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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 214 195 it is the complementary color RGB 78 41 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 214 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 177 214 195 shade: RGB 182 214 190, RGB 199 232 209, RGB 216 250 228, RGB 233 255 247 and RGB 250 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 214 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 177 214 195 shade: RGB 177 214 195, RGB 160 196 176, RGB 143 178 157, RGB 126 160 138 and RGB 109 142 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 177 214 195 shade: RGB 178 214 195, RGB 178 214 186, RGB 180 214 178, RGB 189 214 178 and RGB 199 214 178

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 177 214 195 shade: RGB 178 214 195, RGB 178 214 205, RGB 178 213 214, RGB 178 203 214 and RGB 178 193 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 177 214 195 shade matches the following richer shades: RGB 178 214 195, RGB 168 224 195, RGB 159 233 195, RGB 149 243 195 and RGB 140 252 194

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 177 214 195 shade: RGB 178 214 195, RGB 187 205 196, RGB 197 195 196, RGB 206 186 196 and RGB 216 176 196

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 177 214 195 shade: RGB 179 214 178, RGB 178 214 186, RGB 178 214 195, RGB 178 214 205 and RGB 178 213 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 177 214 195 shade: RGB 124 186 154, RGB 151 200 175, RGB 178 214 195, RGB 205 228 216 and RGB 232 243 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 177 214 195 shade: RGB 177 214 195, RGB 178 189 214 and RGB 214 181 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 177 214 195 shade: RGB 177 214 195, RGB 195 178 214 and RGB 214 195 178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 177 214 195 shade: RGB 177 214 195, RGB 178 189 214, RGB 214 178 196 and RGB 214 203 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 177 214 195 shade: RGB 177 214 195, RGB 178 178 214, RGB 214 178 196 and RGB 214 213 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 9 / 16

HEX #B1D6C3

RGB 177 214 195

HSL 149.19, 0.31%, 0.77%

LAB 82.58, -15.91, 5.33

 

Complementary color

CMYK 0 / 47 / 23 / 69

HEX #4E293C

RGB 78 41 60

HSL 329.19, 0.31%, 0.23%

LAB 22.06, 20.13, -4.57

 

CMYK 15 / 0 / 11 / 16

HEX #B6D6BE

RGB 182 214 190

HSL 135, 0.28%, 0.78%

LAB 82.78, -15.2, 8.32

 

CMYK 14 / 0 / 10 / 9

HEX #C7E8D1

RGB 199 232 209

HSL 138.18, 0.42%, 0.85%

LAB 89.14, -15.13, 7.58

 

CMYK 14 / 0 / 9 / 2

HEX #D8FAE4

RGB 216 250 228

HSL 141.18, 0.77%, 0.91%

LAB 95.4, -15.06, 6.87

 

CMYK 9 / 0 / 3 / 0

HEX #E9FFF7

RGB 233 255 247

HSL 158.18, 1%, 0.96%

LAB 98.26, -8.6, 1.36

 

CMYK 2 / 0 / 0 / 0

HEX #FAFFFF

RGB 250 255 255

HSL 180, 1%, 0.99%

LAB 99.64, -1.63, -0.58

 

CMYK 17 / 0 / 9 / 16

HEX #B1D6C3

RGB 177 214 195

HSL 149.19, 0.31%, 0.77%

LAB 82.58, -15.91, 5.33

 

CMYK 18 / 0 / 10 / 23

HEX #A0C4B0

RGB 160 196 176

HSL 146.67, 0.23%, 0.7%

LAB 76.12, -16.02, 6.07

 

CMYK 20 / 0 / 12 / 30

HEX #8FB29D

RGB 143 178 157

HSL 144, 0.19%, 0.63%

LAB 69.55, -16.15, 6.83

 

CMYK 21 / 0 / 14 / 37

HEX #7EA08A

RGB 126 160 138

HSL 141.18, 0.15%, 0.56%

LAB 62.85, -16.3, 7.65

 

CMYK 23 / 0 / 16 / 44

HEX #6D8E77

RGB 109 142 119

HSL 138.18, 0.13%, 0.49%

LAB 56.02, -16.48, 8.51

 

CMYK 17 / 0 / 9 / 16

HEX #B2D6C3

RGB 178 214 195

HSL 148.33, 0.31%, 0.77%

LAB 82.65, -15.59, 5.43

 

