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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 226 184 it is the complementary color RGB 78 29 71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 226 184. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 177 226 184 shade: RGB 182 226 179, RGB 199 244 198, RGB 216 255 217, RGB 233 255 236 and RGB 250 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 226 184. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 177 226 184 shade: RGB 177 226 184, RGB 160 208 165, RGB 143 190 146, RGB 126 172 127 and RGB 109 154 108

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 177 226 184 shade: RGB 176 226 183, RGB 183 226 176, RGB 196 226 176, RGB 209 226 176 and RGB 222 226 176

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 177 226 184 shade: RGB 176 226 183, RGB 176 226 197, RGB 176 226 210, RGB 176 226 223 and RGB 176 215 226

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 177 226 184 shade matches the following richer shades: RGB 176 226 183, RGB 168 234 177, RGB 159 243 171 and RGB 150 252 165

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 177 226 184 shade: RGB 176 226 183, RGB 185 217 190, RGB 194 208 196, RGB 202 200 202 and RGB 211 191 208

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 177 226 184 shade: RGB 196 226 176, RGB 183 226 176, RGB 176 226 183, RGB 176 226 196 and RGB 176 226 209

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 177 226 184 shade: RGB 116 203 129, RGB 146 214 156, RGB 176 226 183, RGB 206 237 211 and RGB 237 248 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 177 226 184 shade: RGB 177 226 184, RGB 176 209 226 and RGB 226 176 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 177 226 184 shade: RGB 177 226 184, RGB 183 176 226 and RGB 226 183 176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 177 226 184 shade: RGB 177 226 184, RGB 176 209 226, RGB 226 176 219 and RGB 226 193 176

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 177 226 184 shade: RGB 177 226 184, RGB 176 194 226, RGB 226 176 219 and RGB 226 208 176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 19 / 11

HEX #B1E2B8

RGB 177 226 184

HSL 128.57, 0.46%, 0.79%

LAB 85.61, -23.89, 15.44

 

Complementary color

CMYK 0 / 63 / 9 / 69

HEX #4E1D47

RGB 78 29 71

HSL 308.57, 0.46%, 0.21%

LAB 19.86, 29.21, -15.46

 

CMYK 19 / 0 / 21 / 11

HEX #B6E2B3

RGB 182 226 179

HSL 116.17, 0.45%, 0.79%

LAB 85.8, -23.1, 18.38

 

CMYK 18 / 0 / 19 / 4

HEX #C7F4C6

RGB 199 244 198

HSL 118.7, 0.68%, 0.87%

LAB 92.1, -22.95, 17.49

 

CMYK 15 / 0 / 15 / 0

HEX #D8FFD9

RGB 216 255 217

HSL 121.54, 1%, 0.92%

LAB 96.46, -19.45, 14.04

 

CMYK 9 / 0 / 7 / 0

HEX #E9FFEC

RGB 233 255 236

HSL 128.18, 1%, 0.96%

LAB 97.99, -10.57, 6.63

 

CMYK 2 / 0 / 0 / 0

HEX #FAFFFF

RGB 250 255 255

HSL 180, 1%, 0.99%

LAB 99.64, -1.63, -0.58

 

CMYK 22 / 0 / 19 / 11

HEX #B1E2B8

RGB 177 226 184

HSL 128.57, 0.46%, 0.79%

LAB 85.61, -23.89, 15.44

 

CMYK 23 / 0 / 21 / 18

HEX #A0D0A5

RGB 160 208 165

HSL 126.25, 0.34%, 0.72%

LAB 79.21, -24.08, 16.34

 

CMYK 25 / 0 / 23 / 25

HEX #8FBE92

RGB 143 190 146

HSL 123.83, 0.27%, 0.65%

LAB 72.72, -24.28, 17.3

 

CMYK 27 / 0 / 26 / 33

HEX #7EAC7F

RGB 126 172 127

HSL 121.3, 0.22%, 0.58%

LAB 66.12, -24.5, 18.31

 

CMYK 29 / 0 / 30 / 40

HEX #6D9A6C

RGB 109 154 108

HSL 118.7, 0.19%, 0.51%

LAB 59.38, -24.74, 19.4

 

CMYK 22 / 0 / 19 / 11

HEX #B0E2B7

RGB 176 226 183

HSL 128.4, 0.46%, 0.79%

LAB 85.53, -24.39, 15.85

 

