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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 176 191 96 it is the complementary color RGB 79 64 159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 176 191 96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 176 191 96 shade: RGB 181 191 91, RGB 198 209 110, RGB 215 227 129, RGB 232 245 148 and RGB 249 255 167

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 176 191 96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 176 191 96 shade: RGB 176 191 96, RGB 159 173 77, RGB 142 155 58, RGB 125 137 39 and RGB 108 119 20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 176 191 96 shade: RGB 175 191 94, RGB 191 180 94, RGB 191 154 94, RGB 191 128 94 and RGB 191 102 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 176 191 96 shade: RGB 175 191 94, RGB 149 191 94, RGB 123 191 94, RGB 97 191 94 and RGB 94 191 117

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 176 191 96 shade matches the following richer shades: RGB 175 191 94, RGB 188 209 76, RGB 200 227 58 and RGB 213 245 40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 176 191 96 shade: RGB 175 191 94, RGB 163 172 112, RGB 150 154 130, RGB 138 136 149 and RGB 126 118 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 176 191 96 shade: RGB 191 154 94, RGB 191 179 94, RGB 176 191 94, RGB 150 191 94 and RGB 125 191 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 176 191 96 shade: RGB 131 145 57, RGB 158 174 69, RGB 175 191 94, RGB 190 202 124 and RGB 204 214 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 176 191 96 shade: RGB 176 191 96, RGB 94 191 128 and RGB 166 94 191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 176 191 96 shade: RGB 176 191 96, RGB 94 176 191 and RGB 191 94 176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 176 191 96 shade: RGB 176 191 96, RGB 94 191 128, RGB 109 94 191 and RGB 191 94 157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 176 191 96 shade: RGB 176 191 96, RGB 94 191 157, RGB 109 94 191 and RGB 191 94 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 50 / 25

HEX #B0BF60

RGB 176 191 96

HSL 69.47, 0.43%, 0.56%

LAB 74.4, -19.25, 45.77

 

Complementary color

CMYK 50 / 60 / 0 / 38

HEX #4F409F

RGB 79 64 159

HSL 249.47, 0.43%, 0.44%

LAB 33.63, 32.05, -49.74

 

CMYK 5 / 0 / 52 / 25

HEX #B5BF5B

RGB 181 191 91

HSL 66, 0.44%, 0.55%

LAB 74.72, -17.69, 48.63

 

CMYK 5 / 0 / 47 / 18

HEX #C6D16E

RGB 198 209 110

HSL 66.67, 0.52%, 0.63%

LAB 81.14, -18.07, 47.5

 

CMYK 5 / 0 / 43 / 11

HEX #D7E381

RGB 215 227 129

HSL 67.35, 0.64%, 0.7%

LAB 87.47, -18.38, 46.35

 

CMYK 5 / 0 / 40 / 4

HEX #E8F594

RGB 232 245 148

HSL 68.04, 0.83%, 0.77%

LAB 93.71, -18.63, 45.22

 

CMYK 2 / 0 / 35 / 0

HEX #F9FFA7

RGB 249 255 167

HSL 64.09, 1%, 0.83%

LAB 97.81, -14.97, 41.44

 

CMYK 8 / 0 / 50 / 25

HEX #B0BF60

RGB 176 191 96

HSL 69.47, 0.43%, 0.56%

LAB 74.4, -19.25, 45.77

 

CMYK 8 / 0 / 55 / 32

HEX #9FAD4D

RGB 159 173 77

HSL 68.75, 0.38%, 0.49%

LAB 67.87, -18.89, 46.87

 

CMYK 8 / 0 / 63 / 39

HEX #8E9B3A

RGB 142 155 58

HSL 68.04, 0.46%, 0.42%

LAB 61.22, -18.4, 47.82

 

CMYK 9 / 0 / 72 / 46

HEX #7D8927

RGB 125 137 39

HSL 67.35, 0.56%, 0.35%

LAB 54.45, -17.75, 48.41

 

CMYK 9 / 0 / 83 / 53

HEX #6C7714

RGB 108 119 20

HSL 66.67, 0.71%, 0.27%

LAB 47.54, -16.86, 48.13

 

CMYK 8 / 0 / 51 / 25

HEX #AFBF5E

RGB 175 191 94

HSL 69.9, 0.43%, 0.56%

LAB 74.31, -19.85, 46.6

 

