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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 13 190 it is the complementary color RGB 78 242 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 13 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 177 13 190 shade: RGB 182 13 185, RGB 199 31 204, RGB 216 49 223, RGB 233 67 242 and RGB 250 85 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 13 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 177 13 190 shade: RGB 177 13 190, RGB 160 0 171, RGB 143 0 152, RGB 126 0 133 and RGB 109 0 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 177 13 190 shade: RGB 177 13 190, RGB 190 13 155, RGB 190 13 108, RGB 190 13 60 and RGB 190 13 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 177 13 190 shade: RGB 177 13 190, RGB 129 13 190, RGB 81 13 190, RGB 34 13 190 and RGB 13 13 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 177 13 190 shade matches the following richer shades: RGB 177 13 190

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 177 13 190 shade: RGB 177 13 190, RGB 163 29 174, RGB 149 46 157, RGB 135 62 141 and RGB 121 79 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 177 13 190 shade: RGB 81 13 190, RGB 128 13 190, RGB 175 13 190, RGB 190 13 158 and RGB 190 13 110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 177 13 190 shade: RGB 105 7 113, RGB 141 10 152, RGB 177 13 190, RGB 213 15 229 and RGB 226 46 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 177 13 190 shade: RGB 177 13 190, RGB 190 33 13 and RGB 13 190 104

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 177 13 190 shade: RGB 177 13 190, RGB 190 175 13 and RGB 13 190 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 177 13 190 shade: RGB 177 13 190, RGB 190 33 13, RGB 28 190 13 and RGB 13 170 190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 177 13 190 shade: RGB 177 13 190, RGB 190 87 13, RGB 28 190 13 and RGB 13 116 190

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 93 / 0 / 25

HEX #B10DBE

RGB 177 13 190

HSL 295.59, 0.87%, 0.4%

LAB 43.29, 75.42, -51.91

 

Complementary color

CMYK 68 / 0 / 73 / 5

HEX #4EF241

RGB 78 242 65

HSL 115.59, 0.87%, 0.6%

LAB 84.74, -72.99, 68.7

 

CMYK 2 / 93 / 0 / 27

HEX #B60DB9

RGB 182 13 185

HSL 298.95, 0.87%, 0.39%

LAB 43.85, 75.47, -48.03

 

CMYK 2 / 85 / 0 / 20

HEX #C71FCC

RGB 199 31 204

HSL 298.27, 0.74%, 0.46%

LAB 48.86, 78.61, -50.91

 

CMYK 3 / 78 / 0 / 13

HEX #D831DF

RGB 216 49 223

HSL 297.59, 0.73%, 0.53%

LAB 54.16, 80.65, -53.14

 

CMYK 4 / 72 / 0 / 5

HEX #E943F2

RGB 233 67 242

HSL 296.91, 0.87%, 0.61%

LAB 59.66, 81.86, -54.88

 

CMYK 2 / 67 / 0 / 0

HEX #FA55FF

RGB 250 85 255

HSL 298.24, 1%, 0.67%

LAB 65, 81.52, -53.44

 

CMYK 7 / 93 / 0 / 25

HEX #B10DBE

RGB 177 13 190

HSL 295.59, 0.87%, 0.4%

LAB 43.29, 75.42, -51.91

 

CMYK 6 / 100 / 0 / 33

HEX #A000AB

RGB 160 0 171

HSL 296.14, 1%, 0.34%

LAB 38.58, 71.05, -48.41

 

CMYK 6 / 100 / 0 / 40

HEX #8F0098

RGB 143 0 152

HSL 296.45, 1%, 0.3%

LAB 34.2, 65.29, -44.12

 

CMYK 5 / 100 / 0 / 48

HEX #7E0085

RGB 126 0 133

HSL 296.84, 1%, 0.26%

LAB 29.74, 59.4, -39.73

 

CMYK 4 / 100 / 0 / 55

HEX #6D0072

RGB 109 0 114

HSL 297.37, 1%, 0.22%

LAB 25.16, 53.37, -35.21

 

