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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 176 16 123 it is the complementary color RGB 79 239 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 176 16 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 176 16 123 shade: RGB 181 16 118, RGB 198 34 137, RGB 215 52 156, RGB 232 70 175 and RGB 249 88 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 176 16 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 176 16 123 shade: RGB 176 16 123, RGB 159 0 104, RGB 142 0 85, RGB 125 0 66 and RGB 108 0 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 176 16 123 shade: RGB 177 16 124, RGB 177 16 80, RGB 177 16 37 and RGB 177 16 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 176 16 123 shade: RGB 177 16 124, RGB 177 16 167, RGB 143 16 177, RGB 100 16 177 and RGB 57 16 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 176 16 123 shade matches the following richer shades: RGB 177 16 124 and RGB 193 0 129

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 176 16 123 shade: RGB 177 16 124, RGB 161 32 118, RGB 145 47 113, RGB 130 63 108 and RGB 114 79 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 176 16 123 shade: RGB 142 16 177, RGB 177 16 169, RGB 177 16 126, RGB 177 16 83 and RGB 177 16 40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 176 16 123 shade: RGB 101 9 71, RGB 139 12 97, RGB 177 16 124, RGB 215 19 150 and RGB 235 41 170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 176 16 123 shade: RGB 176 16 123, RGB 177 99 16 and RGB 16 177 163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 176 16 123 shade: RGB 176 16 123, RGB 126 177 16 and RGB 16 126 177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 176 16 123 shade: RGB 176 16 123, RGB 177 99 16, RGB 16 177 67 and RGB 16 94 177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 176 16 123 shade: RGB 176 16 123, RGB 177 147 16, RGB 16 177 67 and RGB 16 45 177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 30 / 31

HEX #B0107B

RGB 176 16 123

HSL 319.88, 0.83%, 0.38%

LAB 39.63, 65.63, -17.25

 

Complementary color

CMYK 67 / 0 / 45 / 6

HEX #4FEF84

RGB 79 239 132

HSL 139.88, 0.83%, 0.62%

LAB 84.52, -64.09, 39.82

 

CMYK 0 / 91 / 35 / 29

HEX #B51076

RGB 181 16 118

HSL 322.91, 0.84%, 0.39%

LAB 40.41, 66.19, -12.85

 

CMYK 0 / 83 / 31 / 22

HEX #C62289

RGB 198 34 137

HSL 322.32, 0.71%, 0.45%

LAB 45.57, 68.77, -16.4

 

CMYK 0 / 76 / 27 / 16

HEX #D7349C

RGB 215 52 156

HSL 321.72, 0.67%, 0.52%

LAB 51.04, 70.28, -19.19

 

CMYK 0 / 70 / 25 / 9

HEX #E846AF

RGB 232 70 175

HSL 321.11, 0.78%, 0.59%

LAB 56.71, 71.03, -21.4

 

CMYK 0 / 65 / 22 / 2

HEX #F958C2

RGB 249 88 194

HSL 320.5, 0.93%, 0.66%

LAB 62.52, 71.26, -23.19

 

CMYK 0 / 91 / 30 / 31

HEX #B0107B

RGB 176 16 123

HSL 319.88, 0.83%, 0.38%

LAB 39.63, 65.63, -17.25

 

CMYK 0 / 100 / 35 / 38

HEX #9F0068

RGB 159 0 104

HSL 320.75, 1%, 0.31%

LAB 34.74, 61.87, -13.04

 

CMYK 0 / 100 / 40 / 44

HEX #8E0055

RGB 142 0 85

HSL 324.08, 1%, 0.28%

LAB 30.42, 56.18, -7.6

 

CMYK 0 / 100 / 47 / 51

HEX #7D0042

RGB 125 0 66

HSL 328.32, 1%, 0.25%

LAB 26.02, 50.44, -1.81

 

CMYK 0 / 100 / 56 / 58

HEX #6C002F

RGB 108 0 47

HSL 333.89, 1%, 0.21%

LAB 21.56, 44.64, 4.4

 