CMYK 0 / 6 / 51 / 25

HEX #BFB45E

RGB 191 180 94

HSL 53.2, 0.43%, 0.56%

LAB 72.58, -7.65, 44.85

 

CMYK 0 / 19 / 51 / 25

HEX #BF9A5E

RGB 191 154 94

HSL 37.11, 0.43%, 0.56%

LAB 65.75, 6.24, 36.52

 

CMYK 0 / 33 / 51 / 25

HEX #BF805E

RGB 191 128 94

HSL 21.03, 0.43%, 0.56%

LAB 59.27, 20.56, 28.31

 

CMYK 0 / 47 / 51 / 25

HEX #BF665E

RGB 191 102 94

HSL 4.95, 0.43%, 0.56%

LAB 53.37, 34.7, 20.55

 

CMYK 8 / 0 / 51 / 25

HEX #AFBF5E

RGB 175 191 94

HSL 69.9, 0.43%, 0.56%

LAB 74.31, -19.85, 46.6

 

CMYK 22 / 0 / 51 / 25

HEX #95BF5E

RGB 149 191 94

HSL 85.98, 0.43%, 0.56%

LAB 72.53, -30.03, 44.05

 

CMYK 36 / 0 / 51 / 25

HEX #7BBF5E

RGB 123 191 94

HSL 102.06, 0.43%, 0.56%

LAB 71.06, -39.37, 41.93

 

CMYK 49 / 0 / 51 / 25

HEX #61BF5E

RGB 97 191 94

HSL 118.14, 0.43%, 0.56%

LAB 69.9, -47.45, 40.24

 

CMYK 51 / 0 / 39 / 25

HEX #5EBF75

RGB 94 191 117

HSL 134.23, 0.43%, 0.56%

LAB 70.12, -44.75, 28.8

 

CMYK 8 / 0 / 51 / 25

HEX #AFBF5E

RGB 175 191 94

HSL 69.9, 0.43%, 0.56%

LAB 74.31, -19.85, 46.6

 

CMYK 10 / 0 / 64 / 18

HEX #BCD14C

RGB 188 209 76

HSL 69.47, 0.59%, 0.56%

LAB 80.07, -24.87, 61.35

 

CMYK 12 / 0 / 74 / 11

HEX #C8E33A

RGB 200 227 58

HSL 69.59, 0.75%, 0.56%

LAB 85.77, -29.58, 73.82

 

CMYK 13 / 0 / 84 / 4

HEX #D5F528

RGB 213 245 40

HSL 69.37, 0.91%, 0.56%

LAB 91.51, -33.34, 83.97

 

CMYK 8 / 0 / 51 / 25

HEX #AFBF5E

RGB 175 191 94

HSL 69.9, 0.43%, 0.56%

LAB 74.31, -19.85, 46.6

 

CMYK 5 / 0 / 35 / 33

HEX #A3AC70

RGB 163 172 112

HSL 69, 0.27%, 0.56%

LAB 68.36, -12.97, 29.85

 

CMYK 3 / 0 / 16 / 40

HEX #969A82

RGB 150 154 130

HSL 70, 0.11%, 0.56%

LAB 62.68, -5.81, 12.12

 

CMYK 7 / 9 / 0 / 42

HEX #8A8895

RGB 138 136 149

HSL 249.23, 0.06%, 0.56%

LAB 57.25, 3.38, -6.66

 

CMYK 25 / 29 / 0 / 35

HEX #7E76A7

RGB 126 118 167

HSL 249.8, 0.22%, 0.56%

LAB 52.04, 13.97, -25.07

 

CMYK 0 / 19 / 51 / 25

HEX #BF9A5E

RGB 191 154 94

HSL 37.11, 0.43%, 0.56%

LAB 65.75, 6.24, 36.52

 

CMYK 0 / 6 / 51 / 25

HEX #BFB35E

RGB 191 179 94

HSL 52.58, 0.43%, 0.56%

LAB 72.31, -7.13, 44.53

 

CMYK 8 / 0 / 51 / 25

HEX #B0BF5E

RGB 176 191 94

HSL 69.28, 0.43%, 0.56%

LAB 74.38, -19.44, 46.7

 