CMYK 7 / 93 / 0 / 25

HEX #B10DBE

RGB 177 13 190

HSL 295.59, 0.87%, 0.4%

LAB 43.29, 75.42, -51.91

 

CMYK 0 / 93 / 18 / 25

HEX #BE0D9B

RGB 190 13 155

HSL 311.86, 0.87%, 0.4%

LAB 43.66, 72.74, -30.39

 

CMYK 0 / 93 / 43 / 25

HEX #BE0D6C

RGB 190 13 108

HSL 327.8, 0.87%, 0.4%

LAB 41.72, 67.63, -4.46

 

CMYK 0 / 93 / 68 / 25

HEX #BE0D3C

RGB 190 13 60

HSL 344.07, 0.87%, 0.4%

LAB 40.51, 64.32, 24.24

 

CMYK 0 / 93 / 93 / 25

HEX #BE0D0D

RGB 190 13 13

HSL 0, 0.87%, 0.4%

LAB 40.02, 62.95, 49.46

 

CMYK 7 / 93 / 0 / 25

HEX #B10DBE

RGB 177 13 190

HSL 295.59, 0.87%, 0.4%

LAB 43.29, 75.42, -51.91

 

CMYK 32 / 93 / 0 / 25

HEX #810DBE

RGB 129 13 190

HSL 279.32, 0.87%, 0.4%

LAB 35.35, 68.4, -65.17

 

CMYK 57 / 93 / 0 / 25

HEX #510DBE

RGB 81 13 190

HSL 263.05, 0.87%, 0.4%

LAB 28.79, 63.46, -76.2

 

CMYK 82 / 93 / 0 / 25

HEX #220DBE

RGB 34 13 190

HSL 247.12, 0.87%, 0.4%

LAB 24.78, 61.02, -82.97

 

CMYK 93 / 93 / 0 / 25

HEX #0D0DBE

RGB 13 13 190

HSL 240, 0.87%, 0.4%

LAB 23.97, 60.6, -84.35

 

CMYK 7 / 93 / 0 / 25

HEX #B10DBE

RGB 177 13 190

HSL 295.59, 0.87%, 0.4%

LAB 43.29, 75.42, -51.91

 

CMYK 7 / 93 / 0 / 25

HEX #B10DBE

RGB 177 13 190

HSL 295.59, 0.87%, 0.4%

LAB 43.29, 75.42, -51.91

 

CMYK 6 / 83 / 0 / 32

HEX #A31DAE

RGB 163 29 174

HSL 295.45, 0.71%, 0.4%

LAB 40.77, 67.71, -46.64

 

CMYK 5 / 71 / 0 / 38

HEX #952E9D

RGB 149 46 157

HSL 295.68, 0.55%, 0.4%

LAB 39.2, 56.73, -39.1

 

CMYK 4 / 56 / 0 / 45

HEX #873E8D

RGB 135 62 141

HSL 295.44, 0.39%, 0.4%

LAB 38.76, 43.02, -30.24

 

CMYK 2 / 36 / 0 / 51

HEX #794F7C

RGB 121 79 124

HSL 296, 0.22%, 0.4%

LAB 39.77, 25.67, -18.4

 

CMYK 57 / 93 / 0 / 25

HEX #510DBE

RGB 81 13 190

HSL 263.05, 0.87%, 0.4%

LAB 28.79, 63.46, -76.2

 

CMYK 33 / 93 / 0 / 25

HEX #800DBE

RGB 128 13 190

HSL 278.98, 0.87%, 0.4%

LAB 35.19, 68.27, -65.43

 

CMYK 8 / 93 / 0 / 25

HEX #AF0DBE

RGB 175 13 190

HSL 294.92, 0.87%, 0.4%

LAB 42.94, 75.1, -52.49

 

CMYK 0 / 93 / 17 / 25

HEX #BE0D9E

RGB 190 13 158

HSL 310.85, 0.87%, 0.4%

LAB 43.8, 73.12, -31.96

 