CMYK 17 / 0 / 13 / 16

HEX #B2D6BA

RGB 178 214 186

HSL 133.33, 0.31%, 0.77%

LAB 82.43, -17.27, 9.91

 

CMYK 16 / 0 / 17 / 16

HEX #B4D6B2

RGB 180 214 178

HSL 116.67, 0.31%, 0.77%

LAB 82.38, -18.02, 14.09

 

CMYK 12 / 0 / 17 / 16

HEX #BDD6B2

RGB 189 214 178

HSL 101.67, 0.31%, 0.77%

LAB 82.98, -14.92, 15.02

 

CMYK 7 / 0 / 17 / 16

HEX #C7D6B2

RGB 199 214 178

HSL 85, 0.31%, 0.77%

LAB 83.68, -11.39, 16.1

 

CMYK 17 / 0 / 9 / 16

HEX #B2D6C3

RGB 178 214 195

HSL 148.33, 0.31%, 0.77%

LAB 82.65, -15.59, 5.43

 

CMYK 17 / 0 / 4 / 16

HEX #B2D6CD

RGB 178 214 205

HSL 165, 0.31%, 0.77%

LAB 82.9, -13.63, 0.48

 

CMYK 17 / 0 / 0 / 16

HEX #B2D5D6

RGB 178 213 214

HSL 181.67, 0.31%, 0.77%

LAB 82.86, -11.28, -4.35

 

CMYK 17 / 5 / 0 / 16

HEX #B2CBD6

RGB 178 203 214

HSL 198.33, 0.31%, 0.77%

LAB 80.2, -6.09, -8.3

 

CMYK 17 / 10 / 0 / 16

HEX #B2C1D6

RGB 178 193 214

HSL 215, 0.31%, 0.77%

LAB 77.56, -0.79, -12.24

 

CMYK 17 / 0 / 9 / 16

HEX #B2D6C3

RGB 178 214 195

HSL 148.33, 0.31%, 0.77%

LAB 82.65, -15.59, 5.43

 

CMYK 25 / 0 / 13 / 12

HEX #A8E0C3

RGB 168 224 195

HSL 148.93, 0.47%, 0.77%

LAB 84.78, -23.75, 8.42

 

CMYK 32 / 0 / 16 / 9

HEX #9FE9C3

RGB 159 233 195

HSL 149.19, 0.63%, 0.77%

LAB 86.79, -30.8, 11.24

 

CMYK 39 / 0 / 20 / 5

HEX #95F3C3

RGB 149 243 195

HSL 149.36, 0.8%, 0.77%

LAB 89.13, -38.26, 14.48

 

CMYK 44 / 0 / 23 / 1

HEX #8CFCC2

RGB 140 252 194

HSL 148.93, 0.95%, 0.77%

LAB 91.28, -44.82, 17.96

 

CMYK 17 / 0 / 9 / 16

HEX #B2D6C3

RGB 178 214 195

HSL 148.33, 0.31%, 0.77%

LAB 82.65, -15.59, 5.43

 

CMYK 9 / 0 / 4 / 20

HEX #BBCDC4

RGB 187 205 196

HSL 150, 0.15%, 0.77%

LAB 80.86, -7.79, 2.39

 

CMYK 0 / 1 / 1 / 23

HEX #C5C3C4

RGB 197 195 196

HSL 330, 0.02%, 0.77%

LAB 78.98, 0.88, -0.26

 

CMYK 0 / 10 / 5 / 19

HEX #CEBAC4

RGB 206 186 196

HSL 330, 0.17%, 0.77%

LAB 77.42, 8.83, -2.46

 

CMYK 0 / 19 / 9 / 15

HEX #D8B0C4

RGB 216 176 196

HSL 330, 0.34%, 0.77%

LAB 75.84, 17.74, -4.67

 

CMYK 16 / 0 / 17 / 16

HEX #B3D6B2

RGB 179 214 178

HSL 118.33, 0.31%, 0.77%

LAB 82.32, -18.36, 13.99

 

CMYK 17 / 0 / 13 / 16

HEX #B2D6BA

RGB 178 214 186

HSL 133.33, 0.31%, 0.77%

LAB 82.43, -17.27, 9.91

 

CMYK 17 / 0 / 9 / 16

HEX #B2D6C3

RGB 178 214 195

HSL 148.33, 0.31%, 0.77%

LAB 82.65, -15.59, 5.43

 