CMYK 19 / 0 / 22 / 11

HEX #B7E2B0

RGB 183 226 176

HSL 111.6, 0.46%, 0.79%

LAB 85.8, -23.26, 19.95

 

CMYK 13 / 0 / 22 / 11

HEX #C4E2B0

RGB 196 226 176

HSL 96, 0.46%, 0.79%

LAB 86.63, -18.78, 21.23

 

CMYK 8 / 0 / 22 / 11

HEX #D1E2B0

RGB 209 226 176

HSL 80.4, 0.46%, 0.79%

LAB 87.53, -14.17, 22.6

 

CMYK 2 / 0 / 22 / 11

HEX #DEE2B0

RGB 222 226 176

HSL 64.8, 0.46%, 0.79%

LAB 88.47, -9.45, 24.06

 

CMYK 22 / 0 / 19 / 11

HEX #B0E2B7

RGB 176 226 183

HSL 128.4, 0.46%, 0.79%

LAB 85.53, -24.39, 15.85

 

CMYK 22 / 0 / 13 / 11

HEX #B0E2C5

RGB 176 226 197

HSL 145.2, 0.46%, 0.79%

LAB 85.83, -21.83, 8.94

 

CMYK 22 / 0 / 7 / 11

HEX #B0E2D2

RGB 176 226 210

HSL 160.8, 0.46%, 0.79%

LAB 86.14, -19.29, 2.55

 

CMYK 22 / 0 / 1 / 11

HEX #B0E2DF

RGB 176 226 223

HSL 176.4, 0.46%, 0.79%

LAB 86.48, -16.6, -3.81

 

CMYK 22 / 5 / 0 / 11

HEX #B0D7E2

RGB 176 215 226

HSL 193.2, 0.46%, 0.79%

LAB 83.61, -10.36, -9.64

 

CMYK 22 / 0 / 19 / 11

HEX #B0E2B7

RGB 176 226 183

HSL 128.4, 0.46%, 0.79%

LAB 85.53, -24.39, 15.85

 

CMYK 28 / 0 / 24 / 8

HEX #A8EAB1

RGB 168 234 177

HSL 128.18, 0.61%, 0.79%

LAB 87.17, -31.83, 21.19

 

CMYK 35 / 0 / 30 / 5

HEX #9FF3AB

RGB 159 243 171

HSL 128.57, 0.78%, 0.79%

LAB 89.12, -39.74, 26.87

 

CMYK 40 / 0 / 35 / 1

HEX #96FCA5

RGB 150 252 165

HSL 128.82, 0.94%, 0.79%

LAB 91.15, -47.29, 32.58

 

CMYK 22 / 0 / 19 / 11

HEX #B0E2B7

RGB 176 226 183

HSL 128.4, 0.46%, 0.79%

LAB 85.53, -24.39, 15.85

 

CMYK 15 / 0 / 12 / 15

HEX #B9D9BE

RGB 185 217 190

HSL 129.38, 0.3%, 0.79%

LAB 83.79, -15.71, 9.78

 

CMYK 7 / 0 / 6 / 18

HEX #C2D0C4

RGB 194 208 196

HSL 128.57, 0.13%, 0.79%

LAB 82.15, -6.97, 4.32

 

CMYK 0 / 1 / 0 / 21

HEX #CAC8CA

RGB 202 200 202

HSL 300, 0.02%, 0.79%

LAB 80.81, 1.06, -0.76

 

CMYK 0 / 9 / 1 / 17

HEX #D3BFD0

RGB 211 191 208

HSL 309, 0.19%, 0.79%

LAB 79.42, 10.05, -5.95

 

CMYK 13 / 0 / 22 / 11

HEX #C4E2B0

RGB 196 226 176

HSL 96, 0.46%, 0.79%

LAB 86.63, -18.78, 21.23

 

CMYK 19 / 0 / 22 / 11

HEX #B7E2B0

RGB 183 226 176

HSL 111.6, 0.46%, 0.79%

LAB 85.8, -23.26, 19.95

 

CMYK 22 / 0 / 19 / 11

HEX #B0E2B7

RGB 176 226 183

HSL 128.4, 0.46%, 0.79%

LAB 85.53, -24.39, 15.85

 

