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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 41 237 it is the complementary color RGB 78 214 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 41 237. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 177 41 237 shade: RGB 182 41 232, RGB 199 59 251, RGB 216 77 255, RGB 233 95 255 and RGB 250 113 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 41 237. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 177 41 237 shade: RGB 177 41 237, RGB 160 23 218, RGB 143 5 199, RGB 126 0 180 and RGB 109 0 161

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 177 41 237 shade: RGB 177 43 236, RGB 229 43 236, RGB 236 43 191, RGB 236 43 139 and RGB 236 43 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 177 41 237 shade: RGB 177 43 236, RGB 125 43 236, RGB 73 43 236 and RGB 43 43 236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 177 41 237 shade matches the following richer shades: RGB 177 43 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 177 41 237 shade: RGB 177 43 236, RGB 170 62 218, RGB 163 80 199, RGB 156 99 180 and RGB 148 118 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 177 41 237 shade: RGB 72 43 236, RGB 124 43 236, RGB 175 43 236, RGB 227 43 236 and RGB 236 43 194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 177 41 237 shade: RGB 131 15 182, RGB 158 19 220, RGB 177 43 236, RGB 191 81 239 and RGB 205 119 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 177 41 237 shade: RGB 177 41 237, RGB 236 43 66 and RGB 43 236 98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 177 41 237 shade: RGB 177 41 237, RGB 236 175 43 and RGB 43 236 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 177 41 237 shade: RGB 177 41 237, RGB 236 43 66, RGB 104 236 43 and RGB 43 236 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 177 41 237 shade: RGB 177 41 237, RGB 236 79 43, RGB 104 236 43 and RGB 43 201 236

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 83 / 0 / 7

HEX #B129ED

RGB 177 41 237

HSL 281.63, 0.84%, 0.55%

LAB 48.32, 78.43, -70.78

 

Complementary color

CMYK 64 / 0 / 92 / 16

HEX #4ED612

RGB 78 214 18

HSL 101.63, 0.84%, 0.45%

LAB 75.92, -66.32, 72.22

 

CMYK 22 / 82 / 0 / 9

HEX #B629E8

RGB 182 41 232

HSL 284.29, 0.81%, 0.54%

LAB 48.71, 78.27, -67.29

 

CMYK 21 / 76 / 0 / 2

HEX #C73BFB

RGB 199 59 251

HSL 283.75, 0.96%, 0.61%

LAB 54.28, 79.52, -68.81

 

CMYK 15 / 70 / 0 / 0

HEX #D84DFF

RGB 216 77 255

HSL 286.85, 1%, 0.65%

LAB 59.09, 77.31, -63.15

 

CMYK 9 / 63 / 0 / 0

HEX #E95FFF

RGB 233 95 255

HSL 291.75, 1%, 0.69%

LAB 63.94, 73.96, -55.26

 

CMYK 2 / 56 / 0 / 0

HEX #FA71FF

RGB 250 113 255

HSL 297.89, 1%, 0.72%

LAB 69.01, 70.41, -47.1

 

CMYK 25 / 83 / 0 / 7

HEX #B129ED

RGB 177 41 237

HSL 281.63, 0.84%, 0.55%

LAB 48.32, 78.43, -70.78

 

CMYK 27 / 89 / 0 / 15

HEX #A017DA

RGB 160 23 218

HSL 282.15, 0.81%, 0.47%

LAB 42.99, 76.28, -68.77

 

CMYK 28 / 97 / 0 / 22

HEX #8F05C7

RGB 143 5 199

HSL 282.68, 0.95%, 0.4%

LAB 37.97, 72.92, -66.07

 

CMYK 30 / 100 / 0 / 29

HEX #7E00B4

RGB 126 0 180

HSL 282, 1%, 0.35%

LAB 33.42, 67.84, -62.42

 

CMYK 32 / 100 / 0 / 37

HEX #6D00A1

RGB 109 0 161

HSL 280.62, 1%, 0.32%

LAB 28.97, 62.07, -58.39

 

