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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 176 196 120 it is the complementary color RGB 79 59 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 176 196 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 176 196 120 shade: RGB 181 196 115, RGB 198 214 134, RGB 215 232 153, RGB 232 250 172 and RGB 249 255 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 176 196 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 176 196 120 shade: RGB 176 196 120, RGB 159 178 101, RGB 142 160 82, RGB 125 142 63 and RGB 108 124 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 176 196 120 shade: RGB 176 195 120, RGB 195 195 120, RGB 195 175 120, RGB 195 154 120 and RGB 195 134 120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 176 196 120 shade: RGB 176 195 120, RGB 155 195 120, RGB 135 195 120, RGB 120 195 125 and RGB 120 195 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 176 196 120 shade matches the following richer shades: RGB 176 195 120, RGB 183 211 104, RGB 190 227 88 and RGB 198 242 73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 176 196 120 shade: RGB 176 195 120, RGB 168 180 135, RGB 161 164 151, RGB 153 148 167 and RGB 146 133 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 176 196 120 shade: RGB 195 174 120, RGB 195 194 120, RGB 176 195 120, RGB 156 195 120 and RGB 136 195 120

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 176 196 120 shade: RGB 138 162 71, RGB 159 183 91, RGB 176 195 120, RGB 192 208 148 and RGB 209 221 177

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 176 196 120 shade: RGB 176 196 120, RGB 120 195 154 and RGB 184 120 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 176 196 120 shade: RGB 176 196 120, RGB 120 176 195 and RGB 195 120 176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 176 196 120 shade: RGB 176 196 120, RGB 120 195 154, RGB 139 120 195 and RGB 195 120 161

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 176 196 120 shade: RGB 176 196 120, RGB 120 195 176, RGB 139 120 195 and RGB 195 120 139

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 39 / 23

HEX #B0C478

RGB 176 196 120

HSL 75.79, 0.39%, 0.62%

LAB 76.11, -19.13, 35.9

 

Complementary color

CMYK 41 / 56 / 0 / 47

HEX #4F3B87

RGB 79 59 135

HSL 255.79, 0.39%, 0.38%

LAB 30.73, 27.81, -39.73

 

CMYK 8 / 0 / 41 / 23

HEX #B5C473

RGB 181 196 115

HSL 71.11, 0.41%, 0.61%

LAB 76.4, -17.77, 38.89

 

CMYK 7 / 0 / 37 / 16

HEX #C6D686

RGB 198 214 134

HSL 72, 0.49%, 0.68%

LAB 82.82, -17.95, 37.73

 

CMYK 7 / 0 / 34 / 9

HEX #D7E899

RGB 215 232 153

HSL 72.91, 0.63%, 0.75%

LAB 89.14, -18.09, 36.61

 

CMYK 7 / 0 / 31 / 2

HEX #E8FAAC

RGB 232 250 172

HSL 73.85, 0.89%, 0.83%

LAB 95.37, -18.2, 35.53

 

CMYK 2 / 0 / 25 / 0

HEX #F9FFBF

RGB 249 255 191

HSL 65.63, 1%, 0.87%

LAB 98.2, -11.98, 30.01

 

CMYK 10 / 0 / 39 / 23

HEX #B0C478

RGB 176 196 120

HSL 75.79, 0.39%, 0.62%

LAB 76.11, -19.13, 35.9

 

CMYK 11 / 0 / 43 / 30

HEX #9FB265

RGB 159 178 101

HSL 74.81, 0.33%, 0.55%

LAB 69.58, -18.99, 37.08

 

CMYK 11 / 0 / 49 / 37

HEX #8EA052

RGB 142 160 82

HSL 73.85, 0.32%, 0.47%

LAB 62.93, -18.79, 38.28

 

CMYK 12 / 0 / 56 / 44

HEX #7D8E3F

RGB 125 142 63

HSL 72.91, 0.39%, 0.4%

LAB 56.15, -18.51, 39.45

 

CMYK 13 / 0 / 65 / 51

HEX #6C7C2C

RGB 108 124 44

HSL 72, 0.48%, 0.33%

LAB 49.23, -18.09, 40.45

 

CMYK 10 / 0 / 38 / 24

HEX #B0C378

RGB 176 195 120

HSL 75.2, 0.38%, 0.62%

LAB 75.83, -18.63, 35.55

 

