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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 250 64 it is the complementary color RGB 78 5 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 250 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 177 250 64 shade: RGB 182 250 59, RGB 199 255 78, RGB 216 255 97, RGB 233 255 116 and RGB 250 255 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 250 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 177 250 64 shade: RGB 177 250 64, RGB 160 232 45, RGB 143 214 26, RGB 126 196 7 and RGB 109 178 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 177 250 64 shade: RGB 177 250 66, RGB 227 250 66, RGB 250 223 66, RGB 250 173 66 and RGB 250 123 66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 177 250 64 shade: RGB 177 250 66, RGB 128 250 66, RGB 78 250 66, RGB 66 250 103 and RGB 66 250 152

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 177 250 64 shade matches the following richer shades: RGB 177 250 66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 177 250 64 shade: RGB 177 250 66, RGB 174 234 81, RGB 171 218 97, RGB 167 203 113 and RGB 164 187 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 177 250 64 shade: RGB 250 222 66, RGB 228 250 66, RGB 179 250 66, RGB 130 250 66 and RGB 81 250 66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 177 250 64 shade: RGB 140 227 5, RGB 161 249 25, RGB 177 250 66, RGB 194 251 106 and RGB 210 252 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 177 250 64 shade: RGB 177 250 64, RGB 66 250 173 and RGB 247 66 250

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 177 250 64 shade: RGB 177 250 64, RGB 66 179 250 and RGB 250 66 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 177 250 64 shade: RGB 177 250 64, RGB 66 250 173, RGB 136 66 250 and RGB 250 66 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 177 250 64 shade: RGB 177 250 64, RGB 66 250 228, RGB 136 66 250 and RGB 250 66 87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 74 / 2

HEX #B1FA40

RGB 177 250 64

HSL 83.55, 0.95%, 0.62%

LAB 90.82, -48.26, 76.23

 

Complementary color

CMYK 59 / 97 / 0 / 25

HEX #4E05BF

RGB 78 5 191

HSL 263.55, 0.95%, 0.38%

LAB 28.09, 64.92, -77.96

 

CMYK 27 / 0 / 76 / 2

HEX #B6FA3B

RGB 182 250 59

HSL 81.36, 0.95%, 0.61%

LAB 91.07, -46.7, 78.07

 

CMYK 22 / 0 / 69 / 0

HEX #C7FF4E

RGB 199 255 78

HSL 78.98, 1%, 0.65%

LAB 93.54, -41.61, 74.68

 

CMYK 15 / 0 / 62 / 0

HEX #D8FF61

RGB 216 255 97

HSL 74.81, 1%, 0.69%

LAB 94.73, -34, 69.09

 

CMYK 9 / 0 / 55 / 0

HEX #E9FF74

RGB 233 255 116

HSL 69.5, 1%, 0.73%

LAB 96.04, -26.05, 62.9

 

CMYK 2 / 0 / 47 / 0

HEX #FAFF87

RGB 250 255 135

HSL 62.5, 1%, 0.76%

LAB 97.47, -17.87, 56.33

 

CMYK 29 / 0 / 74 / 2

HEX #B1FA40

RGB 177 250 64

HSL 83.55, 0.95%, 0.62%

LAB 90.82, -48.26, 76.23

 

CMYK 31 / 0 / 81 / 9

HEX #A0E82D

RGB 160 232 45

HSL 83.1, 0.8%, 0.54%

LAB 84.68, -47.67, 75.63

 

CMYK 33 / 0 / 88 / 16

HEX #8FD61A

RGB 143 214 26

HSL 82.66, 0.78%, 0.47%

LAB 78.47, -46.9, 74.08

 

CMYK 36 / 0 / 96 / 23

HEX #7EC407

RGB 126 196 7

HSL 82.22, 0.93%, 0.4%

LAB 72.18, -45.9, 71.22

 

CMYK 39 / 0 / 100 / 30

HEX #6DB200

RGB 109 178 0

HSL 83.26, 1%, 0.35%

LAB 65.82, -44.63, 66.68

 

