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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 41 173 it is the complementary color RGB 78 214 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 41 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 177 41 173 shade: RGB 182 41 168, RGB 199 59 187, RGB 216 77 206, RGB 233 95 225 and RGB 250 113 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 41 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 177 41 173 shade: RGB 177 41 173, RGB 160 23 154, RGB 143 5 135, RGB 126 0 116 and RGB 109 0 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 177 41 173 shade: RGB 177 41 173, RGB 177 41 136, RGB 177 41 100, RGB 177 41 63 and RGB 177 41 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 177 41 173 shade: RGB 177 41 173, RGB 144 41 177, RGB 108 41 177, RGB 71 41 177 and RGB 41 41 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 177 41 173 shade matches the following richer shades: RGB 177 41 173, RGB 195 23 190 and RGB 213 6 207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 177 41 173 shade: RGB 177 41 173, RGB 159 59 156, RGB 142 77 140, RGB 124 94 123 and RGB 106 112 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 177 41 173 shade: RGB 107 41 177, RGB 143 41 177, RGB 177 41 175, RGB 177 41 139 and RGB 177 41 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 177 41 173 shade: RGB 110 25 108, RGB 144 33 140, RGB 177 41 173, RGB 207 52 203 and RGB 215 86 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 177 41 173 shade: RGB 177 41 173, RGB 177 71 41 and RGB 41 177 125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 177 41 173 shade: RGB 177 41 173, RGB 175 177 41 and RGB 41 175 177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 177 41 173 shade: RGB 177 41 173, RGB 177 71 41, RGB 41 177 43 and RGB 41 148 177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 177 41 173 shade: RGB 177 41 173, RGB 177 111 41, RGB 41 177 43 and RGB 41 107 177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 2 / 31

HEX #B129AD

RGB 177 41 173

HSL 301.76, 0.62%, 0.43%

LAB 44.16, 67.19, -40.5

 

Complementary color

CMYK 64 / 0 / 62 / 16

HEX #4ED652

RGB 78 214 82

HSL 121.76, 0.62%, 0.57%

LAB 76.27, -62.21, 53.14

 

CMYK 0 / 77 / 8 / 29

HEX #B629A8

RGB 182 41 168

HSL 305.96, 0.63%, 0.44%

LAB 44.74, 67.48, -36.56

 

CMYK 0 / 70 / 6 / 22

HEX #C73BBB

RGB 199 59 187

HSL 305.14, 0.56%, 0.51%

LAB 50.52, 68.51, -38.42

 

CMYK 0 / 64 / 5 / 15

HEX #D84DCE

RGB 216 77 206

HSL 304.32, 0.64%, 0.57%

LAB 56.45, 68.9, -39.85

 

CMYK 0 / 59 / 3 / 9

HEX #E95FE1

RGB 233 95 225

HSL 303.48, 0.76%, 0.64%

LAB 62.46, 68.87, -40.96

 

CMYK 0 / 55 / 2 / 2

HEX #FA71F4

RGB 250 113 244

HSL 302.63, 0.93%, 0.71%

LAB 68.51, 68.57, -41.85

 

CMYK 0 / 77 / 2 / 31

HEX #B129AD

RGB 177 41 173

HSL 301.76, 0.62%, 0.43%

LAB 44.16, 67.19, -40.5

 

CMYK 0 / 86 / 4 / 37

HEX #A0179A

RGB 160 23 154

HSL 302.63, 0.75%, 0.36%

LAB 38.58, 65.24, -38.16

 

CMYK 0 / 97 / 6 / 44

HEX #8F0587

RGB 143 5 135

HSL 303.48, 0.93%, 0.29%

LAB 33.34, 61.97, -35.02

 

CMYK 0 / 100 / 8 / 51

HEX #7E0074

RGB 126 0 116

HSL 304.76, 1%, 0.25%

LAB 28.63, 56.74, -30.75

 

CMYK 0 / 100 / 11 / 57

HEX #6D0061

RGB 109 0 97

HSL 306.61, 1%, 0.21%

LAB 24.05, 50.67, -25.92

 