CMYK 21 / 0 / 51 / 25

HEX #96BF5E

RGB 150 191 94

HSL 85.36, 0.43%, 0.56%

LAB 72.6, -29.65, 44.14

 

CMYK 35 / 0 / 51 / 25

HEX #7DBF5E

RGB 125 191 94

HSL 100.82, 0.43%, 0.56%

LAB 71.17, -38.69, 42.08

 

CMYK 10 / 0 / 61 / 43

HEX #839139

RGB 131 145 57

HSL 69.55, 0.44%, 0.4%

LAB 57.44, -18.03, 43.9

 

CMYK 9 / 0 / 60 / 32

HEX #9EAE45

RGB 158 174 69

HSL 69.14, 0.43%, 0.48%

LAB 68, -20.46, 50.67

 

CMYK 8 / 0 / 51 / 25

HEX #AFBF5E

RGB 175 191 94

HSL 69.9, 0.43%, 0.56%

LAB 74.31, -19.85, 46.6

 

CMYK 6 / 0 / 39 / 21

HEX #BECA7C

RGB 190 202 124

HSL 69.23, 0.42%, 0.64%

LAB 78.84, -16.23, 37.56

 

CMYK 5 / 0 / 29 / 16

HEX #CCD699

RGB 204 214 153

HSL 69.84, 0.43%, 0.72%

LAB 83.56, -13.26, 29.07

 

CMYK 8 / 0 / 50 / 25

HEX #B0BF60

RGB 176 191 96

HSL 69.47, 0.43%, 0.56%

LAB 74.4, -19.25, 45.77

 

CMYK 51 / 0 / 33 / 25

HEX #5EBF80

RGB 94 191 128

HSL 141.03, 0.43%, 0.56%

LAB 70.32, -42.79, 23.26

 

CMYK 13 / 51 / 0 / 25

HEX #A65EBF

RGB 166 94 191

HSL 284.54, 0.43%, 0.56%

LAB 51.69, 45.33, -39.21

 

CMYK 8 / 0 / 50 / 25

HEX #B0BF60

RGB 176 191 96

HSL 69.47, 0.43%, 0.56%

LAB 74.4, -19.25, 45.77

 

CMYK 51 / 8 / 0 / 25

HEX #5EB0BF

RGB 94 176 191

HSL 189.28, 0.43%, 0.56%

LAB 67.42, -20.87, -15.37

 

CMYK 0 / 51 / 8 / 25

HEX #BF5EB0

RGB 191 94 176

HSL 309.28, 0.43%, 0.56%

LAB 54.26, 49.74, -26.29

 

CMYK 8 / 0 / 50 / 25

HEX #B0BF60

RGB 176 191 96

HSL 69.47, 0.43%, 0.56%

LAB 74.4, -19.25, 45.77

 

CMYK 51 / 0 / 33 / 25

HEX #5EBF80

RGB 94 191 128

HSL 141.03, 0.43%, 0.56%

LAB 70.32, -42.79, 23.26

 

CMYK 43 / 51 / 0 / 25

HEX #6D5EBF

RGB 109 94 191

HSL 249.28, 0.43%, 0.56%

LAB 45.66, 30.2, -49.17

 

CMYK 0 / 51 / 18 / 25

HEX #BF5E9D

RGB 191 94 157

HSL 321.03, 0.43%, 0.56%

LAB 53.51, 46.68, -16.36

 

CMYK 8 / 0 / 50 / 25

HEX #B0BF60

RGB 176 191 96

HSL 69.47, 0.43%, 0.56%

LAB 74.4, -19.25, 45.77

 

CMYK 51 / 0 / 18 / 25

HEX #5EBF9D

RGB 94 191 157

HSL 158.97, 0.43%, 0.56%

LAB 70.92, -36.78, 8.47

 

CMYK 43 / 51 / 0 / 25

HEX #6D5EBF

RGB 109 94 191

HSL 249.28, 0.43%, 0.56%

LAB 45.66, 30.2, -49.17

 

CMYK 0 / 51 / 33 / 25

HEX #BF5E80

RGB 191 94 128

HSL 338.97, 0.43%, 0.56%

LAB 52.55, 42.6, -0.67

 

Description

Color code: RGB 176 191 96 | qconv.com Color code: RGB 176 191 96 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 191 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 191 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 50 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 50% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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