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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 176 251 162 it is the complementary color RGB 79 4 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 176 251 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 176 251 162 shade: RGB 181 251 157, RGB 198 255 176, RGB 215 255 195, RGB 232 255 214 and RGB 249 255 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 176 251 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 176 251 162 shade: RGB 176 251 162, RGB 159 233 143, RGB 142 215 124, RGB 125 197 105 and RGB 108 179 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 176 251 162 shade: RGB 176 251 161, RGB 200 251 161, RGB 224 251 161, RGB 248 251 161 and RGB 251 230 161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 176 251 162 shade: RGB 176 251 161, RGB 161 251 171, RGB 161 251 196, RGB 161 251 220 and RGB 161 251 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 176 251 162 shade matches the following richer shades: RGB 176 251 161

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 176 251 162 shade: RGB 176 251 161, RGB 181 243 169, RGB 186 235 177, RGB 192 227 185 and RGB 197 219 193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 176 251 162 shade: RGB 224 251 161, RGB 200 251 161, RGB 176 251 161, RGB 161 251 170 and RGB 161 251 194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 176 251 162 shade: RGB 108 247 82, RGB 142 249 122, RGB 176 251 161, RGB 209 252 201 and RGB 243 254 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 176 251 162 shade: RGB 176 251 162, RGB 161 248 251 and RGB 251 161 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 176 251 162 shade: RGB 176 251 162, RGB 161 176 251 and RGB 251 161 176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 176 251 162 shade: RGB 176 251 162, RGB 161 248 251, RGB 236 161 251 and RGB 251 164 161

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 176 251 162 shade: RGB 176 251 162, RGB 161 221 251, RGB 236 161 251 and RGB 251 191 161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 35 / 2

HEX #B0FBA2

RGB 176 251 162

HSL 110.56, 0.92%, 0.81%

LAB 92.06, -39.43, 35.5

 

Complementary color

CMYK 15 / 96 / 0 / 64

HEX #4F045D

RGB 79 4 93

HSL 290.56, 0.92%, 0.19%

LAB 18.1, 43.38, -33.13

 

CMYK 28 / 0 / 37 / 2

HEX #B5FB9D

RGB 181 251 157

HSL 104.68, 0.92%, 0.8%

LAB 92.24, -38.51, 38.27

 

CMYK 22 / 0 / 31 / 0

HEX #C6FFB0

RGB 198 255 176

HSL 103.29, 1%, 0.85%

LAB 94.59, -31.96, 32.1

 

CMYK 16 / 0 / 24 / 0

HEX #D7FFC3

RGB 215 255 195

HSL 100, 1%, 0.88%

LAB 95.96, -23.36, 24.54

 

CMYK 9 / 0 / 16 / 0

HEX #E8FFD6

RGB 232 255 214

HSL 93.66, 1%, 0.92%

LAB 97.44, -14.59, 17.1

 

CMYK 2 / 0 / 9 / 0

HEX #F9FFE9

RGB 249 255 233

HSL 76.36, 1%, 0.96%

LAB 99.04, -5.73, 9.82

 

CMYK 30 / 0 / 35 / 2

HEX #B0FBA2

RGB 176 251 162

HSL 110.56, 0.92%, 0.81%

LAB 92.06, -39.43, 35.5

 

CMYK 32 / 0 / 39 / 9

HEX #9FE98F

RGB 159 233 143

HSL 109.33, 0.67%, 0.74%

LAB 85.82, -39.63, 36.63

 

CMYK 34 / 0 / 42 / 16

HEX #8ED77C

RGB 142 215 124

HSL 108.13, 0.53%, 0.66%

LAB 79.5, -39.81, 37.81

 

CMYK 37 / 0 / 47 / 23

HEX #7DC569

RGB 125 197 105

HSL 106.96, 0.44%, 0.59%

LAB 73.1, -39.96, 39.03

 

CMYK 40 / 0 / 52 / 30

HEX #6CB356

RGB 108 179 86

HSL 105.81, 0.38%, 0.52%

LAB 66.6, -40.06, 40.26

 

