RGB 137 96 235, RGB 175 96 235, RGB 212 96 235 and RGB 235 96 221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 177 96 235 shade: RGB 140 27 221, RGB 159 59 230, RGB 177 96 235, RGB 195 132 239 and RGB 213 169 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 177 96 235 shade: RGB 177 96 235, RGB 235 96 128 and RGB 96 235 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 177 96 235 shade: RGB 177 96 235, RGB 235 175 96 and RGB 96 235 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 177 96 235 shade: RGB 177 96 235, RGB 235 96 128, RGB 156 235 96 and RGB 96 235 202

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 177 96 235 shade: RGB 177 96 235, RGB 235 105 96, RGB 156 235 96 and RGB 96 226 235

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 59 / 0 / 8

HEX #B160EB

RGB 177 96 235

HSL 274.96, 0.78%, 0.65%

LAB 55.8, 56.63, -57.59

 

Complementary color

CMYK 51 / 0 / 87 / 38

HEX #4E9F14

RGB 78 159 20

HSL 94.96, 0.78%, 0.35%

LAB 58.48, -46.88, 57.05

 

CMYK 21 / 58 / 0 / 10

HEX #B660E6

RGB 182 96 230

HSL 278.51, 0.73%, 0.64%

LAB 56.11, 56.73, -54.25

 

CMYK 20 / 54 / 0 / 2

HEX #C772F9

RGB 199 114 249

HSL 277.78, 0.92%, 0.71%

LAB 62.52, 56, -54.48

 

CMYK 15 / 48 / 0 / 0

HEX #D884FF

RGB 216 132 255

HSL 280.98, 1%, 0.76%

LAB 68.26, 52.52, -48.57

 

CMYK 9 / 41 / 0 / 0

HEX #E996FF

RGB 233 150 255

HSL 287.43, 1%, 0.79%

LAB 73.78, 47.97, -39.79

 

CMYK 2 / 34 / 0 / 0

HEX #FAA8FF

RGB 250 168 255

HSL 296.55, 1%, 0.83%

LAB 79.36, 43.67, -31.01

 

CMYK 25 / 59 / 0 / 8

HEX #B160EB

RGB 177 96 235

HSL 274.96, 0.78%, 0.65%

LAB 55.8, 56.63, -57.59

 

CMYK 26 / 64 / 0 / 15

HEX #A04ED8

RGB 160 78 216

HSL 275.65, 0.64%, 0.58%

LAB 49.35, 57.29, -57.32

 

CMYK 27 / 70 / 0 / 23

HEX #8F3CC5

RGB 143 60 197

HSL 276.35, 0.54%, 0.5%

LAB 42.92, 57.72, -56.86

 

CMYK 29 / 76 / 0 / 30

HEX #7E2AB2

RGB 126 42 178

HSL 277.06, 0.62%, 0.43%

LAB 36.57, 57.69, -56.1

 

CMYK 31 / 85 / 0 / 38

HEX #6D189F

RGB 109 24 159

HSL 277.78, 0.74%, 0.36%

LAB 30.42, 56.82, -54.8

 

CMYK 25 / 59 / 0 / 8

HEX #B160EB

RGB 177 96 235

HSL 274.96, 0.78%, 0.65%

LAB 55.8, 56.63, -57.59

 

CMYK 9 / 59 / 0 / 8

HEX #D660EB

RGB 214 96 235

HSL 290.94, 0.78%, 0.65%

LAB 60.48, 65.48, -49.85

 

CMYK 0 / 59 / 7 / 8

HEX #EB60DA

RGB 235 96 218

HSL 307.34, 0.78%, 0.65%

LAB 62.58, 67.84, -36.83

 

CMYK 0 / 59 / 23 / 8

HEX #EB60B4

RGB 235 96 180

HSL 323.74, 0.78%, 0.65%

LAB 61.07, 62.31, -17.61

 

CMYK 0 / 59 / 39 / 8

HEX #EB608F

RGB 235 96 143

HSL 339.71, 0.78%, 0.65%

LAB 59.9, 57.88, 2.02

 

CMYK 25 / 59 / 0 / 8

HEX #B160EB

RGB 177 96 235

HSL 274.96, 0.78%, 0.65%

LAB 55.8, 56.63, -57.59

 

CMYK 41 / 59 / 0 / 8

HEX #8B60EB

RGB 139 96 235

HSL 258.56, 0.78%, 0.65%

LAB 51.67, 48.09, -64.44

 

CMYK 57 / 59 / 0 / 8

HEX #6660EB

RGB 102 96 235

HSL 242.59, 0.78%, 0.65%

LAB 48.5, 40.89, -69.73

 

CMYK 59 / 59 / 0 / 8

HEX #6060EB

RGB 96 96 235

HSL 240, 0.78%, 0.65%

LAB 48.07, 39.87, -70.44

 

CMYK 25 / 59 / 0 / 8

HEX #B160EB

RGB 177 96 235

HSL 274.96, 0.78%, 0.65%

LAB 55.8, 56.63, -57.59

 

CMYK 28 / 67 / 0 / 2

HEX #B351F9

RGB 179 81 249

HSL 275, 0.93%, 0.65%

LAB 54.35, 67.13, -67.71

 

CMYK 25 / 59 / 0 / 8

HEX #B160EB

RGB 177 96 235

HSL 274.96, 0.78%, 0.65%

LAB 55.8, 56.63, -57.59

 

CMYK 21 / 50 / 0 / 14

HEX #AE6EDC

RGB 174 110 220

HSL 274.91, 0.61%, 0.65%

LAB 57.38, 45.29, -46.67

 

