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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 176 38 101 it is the complementary color RGB 79 217 154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 176 38 101. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 176 38 101 shade: RGB 181 38 96, RGB 198 56 115, RGB 215 74 134, RGB 232 92 153 and RGB 249 110 172

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 176 38 101. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 176 38 101 shade: RGB 176 38 101, RGB 159 20 82, RGB 142 2 63, RGB 125 0 44 and RGB 108 0 25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 176 38 101 shade: RGB 175 38 101, RGB 175 38 64 and RGB 175 38 38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 176 38 101 shade: RGB 175 38 101, RGB 175 38 138, RGB 175 38 175, RGB 139 38 175 and RGB 102 38 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 176 38 101 shade matches the following richer shades: RGB 175 38 101, RGB 192 21 99 and RGB 210 3 98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 176 38 101 shade: RGB 175 38 101, RGB 158 55 102, RGB 140 73 104, RGB 123 90 105 and RGB 106 107 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 176 38 101 shade: RGB 175 38 175, RGB 175 38 139, RGB 175 38 102, RGB 175 38 65 and RGB 175 47 38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 176 38 101 shade: RGB 107 23 62, RGB 141 31 81, RGB 175 38 101, RGB 209 46 120 and RGB 216 80 142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 176 38 101 shade: RGB 176 38 101, RGB 175 139 38 and RGB 38 157 175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 176 38 101 shade: RGB 176 38 101, RGB 102 175 38 and RGB 38 102 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 176 38 101 shade: RGB 176 38 101, RGB 175 139 38, RGB 38 175 111 and RGB 38 75 175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 176 38 101 shade: RGB 176 38 101, RGB 171 175 38, RGB 38 175 111 and RGB 43 38 175

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 43 / 31

HEX #B02665

RGB 176 38 101

HSL 332.61, 0.64%, 0.42%

LAB 40.5, 58.47, -2.16

 

Complementary color

CMYK 64 / 0 / 29 / 15

HEX #4FD99A

RGB 79 217 154

HSL 152.61, 0.64%, 0.58%

LAB 78.24, -51.72, 20.28

 

CMYK 0 / 79 / 47 / 29

HEX #B52660

RGB 181 38 96

HSL 335.66, 0.65%, 0.43%

LAB 41.3, 59.35, 2.27

 

CMYK 0 / 72 / 42 / 22

HEX #C63873

RGB 198 56 115

HSL 335.07, 0.56%, 0.5%

LAB 47.07, 60.04, -0.73

 

CMYK 0 / 66 / 38 / 16

HEX #D74A86

RGB 215 74 134

HSL 334.47, 0.64%, 0.57%

LAB 53.02, 60.11, -3.12

 

CMYK 0 / 60 / 34 / 9

HEX #E85C99

RGB 232 92 153

HSL 333.86, 0.75%, 0.64%

LAB 59.08, 59.8, -5.05

 

CMYK 0 / 56 / 31 / 2

HEX #F96EAC

RGB 249 110 172

HSL 333.24, 0.92%, 0.7%

LAB 65.18, 59.27, -6.66

 

CMYK 0 / 78 / 43 / 31

HEX #B02665

RGB 176 38 101

HSL 332.61, 0.64%, 0.42%

LAB 40.5, 58.47, -2.16

 

CMYK 0 / 87 / 48 / 38

HEX #9F1452

RGB 159 20 82

HSL 333.24, 0.78%, 0.35%

LAB 34.96, 56.81, 1.49

 

CMYK 0 / 99 / 56 / 44

HEX #8E023F

RGB 142 2 63

HSL 333.86, 0.97%, 0.28%

LAB 29.8, 53.95, 6.15

 

CMYK 0 / 100 / 65 / 51

HEX #7D002C

RGB 125 0 44

HSL 338.88, 1%, 0.25%

LAB 25.39, 48.76, 12.4

 

CMYK 0 / 100 / 77 / 58

HEX #6C0019

RGB 108 0 25

HSL 346.11, 1%, 0.21%

LAB 21.05, 43.29, 19.21

 

