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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 47 150 it is the complementary color RGB 78 208 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 47 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 177 47 150 shade: RGB 182 47 145, RGB 199 65 164, RGB 216 83 183, RGB 233 101 202 and RGB 250 119 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 47 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 177 47 150 shade: RGB 177 47 150, RGB 160 29 131, RGB 143 11 112, RGB 126 0 93 and RGB 109 0 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 177 47 150 shade: RGB 177 47 150, RGB 177 47 115, RGB 177 47 80 and RGB 177 47 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 177 47 150 shade: RGB 177 47 150, RGB 169 47 177, RGB 134 47 177, RGB 99 47 177 and RGB 63 47 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 177 47 150 shade matches the following richer shades: RGB 177 47 150, RGB 195 28 160 and RGB 213 10 171

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 177 47 150 shade: RGB 177 47 150, RGB 159 65 139, RGB 140 83 129, RGB 122 101 118 and RGB 104 119 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 177 47 150 shade: RGB 133 47 177, RGB 168 47 177, RGB 177 47 151, RGB 177 47 116 and RGB 177 47 81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 177 47 150 shade: RGB 112 29 94, RGB 144 38 122, RGB 177 47 150, RGB 203 61 174 and RGB 212 94 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 177 47 150 shade: RGB 177 47 150, RGB 177 99 47 and RGB 47 177 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 177 47 150 shade: RGB 177 47 150, RGB 151 177 47 and RGB 47 151 177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 177 47 150 shade: RGB 177 47 150, RGB 177 99 47, RGB 47 177 73 and RGB 47 125 177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 177 47 150 shade: RGB 177 47 150, RGB 177 138 47, RGB 47 177 73 and RGB 47 86 177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 15 / 31

HEX #B12F96

RGB 177 47 150

HSL 312.46, 0.58%, 0.44%

LAB 43.63, 61.85, -27.59

 

Complementary color

CMYK 63 / 0 / 50 / 18

HEX #4ED069

RGB 78 208 105

HSL 132.46, 0.58%, 0.56%

LAB 74.67, -57.14, 40.6

 

CMYK 0 / 74 / 20 / 29

HEX #B62F91

RGB 182 47 145

HSL 316.44, 0.59%, 0.45%

LAB 44.27, 62.37, -23.51

 

CMYK 0 / 67 / 18 / 22

HEX #C741A4

RGB 199 65 164

HSL 315.67, 0.54%, 0.52%

LAB 50.22, 62.93, -25.42

 

CMYK 0 / 62 / 15 / 15

HEX #D853B7

RGB 216 83 183

HSL 314.89, 0.63%, 0.59%

LAB 56.29, 62.96, -26.9

 

CMYK 0 / 57 / 13 / 9

HEX #E965CA

RGB 233 101 202

HSL 314.09, 0.75%, 0.65%

LAB 62.42, 62.68, -28.09

 

CMYK 0 / 52 / 12 / 2

HEX #FA77DD

RGB 250 119 221

HSL 313.28, 0.93%, 0.72%

LAB 68.56, 62.21, -29.07

 

CMYK 0 / 73 / 15 / 31

HEX #B12F96

RGB 177 47 150

HSL 312.46, 0.58%, 0.44%

LAB 43.63, 61.85, -27.59

 

CMYK 0 / 82 / 18 / 37

HEX #A01D83

RGB 160 29 131

HSL 313.28, 0.69%, 0.37%

LAB 37.83, 60.51, -25.26

 

CMYK 0 / 92 / 22 / 44

HEX #8F0B70

RGB 143 11 112

HSL 314.09, 0.86%, 0.3%

LAB 32.37, 57.9, -22.08

 

CMYK 0 / 100 / 26 / 51

HEX #7E005D

RGB 126 0 93

HSL 315.71, 1%, 0.25%

LAB 27.37, 53.59, -17.83

 

CMYK 0 / 100 / 32 / 57

HEX #6D004A

RGB 109 0 74

HSL 319.27, 1%, 0.21%

LAB 22.81, 47.57, -12.45

 