CMYK 25 / 82 / 0 / 7

HEX #B12BEC

RGB 177 43 236

HSL 281.66, 0.84%, 0.55%

LAB 48.42, 77.72, -70.04

 

CMYK 3 / 82 / 0 / 7

HEX #E52BEC

RGB 229 43 236

HSL 297.82, 0.84%, 0.55%

LAB 56.53, 86.43, -56.56

 

CMYK 0 / 82 / 19 / 7

HEX #EC2BBF

RGB 236 43 191

HSL 313.99, 0.84%, 0.55%

LAB 55.4, 81.52, -32.65

 

CMYK 0 / 82 / 41 / 7

HEX #EC2B8B

RGB 236 43 139

HSL 330.16, 0.84%, 0.55%

LAB 53.41, 75.87, -5.11

 

CMYK 0 / 82 / 63 / 7

HEX #EC2B57

RGB 236 43 87

HSL 346.32, 0.84%, 0.55%

LAB 52.12, 72.05, 24.39

 

CMYK 25 / 82 / 0 / 7

HEX #B12BEC

RGB 177 43 236

HSL 281.66, 0.84%, 0.55%

LAB 48.42, 77.72, -70.04

 

CMYK 47 / 82 / 0 / 7

HEX #7D2BEC

RGB 125 43 236

HSL 265.49, 0.84%, 0.55%

LAB 41.44, 70.44, -81.74

 

CMYK 69 / 82 / 0 / 7

HEX #492BEC

RGB 73 43 236

HSL 249.33, 0.84%, 0.55%

LAB 36.37, 65.35, -90.29

 

CMYK 82 / 82 / 0 / 7

HEX #2B2BEC

RGB 43 43 236

HSL 240, 0.84%, 0.55%

LAB 34.59, 63.63, -93.29

 

CMYK 25 / 82 / 0 / 7

HEX #B12BEC

RGB 177 43 236

HSL 281.66, 0.84%, 0.55%

LAB 48.42, 77.72, -70.04

 

CMYK 25 / 82 / 0 / 7

HEX #B12BEC

RGB 177 43 236

HSL 281.66, 0.84%, 0.55%

LAB 48.42, 77.72, -70.04

 

CMYK 22 / 72 / 0 / 15

HEX #AA3EDA

RGB 170 62 218

HSL 281.54, 0.68%, 0.55%

LAB 48.33, 66.74, -60.04

 

CMYK 18 / 60 / 0 / 22

HEX #A350C7

RGB 163 80 199

HSL 281.85, 0.52%, 0.55%

LAB 49.07, 53.35, -48.01

 

CMYK 13 / 45 / 0 / 29

HEX #9C63B4

RGB 156 99 180

HSL 282.22, 0.35%, 0.55%

LAB 51.02, 37.39, -33.98

 

CMYK 9 / 27 / 0 / 36

HEX #9476A2

RGB 148 118 162

HSL 280.91, 0.19%, 0.55%

LAB 53.88, 20.06, -19.18

 

CMYK 69 / 82 / 0 / 7

HEX #482BEC

RGB 72 43 236

HSL 249.02, 0.84%, 0.55%

LAB 36.29, 65.28, -90.42

 

CMYK 47 / 82 / 0 / 7

HEX #7C2BEC

RGB 124 43 236

HSL 265.18, 0.84%, 0.55%

LAB 41.33, 70.32, -81.94

 

CMYK 26 / 82 / 0 / 7

HEX #AF2BEC

RGB 175 43 236

HSL 281.04, 0.84%, 0.55%

LAB 48.13, 77.4, -70.53

 

CMYK 4 / 82 / 0 / 7

HEX #E32BEC

RGB 227 43 236

HSL 297.2, 0.84%, 0.55%

LAB 56.2, 86.08, -57.1

 

CMYK 0 / 82 / 18 / 7

HEX #EC2BC2

RGB 236 43 194

HSL 313.06, 0.84%, 0.55%

LAB 55.54, 81.9, -34.17

 