CMYK 0 / 78 / 42 / 31

HEX #AF2665

RGB 175 38 101

HSL 332.41, 0.64%, 0.42%

LAB 40.31, 58.21, -2.46

 

CMYK 0 / 78 / 63 / 31

HEX #AF2640

RGB 175 38 64

HSL 348.61, 0.64%, 0.42%

LAB 39.36, 55.25, 19.63

 

CMYK 0 / 78 / 78 / 31

HEX #AF2626

RGB 175 38 38

HSL 0, 0.64%, 0.42%

LAB 38.97, 53.99, 35.04

 

CMYK 0 / 78 / 42 / 31

HEX #AF2665

RGB 175 38 101

HSL 332.41, 0.64%, 0.42%

LAB 40.31, 58.21, -2.46

 

CMYK 0 / 78 / 21 / 31

HEX #AF268A

RGB 175 38 138

HSL 316.2, 0.64%, 0.42%

LAB 41.74, 62.5, -23.26

 

CMYK 0 / 78 / 0 / 31

HEX #AF26AF

RGB 175 38 175

HSL 300, 0.64%, 0.42%

LAB 43.65, 67.93, -42.52

 

CMYK 21 / 78 / 0 / 31

HEX #8B26AF

RGB 139 38 175

HSL 284.23, 0.64%, 0.42%

LAB 37.79, 60.91, -52.24

 

CMYK 42 / 78 / 0 / 31

HEX #6626AF

RGB 102 38 175

HSL 268.03, 0.64%, 0.42%

LAB 32.49, 54.47, -61.09

 

CMYK 0 / 78 / 42 / 31

HEX #AF2665

RGB 175 38 101

HSL 332.41, 0.64%, 0.42%

LAB 40.31, 58.21, -2.46

 

CMYK 0 / 89 / 48 / 25

HEX #C01563

RGB 192 21 99

HSL 332.63, 0.8%, 0.42%

LAB 42.22, 66.21, 1.98

 

CMYK 0 / 99 / 53 / 18

HEX #D20362

RGB 210 3 98

HSL 332.46, 0.97%, 0.42%

LAB 45.15, 72.32, 7.29

 

CMYK 0 / 78 / 42 / 31

HEX #AF2665

RGB 175 38 101

HSL 332.41, 0.64%, 0.42%

LAB 40.31, 58.21, -2.46

 

CMYK 0 / 65 / 35 / 38

HEX #9E3766

RGB 158 55 102

HSL 332.62, 0.48%, 0.42%

LAB 39.51, 47.13, -4.61

 

CMYK 0 / 48 / 26 / 45

HEX #8C4968

RGB 140 73 104

HSL 332.24, 0.31%, 0.42%

LAB 40.15, 32.31, -5.23

 

CMYK 0 / 27 / 15 / 52

HEX #7B5A69

RGB 123 90 105

HSL 332.73, 0.15%, 0.42%

LAB 42.07, 16.1, -3.24

 

CMYK 1 / 0 / 0 / 58

HEX #6A6B6B

RGB 106 107 107

HSL 180, 0%, 0.42%

LAB 45.14, -0.38, -0.14

 

CMYK 0 / 78 / 0 / 31

HEX #AF26AF

RGB 175 38 175

HSL 300, 0.64%, 0.42%

LAB 43.65, 67.93, -42.52

 

CMYK 0 / 78 / 21 / 31

HEX #AF268B

RGB 175 38 139

HSL 315.77, 0.64%, 0.42%

LAB 41.79, 62.63, -23.8

 

CMYK 0 / 78 / 42 / 31

HEX #AF2666

RGB 175 38 102

HSL 331.97, 0.64%, 0.42%

LAB 40.34, 58.31, -3.04

 

CMYK 0 / 78 / 63 / 31

HEX #AF2641

RGB 175 38 65

HSL 348.18, 0.64%, 0.42%

LAB 39.38, 55.31, 19.03

 

