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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 171 247 it is the complementary color RGB 78 84 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 171 247. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 177 171 247 shade: RGB 182 171 242, RGB 199 189 255, RGB 216 207 255, RGB 233 225 255 and RGB 250 243 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 171 247. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 177 171 247 shade: RGB 177 171 247, RGB 160 153 228, RGB 143 135 209, RGB 126 117 190 and RGB 109 99 171

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 177 171 247 shade: RGB 177 171 247, RGB 197 171 247, RGB 218 171 247, RGB 238 171 247 and RGB 247 171 235

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 177 171 247 shade: RGB 177 171 247 and RGB 171 171 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 177 171 247 shade matches the following richer shades: RGB 177 171 247 and RGB 170 163 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 177 171 247 shade: RGB 177 171 247, RGB 183 178 239, RGB 189 185 232, RGB 195 193 224 and RGB 202 200 217

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 177 171 247 shade: RGB 171 206 247, RGB 171 186 247, RGB 176 171 247, RGB 196 171 247 and RGB 216 171 247

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 177 171 247 shade: RGB 106 95 240, RGB 141 133 243, RGB 177 171 247, RGB 212 208 250 and RGB 247 246 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 177 171 247 shade: RGB 177 171 247, RGB 247 171 226 and RGB 196 247 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 177 171 247 shade: RGB 177 171 247, RGB 247 176 171 and RGB 171 247 176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 177 171 247 shade: RGB 177 171 247, RGB 247 171 226, RGB 242 247 171 and RGB 171 247 191

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 177 171 247 shade: RGB 177 171 247, RGB 247 171 204, RGB 242 247 171 and RGB 171 247 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 31 / 0 / 3

HEX #B1ABF7

RGB 177 171 247

HSL 244.74, 0.83%, 0.82%

LAB 73.02, 18.54, -37.04

 

Complementary color

CMYK 7 / 0 / 90 / 67

HEX #4E5408

RGB 78 84 8

HSL 64.74, 0.83%, 0.18%

LAB 33.94, -12.3, 38.86

 

CMYK 25 / 29 / 0 / 5

HEX #B6ABF2

RGB 182 171 242

HSL 249.3, 0.73%, 0.81%

LAB 73.21, 18.79, -34

 

CMYK 22 / 26 / 0 / 0

HEX #C7BDFF

RGB 199 189 255

HSL 249.09, 1%, 0.87%

LAB 79.48, 16.91, -31.22

 

CMYK 15 / 19 / 0 / 0

HEX #D8CFFF

RGB 216 207 255

HSL 251.25, 1%, 0.91%

LAB 85.22, 12.38, -22.32

 

CMYK 9 / 12 / 0 / 0

HEX #E9E1FF

RGB 233 225 255

HSL 256, 1%, 0.94%

LAB 90.96, 8.24, -13.56

 

CMYK 2 / 5 / 0 / 0

HEX #FAF3FF

RGB 250 243 255

HSL 275, 1%, 0.98%

LAB 96.68, 4.45, -4.93

 

CMYK 28 / 31 / 0 / 3

HEX #B1ABF7

RGB 177 171 247

HSL 244.74, 0.83%, 0.82%

LAB 73.02, 18.54, -37.04

 

CMYK 30 / 33 / 0 / 11

HEX #A099E4

RGB 160 153 228

HSL 245.6, 0.58%, 0.75%

LAB 66.41, 19.14, -37.03

 

CMYK 32 / 35 / 0 / 18

HEX #8F87D1

RGB 143 135 209

HSL 246.49, 0.45%, 0.67%

LAB 59.68, 19.8, -37.07

 

CMYK 34 / 38 / 0 / 25

HEX #7E75BE

RGB 126 117 190

HSL 247.4, 0.36%, 0.6%

LAB 52.81, 20.56, -37.15

 

CMYK 36 / 42 / 0 / 33

HEX #6D63AB

RGB 109 99 171

HSL 248.33, 0.3%, 0.53%

LAB 45.79, 21.42, -37.29

 

