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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 176 125 58 it is the complementary color RGB 79 130 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 176 125 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 176 125 58 shade: RGB 181 125 53, RGB 198 143 72, RGB 215 161 91, RGB 232 179 110 and RGB 249 197 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 176 125 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 176 125 58 shade: RGB 176 125 58, RGB 159 107 39, RGB 142 89 20, RGB 125 71 1 and RGB 108 53 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 176 125 58 shade: RGB 175 125 58, RGB 175 93 58, RGB 175 61 58 and RGB 175 58 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 176 125 58 shade: RGB 175 125 58, RGB 175 156 58, RGB 163 175 58, RGB 131 175 58 and RGB 100 175 58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 176 125 58 shade matches the following richer shades: RGB 175 125 58, RGB 194 127 39, RGB 213 130 20 and RGB 232 132 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 176 125 58 shade: RGB 175 125 58, RGB 156 122 77, RGB 137 120 96, RGB 119 117 115 and RGB 100 114 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 176 125 58 shade: RGB 175 62 58, RGB 175 93 58, RGB 175 125 58, RGB 175 156 58 and RGB 164 175 58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 176 125 58 shade: RGB 114 81 38, RGB 145 103 48, RGB 175 125 58, RGB 196 145 79 and RGB 206 165 110

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 176 125 58 shade: RGB 176 125 58, RGB 86 175 58 and RGB 78 58 175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 176 125 58 shade: RGB 176 125 58, RGB 58 175 125 and RGB 125 58 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 176 125 58 shade: RGB 176 125 58, RGB 86 175 58, RGB 58 109 175 and RGB 148 58 175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 176 125 58 shade: RGB 176 125 58, RGB 58 175 66, RGB 58 109 175 and RGB 175 58 168

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 67 / 31

HEX #B07D3A

RGB 176 125 58

HSL 34.07, 0.5%, 0.46%

LAB 56.29, 12.99, 43.37

 

Complementary color

CMYK 60 / 34 / 0 / 23

HEX #4F82C5

RGB 79 130 197

HSL 214.07, 0.5%, 0.54%

LAB 53.66, 3.36, -40.02

 

CMYK 0 / 31 / 71 / 29

HEX #B57D35

RGB 181 125 53

HSL 33.75, 0.55%, 0.46%

LAB 56.83, 14.9, 46.53

 

CMYK 0 / 28 / 64 / 22

HEX #C68F48

RGB 198 143 72

HSL 33.81, 0.53%, 0.53%

LAB 63.44, 13.49, 45.18

 

CMYK 0 / 25 / 58 / 16

HEX #D7A15B

RGB 215 161 91

HSL 33.87, 0.61%, 0.6%

LAB 69.96, 12.3, 43.77

 

CMYK 0 / 23 / 53 / 9

HEX #E8B36E

RGB 232 179 110

HSL 33.93, 0.73%, 0.67%

LAB 76.39, 11.27, 42.37

 

CMYK 0 / 21 / 48 / 2

HEX #F9C581

RGB 249 197 129

HSL 34, 0.91%, 0.74%

LAB 82.73, 10.38, 41.03

 

CMYK 0 / 29 / 67 / 31

HEX #B07D3A

RGB 176 125 58

HSL 34.07, 0.5%, 0.46%

LAB 56.29, 12.99, 43.37

 

CMYK 0 / 33 / 75 / 38

HEX #9F6B27

RGB 159 107 39

HSL 34, 0.61%, 0.39%

LAB 49.54, 14.53, 44.62

 

CMYK 0 / 37 / 86 / 44

HEX #8E5914

RGB 142 89 20

HSL 33.93, 0.75%, 0.32%

LAB 42.68, 16.38, 45.27

 

CMYK 0 / 43 / 99 / 51

HEX #7D4701

RGB 125 71 1

HSL 33.87, 0.98%, 0.25%

LAB 35.73, 18.57, 44.98

 

CMYK 0 / 51 / 100 / 58

HEX #6C3500

RGB 108 53 0

HSL 29.44, 1%, 0.21%

LAB 28.73, 21.24, 39.33

 

CMYK 0 / 29 / 67 / 31

HEX #AF7D3A

RGB 175 125 58

HSL 34.36, 0.5%, 0.46%

LAB 56.17, 12.55, 43.21

 