CMYK 17 / 39 / 0 / 19

HEX #AC7DCE

RGB 172 125 206

HSL 274.81, 0.45%, 0.65%

LAB 59.79, 33.34, -35.01

 

CMYK 11 / 28 / 0 / 25

HEX #AA8BC0

RGB 170 139 192

HSL 275.09, 0.3%, 0.65%

LAB 62.35, 21.76, -23.18

 

CMYK 6 / 14 / 0 / 31

HEX #A799B1

RGB 167 153 177

HSL 275, 0.13%, 0.65%

LAB 65.1, 9.71, -10.61

 

CMYK 57 / 59 / 0 / 8

HEX #6460EB

RGB 100 96 235

HSL 241.73, 0.78%, 0.65%

LAB 48.35, 40.54, -69.97

 

CMYK 42 / 59 / 0 / 8

HEX #8960EB

RGB 137 96 235

HSL 257.7, 0.78%, 0.65%

LAB 51.48, 47.67, -64.76

 

CMYK 26 / 59 / 0 / 8

HEX #AF60EB

RGB 175 96 235

HSL 274.1, 0.78%, 0.65%

LAB 55.56, 56.16, -57.98

 

CMYK 10 / 59 / 0 / 8

HEX #D460EB

RGB 212 96 235

HSL 290.07, 0.78%, 0.65%

LAB 60.21, 64.99, -50.29

 

CMYK 0 / 59 / 6 / 8

HEX #EB60DD

RGB 235 96 221

HSL 306.04, 0.78%, 0.65%

LAB 62.72, 68.31, -38.3

 

CMYK 37 / 88 / 0 / 13

HEX #8C1BDD

RGB 140 27 221

HSL 274.95, 0.78%, 0.49%

LAB 40.54, 73.45, -74.61

 

CMYK 31 / 74 / 0 / 10

HEX #9F3BE6

RGB 159 59 230

HSL 275.09, 0.77%, 0.57%

LAB 47.25, 68.34, -68.67

 

CMYK 25 / 59 / 0 / 8

HEX #B160EB

RGB 177 96 235

HSL 274.96, 0.78%, 0.65%

LAB 55.8, 56.63, -57.59

 

CMYK 18 / 45 / 0 / 6

HEX #C384EF

RGB 195 132 239

HSL 275.33, 0.77%, 0.73%

LAB 65.23, 43.39, -44.71

 

CMYK 13 / 31 / 0 / 4

HEX #D5A9F4

RGB 213 169 244

HSL 275.2, 0.77%, 0.81%

LAB 75.48, 29.66, -31.35

 

CMYK 25 / 59 / 0 / 8

HEX #B160EB

RGB 177 96 235

HSL 274.96, 0.78%, 0.65%

LAB 55.8, 56.63, -57.59

 

CMYK 0 / 59 / 46 / 8

HEX #EB6080

RGB 235 96 128

HSL 346.19, 0.78%, 0.65%

LAB 59.51, 56.38, 10.2

 

CMYK 59 / 0 / 49 / 8

HEX #60EB77

RGB 96 235 119

HSL 129.93, 0.78%, 0.65%

LAB 83.57, -61.27, 45

 

CMYK 25 / 59 / 0 / 8

HEX #B160EB

RGB 177 96 235

HSL 274.96, 0.78%, 0.65%

LAB 55.8, 56.63, -57.59

 

CMYK 0 / 26 / 59 / 8

HEX #EBAF60

RGB 235 175 96

HSL 34.1, 0.78%, 0.65%

LAB 75.55, 13.52, 48.43

 

CMYK 59 / 0 / 26 / 8

HEX #60EBAF

RGB 96 235 175

HSL 154.1, 0.78%, 0.65%

LAB 84.48, -51.46, 18.05

 

CMYK 25 / 59 / 0 / 8

HEX #B160EB

RGB 177 96 235

HSL 274.96, 0.78%, 0.65%

LAB 55.8, 56.63, -57.59

 

CMYK 0 / 59 / 46 / 8

HEX #EB6080

RGB 235 96 128

HSL 346.19, 0.78%, 0.65%

LAB 59.51, 56.38, 10.2

 

CMYK 34 / 0 / 59 / 8

HEX #9CEB60

RGB 156 235 96

HSL 94.1, 0.78%, 0.65%

LAB 85.67, -47.01, 58.54

 

CMYK 59 / 0 / 14 / 8

HEX #60EBCA

RGB 96 235 202

HSL 165.76, 0.78%, 0.65%

LAB 85.08, -45.44, 4.79

 

CMYK 25 / 59 / 0 / 8

HEX #B160EB

RGB 177 96 235

HSL 274.96, 0.78%, 0.65%

LAB 55.8, 56.63, -57.59

 

CMYK 0 / 55 / 59 / 8

HEX #EB6960

RGB 235 105 96

HSL 3.88, 0.78%, 0.65%

LAB 60.44, 49.62, 29.88

 

CMYK 34 / 0 / 59 / 8

HEX #9CEB60

RGB 156 235 96

HSL 94.1, 0.78%, 0.65%

LAB 85.67, -47.01, 58.54

 

CMYK 59 / 4 / 0 / 8

HEX #60E2EB

RGB 96 226 235

HSL 183.88, 0.78%, 0.65%

LAB 83.38, -32.92, -15.14

 

Description

Color code: RGB 177 96 235 | qconv.com Color code: RGB 177 96 235 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 96 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 96 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 59 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 59% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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