CMYK 28 / 31 / 0 / 3

HEX #B1ABF7

RGB 177 171 247

HSL 244.74, 0.83%, 0.82%

LAB 73.02, 18.54, -37.04

 

CMYK 20 / 31 / 0 / 3

HEX #C5ABF7

RGB 197 171 247

HSL 260.53, 0.83%, 0.82%

LAB 74.64, 24.38, -34.39

 

CMYK 12 / 31 / 0 / 3

HEX #DAABF7

RGB 218 171 247

HSL 277.11, 0.83%, 0.82%

LAB 76.53, 30.73, -31.33

 

CMYK 4 / 31 / 0 / 3

HEX #EEABF7

RGB 238 171 247

HSL 292.89, 0.83%, 0.82%

LAB 78.47, 36.92, -28.17

 

CMYK 0 / 31 / 5 / 3

HEX #F7ABEB

RGB 247 171 235

HSL 309.47, 0.83%, 0.82%

LAB 78.98, 37.6, -20.83

 

CMYK 28 / 31 / 0 / 3

HEX #B1ABF7

RGB 177 171 247

HSL 244.74, 0.83%, 0.82%

LAB 73.02, 18.54, -37.04

 

CMYK 31 / 31 / 0 / 3

HEX #ABABF7

RGB 171 171 247

HSL 240, 0.83%, 0.82%

LAB 72.56, 16.85, -37.78

 

CMYK 28 / 31 / 0 / 3

HEX #B1ABF7

RGB 177 171 247

HSL 244.74, 0.83%, 0.82%

LAB 73.02, 18.54, -37.04

 

CMYK 33 / 36 / 0 / 0

HEX #AAA3FE

RGB 170 163 254

HSL 244.62, 0.98%, 0.82%

LAB 70.8, 22.83, -44.33

 

CMYK 28 / 31 / 0 / 3

HEX #B1ABF7

RGB 177 171 247

HSL 244.74, 0.83%, 0.82%

LAB 73.02, 18.54, -37.04

 

CMYK 23 / 26 / 0 / 6

HEX #B7B2EF

RGB 183 178 239

HSL 244.92, 0.66%, 0.82%

LAB 74.91, 14.51, -29.74

 

CMYK 19 / 20 / 0 / 9

HEX #BDB9E8

RGB 189 185 232

HSL 245.11, 0.51%, 0.82%

LAB 76.89, 10.91, -22.89

 

CMYK 13 / 14 / 0 / 12

HEX #C3C1E0

RGB 195 193 224

HSL 243.87, 0.33%, 0.82%

LAB 79.11, 6.76, -15.17

 

CMYK 7 / 8 / 0 / 15

HEX #CAC8D9

RGB 202 200 217

HSL 247.06, 0.18%, 0.82%

LAB 81.22, 3.9, -8.2

 

CMYK 31 / 17 / 0 / 3

HEX #ABCEF7

RGB 171 206 247

HSL 212.37, 0.83%, 0.82%

LAB 81.57, -2.28, -23.91

 

CMYK 31 / 25 / 0 / 3

HEX #ABBAF7

RGB 171 186 247

HSL 228.16, 0.83%, 0.82%

LAB 76.37, 8.53, -31.88

 

CMYK 29 / 31 / 0 / 3

HEX #B0ABF7

RGB 176 171 247

HSL 243.95, 0.83%, 0.82%

LAB 72.94, 18.26, -37.16

 

CMYK 21 / 31 / 0 / 3

HEX #C4ABF7

RGB 196 171 247

HSL 259.74, 0.83%, 0.82%

LAB 74.56, 24.08, -34.52

 

CMYK 13 / 31 / 0 / 3

HEX #D8ABF7

RGB 216 171 247

HSL 275.53, 0.83%, 0.82%

LAB 76.34, 30.12, -31.63

 