CMYK 0 / 47 / 67 / 31

HEX #AF5D3A

RGB 175 93 58

HSL 17.95, 0.5%, 0.46%

LAB 48.57, 30.32, 34.58

 

CMYK 0 / 65 / 67 / 31

HEX #AF3D3A

RGB 175 61 58

HSL 1.54, 0.5%, 0.46%

LAB 42.39, 46.25, 27.18

 

CMYK 0 / 67 / 67 / 31

HEX #AF3A3A

RGB 175 58 58

HSL 0, 0.5%, 0.46%

LAB 41.92, 47.54, 26.59

 

CMYK 0 / 29 / 67 / 31

HEX #AF7D3A

RGB 175 125 58

HSL 34.36, 0.5%, 0.46%

LAB 56.17, 12.55, 43.21

 

CMYK 0 / 11 / 67 / 31

HEX #AF9C3A

RGB 175 156 58

HSL 50.26, 0.5%, 0.46%

LAB 64.32, -4.52, 51.97

 

CMYK 7 / 0 / 67 / 31

HEX #A3AF3A

RGB 163 175 58

HSL 66.15, 0.5%, 0.46%

LAB 68.57, -19.63, 56.07

 

CMYK 25 / 0 / 67 / 31

HEX #83AF3A

RGB 131 175 58

HSL 82.56, 0.5%, 0.46%

LAB 66.36, -32.71, 53.08

 

CMYK 43 / 0 / 67 / 31

HEX #64AF3A

RGB 100 175 58

HSL 98.46, 0.5%, 0.46%

LAB 64.7, -43.92, 50.82

 

CMYK 0 / 29 / 67 / 31

HEX #AF7D3A

RGB 175 125 58

HSL 34.36, 0.5%, 0.46%

LAB 56.17, 12.55, 43.21

 

CMYK 0 / 35 / 80 / 24

HEX #C27F27

RGB 194 127 39

HSL 34.06, 0.67%, 0.46%

LAB 58.78, 18.86, 55.01

 

CMYK 0 / 39 / 91 / 16

HEX #D58214

RGB 213 130 20

HSL 34.2, 0.83%, 0.46%

LAB 61.79, 24.93, 64.42

 

CMYK 0 / 43 / 100 / 9

HEX #E88401

RGB 232 132 1

HSL 34.03, 0.99%, 0.46%

LAB 64.69, 31.62, 70.82

 

CMYK 0 / 29 / 67 / 31

HEX #AF7D3A

RGB 175 125 58

HSL 34.36, 0.5%, 0.46%

LAB 56.17, 12.55, 43.21

 

CMYK 0 / 22 / 51 / 39

HEX #9C7A4D

RGB 156 122 77

HSL 34.18, 0.34%, 0.46%

LAB 53.52, 7.4, 29.58

 

CMYK 0 / 12 / 30 / 46

HEX #897860

RGB 137 120 96

HSL 35.12, 0.18%, 0.46%

LAB 51.38, 2.67, 15.61

 

CMYK 0 / 2 / 3 / 53

HEX #777573

RGB 119 117 115

HSL 30, 0.02%, 0.46%

LAB 49.35, 0.37, 1.36

 

CMYK 25 / 15 / 0 / 47

HEX #647286

RGB 100 114 134

HSL 215.29, 0.15%, 0.46%

LAB 47.58, -0.43, -12.7

 

CMYK 0 / 65 / 67 / 31

HEX #AF3E3A

RGB 175 62 58

HSL 2.05, 0.5%, 0.46%

LAB 42.56, 45.81, 27.38

 

CMYK 0 / 47 / 67 / 31

HEX #AF5D3A

RGB 175 93 58

HSL 17.95, 0.5%, 0.46%

LAB 48.57, 30.32, 34.58

 

CMYK 0 / 29 / 67 / 31

HEX #AF7D3A

RGB 175 125 58

HSL 34.36, 0.5%, 0.46%

LAB 56.17, 12.55, 43.21

 

CMYK 0 / 11 / 67 / 31

HEX #AF9C3A

RGB 175 156 58

HSL 50.26, 0.5%, 0.46%

LAB 64.32, -4.52, 51.97

 