CMYK 0 / 91 / 30 / 31

HEX #B1107C

RGB 177 16 124

HSL 319.75, 0.83%, 0.38%

LAB 39.87, 65.97, -17.49

 

CMYK 0 / 91 / 55 / 31

HEX #B11050

RGB 177 16 80

HSL 336.15, 0.83%, 0.38%

LAB 38.37, 61.87, 8.15

 

CMYK 0 / 91 / 79 / 31

HEX #B11025

RGB 177 16 37

HSL 352.17, 0.83%, 0.38%

LAB 37.57, 59.63, 34.27

 

CMYK 0 / 91 / 91 / 31

HEX #B11010

RGB 177 16 16

HSL 0, 0.83%, 0.38%

LAB 37.4, 59.13, 45.18

 

CMYK 0 / 91 / 30 / 31

HEX #B1107C

RGB 177 16 124

HSL 319.75, 0.83%, 0.38%

LAB 39.87, 65.97, -17.49

 

CMYK 0 / 91 / 6 / 31

HEX #B110A7

RGB 177 16 167

HSL 303.73, 0.83%, 0.38%

LAB 42.01, 71.55, -40.35

 

CMYK 19 / 91 / 0 / 31

HEX #8F10B1

RGB 143 16 177

HSL 287.33, 0.83%, 0.38%

LAB 36.71, 67.42, -55.14

 

CMYK 44 / 91 / 0 / 31

HEX #6410B1

RGB 100 16 177

HSL 271.3, 0.83%, 0.38%

LAB 30.05, 61.61, -66.31

 

CMYK 68 / 91 / 0 / 31

HEX #3910B1

RGB 57 16 177

HSL 255.28, 0.83%, 0.38%

LAB 25, 57.81, -74.82

 

CMYK 0 / 91 / 30 / 31

HEX #B1107C

RGB 177 16 124

HSL 319.75, 0.83%, 0.38%

LAB 39.87, 65.97, -17.49

 

CMYK 0 / 100 / 33 / 24

HEX #C10081

RGB 193 0 129

HSL 319.9, 1%, 0.38%

LAB 42.65, 71.6, -16.06

 

CMYK 0 / 91 / 30 / 31

HEX #B1107C

RGB 177 16 124

HSL 319.75, 0.83%, 0.38%

LAB 39.87, 65.97, -17.49

 

CMYK 0 / 80 / 27 / 37

HEX #A12076

RGB 161 32 118

HSL 320, 0.67%, 0.38%

LAB 37.7, 58.24, -17.35

 

CMYK 0 / 68 / 22 / 43

HEX #912F71

RGB 145 47 113

HSL 319.59, 0.51%, 0.38%

LAB 36.45, 48.1, -16.37

 

CMYK 0 / 52 / 17 / 49

HEX #823F6C

RGB 130 63 108

HSL 319.7, 0.35%, 0.38%

LAB 36.71, 34.89, -13.04

 

CMYK 0 / 31 / 11 / 55

HEX #724F66

RGB 114 79 102

HSL 320.57, 0.18%, 0.38%

LAB 38.07, 18.69, -7.44

 

CMYK 20 / 91 / 0 / 31

HEX #8E10B1

RGB 142 16 177

HSL 286.96, 0.83%, 0.38%

LAB 36.55, 67.27, -55.42

 

CMYK 0 / 91 / 5 / 31

HEX #B110A9

RGB 177 16 169

HSL 302.98, 0.83%, 0.38%

LAB 42.13, 71.84, -41.36

 

CMYK 0 / 91 / 29 / 31

HEX #B1107E

RGB 177 16 126

HSL 319.01, 0.83%, 0.38%

LAB 39.96, 66.19, -18.6

 

CMYK 0 / 91 / 53 / 31

HEX #B11053

RGB 177 16 83

HSL 335.03, 0.83%, 0.38%

LAB 38.45, 62.09, 6.33

 