CMYK 0 / 73 / 15 / 31

HEX #B12F96

RGB 177 47 150

HSL 312.46, 0.58%, 0.44%

LAB 43.63, 61.85, -27.59

 

CMYK 0 / 73 / 35 / 31

HEX #B12F73

RGB 177 47 115

HSL 328.62, 0.58%, 0.44%

LAB 42.18, 57.34, -8.39

 

CMYK 0 / 73 / 55 / 31

HEX #B12F50

RGB 177 47 80

HSL 344.77, 0.58%, 0.44%

LAB 41.15, 53.98, 12.03

 

CMYK 0 / 73 / 73 / 31

HEX #B12F2F

RGB 177 47 47

HSL 0, 0.58%, 0.44%

LAB 40.55, 51.96, 31.63

 

CMYK 0 / 73 / 15 / 31

HEX #B12F96

RGB 177 47 150

HSL 312.46, 0.58%, 0.44%

LAB 43.63, 61.85, -27.59

 

CMYK 5 / 73 / 0 / 31

HEX #A92FB1

RGB 169 47 177

HSL 296.31, 0.58%, 0.44%

LAB 43.72, 64.3, -43.66

 

CMYK 24 / 73 / 0 / 31

HEX #862FB1

RGB 134 47 177

HSL 280.15, 0.58%, 0.44%

LAB 38.33, 57.05, -52.59

 

CMYK 44 / 73 / 0 / 31

HEX #632FB1

RGB 99 47 177

HSL 264, 0.58%, 0.44%

LAB 33.69, 50.49, -60.34

 

CMYK 64 / 73 / 0 / 31

HEX #3F2FB1

RGB 63 47 177

HSL 247.38, 0.58%, 0.44%

LAB 30.07, 45.1, -66.42

 

CMYK 0 / 73 / 15 / 31

HEX #B12F96

RGB 177 47 150

HSL 312.46, 0.58%, 0.44%

LAB 43.63, 61.85, -27.59

 

CMYK 0 / 86 / 18 / 24

HEX #C31CA0

RGB 195 28 160

HSL 312.57, 0.75%, 0.44%

LAB 45.59, 72.14, -30.29

 

CMYK 0 / 95 / 20 / 16

HEX #D50AAB

RGB 213 10 171

HSL 312.41, 0.91%, 0.44%

LAB 48.64, 79.42, -31.83

 

CMYK 0 / 73 / 15 / 31

HEX #B12F96

RGB 177 47 150

HSL 312.46, 0.58%, 0.44%

LAB 43.63, 61.85, -27.59

 

CMYK 0 / 59 / 13 / 38

HEX #9F418B

RGB 159 65 139

HSL 312.77, 0.42%, 0.44%

LAB 42.79, 48.15, -22.47

 

CMYK 0 / 41 / 8 / 45

HEX #8C5381

RGB 140 83 129

HSL 311.58, 0.26%, 0.44%

LAB 43.28, 30.92, -15.86

 

CMYK 0 / 17 / 3 / 52

HEX #7A6576

RGB 122 101 118

HSL 311.43, 0.09%, 0.44%

LAB 45.29, 11.59, -6.37

 

CMYK 13 / 0 / 10 / 53

HEX #68776B

RGB 104 119 107

HSL 132, 0.07%, 0.44%

LAB 48.51, -8.1, 4.72

 

CMYK 25 / 73 / 0 / 31

HEX #852FB1

RGB 133 47 177

HSL 279.69, 0.58%, 0.44%

LAB 38.19, 56.85, -52.83

 

CMYK 5 / 73 / 0 / 31

HEX #A82FB1

RGB 168 47 177

HSL 295.85, 0.58%, 0.44%

LAB 43.55, 64.09, -43.92

 

CMYK 0 / 73 / 15 / 31

HEX #B12F97

RGB 177 47 151

HSL 312, 0.58%, 0.44%

LAB 43.67, 62, -28.12

 

CMYK 0 / 73 / 34 / 31

HEX #B12F74

RGB 177 47 116

HSL 328.15, 0.58%, 0.44%

LAB 42.22, 57.45, -8.96

 