CMYK 6 / 0 / 67 / 31

HEX #A4AF3A

RGB 164 175 58

HSL 65.64, 0.5%, 0.46%

LAB 68.65, -19.2, 56.17

 

CMYK 0 / 29 / 67 / 55

HEX #725126

RGB 114 81 38

HSL 33.95, 0.5%, 0.3%

LAB 37.12, 8.89, 30.2

 

CMYK 0 / 29 / 67 / 43

HEX #916730

RGB 145 103 48

HSL 34.02, 0.5%, 0.38%

LAB 46.89, 10.98, 36.94

 

CMYK 0 / 29 / 67 / 31

HEX #AF7D3A

RGB 175 125 58

HSL 34.36, 0.5%, 0.46%

LAB 56.17, 12.55, 43.21

 

CMYK 0 / 26 / 60 / 23

HEX #C4914F

RGB 196 145 79

HSL 33.85, 0.5%, 0.54%

LAB 63.8, 12.04, 42.03

 

CMYK 0 / 20 / 47 / 19

HEX #CEA56E

RGB 206 165 110

HSL 34.38, 0.49%, 0.62%

LAB 70.29, 8.08, 34.15

 

CMYK 0 / 29 / 67 / 31

HEX #B07D3A

RGB 176 125 58

HSL 34.07, 0.5%, 0.46%

LAB 56.29, 12.99, 43.37

 

CMYK 51 / 0 / 67 / 31

HEX #56AF3A

RGB 86 175 58

HSL 105.64, 0.5%, 0.46%

LAB 64.12, -48.27, 50.02

 

CMYK 55 / 67 / 0 / 31

HEX #4E3AAF

RGB 78 58 175

HSL 250.26, 0.5%, 0.46%

LAB 33.44, 40.45, -59.65

 

CMYK 0 / 29 / 67 / 31

HEX #B07D3A

RGB 176 125 58

HSL 34.07, 0.5%, 0.46%

LAB 56.29, 12.99, 43.37

 

CMYK 67 / 0 / 29 / 31

HEX #3AAF7D

RGB 58 175 125

HSL 154.36, 0.5%, 0.46%

LAB 64.19, -44.47, 16.31

 

CMYK 29 / 67 / 0 / 31

HEX #7D3AAF

RGB 125 58 175

HSL 274.36, 0.5%, 0.46%

LAB 38.69, 49.83, -50.88

 

CMYK 0 / 29 / 67 / 31

HEX #B07D3A

RGB 176 125 58

HSL 34.07, 0.5%, 0.46%

LAB 56.29, 12.99, 43.37

 

CMYK 51 / 0 / 67 / 31

HEX #56AF3A

RGB 86 175 58

HSL 105.64, 0.5%, 0.46%

LAB 64.12, -48.27, 50.02

 

CMYK 67 / 38 / 0 / 31

HEX #3A6DAF

RGB 58 109 175

HSL 213.85, 0.5%, 0.46%

LAB 45.54, 4.65, -40.23

 

CMYK 15 / 67 / 0 / 31

HEX #943AAF

RGB 148 58 175

HSL 286.15, 0.5%, 0.46%

LAB 41.87, 55.03, -45.6

 

CMYK 0 / 29 / 67 / 31

HEX #B07D3A

RGB 176 125 58

HSL 34.07, 0.5%, 0.46%

LAB 56.29, 12.99, 43.37

 

CMYK 67 / 0 / 62 / 31

HEX #3AAF42

RGB 58 175 66

HSL 124.1, 0.5%, 0.46%

LAB 63.3, -54.39, 45.4

 

CMYK 67 / 38 / 0 / 31

HEX #3A6DAF

RGB 58 109 175

HSL 213.85, 0.5%, 0.46%

LAB 45.54, 4.65, -40.23

 

CMYK 0 / 67 / 4 / 31

HEX #AF3AA8

RGB 175 58 168

HSL 303.59, 0.5%, 0.46%

LAB 45.59, 60.18, -35.3

 

Description

Color code: RGB 176 125 58 | qconv.com Color code: RGB 176 125 58 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 125 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 125 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 67 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 67% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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