CMYK 0 / 0 / 38 / 24

HEX #C3C378

RGB 195 195 120

HSL 60, 0.38%, 0.62%

LAB 77.27, -11.16, 37.68

 

CMYK 0 / 10 / 38 / 24

HEX #C3AF78

RGB 195 175 120

HSL 44, 0.38%, 0.62%

LAB 71.97, -0.71, 30.84

 

CMYK 0 / 21 / 38 / 24

HEX #C39A78

RGB 195 154 120

HSL 27.2, 0.38%, 0.62%

LAB 66.57, 10.64, 23.68

 

CMYK 0 / 31 / 38 / 24

HEX #C38678

RGB 195 134 120

HSL 11.2, 0.38%, 0.62%

LAB 61.66, 21.65, 16.99

 

CMYK 10 / 0 / 38 / 24

HEX #B0C378

RGB 176 195 120

HSL 75.2, 0.38%, 0.62%

LAB 75.83, -18.63, 35.55

 

CMYK 21 / 0 / 38 / 24

HEX #9BC378

RGB 155 195 120

HSL 92, 0.38%, 0.62%

LAB 74.42, -26.55, 33.44

 

CMYK 31 / 0 / 38 / 24

HEX #87C378

RGB 135 195 120

HSL 108, 0.38%, 0.62%

LAB 73.24, -33.62, 31.69

 

CMYK 38 / 0 / 36 / 24

HEX #78C37D

RGB 120 195 125

HSL 124, 0.38%, 0.62%

LAB 72.56, -37.71, 28.05

 

CMYK 38 / 0 / 25 / 24

HEX #78C392

RGB 120 195 146

HSL 140.8, 0.38%, 0.62%

LAB 72.96, -33.98, 17.44

 

CMYK 10 / 0 / 38 / 24

HEX #B0C378

RGB 176 195 120

HSL 75.2, 0.38%, 0.62%

LAB 75.83, -18.63, 35.55

 

CMYK 13 / 0 / 51 / 17

HEX #B7D368

RGB 183 211 104

HSL 75.7, 0.55%, 0.62%

LAB 80.55, -25.53, 49.39

 

CMYK 16 / 0 / 61 / 11

HEX #BEE358

RGB 190 227 88

HSL 75.97, 0.71%, 0.62%

LAB 85.3, -31.75, 62.06

 

CMYK 18 / 0 / 70 / 5

HEX #C6F249

RGB 198 242 73

HSL 75.62, 0.87%, 0.62%

LAB 89.86, -36.5, 72.73

 

CMYK 10 / 0 / 38 / 24

HEX #B0C378

RGB 176 195 120

HSL 75.2, 0.38%, 0.62%

LAB 75.83, -18.63, 35.55

 

CMYK 7 / 0 / 25 / 29

HEX #A8B487

RGB 168 180 135

HSL 76, 0.23%, 0.62%

LAB 71.36, -12, 21.61

 

CMYK 2 / 0 / 8 / 36

HEX #A1A497

RGB 161 164 151

HSL 73.85, 0.07%, 0.62%

LAB 66.8, -3.48, 6.37

 

CMYK 8 / 11 / 0 / 35

HEX #9994A7

RGB 153 148 167

HSL 255.79, 0.1%, 0.62%

LAB 62.29, 5.61, -9.29

 

CMYK 20 / 27 / 0 / 28

HEX #9285B7

RGB 146 133 183

HSL 255.6, 0.26%, 0.62%

LAB 58.33, 15.42, -24.45

 

CMYK 0 / 11 / 38 / 24

HEX #C3AE78

RGB 195 174 120

HSL 43.2, 0.38%, 0.62%

LAB 71.71, -0.18, 30.5

 

CMYK 0 / 1 / 38 / 24

HEX #C3C278

RGB 195 194 120

HSL 59.2, 0.38%, 0.62%

LAB 77.01, -10.65, 37.34

 

CMYK 10 / 0 / 38 / 24

HEX #B0C378

RGB 176 195 120

HSL 75.2, 0.38%, 0.62%

LAB 75.83, -18.63, 35.55

 