CMYK 0 / 73 / 54 / 31

HEX #B12F51

RGB 177 47 81

HSL 344.31, 0.58%, 0.44%

LAB 41.18, 54.06, 11.43

 

CMYK 0 / 74 / 16 / 56

HEX #701D5E

RGB 112 29 94

HSL 313.01, 0.59%, 0.28%

LAB 27.11, 43.28, -19.1

 

CMYK 0 / 74 / 15 / 44

HEX #90267A

RGB 144 38 122

HSL 312.45, 0.58%, 0.36%

LAB 35.44, 52.66, -23.59

 

CMYK 0 / 73 / 15 / 31

HEX #B12F96

RGB 177 47 150

HSL 312.46, 0.58%, 0.44%

LAB 43.63, 61.85, -27.59

 

CMYK 0 / 70 / 14 / 20

HEX #CB3DAE

RGB 203 61 174

HSL 312.25, 0.58%, 0.52%

LAB 50.79, 66.82, -30.36

 

CMYK 0 / 56 / 12 / 17

HEX #D45EBB

RGB 212 94 187

HSL 312.71, 0.58%, 0.6%

LAB 57.65, 57.64, -27.16

 

CMYK 0 / 73 / 15 / 31

HEX #B12F96

RGB 177 47 150

HSL 312.46, 0.58%, 0.44%

LAB 43.63, 61.85, -27.59

 

CMYK 0 / 44 / 73 / 31

HEX #B1632F

RGB 177 99 47

HSL 24, 0.58%, 0.44%

LAB 50.07, 27.28, 42.11

 

CMYK 73 / 0 / 15 / 31

HEX #2FB197

RGB 47 177 151

HSL 168, 0.58%, 0.44%

LAB 65.19, -40.73, 3.35

 

CMYK 0 / 73 / 15 / 31

HEX #B12F96

RGB 177 47 150

HSL 312.46, 0.58%, 0.44%

LAB 43.63, 61.85, -27.59

 

CMYK 15 / 0 / 73 / 31

HEX #97B12F

RGB 151 177 47

HSL 72, 0.58%, 0.44%

LAB 68.19, -26.29, 59.54

 

CMYK 73 / 15 / 0 / 31

HEX #2F97B1

RGB 47 151 177

HSL 192, 0.58%, 0.44%

LAB 57.95, -20.51, -22.06

 

CMYK 0 / 73 / 15 / 31

HEX #B12F96

RGB 177 47 150

HSL 312.46, 0.58%, 0.44%

LAB 43.63, 61.85, -27.59

 

CMYK 0 / 44 / 73 / 31

HEX #B1632F

RGB 177 99 47

HSL 24, 0.58%, 0.44%

LAB 50.07, 27.28, 42.11

 

CMYK 73 / 0 / 59 / 31

HEX #2FB149

RGB 47 177 73

HSL 132, 0.58%, 0.44%

LAB 63.78, -56.22, 42.66

 

CMYK 73 / 29 / 0 / 31

HEX #2F7DB1

RGB 47 125 177

HSL 204, 0.58%, 0.44%

LAB 50.03, -6.03, -34.34

 

CMYK 0 / 73 / 15 / 31

HEX #B12F96

RGB 177 47 150

HSL 312.46, 0.58%, 0.44%

LAB 43.63, 61.85, -27.59

 

CMYK 0 / 22 / 73 / 31

HEX #B18A2F

RGB 177 138 47

HSL 42, 0.58%, 0.44%

LAB 59.64, 5.58, 51.94

 

CMYK 73 / 0 / 59 / 31

HEX #2FB149

RGB 47 177 73

HSL 132, 0.58%, 0.44%

LAB 63.78, -56.22, 42.66

 

CMYK 73 / 51 / 0 / 31

HEX #2F56B1

RGB 47 86 177

HSL 222, 0.58%, 0.44%

LAB 38.61, 18.44, -52.53

 

Description

Color code: RGB 177 47 150 | qconv.com Color code: RGB 177 47 150 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 47 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 47 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 15 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 15% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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