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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 176 227 200 it is the complementary color RGB 79 28 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 176 227 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 176 227 200 shade: RGB 181 227 195, RGB 198 245 214, RGB 215 255 233, RGB 232 255 252 and RGB 249 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 176 227 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 176 227 200 shade: RGB 176 227 200, RGB 159 209 181, RGB 142 191 162, RGB 125 173 143 and RGB 108 155 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 176 227 200 shade: RGB 175 227 199, RGB 175 227 186, RGB 179 227 175, RGB 193 227 175 and RGB 207 227 175

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 176 227 200 shade: RGB 175 227 199, RGB 175 227 213, RGB 175 226 227, RGB 175 212 227 and RGB 175 198 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 176 227 200 shade matches the following richer shades: RGB 175 227 199, RGB 167 235 199, RGB 158 244 198 and RGB 149 253 198

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 176 227 200 shade: RGB 175 227 199, RGB 184 218 200, RGB 193 209 200, RGB 201 201 201 and RGB 210 192 201

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 176 227 200 shade: RGB 179 227 175, RGB 175 227 186, RGB 175 227 199, RGB 175 227 213 and RGB 175 227 227

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 176 227 200 shade: RGB 114 205 157, RGB 145 216 178, RGB 175 227 199, RGB 206 237 221 and RGB 236 248 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 176 227 200 shade: RGB 176 227 200, RGB 175 192 227 and RGB 227 179 175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 176 227 200 shade: RGB 176 227 200, RGB 199 175 227 and RGB 227 199 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 176 227 200 shade: RGB 176 227 200, RGB 175 192 227, RGB 227 175 203 and RGB 227 210 175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 176 227 200 shade: RGB 176 227 200, RGB 175 177 227, RGB 227 175 203 and RGB 227 225 175

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 12 / 11

HEX #B0E3C8

RGB 176 227 200

HSL 148.24, 0.48%, 0.79%

LAB 86.18, -21.75, 7.85

 

Complementary color

CMYK 0 / 65 / 30 / 69

HEX #4F1C37

RGB 79 28 55

HSL 328.24, 0.48%, 0.21%

LAB 19.09, 27.31, -5.54

 

CMYK 20 / 0 / 14 / 11

HEX #B5E3C3

RGB 181 227 195

HSL 138.26, 0.45%, 0.8%

LAB 86.36, -21.09, 10.78

 

CMYK 19 / 0 / 13 / 4

HEX #C6F5D6

RGB 198 245 214

HSL 140.43, 0.7%, 0.87%

LAB 92.65, -20.95, 10

 

CMYK 16 / 0 / 9 / 0

HEX #D7FFE9

RGB 215 255 233

HSL 147, 1%, 0.92%

LAB 96.76, -16.93, 6.24

 

CMYK 9 / 0 / 1 / 0

HEX #E8FFFC

RGB 232 255 252

HSL 172.17, 1%, 0.95%

LAB 98.31, -7.99, -1.13

 

CMYK 2 / 0 / 0 / 0

HEX #F9FFFF

RGB 249 255 255

HSL 180, 1%, 0.99%

LAB 99.57, -1.96, -0.7

 

CMYK 22 / 0 / 12 / 11

HEX #B0E3C8

RGB 176 227 200

HSL 148.24, 0.48%, 0.79%

LAB 86.18, -21.75, 7.85

 

CMYK 24 / 0 / 13 / 18

HEX #9FD1B5

RGB 159 209 181

HSL 146.4, 0.35%, 0.72%

LAB 79.79, -21.92, 8.63

 

CMYK 26 / 0 / 15 / 25

HEX #8EBFA2

RGB 142 191 162

HSL 144.49, 0.28%, 0.65%

LAB 73.3, -22.12, 9.45

 

CMYK 28 / 0 / 17 / 32

HEX #7DAD8F

RGB 125 173 143

HSL 142.5, 0.23%, 0.58%

LAB 66.7, -22.34, 10.32

 

CMYK 30 / 0 / 20 / 39

HEX #6C9B7C

RGB 108 155 124

HSL 140.43, 0.19%, 0.52%

LAB 59.97, -22.58, 11.26

 

CMYK 23 / 0 / 12 / 11

HEX #AFE3C7

RGB 175 227 199

HSL 147.69, 0.48%, 0.79%

LAB 86.09, -22.25, 8.26

 