CMYK 17 / 0 / 4 / 16

HEX #B2D6CD

RGB 178 214 205

HSL 165, 0.31%, 0.77%

LAB 82.9, -13.63, 0.48

 

CMYK 17 / 0 / 0 / 16

HEX #B2D5D6

RGB 178 213 214

HSL 181.67, 0.31%, 0.77%

LAB 82.86, -11.28, -4.35

 

CMYK 33 / 0 / 17 / 27

HEX #7CBA9A

RGB 124 186 154

HSL 149.03, 0.31%, 0.61%

LAB 70.69, -26.9, 9.95

 

CMYK 25 / 0 / 13 / 22

HEX #97C8AF

RGB 151 200 175

HSL 149.39, 0.31%, 0.69%

LAB 76.67, -21.17, 7.32

 

CMYK 17 / 0 / 9 / 16

HEX #B2D6C3

RGB 178 214 195

HSL 148.33, 0.31%, 0.77%

LAB 82.65, -15.59, 5.43

 

CMYK 10 / 0 / 5 / 11

HEX #CDE4D8

RGB 205 228 216

HSL 148.7, 0.3%, 0.85%

LAB 88.65, -9.85, 3.26

 

CMYK 5 / 0 / 2 / 5

HEX #E8F3ED

RGB 232 243 237

HSL 147.27, 0.31%, 0.93%

LAB 94.9, -4.71, 1.62

 

CMYK 17 / 0 / 9 / 16

HEX #B1D6C3

RGB 177 214 195

HSL 149.19, 0.31%, 0.77%

LAB 82.58, -15.91, 5.33

 

CMYK 17 / 12 / 0 / 16

HEX #B2BDD6

RGB 178 189 214

HSL 221.67, 0.31%, 0.77%

LAB 76.51, 1.35, -13.81

 

CMYK 0 / 15 / 17 / 16

HEX #D6B5B2

RGB 214 181 178

HSL 5, 0.31%, 0.77%

LAB 76.41, 11.38, 5.94

 

CMYK 17 / 0 / 9 / 16

HEX #B1D6C3

RGB 177 214 195

HSL 149.19, 0.31%, 0.77%

LAB 82.58, -15.91, 5.33

 

CMYK 9 / 17 / 0 / 16

HEX #C3B2D6

RGB 195 178 214

HSL 268.33, 0.31%, 0.77%

LAB 75.01, 12.84, -15.92

 

CMYK 0 / 9 / 17 / 16

HEX #D6C3B2

RGB 214 195 178

HSL 28.33, 0.31%, 0.77%

LAB 79.92, 3.92, 10.96

 

CMYK 17 / 0 / 9 / 16

HEX #B1D6C3

RGB 177 214 195

HSL 149.19, 0.31%, 0.77%

LAB 82.58, -15.91, 5.33

 

CMYK 17 / 12 / 0 / 16

HEX #B2BDD6

RGB 178 189 214

HSL 221.67, 0.31%, 0.77%

LAB 76.51, 1.35, -13.81

 

CMYK 0 / 17 / 8 / 16

HEX #D6B2C4

RGB 214 178 196

HSL 330, 0.31%, 0.77%

LAB 76.14, 15.96, -4.25

 

CMYK 0 / 5 / 17 / 16

HEX #D6CBB2

RGB 214 203 178

HSL 41.67, 0.31%, 0.77%

LAB 81.96, -0.29, 13.84

 

CMYK 17 / 0 / 9 / 16

HEX #B1D6C3

RGB 177 214 195

HSL 149.19, 0.31%, 0.77%

LAB 82.58, -15.91, 5.33

 

CMYK 17 / 17 / 0 / 16

HEX #B2B2D6

RGB 178 178 214

HSL 240, 0.31%, 0.77%

LAB 73.65, 7.33, -18.11

 

CMYK 0 / 17 / 8 / 16

HEX #D6B2C4

RGB 214 178 196

HSL 330, 0.31%, 0.77%

LAB 76.14, 15.96, -4.25

 

CMYK 0 / 0 / 17 / 16

HEX #D6D5B2

RGB 214 213 178

HSL 58.33, 0.31%, 0.77%

LAB 84.53, -5.47, 17.46

 

Description

Color code: RGB 177 214 195 | qconv.com Color code: RGB 177 214 195 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 214 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 214 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 9 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 9% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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