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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 157 3 it is the complementary color RGB 78 98 252. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 157 3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 177 157 3 shade: RGB 182 157 0, RGB 199 175 17, RGB 216 193 36, RGB 233 211 55 and RGB 250 229 74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 157 3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 177 157 3 shade: RGB 177 157 3, RGB 160 139 0, RGB 143 121 0, RGB 126 103 0 and RGB 109 85 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 177 157 3 shade: RGB 175 155 2, RGB 175 109 2, RGB 175 62 2, RGB 175 15 2 and RGB 175 2 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 177 157 3 shade: RGB 175 155 2, RGB 149 175 2, RGB 102 175 2, RGB 55 175 2 and RGB 8 175 2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 177 157 3 shade matches the following richer shades: RGB 175 155 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 177 157 3 shade: RGB 175 155 2, RGB 161 144 17, RGB 146 133 31, RGB 132 122 45 and RGB 118 111 60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 177 157 3 shade: RGB 175 63 2, RGB 175 109 2, RGB 175 155 2, RGB 149 175 2 and RGB 103 175 2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 177 157 3 shade: RGB 94 83 1, RGB 135 119 2, RGB 175 155 2, RGB 216 191 3 and RGB 251 223 9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 177 157 3 shade: RGB 177 157 3, RGB 2 175 17 and RGB 86 2 175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 177 157 3 shade: RGB 177 157 3, RGB 2 175 155 and RGB 155 2 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 177 157 3 shade: RGB 177 157 3, RGB 2 175 17, RGB 2 22 175 and RGB 175 2 161

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 177 157 3 shade: RGB 177 157 3, RGB 2 175 69, RGB 2 22 175 and RGB 175 2 109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 98 / 31

HEX #B19D03

RGB 177 157 3

HSL 53.1, 0.97%, 0.35%

LAB 64.54, -5.94, 67.46

 

Complementary color

CMYK 69 / 61 / 0 / 1

HEX #4E62FC

RGB 78 98 252

HSL 233.1, 0.97%, 0.65%

LAB 48.74, 41.65, -78.9

 

CMYK 0 / 14 / 100 / 29

HEX #B69D00

RGB 182 157 0

HSL 51.76, 1%, 0.36%

LAB 65.01, -3.72, 68.43

 

CMYK 0 / 12 / 91 / 22

HEX #C7AF11

RGB 199 175 17

HSL 52.09, 0.84%, 0.42%

LAB 71.45, -5.44, 71.64

 

CMYK 0 / 11 / 83 / 15

HEX #D8C124

RGB 216 193 36

HSL 52.33, 0.71%, 0.49%

LAB 77.8, -6.93, 73.45

 

CMYK 0 / 9 / 76 / 9

HEX #E9D337

RGB 233 211 55

HSL 52.58, 0.8%, 0.56%

LAB 84.06, -8.22, 74.12

 

CMYK 0 / 8 / 70 / 2

HEX #FAE54A

RGB 250 229 74

HSL 52.84, 0.95%, 0.64%

LAB 90.26, -9.32, 74.06

 

CMYK 0 / 11 / 98 / 31

HEX #B19D03

RGB 177 157 3

HSL 53.1, 0.97%, 0.35%

LAB 64.54, -5.94, 67.46

 

CMYK 0 / 13 / 100 / 37

HEX #A08B00

RGB 160 139 0

HSL 52.13, 1%, 0.31%

LAB 57.98, -4.04, 62.44

 

CMYK 0 / 15 / 100 / 44

HEX #8F7900

RGB 143 121 0

HSL 50.77, 1%, 0.28%

LAB 51.28, -2.01, 56.91

 

CMYK 0 / 18 / 100 / 51

HEX #7E6700

RGB 126 103 0

HSL 49.05, 1%, 0.25%

LAB 44.43, 0.12, 51.25

 

CMYK 0 / 22 / 100 / 57

HEX #6D5500

RGB 109 85 0

HSL 46.79, 1%, 0.21%

LAB 37.39, 2.37, 45.44

 