CMYK 0 / 91 / 77 / 31

HEX #B11028

RGB 177 16 40

HSL 351.06, 0.83%, 0.38%

LAB 37.61, 59.73, 32.52

 

CMYK 0 / 91 / 30 / 60

HEX #650947

RGB 101 9 71

HSL 319.57, 0.84%, 0.22%

LAB 21.64, 43.28, -12.34

 

CMYK 0 / 91 / 30 / 45

HEX #8B0C61

RGB 139 12 97

HSL 319.84, 0.84%, 0.3%

LAB 30.91, 54.98, -14.75

 

CMYK 0 / 91 / 30 / 31

HEX #B1107C

RGB 177 16 124

HSL 319.75, 0.83%, 0.38%

LAB 39.87, 65.97, -17.49

 

CMYK 0 / 91 / 30 / 16

HEX #D71396

RGB 215 19 150

HSL 319.9, 0.84%, 0.46%

LAB 48.4, 76.5, -19.64

 

CMYK 0 / 83 / 28 / 8

HEX #EB29AA

RGB 235 41 170

HSL 320.1, 0.83%, 0.54%

LAB 54.19, 79.25, -22.32

 

CMYK 0 / 91 / 30 / 31

HEX #B0107B

RGB 176 16 123

HSL 319.88, 0.83%, 0.38%

LAB 39.63, 65.63, -17.25

 

CMYK 0 / 44 / 91 / 31

HEX #B16310

RGB 177 99 16

HSL 30.93, 0.83%, 0.38%

LAB 49.87, 26.24, 54.33

 

CMYK 91 / 0 / 8 / 31

HEX #10B1A3

RGB 16 177 163

HSL 174.78, 0.83%, 0.38%

LAB 65.12, -40.14, -3.45

 

CMYK 0 / 91 / 30 / 31

HEX #B0107B

RGB 176 16 123

HSL 319.88, 0.83%, 0.38%

LAB 39.63, 65.63, -17.25

 

CMYK 29 / 0 / 91 / 31

HEX #7EB110

RGB 126 177 16

HSL 79.01, 0.83%, 0.38%

LAB 66.46, -37.56, 65.49

 

CMYK 91 / 29 / 0 / 31

HEX #107EB1

RGB 16 126 177

HSL 199.01, 0.83%, 0.38%

LAB 49.75, -9.57, -34.83

 

CMYK 0 / 91 / 30 / 31

HEX #B0107B

RGB 176 16 123

HSL 319.88, 0.83%, 0.38%

LAB 39.63, 65.63, -17.25

 

CMYK 0 / 44 / 91 / 31

HEX #B16310

RGB 177 99 16

HSL 30.93, 0.83%, 0.38%

LAB 49.87, 26.24, 54.33

 

CMYK 91 / 0 / 62 / 31

HEX #10B143

RGB 16 177 67

HSL 139.01, 0.83%, 0.38%

LAB 63.31, -60.42, 44.78

 

CMYK 91 / 47 / 0 / 31

HEX #105EB1

RGB 16 94 177

HSL 210.93, 0.83%, 0.38%

LAB 40.06, 10.23, -50.22

 

CMYK 0 / 91 / 30 / 31

HEX #B0107B

RGB 176 16 123

HSL 319.88, 0.83%, 0.38%

LAB 39.63, 65.63, -17.25

 

CMYK 0 / 17 / 91 / 31

HEX #B19310

RGB 177 147 16

HSL 48.82, 0.83%, 0.38%

LAB 61.87, -0.37, 63.52

 

CMYK 91 / 0 / 62 / 31

HEX #10B143

RGB 16 177 67

HSL 139.01, 0.83%, 0.38%

LAB 63.31, -60.42, 44.78

 

CMYK 91 / 75 / 0 / 31

HEX #102DB1

RGB 16 45 177

HSL 229.19, 0.83%, 0.38%

LAB 27.19, 42.48, -71.25

 

Description

Color code: RGB 176 16 123 | qconv.com Color code: RGB 176 16 123 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 16 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 16 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 30 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 30% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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