CMYK 29 / 0 / 74 / 2

HEX #B1FA42

RGB 177 250 66

HSL 83.8, 0.95%, 0.62%

LAB 90.83, -48.16, 75.61

 

CMYK 9 / 0 / 74 / 2

HEX #E3FA42

RGB 227 250 66

HSL 67.5, 0.95%, 0.62%

LAB 93.92, -29.16, 79.64

 

CMYK 0 / 11 / 74 / 2

HEX #FADF42

RGB 250 223 66

HSL 51.2, 0.95%, 0.62%

LAB 88.68, -6.68, 75.35

 

CMYK 0 / 31 / 74 / 2

HEX #FAAD42

RGB 250 173 66

HSL 34.89, 0.95%, 0.62%

LAB 76.44, 19.1, 63.48

 

CMYK 0 / 51 / 74 / 2

HEX #FA7B42

RGB 250 123 66

HSL 18.59, 0.95%, 0.62%

LAB 65.66, 44.79, 52.44

 

CMYK 29 / 0 / 74 / 2

HEX #B1FA42

RGB 177 250 66

HSL 83.8, 0.95%, 0.62%

LAB 90.83, -48.16, 75.61

 

CMYK 49 / 0 / 74 / 2

HEX #80FA42

RGB 128 250 66

HSL 99.78, 0.95%, 0.62%

LAB 88.62, -63.93, 72.7

 

CMYK 69 / 0 / 74 / 2

HEX #4EFA42

RGB 78 250 66

HSL 116.09, 0.95%, 0.62%

LAB 87.18, -75.42, 70.8

 

CMYK 74 / 0 / 59 / 2

HEX #42FA67

RGB 66 250 103

HSL 132.07, 0.95%, 0.62%

LAB 87.25, -73.86, 56.54

 

CMYK 74 / 0 / 39 / 2

HEX #42FA98

RGB 66 250 152

HSL 148.04, 0.95%, 0.62%

LAB 87.87, -66.58, 34.26

 

CMYK 29 / 0 / 74 / 2

HEX #B1FA42

RGB 177 250 66

HSL 83.8, 0.95%, 0.62%

LAB 90.83, -48.16, 75.61

 

CMYK 29 / 0 / 74 / 2

HEX #B1FA42

RGB 177 250 66

HSL 83.8, 0.95%, 0.62%

LAB 90.83, -48.16, 75.61

 

CMYK 26 / 0 / 65 / 8

HEX #AEEA51

RGB 174 234 81

HSL 83.53, 0.78%, 0.62%

LAB 86.23, -41.45, 65.59

 

CMYK 22 / 0 / 56 / 15

HEX #ABDA61

RGB 171 218 97

HSL 83.31, 0.62%, 0.62%

LAB 81.66, -34.07, 53.73

 

CMYK 18 / 0 / 44 / 20

HEX #A7CB71

RGB 167 203 113

HSL 84, 0.46%, 0.62%

LAB 77.35, -26.84, 40.88

 

CMYK 12 / 0 / 32 / 27

HEX #A4BB80

RGB 164 187 128

HSL 83.39, 0.3%, 0.62%

LAB 72.89, -18.13, 27.36

 

CMYK 0 / 11 / 74 / 2

HEX #FADE42

RGB 250 222 66

HSL 50.87, 0.95%, 0.62%

LAB 88.43, -6.18, 75.11

 

CMYK 9 / 0 / 74 / 2

HEX #E4FA42

RGB 228 250 66

HSL 67.17, 0.95%, 0.62%

LAB 93.99, -28.76, 79.74

 

CMYK 28 / 0 / 74 / 2

HEX #B3FA42

RGB 179 250 66

HSL 83.15, 0.95%, 0.62%

LAB 90.94, -47.44, 75.75

 

CMYK 48 / 0 / 74 / 2

HEX #82FA42

RGB 130 250 66

HSL 99.13, 0.95%, 0.62%

LAB 88.69, -63.37, 72.8

 