CMYK 22 / 0 / 13 / 11

HEX #B0E2C4

RGB 176 226 196

HSL 144, 0.46%, 0.79%

LAB 85.81, -22.02, 9.43

 

CMYK 22 / 0 / 8 / 11

HEX #B0E2D1

RGB 176 226 209

HSL 159.6, 0.46%, 0.79%

LAB 86.12, -19.49, 3.04

 

CMYK 43 / 0 / 36 / 20

HEX #74CB81

RGB 116 203 129

HSL 128.97, 0.46%, 0.63%

LAB 74.83, -41.8, 28.94

 

CMYK 32 / 0 / 27 / 16

HEX #92D69C

RGB 146 214 156

HSL 128.82, 0.45%, 0.71%

LAB 79.96, -33.07, 22

 

CMYK 22 / 0 / 19 / 11

HEX #B0E2B7

RGB 176 226 183

HSL 128.4, 0.46%, 0.79%

LAB 85.53, -24.39, 15.85

 

CMYK 13 / 0 / 11 / 7

HEX #CEEDD3

RGB 206 237 211

HSL 129.68, 0.46%, 0.87%

LAB 90.96, -14.95, 9.21

 

CMYK 4 / 0 / 4 / 3

HEX #EDF8EE

RGB 237 248 238

HSL 125.45, 0.44%, 0.95%

LAB 96.54, -5.4, 3.53

 

CMYK 22 / 0 / 19 / 11

HEX #B1E2B8

RGB 177 226 184

HSL 128.57, 0.46%, 0.79%

LAB 85.61, -23.89, 15.44

 

CMYK 22 / 8 / 0 / 11

HEX #B0D1E2

RGB 176 209 226

HSL 200.4, 0.46%, 0.79%

LAB 82.01, -7.25, -12.03

 

CMYK 0 / 22 / 16 / 11

HEX #E2B0BD

RGB 226 176 189

HSL 344.4, 0.46%, 0.79%

LAB 76.61, 20.15, 0.39

 

CMYK 22 / 0 / 19 / 11

HEX #B1E2B8

RGB 177 226 184

HSL 128.57, 0.46%, 0.79%

LAB 85.61, -23.89, 15.44

 

CMYK 19 / 22 / 0 / 11

HEX #B7B0E2

RGB 183 176 226

HSL 248.4, 0.46%, 0.79%

LAB 73.94, 12.65, -24.17

 

CMYK 0 / 19 / 22 / 11

HEX #E2B7B0

RGB 226 183 176

HSL 8.4, 0.46%, 0.79%

LAB 77.98, 14.43, 9.41

 

CMYK 22 / 0 / 19 / 11

HEX #B1E2B8

RGB 177 226 184

HSL 128.57, 0.46%, 0.79%

LAB 85.61, -23.89, 15.44

 

CMYK 22 / 8 / 0 / 11

HEX #B0D1E2

RGB 176 209 226

HSL 200.4, 0.46%, 0.79%

LAB 82.01, -7.25, -12.03

 

CMYK 0 / 22 / 3 / 11

HEX #E2B0DB

RGB 226 176 219

HSL 308.4, 0.46%, 0.79%

LAB 77.48, 25.21, -14.65

 

CMYK 0 / 15 / 22 / 11

HEX #E2C1B0

RGB 226 193 176

HSL 20.4, 0.46%, 0.79%

LAB 80.43, 9.12, 12.9

 

CMYK 22 / 0 / 19 / 11

HEX #B1E2B8

RGB 177 226 184

HSL 128.57, 0.46%, 0.79%

LAB 85.61, -23.89, 15.44

 

CMYK 22 / 14 / 0 / 11

HEX #B0C2E2

RGB 176 194 226

HSL 218.4, 0.46%, 0.79%

LAB 78.05, 0.69, -17.97

 

CMYK 0 / 22 / 3 / 11

HEX #E2B0DB

RGB 226 176 219

HSL 308.4, 0.46%, 0.79%

LAB 77.48, 25.21, -14.65

 

CMYK 0 / 8 / 22 / 11

HEX #E2D0B0

RGB 226 208 176

HSL 38.4, 0.46%, 0.79%

LAB 84.18, 1.25, 18.17

 

Description

Color code: RGB 177 226 184 | qconv.com Color code: RGB 177 226 184 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 226 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 226 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 19 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 19% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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