CMYK 0 / 11 / 99 / 31

HEX #AF9B02

RGB 175 155 2

HSL 53.06, 0.98%, 0.35%

LAB 63.8, -5.79, 66.98

 

CMYK 0 / 38 / 99 / 31

HEX #AF6D02

RGB 175 109 2

HSL 37.11, 0.98%, 0.35%

LAB 51.9, 19.62, 58.69

 

CMYK 0 / 65 / 99 / 31

HEX #AF3E02

RGB 175 62 2

HSL 20.81, 0.98%, 0.35%

LAB 42.1, 44.03, 52.66

 

CMYK 0 / 91 / 99 / 31

HEX #AF0F02

RGB 175 15 2

HSL 4.51, 0.98%, 0.35%

LAB 36.86, 58.57, 50.07

 

CMYK 0 / 99 / 99 / 31

HEX #AF0202

RGB 175 2 2

HSL 0, 0.98%, 0.35%

LAB 36.29, 60.19, 49.81

 

CMYK 0 / 11 / 99 / 31

HEX #AF9B02

RGB 175 155 2

HSL 53.06, 0.98%, 0.35%

LAB 63.8, -5.79, 66.98

 

CMYK 15 / 0 / 99 / 31

HEX #95AF02

RGB 149 175 2

HSL 69.02, 0.98%, 0.35%

LAB 67.32, -27.49, 68.63

 

CMYK 42 / 0 / 99 / 31

HEX #66AF02

RGB 102 175 2

HSL 85.32, 0.98%, 0.35%

LAB 64.56, -45.81, 65.3

 

CMYK 69 / 0 / 99 / 31

HEX #37AF02

RGB 55 175 2

HSL 101.62, 0.98%, 0.35%

LAB 62.91, -58.87, 63.29

 

CMYK 95 / 0 / 99 / 31

HEX #08AF02

RGB 8 175 2

HSL 117.92, 0.98%, 0.35%

LAB 62.27, -64.53, 62.51

 

CMYK 0 / 11 / 99 / 31

HEX #AF9B02

RGB 175 155 2

HSL 53.06, 0.98%, 0.35%

LAB 63.8, -5.79, 66.98

 

CMYK 0 / 11 / 99 / 31

HEX #AF9B02

RGB 175 155 2

HSL 53.06, 0.98%, 0.35%

LAB 63.8, -5.79, 66.98

 

CMYK 0 / 11 / 89 / 37

HEX #A19011

RGB 161 144 17

HSL 52.92, 0.81%, 0.35%

LAB 59.49, -6.02, 60.78

 

CMYK 0 / 9 / 79 / 43

HEX #92851F

RGB 146 133 31

HSL 53.22, 0.65%, 0.35%

LAB 55.06, -6.48, 52.59

 

CMYK 0 / 8 / 66 / 48

HEX #847A2D

RGB 132 122 45

HSL 53.1, 0.49%, 0.35%

LAB 50.7, -6.09, 42.17

 

CMYK 0 / 6 / 49 / 54

HEX #766F3C

RGB 118 111 60

HSL 52.76, 0.33%, 0.35%

LAB 46.37, -4.98, 29.22

 

CMYK 0 / 64 / 99 / 31

HEX #AF3F02

RGB 175 63 2

HSL 21.16, 0.98%, 0.35%

LAB 42.27, 43.58, 52.76

 

CMYK 0 / 38 / 99 / 31

HEX #AF6D02

RGB 175 109 2

HSL 37.11, 0.98%, 0.35%

LAB 51.9, 19.62, 58.69

 

CMYK 0 / 11 / 99 / 31

HEX #AF9B02

RGB 175 155 2

HSL 53.06, 0.98%, 0.35%

LAB 63.8, -5.79, 66.98

 

CMYK 15 / 0 / 99 / 31

HEX #95AF02

RGB 149 175 2

HSL 69.02, 0.98%, 0.35%

LAB 67.32, -27.49, 68.63

 