CMYK 68 / 0 / 74 / 2

HEX #51FA42

RGB 81 250 66

HSL 115.11, 0.95%, 0.62%

LAB 87.25, -74.89, 70.89

 

CMYK 38 / 0 / 98 / 11

HEX #8CE305

RGB 140 227 5

HSL 83.51, 0.96%, 0.45%

LAB 82.12, -53.59, 79.53

 

CMYK 35 / 0 / 90 / 2

HEX #A1F919

RGB 161 249 25

HSL 83.57, 0.95%, 0.54%

LAB 89.58, -54.85, 83.79

 

CMYK 29 / 0 / 74 / 2

HEX #B1FA42

RGB 177 250 66

HSL 83.8, 0.95%, 0.62%

LAB 90.83, -48.16, 75.61

 

CMYK 23 / 0 / 58 / 2

HEX #C2FB6A

RGB 194 251 106

HSL 83.59, 0.95%, 0.7%

LAB 92.36, -39.69, 62.36

 

CMYK 17 / 0 / 42 / 1

HEX #D2FC92

RGB 210 252 146

HSL 83.77, 0.95%, 0.78%

LAB 94.05, -30.32, 46.31

 

CMYK 29 / 0 / 74 / 2

HEX #B1FA40

RGB 177 250 64

HSL 83.55, 0.95%, 0.62%

LAB 90.82, -48.26, 76.23

 

CMYK 74 / 0 / 31 / 2

HEX #42FAAD

RGB 66 250 173

HSL 154.89, 0.95%, 0.62%

LAB 88.23, -62.55, 24.16

 

CMYK 1 / 74 / 0 / 2

HEX #F742FA

RGB 247 66 250

HSL 299.02, 0.95%, 0.62%

LAB 62.15, 86.19, -55.24

 

CMYK 29 / 0 / 74 / 2

HEX #B1FA40

RGB 177 250 64

HSL 83.55, 0.95%, 0.62%

LAB 90.82, -48.26, 76.23

 

CMYK 74 / 28 / 0 / 2

HEX #42B3FA

RGB 66 179 250

HSL 203.15, 0.95%, 0.62%

LAB 69.68, -8.83, -44.28

 

CMYK 0 / 74 / 28 / 2

HEX #FA42B3

RGB 250 66 179

HSL 323.15, 0.95%, 0.62%

LAB 59.41, 77.25, -19.33

 

CMYK 29 / 0 / 74 / 2

HEX #B1FA40

RGB 177 250 64

HSL 83.55, 0.95%, 0.62%

LAB 90.82, -48.26, 76.23

 

CMYK 74 / 0 / 31 / 2

HEX #42FAAD

RGB 66 250 173

HSL 154.89, 0.95%, 0.62%

LAB 88.23, -62.55, 24.16

 

CMYK 46 / 74 / 0 / 2

HEX #8842FA

RGB 136 66 250

HSL 262.83, 0.95%, 0.62%

LAB 47.02, 66.36, -80.42

 

CMYK 0 / 74 / 43 / 2

HEX #FA428E

RGB 250 66 142

HSL 335.22, 0.95%, 0.62%

LAB 58.2, 73.45, 0.44

 

CMYK 29 / 0 / 74 / 2

HEX #B1FA40

RGB 177 250 64

HSL 83.55, 0.95%, 0.62%

LAB 90.82, -48.26, 76.23

 

CMYK 74 / 0 / 9 / 2

HEX #42FAE4

RGB 66 250 228

HSL 172.83, 0.95%, 0.62%

LAB 89.45, -49.75, -2.51

 

CMYK 46 / 74 / 0 / 2

HEX #8842FA

RGB 136 66 250

HSL 262.83, 0.95%, 0.62%

LAB 47.02, 66.36, -80.42

 

CMYK 0 / 74 / 65 / 2

HEX #FA4257

RGB 250 66 87

HSL 353.15, 0.95%, 0.62%

LAB 56.99, 69.52, 31.15

 

Description

Color code: RGB 177 250 64 | qconv.com Color code: RGB 177 250 64 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 250 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 250 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 74 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 74% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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