CMYK 23 / 0 / 18 / 11

HEX #AFE3BA

RGB 175 227 186

HSL 132.69, 0.48%, 0.79%

LAB 85.8, -24.67, 14.66

 

CMYK 21 / 0 / 23 / 11

HEX #B3E3AF

RGB 179 227 175

HSL 115.38, 0.48%, 0.79%

LAB 85.81, -25.26, 20.45

 

CMYK 15 / 0 / 23 / 11

HEX #C1E3AF

RGB 193 227 175

HSL 99.23, 0.48%, 0.79%

LAB 86.69, -20.48, 21.79

 

CMYK 9 / 0 / 23 / 11

HEX #CFE3AF

RGB 207 227 175

HSL 83.08, 0.48%, 0.79%

LAB 87.63, -15.54, 23.24

 

CMYK 23 / 0 / 12 / 11

HEX #AFE3C7

RGB 175 227 199

HSL 147.69, 0.48%, 0.79%

LAB 86.09, -22.25, 8.26

 

CMYK 23 / 0 / 6 / 11

HEX #AFE3D5

RGB 175 227 213

HSL 163.85, 0.48%, 0.79%

LAB 86.43, -19.48, 1.38

 

CMYK 23 / 0 / 0 / 11

HEX #AFE2E3

RGB 175 226 227

HSL 181.15, 0.48%, 0.79%

LAB 86.53, -16.04, -5.85

 

CMYK 23 / 7 / 0 / 11

HEX #AFD4E3

RGB 175 212 227

HSL 197.31, 0.48%, 0.79%

LAB 82.78, -8.89, -11.42

 

CMYK 23 / 13 / 0 / 11

HEX #AFC6E3

RGB 175 198 227

HSL 213.46, 0.48%, 0.79%

LAB 79.07, -1.53, -16.99

 

CMYK 23 / 0 / 12 / 11

HEX #AFE3C7

RGB 175 227 199

HSL 147.69, 0.48%, 0.79%

LAB 86.09, -22.25, 8.26

 

CMYK 29 / 0 / 15 / 8

HEX #A7EBC7

RGB 167 235 199

HSL 148.24, 0.63%, 0.79%

LAB 87.85, -28.58, 10.71

 

CMYK 35 / 0 / 19 / 4

HEX #9EF4C6

RGB 158 244 198

HSL 147.91, 0.8%, 0.79%

LAB 89.88, -35.62, 14.05

 

CMYK 41 / 0 / 22 / 1

HEX #95FDC6

RGB 149 253 198

HSL 148.27, 0.96%, 0.79%

LAB 92.01, -42.15, 16.99

 

CMYK 23 / 0 / 12 / 11

HEX #AFE3C7

RGB 175 227 199

HSL 147.69, 0.48%, 0.79%

LAB 86.09, -22.25, 8.26

 

CMYK 16 / 0 / 8 / 15

HEX #B8DAC8

RGB 184 218 200

HSL 148.24, 0.31%, 0.79%

LAB 84.23, -14.69, 5.11

 

CMYK 8 / 0 / 4 / 18

HEX #C1D1C8

RGB 193 209 200

HSL 146.25, 0.15%, 0.79%

LAB 82.44, -7.09, 2.6

 

CMYK 0 / 0 / 0 / 21

HEX #C9C9C9

RGB 201 201 201

HSL 0, 0%, 0.79%

LAB 80.97, 0, -0.01

 

CMYK 0 / 9 / 4 / 18

HEX #D2C0C9

RGB 210 192 201

HSL 330, 0.17%, 0.79%

LAB 79.4, 7.9, -2.22

 

CMYK 21 / 0 / 23 / 11

HEX #B3E3AF

RGB 179 227 175

HSL 115.38, 0.48%, 0.79%

LAB 85.81, -25.26, 20.45

 

CMYK 23 / 0 / 18 / 11

HEX #AFE3BA

RGB 175 227 186

HSL 132.69, 0.48%, 0.79%

LAB 85.8, -24.67, 14.66

 

CMYK 23 / 0 / 12 / 11

HEX #AFE3C7

RGB 175 227 199

HSL 147.69, 0.48%, 0.79%

LAB 86.09, -22.25, 8.26

 