CMYK 30 / 0 / 36 / 2

HEX #B0FBA1

RGB 176 251 161

HSL 110, 0.92%, 0.81%

LAB 92.04, -39.57, 35.98

 

CMYK 20 / 0 / 36 / 2

HEX #C8FBA1

RGB 200 251 161

HSL 94, 0.92%, 0.81%

LAB 93.38, -31.53, 37.99

 

CMYK 11 / 0 / 36 / 2

HEX #E0FBA1

RGB 224 251 161

HSL 78, 0.92%, 0.81%

LAB 94.91, -22.98, 40.28

 

CMYK 1 / 0 / 36 / 2

HEX #F8FBA1

RGB 248 251 161

HSL 62, 0.92%, 0.81%

LAB 96.63, -14.08, 42.83

 

CMYK 0 / 8 / 36 / 2

HEX #FBE6A1

RGB 251 230 161

HSL 46, 0.92%, 0.81%

LAB 91.54, -2.49, 36.25

 

CMYK 30 / 0 / 36 / 2

HEX #B0FBA1

RGB 176 251 161

HSL 110, 0.92%, 0.81%

LAB 92.04, -39.57, 35.98

 

CMYK 36 / 0 / 32 / 2

HEX #A1FBAB

RGB 161 251 171

HSL 126.67, 0.92%, 0.81%

LAB 91.47, -42.69, 30.07

 

CMYK 36 / 0 / 22 / 2

HEX #A1FBC4

RGB 161 251 196

HSL 143.33, 0.92%, 0.81%

LAB 91.93, -38.33, 17.99

 

CMYK 36 / 0 / 12 / 2

HEX #A1FBDC

RGB 161 251 220

HSL 159.33, 0.92%, 0.81%

LAB 92.46, -33.6, 6.37

 

CMYK 36 / 0 / 3 / 2

HEX #A1FBF4

RGB 161 251 244

HSL 175.33, 0.92%, 0.81%

LAB 93.06, -28.39, -5.18

 

CMYK 30 / 0 / 36 / 2

HEX #B0FBA1

RGB 176 251 161

HSL 110, 0.92%, 0.81%

LAB 92.04, -39.57, 35.98

 

CMYK 30 / 0 / 36 / 2

HEX #B0FBA1

RGB 176 251 161

HSL 110, 0.92%, 0.81%

LAB 92.04, -39.57, 35.98

 

CMYK 26 / 0 / 30 / 5

HEX #B5F3A9

RGB 181 243 169

HSL 110.27, 0.76%, 0.81%

LAB 90.22, -33.11, 29.58

 

CMYK 21 / 0 / 25 / 8

HEX #BAEBB1

RGB 186 235 177

HSL 110.69, 0.59%, 0.81%

LAB 88.46, -26.43, 23.14

 

CMYK 15 / 0 / 19 / 11

HEX #C0E3B9

RGB 192 227 185

HSL 110, 0.43%, 0.81%

LAB 86.82, -19.19, 16.77

 

CMYK 10 / 0 / 12 / 14

HEX #C5DBC1

RGB 197 219 193

HSL 110.77, 0.27%, 0.81%

LAB 85.19, -12.11, 10.31

 

CMYK 11 / 0 / 36 / 2

HEX #E0FBA1

RGB 224 251 161

HSL 78, 0.92%, 0.81%

LAB 94.91, -22.98, 40.28

 

CMYK 20 / 0 / 36 / 2

HEX #C8FBA1

RGB 200 251 161

HSL 94, 0.92%, 0.81%

LAB 93.38, -31.53, 37.99

 

CMYK 30 / 0 / 36 / 2

HEX #B0FBA1

RGB 176 251 161

HSL 110, 0.92%, 0.81%

LAB 92.04, -39.57, 35.98

 

CMYK 36 / 0 / 32 / 2

HEX #A1FBAA

RGB 161 251 170

HSL 126, 0.92%, 0.81%

LAB 91.45, -42.85, 30.55

 