CMYK 0 / 93 / 42 / 25

HEX #BE0D6E

RGB 190 13 110

HSL 327.12, 0.87%, 0.4%

LAB 41.78, 67.81, -5.61

 

CMYK 7 / 94 / 0 / 56

HEX #690771

RGB 105 7 113

HSL 295.47, 0.88%, 0.24%

LAB 24.79, 51.09, -35.2

 

CMYK 7 / 93 / 0 / 40

HEX #8D0A98

RGB 141 10 152

HSL 295.35, 0.88%, 0.32%

LAB 34.29, 63.63, -44.01

 

CMYK 7 / 93 / 0 / 25

HEX #B10DBE

RGB 177 13 190

HSL 295.59, 0.87%, 0.4%

LAB 43.29, 75.42, -51.91

 

CMYK 7 / 93 / 0 / 10

HEX #D50FE5

RGB 213 15 229

HSL 295.51, 0.88%, 0.48%

LAB 52, 86.99, -60.03

 

CMYK 6 / 81 / 0 / 6

HEX #E22EF0

RGB 226 46 240

HSL 295.67, 0.87%, 0.56%

LAB 56.5, 85.86, -58.88

 

CMYK 7 / 93 / 0 / 25

HEX #B10DBE

RGB 177 13 190

HSL 295.59, 0.87%, 0.4%

LAB 43.29, 75.42, -51.91

 

CMYK 0 / 83 / 93 / 25

HEX #BE210D

RGB 190 33 13

HSL 6.78, 0.87%, 0.4%

LAB 41.32, 59.25, 50.27

 

CMYK 93 / 0 / 45 / 25

HEX #0DBE68

RGB 13 190 104

HSL 150.85, 0.87%, 0.4%

LAB 67.96, -59.23, 32.4

 

CMYK 7 / 93 / 0 / 25

HEX #B10DBE

RGB 177 13 190

HSL 295.59, 0.87%, 0.4%

LAB 43.29, 75.42, -51.91

 

CMYK 0 / 8 / 93 / 25

HEX #BEAF0D

RGB 190 175 13

HSL 54.92, 0.87%, 0.4%

LAB 70.62, -9.47, 71.23

 

CMYK 93 / 0 / 8 / 25

HEX #0DBEAF

RGB 13 190 175

HSL 174.92, 0.87%, 0.4%

LAB 69.47, -42.54, -3.66

 

CMYK 7 / 93 / 0 / 25

HEX #B10DBE

RGB 177 13 190

HSL 295.59, 0.87%, 0.4%

LAB 43.29, 75.42, -51.91

 

CMYK 0 / 83 / 93 / 25

HEX #BE210D

RGB 190 33 13

HSL 6.78, 0.87%, 0.4%

LAB 41.32, 59.25, 50.27

 

CMYK 85 / 0 / 93 / 25

HEX #1CBE0D

RGB 28 190 13

HSL 114.92, 0.87%, 0.4%

LAB 67.35, -67.11, 65.38

 

CMYK 93 / 11 / 0 / 25

HEX #0DAABE

RGB 13 170 190

HSL 186.78, 0.87%, 0.4%

LAB 63.8, -28.65, -20.48

 

CMYK 7 / 93 / 0 / 25

HEX #B10DBE

RGB 177 13 190

HSL 295.59, 0.87%, 0.4%

LAB 43.29, 75.42, -51.91

 

CMYK 0 / 54 / 93 / 25

HEX #BE570D

RGB 190 87 13

HSL 25.08, 0.87%, 0.4%

LAB 49.24, 37.92, 55.55

 

CMYK 85 / 0 / 93 / 25

HEX #1CBE0D

RGB 28 190 13

HSL 114.92, 0.87%, 0.4%

LAB 67.35, -67.11, 65.38

 

CMYK 93 / 39 / 0 / 25

HEX #0D74BE

RGB 13 116 190

HSL 205.08, 0.87%, 0.4%

LAB 47.36, 1.28, -46.12

 

Description

Color code: RGB 177 13 190 | qconv.com Color code: RGB 177 13 190 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 13 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 13 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 93 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 93% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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