CMYK 0 / 77 / 2 / 31

HEX #B129AD

RGB 177 41 173

HSL 301.76, 0.62%, 0.43%

LAB 44.16, 67.19, -40.5

 

CMYK 0 / 77 / 23 / 31

HEX #B12988

RGB 177 41 136

HSL 318.09, 0.62%, 0.43%

LAB 42.32, 61.84, -21.11

 

CMYK 0 / 77 / 44 / 31

HEX #B12964

RGB 177 41 100

HSL 333.97, 0.62%, 0.43%

LAB 40.98, 57.73, -0.8

 

CMYK 0 / 77 / 64 / 31

HEX #B1293F

RGB 177 41 63

HSL 350.29, 0.62%, 0.43%

LAB 40.07, 54.84, 21.25

 

CMYK 0 / 77 / 77 / 31

HEX #B12929

RGB 177 41 41

HSL 0, 0.62%, 0.43%

LAB 39.74, 53.76, 34.25

 

CMYK 0 / 77 / 2 / 31

HEX #B129AD

RGB 177 41 173

HSL 301.76, 0.62%, 0.43%

LAB 44.16, 67.19, -40.5

 

CMYK 19 / 77 / 0 / 31

HEX #9029B1

RGB 144 41 177

HSL 285.44, 0.62%, 0.43%

LAB 39.05, 61.24, -51.35

 

CMYK 39 / 77 / 0 / 31

HEX #6C29B1

RGB 108 41 177

HSL 269.56, 0.62%, 0.43%

LAB 33.88, 54.7, -59.99

 

CMYK 60 / 77 / 0 / 31

HEX #4729B1

RGB 71 41 177

HSL 253.24, 0.62%, 0.43%

LAB 29.66, 49.23, -67.06

 

CMYK 77 / 77 / 0 / 31

HEX #2929B1

RGB 41 41 177

HSL 240, 0.62%, 0.43%

LAB 27.38, 46.2, -70.9

 

CMYK 0 / 77 / 2 / 31

HEX #B129AD

RGB 177 41 173

HSL 301.76, 0.62%, 0.43%

LAB 44.16, 67.19, -40.5

 

CMYK 0 / 88 / 3 / 24

HEX #C317BE

RGB 195 23 190

HSL 301.74, 0.79%, 0.43%

LAB 46.89, 77.16, -45.98

 

CMYK 0 / 97 / 3 / 16

HEX #D506CF

RGB 213 6 207

HSL 301.74, 0.95%, 0.43%

LAB 50.43, 84.47, -49.99

 

CMYK 0 / 77 / 2 / 31

HEX #B129AD

RGB 177 41 173

HSL 301.76, 0.62%, 0.43%

LAB 44.16, 67.19, -40.5

 

CMYK 0 / 63 / 2 / 38

HEX #9F3B9C

RGB 159 59 156

HSL 301.8, 0.46%, 0.43%

LAB 42.61, 53.72, -33

 

CMYK 0 / 46 / 1 / 44

HEX #8E4D8C

RGB 142 77 140

HSL 301.85, 0.3%, 0.43%

LAB 42.69, 37.01, -23.42

 

CMYK 0 / 24 / 1 / 51

HEX #7C5E7B

RGB 124 94 123

HSL 302, 0.14%, 0.43%

LAB 43.83, 17.56, -11.57

 

CMYK 5 / 0 / 5 / 56

HEX #6A706A

RGB 106 112 106

HSL 120, 0.03%, 0.43%

LAB 46.57, -3.52, 2.54

 

CMYK 40 / 77 / 0 / 31

HEX #6B29B1

RGB 107 41 177

HSL 269.12, 0.62%, 0.43%

LAB 33.74, 54.53, -60.21

 

CMYK 19 / 77 / 0 / 31

HEX #8F29B1

RGB 143 41 177

HSL 285, 0.62%, 0.43%

LAB 38.9, 61.04, -51.61

 

CMYK 0 / 77 / 1 / 31

HEX #B129AF

RGB 177 41 175

HSL 300.88, 0.62%, 0.43%

LAB 44.27, 67.51, -41.51

 

CMYK 0 / 77 / 21 / 31

HEX #B1298B

RGB 177 41 139

HSL 316.76, 0.62%, 0.43%

LAB 42.46, 62.23, -22.74

 