CMYK 0 / 73 / 78 / 31

HEX #AF2F26

RGB 175 47 38

HSL 3.94, 0.64%, 0.42%

LAB 40.06, 50.95, 36.19

 

CMYK 0 / 79 / 42 / 58

HEX #6B173E

RGB 107 23 62

HSL 332.14, 0.65%, 0.25%

LAB 23.96, 39.72, -2.56

 

CMYK 0 / 78 / 43 / 45

HEX #8D1F51

RGB 141 31 81

HSL 332.73, 0.64%, 0.34%

LAB 32.34, 48.99, -2.13

 

CMYK 0 / 78 / 42 / 31

HEX #AF2665

RGB 175 38 101

HSL 332.41, 0.64%, 0.42%

LAB 40.31, 58.21, -2.46

 

CMYK 0 / 78 / 43 / 18

HEX #D12E78

RGB 209 46 120

HSL 332.76, 0.64%, 0.5%

LAB 48.09, 66.67, -2.06

 

CMYK 0 / 63 / 34 / 15

HEX #D8508E

RGB 216 80 142

HSL 332.65, 0.64%, 0.58%

LAB 54.33, 58.84, -5.91

 

CMYK 0 / 78 / 43 / 31

HEX #B02665

RGB 176 38 101

HSL 332.61, 0.64%, 0.42%

LAB 40.5, 58.47, -2.16

 

CMYK 0 / 21 / 78 / 31

HEX #AF8B26

RGB 175 139 38

HSL 44.23, 0.64%, 0.42%

LAB 59.63, 3.73, 55.38

 

CMYK 78 / 10 / 0 / 31

HEX #269DAF

RGB 38 157 175

HSL 187.88, 0.64%, 0.42%

LAB 59.54, -25.31, -18.51

 

CMYK 0 / 78 / 43 / 31

HEX #B02665

RGB 176 38 101

HSL 332.61, 0.64%, 0.42%

LAB 40.5, 58.47, -2.16

 

CMYK 42 / 0 / 78 / 31

HEX #66AF26

RGB 102 175 38

HSL 91.97, 0.64%, 0.42%

LAB 64.66, -44.65, 58.17

 

CMYK 78 / 42 / 0 / 31

HEX #2666AF

RGB 38 102 175

HSL 211.97, 0.64%, 0.42%

LAB 42.78, 6.15, -44.67

 

CMYK 0 / 78 / 43 / 31

HEX #B02665

RGB 176 38 101

HSL 332.61, 0.64%, 0.42%

LAB 40.5, 58.47, -2.16

 

CMYK 0 / 21 / 78 / 31

HEX #AF8B26

RGB 175 139 38

HSL 44.23, 0.64%, 0.42%

LAB 59.63, 3.73, 55.38

 

CMYK 78 / 0 / 37 / 31

HEX #26AF6F

RGB 38 175 111

HSL 151.97, 0.64%, 0.42%

LAB 63.52, -50.43, 22.94

 

CMYK 78 / 57 / 0 / 31

HEX #264BAF

RGB 38 75 175

HSL 223.8, 0.64%, 0.42%

LAB 35.08, 23.87, -57.08

 

CMYK 0 / 78 / 43 / 31

HEX #B02665

RGB 176 38 101

HSL 332.61, 0.64%, 0.42%

LAB 40.5, 58.47, -2.16

 

CMYK 2 / 0 / 78 / 31

HEX #ABAF26

RGB 171 175 38

HSL 61.75, 0.64%, 0.42%

LAB 69.08, -17.19, 63.85

 

CMYK 78 / 0 / 37 / 31

HEX #26AF6F

RGB 38 175 111

HSL 151.97, 0.64%, 0.42%

LAB 63.52, -50.43, 22.94

 

CMYK 75 / 78 / 0 / 31

HEX #2B26AF

RGB 43 38 175

HSL 242.19, 0.64%, 0.42%

LAB 26.72, 47.31, -70.8

 

Description

Color code: RGB 176 38 101 | qconv.com Color code: RGB 176 38 101 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 38 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 38 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 43 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 43% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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