CMYK 23 / 0 / 6 / 11

HEX #AFE3D5

RGB 175 227 213

HSL 163.85, 0.48%, 0.79%

LAB 86.43, -19.48, 1.38

 

CMYK 23 / 0 / 0 / 11

HEX #AFE3E3

RGB 175 227 227

HSL 180, 0.48%, 0.79%

LAB 86.8, -16.55, -5.46

 

CMYK 44 / 0 / 23 / 20

HEX #72CD9D

RGB 114 205 157

HSL 148.35, 0.48%, 0.63%

LAB 75.87, -38.09, 15.57

 

CMYK 33 / 0 / 18 / 15

HEX #91D8B2

RGB 145 216 178

HSL 147.89, 0.48%, 0.71%

LAB 80.93, -30.23, 11.75

 

CMYK 23 / 0 / 12 / 11

HEX #AFE3C7

RGB 175 227 199

HSL 147.69, 0.48%, 0.79%

LAB 86.09, -22.25, 8.26

 

CMYK 13 / 0 / 7 / 7

HEX #CEEDDD

RGB 206 237 221

HSL 149.03, 0.46%, 0.87%

LAB 91.19, -13.13, 4.34

 

CMYK 5 / 0 / 2 / 3

HEX #ECF8F2

RGB 236 248 242

HSL 150, 0.46%, 0.95%

LAB 96.57, -5.02, 1.5

 

CMYK 22 / 0 / 12 / 11

HEX #B0E3C8

RGB 176 227 200

HSL 148.24, 0.48%, 0.79%

LAB 86.18, -21.75, 7.85

 

CMYK 23 / 15 / 0 / 11

HEX #AFC0E3

RGB 175 192 227

HSL 220.38, 0.48%, 0.79%

LAB 77.5, 1.69, -19.36

 

CMYK 0 / 21 / 23 / 11

HEX #E3B3AF

RGB 227 179 175

HSL 4.62, 0.48%, 0.79%

LAB 77.08, 16.8, 8.69

 

CMYK 22 / 0 / 12 / 11

HEX #B0E3C8

RGB 176 227 200

HSL 148.24, 0.48%, 0.79%

LAB 86.18, -21.75, 7.85

 

CMYK 12 / 23 / 0 / 11

HEX #C7AFE3

RGB 199 175 227

HSL 267.69, 0.48%, 0.79%

LAB 75.04, 18.46, -22.91

 

CMYK 0 / 12 / 23 / 11

HEX #E3C7AF

RGB 227 199 175

HSL 27.69, 0.48%, 0.79%

LAB 81.99, 6.18, 15.64

 

CMYK 22 / 0 / 12 / 11

HEX #B0E3C8

RGB 176 227 200

HSL 148.24, 0.48%, 0.79%

LAB 86.18, -21.75, 7.85

 

CMYK 23 / 15 / 0 / 11

HEX #AFC0E3

RGB 175 192 227

HSL 220.38, 0.48%, 0.79%

LAB 77.5, 1.69, -19.36

 

CMYK 0 / 23 / 11 / 11

HEX #E3AFCB

RGB 227 175 203

HSL 327.69, 0.48%, 0.79%

LAB 76.86, 23.31, -6.86

 

CMYK 0 / 7 / 23 / 11

HEX #E3D2AF

RGB 227 210 175

HSL 40.38, 0.48%, 0.79%

LAB 84.75, 0.44, 19.5

 

CMYK 22 / 0 / 12 / 11

HEX #B0E3C8

RGB 176 227 200

HSL 148.24, 0.48%, 0.79%

LAB 86.18, -21.75, 7.85

 

CMYK 23 / 22 / 0 / 11

HEX #AFB1E3

RGB 175 177 227

HSL 237.69, 0.48%, 0.79%

LAB 73.61, 9.87, -25.27

 

CMYK 0 / 23 / 11 / 11

HEX #E3AFCB

RGB 227 175 203

HSL 327.69, 0.48%, 0.79%

LAB 76.86, 23.31, -6.86

 

CMYK 0 / 1 / 23 / 11

HEX #E3E1AF

RGB 227 225 175

HSL 57.69, 0.48%, 0.79%

LAB 88.58, -7.25, 24.78

 

Description

Color code: RGB 176 227 200 | qconv.com Color code: RGB 176 227 200 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 227 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 227 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 12 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 12% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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