CMYK 28 / 92 / 0 / 29

HEX #830FB6

RGB 131 15 182

HSL 281.68, 0.85%, 0.39%

LAB 35.09, 66.77, -60.84

 

CMYK 28 / 91 / 0 / 14

HEX #9E13DC

RGB 158 19 220

HSL 281.49, 0.84%, 0.47%

LAB 42.62, 77.05, -70.53

 

CMYK 25 / 82 / 0 / 7

HEX #B12BEC

RGB 177 43 236

HSL 281.66, 0.84%, 0.55%

LAB 48.42, 77.72, -70.04

 

CMYK 20 / 66 / 0 / 6

HEX #BF51EF

RGB 191 81 239

HSL 281.77, 0.83%, 0.63%

LAB 55.27, 67.52, -60.57

 

CMYK 16 / 51 / 0 / 5

HEX #CD77F3

RGB 205 119 243

HSL 281.61, 0.84%, 0.71%

LAB 63.87, 53.76, -48.99

 

CMYK 25 / 83 / 0 / 7

HEX #B129ED

RGB 177 41 237

HSL 281.63, 0.84%, 0.55%

LAB 48.32, 78.43, -70.78

 

CMYK 0 / 82 / 72 / 7

HEX #EC2B42

RGB 236 43 66

HSL 352.85, 0.84%, 0.55%

LAB 51.79, 71.05, 36.43

 

CMYK 82 / 0 / 58 / 7

HEX #2BEC62

RGB 43 236 98

HSL 137.1, 0.84%, 0.55%

LAB 82.59, -72.82, 53.23

 

CMYK 25 / 83 / 0 / 7

HEX #B129ED

RGB 177 41 237

HSL 281.63, 0.84%, 0.55%

LAB 48.32, 78.43, -70.78

 

CMYK 0 / 26 / 82 / 7

HEX #ECAF2B

RGB 236 175 43

HSL 41.04, 0.84%, 0.55%

LAB 75.24, 11.3, 70.11

 

CMYK 82 / 0 / 26 / 7

HEX #2BECAF

RGB 43 236 175

HSL 161.04, 0.84%, 0.55%

LAB 83.76, -59.3, 16.88

 

CMYK 25 / 83 / 0 / 7

HEX #B129ED

RGB 177 41 237

HSL 281.63, 0.84%, 0.55%

LAB 48.32, 78.43, -70.78

 

CMYK 0 / 82 / 72 / 7

HEX #EC2B42

RGB 236 43 66

HSL 352.85, 0.84%, 0.55%

LAB 51.79, 71.05, 36.43

 

CMYK 56 / 0 / 82 / 7

HEX #68EC2B

RGB 104 236 43

HSL 101.04, 0.84%, 0.55%

LAB 83.5, -66.64, 74.19

 

CMYK 82 / 0 / 9 / 7

HEX #2BECD6

RGB 43 236 214

HSL 173.16, 0.84%, 0.55%

LAB 84.67, -49.7, -2.24

 

CMYK 25 / 83 / 0 / 7

HEX #B129ED

RGB 177 41 237

HSL 281.63, 0.84%, 0.55%

LAB 48.32, 78.43, -70.78

 

CMYK 0 / 67 / 82 / 7

HEX #EC4F2B

RGB 236 79 43

HSL 11.19, 0.84%, 0.55%

LAB 55.68, 58.79, 52.71

 

CMYK 56 / 0 / 82 / 7

HEX #68EC2B

RGB 104 236 43

HSL 101.04, 0.84%, 0.55%

LAB 83.5, -66.64, 74.19

 

CMYK 82 / 15 / 0 / 7

HEX #2BC9EC

RGB 43 201 236

HSL 190.88, 0.84%, 0.55%

LAB 75.04, -27.26, -28.43

 

Description

Color code: RGB 177 41 237 | qconv.com Color code: RGB 177 41 237 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 41 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 41 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 83 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 83% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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