CMYK 41 / 0 / 99 / 31

HEX #67AF02

RGB 103 175 2

HSL 84.97, 0.98%, 0.35%

LAB 64.6, -45.47, 65.35

 

CMYK 0 / 12 / 99 / 63

HEX #5E5301

RGB 94 83 1

HSL 52.9, 0.98%, 0.19%

LAB 35.14, -3.94, 42.74

 

CMYK 0 / 12 / 99 / 47

HEX #877702

RGB 135 119 2

HSL 52.78, 0.97%, 0.27%

LAB 49.92, -4.64, 55.15

 

CMYK 0 / 11 / 99 / 31

HEX #AF9B02

RGB 175 155 2

HSL 53.06, 0.98%, 0.35%

LAB 63.8, -5.79, 66.98

 

CMYK 0 / 12 / 99 / 15

HEX #D8BF03

RGB 216 191 3

HSL 52.96, 0.97%, 0.43%

LAB 77.2, -6.44, 78.27

 

CMYK 0 / 11 / 96 / 2

HEX #FBDF09

RGB 251 223 9

HSL 53.06, 0.97%, 0.51%

LAB 88.59, -7.57, 87.42

 

CMYK 0 / 11 / 98 / 31

HEX #B19D03

RGB 177 157 3

HSL 53.1, 0.97%, 0.35%

LAB 64.54, -5.94, 67.46

 

CMYK 99 / 0 / 90 / 31

HEX #02AF11

RGB 2 175 17

HSL 125.2, 0.98%, 0.35%

LAB 62.26, -64.44, 60.37

 

CMYK 51 / 99 / 0 / 31

HEX #5602AF

RGB 86 2 175

HSL 269.13, 0.98%, 0.35%

LAB 27.07, 62.37, -70.09

 

CMYK 0 / 11 / 98 / 31

HEX #B19D03

RGB 177 157 3

HSL 53.1, 0.97%, 0.35%

LAB 64.54, -5.94, 67.46

 

CMYK 99 / 0 / 11 / 31

HEX #02AF9B

RGB 2 175 155

HSL 173.06, 0.98%, 0.35%

LAB 64.19, -42.09, -0.37

 

CMYK 11 / 99 / 0 / 31

HEX #9B02AF

RGB 155 2 175

HSL 293.06, 0.98%, 0.35%

LAB 38.03, 70.69, -51.71

 

CMYK 0 / 11 / 98 / 31

HEX #B19D03

RGB 177 157 3

HSL 53.1, 0.97%, 0.35%

LAB 64.54, -5.94, 67.46

 

CMYK 99 / 0 / 90 / 31

HEX #02AF11

RGB 2 175 17

HSL 125.2, 0.98%, 0.35%

LAB 62.26, -64.44, 60.37

 

CMYK 99 / 87 / 0 / 31

HEX #0216AF

RGB 2 22 175

HSL 233.06, 0.98%, 0.35%

LAB 22.59, 53.24, -77.7

 

CMYK 0 / 99 / 8 / 31

HEX #AF02A1

RGB 175 2 161

HSL 304.86, 0.98%, 0.35%

LAB 40.78, 71.85, -38.72

 

CMYK 0 / 11 / 98 / 31

HEX #B19D03

RGB 177 157 3

HSL 53.1, 0.97%, 0.35%

LAB 64.54, -5.94, 67.46

 

CMYK 99 / 0 / 61 / 31

HEX #02AF45

RGB 2 175 69

HSL 143.24, 0.98%, 0.35%

LAB 62.59, -60.24, 43.02

 

CMYK 99 / 87 / 0 / 31

HEX #0216AF

RGB 2 22 175

HSL 233.06, 0.98%, 0.35%

LAB 22.59, 53.24, -77.7

 

CMYK 0 / 99 / 38 / 31

HEX #AF026D

RGB 175 2 109

HSL 322.89, 0.98%, 0.35%

LAB 38.31, 65.58, -10.5

 

Description

Color code: RGB 177 157 3 | qconv.com Color code: RGB 177 157 3 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 157 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 157 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 98 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 98% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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