CMYK 20 / 0 / 38 / 24

HEX #9CC378

RGB 156 195 120

HSL 91.2, 0.38%, 0.62%

LAB 74.48, -26.18, 33.53

 

CMYK 30 / 0 / 38 / 24

HEX #88C378

RGB 136 195 120

HSL 107.2, 0.38%, 0.62%

LAB 73.3, -33.28, 31.77

 

CMYK 15 / 0 / 56 / 36

HEX #8AA247

RGB 138 162 71

HSL 75.82, 0.39%, 0.46%

LAB 63.09, -22.54, 43.83

 

CMYK 13 / 0 / 50 / 28

HEX #9FB75B

RGB 159 183 91

HSL 75.65, 0.39%, 0.54%

LAB 70.87, -22.58, 43.67

 

CMYK 10 / 0 / 38 / 24

HEX #B0C378

RGB 176 195 120

HSL 75.2, 0.38%, 0.62%

LAB 75.83, -18.63, 35.55

 

CMYK 8 / 0 / 29 / 18

HEX #C0D094

RGB 192 208 148

HSL 76, 0.39%, 0.7%

LAB 80.99, -15.41, 28.06

 

CMYK 5 / 0 / 20 / 13

HEX #D1DDB1

RGB 209 221 177

HSL 76.36, 0.39%, 0.78%

LAB 86.23, -11.51, 20.29

 

CMYK 10 / 0 / 39 / 23

HEX #B0C478

RGB 176 196 120

HSL 75.79, 0.39%, 0.62%

LAB 76.11, -19.13, 35.9

 

CMYK 38 / 0 / 21 / 24

HEX #78C39A

RGB 120 195 154

HSL 147.2, 0.38%, 0.62%

LAB 73.13, -32.41, 13.37

 

CMYK 6 / 38 / 0 / 24

HEX #B878C3

RGB 184 120 195

HSL 291.2, 0.38%, 0.62%

LAB 59.49, 37.48, -29.16

 

CMYK 10 / 0 / 39 / 23

HEX #B0C478

RGB 176 196 120

HSL 75.79, 0.39%, 0.62%

LAB 76.11, -19.13, 35.9

 

CMYK 38 / 10 / 0 / 24

HEX #78B0C3

RGB 120 176 195

HSL 195.2, 0.38%, 0.62%

LAB 68.74, -13.4, -15.47

 

CMYK 0 / 38 / 10 / 24

HEX #C378B0

RGB 195 120 176

HSL 315.2, 0.38%, 0.62%

LAB 60.04, 37.51, -17.38

 

CMYK 10 / 0 / 39 / 23

HEX #B0C478

RGB 176 196 120

HSL 75.79, 0.39%, 0.62%

LAB 76.11, -19.13, 35.9

 

CMYK 38 / 0 / 21 / 24

HEX #78C39A

RGB 120 195 154

HSL 147.2, 0.38%, 0.62%

LAB 73.13, -32.41, 13.37

 

CMYK 29 / 38 / 0 / 24

HEX #8B78C3

RGB 139 120 195

HSL 255.2, 0.38%, 0.62%

LAB 54.93, 23.82, -36.61

 

CMYK 0 / 38 / 17 / 24

HEX #C378A1

RGB 195 120 161

HSL 327.2, 0.38%, 0.62%

LAB 59.53, 35.03, -9.55

 

CMYK 10 / 0 / 39 / 23

HEX #B0C478

RGB 176 196 120

HSL 75.79, 0.39%, 0.62%

LAB 76.11, -19.13, 35.9

 

CMYK 38 / 0 / 10 / 24

HEX #78C3B0

RGB 120 195 176

HSL 164.8, 0.38%, 0.62%

LAB 73.65, -27.7, 2.21

 

CMYK 29 / 38 / 0 / 24

HEX #8B78C3

RGB 139 120 195

HSL 255.2, 0.38%, 0.62%

LAB 54.93, 23.82, -36.61

 

CMYK 0 / 38 / 29 / 24

HEX #C3788B

RGB 195 120 139

HSL 344.8, 0.38%, 0.62%

LAB 58.88, 31.76, 2.18

 

Description

Color code: RGB 176 196 120 | qconv.com Color code: RGB 176 196 120 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 196 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 196 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 39 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 39% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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