CMYK 36 / 0 / 23 / 2

HEX #A1FBC2

RGB 161 251 194

HSL 142, 0.92%, 0.81%

LAB 91.89, -38.7, 18.96

 

CMYK 56 / 0 / 67 / 3

HEX #6CF752

RGB 108 247 82

HSL 110.55, 0.91%, 0.65%

LAB 87.15, -66.93, 65.32

 

CMYK 43 / 0 / 51 / 2

HEX #8EF97A

RGB 142 249 122

HSL 110.55, 0.91%, 0.73%

LAB 89.35, -54.42, 51.05

 

CMYK 30 / 0 / 36 / 2

HEX #B0FBA1

RGB 176 251 161

HSL 110, 0.92%, 0.81%

LAB 92.04, -39.57, 35.98

 

CMYK 17 / 0 / 20 / 1

HEX #D1FCC9

RGB 209 252 201

HSL 110.59, 0.89%, 0.89%

LAB 94.9, -22.99, 19.97

 

CMYK 4 / 0 / 5 / 0

HEX #F3FEF1

RGB 243 254 241

HSL 110.77, 0.87%, 0.97%

LAB 98.55, -5.89, 4.95

 

CMYK 30 / 0 / 35 / 2

HEX #B0FBA2

RGB 176 251 162

HSL 110.56, 0.92%, 0.81%

LAB 92.06, -39.43, 35.5

 

CMYK 36 / 1 / 0 / 2

HEX #A1F8FB

RGB 161 248 251

HSL 182, 0.92%, 0.81%

LAB 92.43, -25.34, -9.74

 

CMYK 0 / 36 / 16 / 2

HEX #FBA1D4

RGB 251 161 212

HSL 326, 0.92%, 0.81%

LAB 76.53, 40.35, -12

 

CMYK 30 / 0 / 35 / 2

HEX #B0FBA2

RGB 176 251 162

HSL 110.56, 0.92%, 0.81%

LAB 92.06, -39.43, 35.5

 

CMYK 36 / 30 / 0 / 2

HEX #A1B0FB

RGB 161 176 251

HSL 230, 0.92%, 0.81%

LAB 73.28, 12.33, -38.88

 

CMYK 0 / 36 / 30 / 2

HEX #FBA1B0

RGB 251 161 176

HSL 350, 0.92%, 0.81%

LAB 75.53, 35.24, 6.26

 

CMYK 30 / 0 / 35 / 2

HEX #B0FBA2

RGB 176 251 162

HSL 110.56, 0.92%, 0.81%

LAB 92.06, -39.43, 35.5

 

CMYK 36 / 1 / 0 / 2

HEX #A1F8FB

RGB 161 248 251

HSL 182, 0.92%, 0.81%

LAB 92.43, -25.34, -9.74

 

CMYK 6 / 36 / 0 / 2

HEX #ECA1FB

RGB 236 161 251

HSL 290, 0.92%, 0.81%

LAB 76.25, 42.34, -33.77

 

CMYK 0 / 35 / 36 / 2

HEX #FBA4A1

RGB 251 164 161

HSL 2, 0.92%, 0.81%

LAB 75.84, 31.83, 14.92

 

CMYK 30 / 0 / 35 / 2

HEX #B0FBA2

RGB 176 251 162

HSL 110.56, 0.92%, 0.81%

LAB 92.06, -39.43, 35.5

 

CMYK 36 / 12 / 0 / 2

HEX #A1DDFB

RGB 161 221 251

HSL 200, 0.92%, 0.81%

LAB 85.13, -11.87, -20.7

 

CMYK 6 / 36 / 0 / 2

HEX #ECA1FB

RGB 236 161 251

HSL 290, 0.92%, 0.81%

LAB 76.25, 42.34, -33.77

 

CMYK 0 / 24 / 36 / 2

HEX #FBBFA1

RGB 251 191 161

HSL 20, 0.92%, 0.81%

LAB 82.02, 17.65, 23.48

 

Description

Color code: RGB 176 251 162 | qconv.com Color code: RGB 176 251 162 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 251 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 251 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 35 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 35% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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