CMYK 0 / 77 / 42 / 31

HEX #B12966

RGB 177 41 102

HSL 333.09, 0.62%, 0.43%

LAB 41.04, 57.93, -1.97

 

CMYK 0 / 77 / 2 / 57

HEX #6E196C

RGB 110 25 108

HSL 301.41, 0.63%, 0.26%

LAB 27, 46.58, -28.4

 

CMYK 0 / 77 / 3 / 44

HEX #90218C

RGB 144 33 140

HSL 302.16, 0.63%, 0.35%

LAB 35.81, 57.16, -34.19

 

CMYK 0 / 77 / 2 / 31

HEX #B129AD

RGB 177 41 173

HSL 301.76, 0.62%, 0.43%

LAB 44.16, 67.19, -40.5

 

CMYK 0 / 75 / 2 / 19

HEX #CF34CB

RGB 207 52 203

HSL 301.55, 0.62%, 0.51%

LAB 51.87, 74.94, -45.45

 

CMYK 0 / 60 / 2 / 16

HEX #D756D3

RGB 215 86 211

HSL 301.86, 0.62%, 0.59%

LAB 57.85, 65.84, -40.5

 

CMYK 0 / 77 / 2 / 31

HEX #B129AD

RGB 177 41 173

HSL 301.76, 0.62%, 0.43%

LAB 44.16, 67.19, -40.5

 

CMYK 0 / 60 / 77 / 31

HEX #B14729

RGB 177 71 41

HSL 13.24, 0.62%, 0.43%

LAB 44.25, 41.53, 39.06

 

CMYK 77 / 0 / 29 / 31

HEX #29B17D

RGB 41 177 125

HSL 157.06, 0.62%, 0.43%

LAB 64.48, -47.84, 16.66

 

CMYK 0 / 77 / 2 / 31

HEX #B129AD

RGB 177 41 173

HSL 301.76, 0.62%, 0.43%

LAB 44.16, 67.19, -40.5

 

CMYK 1 / 0 / 77 / 31

HEX #AFB129

RGB 175 177 41

HSL 60.88, 0.62%, 0.43%

LAB 69.98, -16.35, 63.86

 

CMYK 77 / 1 / 0 / 31

HEX #29AFB1

RGB 41 175 177

HSL 180.88, 0.62%, 0.43%

LAB 65.2, -33.2, -11.08

 

CMYK 0 / 77 / 2 / 31

HEX #B129AD

RGB 177 41 173

HSL 301.76, 0.62%, 0.43%

LAB 44.16, 67.19, -40.5

 

CMYK 0 / 60 / 77 / 31

HEX #B14729

RGB 177 71 41

HSL 13.24, 0.62%, 0.43%

LAB 44.25, 41.53, 39.06

 

CMYK 77 / 0 / 76 / 31

HEX #29B12B

RGB 41 177 43

HSL 120.88, 0.62%, 0.43%

LAB 63.42, -60.2, 54.65

 

CMYK 77 / 16 / 0 / 31

HEX #2994B1

RGB 41 148 177

HSL 192.79, 0.62%, 0.43%

LAB 56.91, -19.65, -23.68

 

CMYK 0 / 77 / 2 / 31

HEX #B129AD

RGB 177 41 173

HSL 301.76, 0.62%, 0.43%

LAB 44.16, 67.19, -40.5

 

CMYK 0 / 37 / 77 / 31

HEX #B16F29

RGB 177 111 41

HSL 30.88, 0.62%, 0.43%

LAB 52.81, 20.36, 47.74

 

CMYK 77 / 0 / 76 / 31

HEX #29B12B

RGB 41 177 43

HSL 120.88, 0.62%, 0.43%

LAB 63.42, -60.2, 54.65

 

CMYK 77 / 40 / 0 / 31

HEX #296BB1

RGB 41 107 177

HSL 210.88, 0.62%, 0.43%

LAB 44.46, 4.12, -43.15

 

Description

Color code: RGB 177 41 173 | qconv.com Color code: RGB 177 41 173 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 41 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 41 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 2 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 2% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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