CMYK 56 / 60 / 0 / 6

HEX #6A5FF0

RGB 106 95 240

HSL 244.55, 0.83%, 0.66%

LAB 48.93, 43.71, -71.81

 

CMYK 42 / 45 / 0 / 5

HEX #8D85F3

RGB 141 133 243

HSL 244.36, 0.82%, 0.74%

LAB 60.7, 29.64, -54.41

 

CMYK 28 / 31 / 0 / 3

HEX #B1ABF7

RGB 177 171 247

HSL 244.74, 0.83%, 0.82%

LAB 73.02, 18.54, -37.04

 

CMYK 15 / 17 / 0 / 2

HEX #D4D0FA

RGB 212 208 250

HSL 245.71, 0.81%, 0.9%

LAB 85, 9.55, -20.04

 

CMYK 3 / 3 / 0 / 0

HEX #F7F6FE

RGB 247 246 254

HSL 247.5, 0.8%, 0.98%

LAB 97.16, 1.76, -3.72

 

CMYK 28 / 31 / 0 / 3

HEX #B1ABF7

RGB 177 171 247

HSL 244.74, 0.83%, 0.82%

LAB 73.02, 18.54, -37.04

 

CMYK 0 / 31 / 9 / 3

HEX #F7ABE2

RGB 247 171 226

HSL 316.58, 0.83%, 0.82%

LAB 78.69, 36.07, -16.41

 

CMYK 21 / 0 / 31 / 3

HEX #C4F7AB

RGB 196 247 171

HSL 100.26, 0.83%, 0.82%

LAB 92.22, -29.65, 31.41

 

CMYK 28 / 31 / 0 / 3

HEX #B1ABF7

RGB 177 171 247

HSL 244.74, 0.83%, 0.82%

LAB 73.02, 18.54, -37.04

 

CMYK 0 / 29 / 31 / 3

HEX #F7B0AB

RGB 247 176 171

HSL 3.95, 0.83%, 0.82%

LAB 78.32, 25.27, 12.91

 

CMYK 31 / 0 / 29 / 3

HEX #ABF7B0

RGB 171 247 176

HSL 123.95, 0.83%, 0.82%

LAB 90.92, -37.04, 26.89

 

CMYK 28 / 31 / 0 / 3

HEX #B1ABF7

RGB 177 171 247

HSL 244.74, 0.83%, 0.82%

LAB 73.02, 18.54, -37.04

 

CMYK 0 / 31 / 9 / 3

HEX #F7ABE2

RGB 247 171 226

HSL 316.58, 0.83%, 0.82%

LAB 78.69, 36.07, -16.41

 

CMYK 2 / 0 / 31 / 3

HEX #F2F7AB

RGB 242 247 171

HSL 63.95, 0.83%, 0.82%

LAB 95.3, -13.19, 36.07

 

CMYK 31 / 0 / 23 / 3

HEX #ABF7BF

RGB 171 247 191

HSL 135.79, 0.83%, 0.82%

LAB 91.21, -34.48, 19.61

 

CMYK 28 / 31 / 0 / 3

HEX #B1ABF7

RGB 177 171 247

HSL 244.74, 0.83%, 0.82%

LAB 73.02, 18.54, -37.04

 

CMYK 0 / 31 / 17 / 3

HEX #F7ABCC

RGB 247 171 204

HSL 333.95, 0.83%, 0.82%

LAB 78.03, 32.54, -5.45

 

CMYK 2 / 0 / 31 / 3

HEX #F2F7AB

RGB 242 247 171

HSL 63.95, 0.83%, 0.82%

LAB 95.3, -13.19, 36.07

 

CMYK 31 / 0 / 13 / 3

HEX #ABF7D6

RGB 171 247 214

HSL 153.95, 0.83%, 0.82%

LAB 91.7, -30.14, 8.44

 

Description

Color code: RGB 177 171 247 | qconv.com Color code: RGB 177 171 247 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 171 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 171 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 31 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 31% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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