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Color name
RGB 176 117 32

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 176 117 32 it is the complementary color RGB 79 138 223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 176 117 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 176 117 32 shade: RGB 181 117 27, RGB 198 135 46, RGB 215 153 65, RGB 232 171 84 and RGB 249 189 103

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 176 117 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 176 117 32 shade: RGB 176 117 32, RGB 159 99 13, RGB 142 81 0, RGB 125 63 0 and RGB 108 45 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 176 117 32 shade: RGB 176 117 32, RGB 176 78 32, RGB 176 39 32 and RGB 176 32 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 176 117 32 shade: RGB 176 117 32, RGB 176 156 32, RGB 157 176 32, RGB 119 176 32 and RGB 80 176 32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 176 117 32 shade matches the following richer shades: RGB 176 117 32 and RGB 193 120 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 176 117 32 shade: RGB 176 117 32, RGB 159 114 49, RGB 142 111 66, RGB 125 108 83 and RGB 109 105 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 176 117 32 shade: RGB 176 39 32, RGB 176 78 32, RGB 176 116 32, RGB 176 155 32 and RGB 159 176 32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 176 117 32 shade: RGB 106 71 19, RGB 141 94 26, RGB 176 117 32, RGB 211 140 38 and RGB 221 159 70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 176 117 32 shade: RGB 176 117 32, RGB 63 176 32 and RGB 58 32 176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 176 117 32 shade: RGB 176 117 32, RGB 32 176 116 and RGB 116 32 176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 176 117 32 shade: RGB 176 117 32, RGB 63 176 32, RGB 32 92 176 and RGB 145 32 176

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 176 117 32 shade: RGB 176 117 32, RGB 32 176 44, RGB 32 92 176 and RGB 176 32 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 82 / 31

HEX #B07520

RGB 176 117 32

HSL 35.42, 0.69%, 0.41%

LAB 54.09, 16.22, 52.57

 

Complementary color

CMYK 65 / 38 / 0 / 13

HEX #4F8ADF

RGB 79 138 223

HSL 215.42, 0.69%, 0.59%

LAB 57.24, 7.36, -49.03

 

CMYK 0 / 35 / 85 / 29

HEX #B5751B

RGB 181 117 27

HSL 35.06, 0.74%, 0.41%

LAB 54.68, 18.29, 55.09

 

CMYK 0 / 32 / 77 / 22

HEX #C6872E

RGB 198 135 46

HSL 35.13, 0.62%, 0.48%

LAB 61.25, 16.48, 54.72

 

CMYK 0 / 29 / 70 / 16

HEX #D79941

RGB 215 153 65

HSL 35.2, 0.65%, 0.55%

LAB 67.73, 14.93, 53.73

 

CMYK 0 / 26 / 64 / 9

HEX #E8AB54

RGB 232 171 84

HSL 35.27, 0.76%, 0.62%

LAB 74.14, 13.59, 52.49

 

CMYK 0 / 24 / 59 / 2

HEX #F9BD67

RGB 249 189 103

HSL 35.34, 0.92%, 0.69%

LAB 80.47, 12.42, 51.16

 

CMYK 0 / 34 / 82 / 31

HEX #B07520

RGB 176 117 32

HSL 35.42, 0.69%, 0.41%

LAB 54.09, 16.22, 52.57

 

CMYK 0 / 38 / 92 / 38

HEX #9F630D

RGB 159 99 13

HSL 35.34, 0.85%, 0.34%

LAB 47.4, 18.23, 52.17

 

CMYK 0 / 43 / 100 / 44

HEX #8E5100

RGB 142 81 0

HSL 34.23, 1%, 0.28%

LAB 40.63, 20.57, 49.66

 

CMYK 0 / 50 / 100 / 51

HEX #7D3F00

RGB 125 63 0

HSL 30.24, 1%, 0.25%

LAB 33.81, 23.2, 44.15

 

CMYK 0 / 58 / 100 / 58

HEX #6C2D00

RGB 108 45 0

HSL 25, 1%, 0.21%

LAB 26.92, 25.81, 37.8

 

CMYK 0 / 34 / 82 / 31

HEX #B07520

RGB 176 117 32

HSL 35.42, 0.69%, 0.41%

LAB 54.09, 16.22, 52.57

 

CMYK 0 / 56 / 82 / 31

HEX #B04E20

RGB 176 78 32

HSL 19.17, 0.69%, 0.41%

LAB 45.34, 37.36, 44.56

 

CMYK 0 / 78 / 82 / 31

HEX #B02720

RGB 176 39 32

HSL 2.92, 0.69%, 0.41%

LAB 39.22, 53.79, 38.72

 

CMYK 0 / 82 / 82 / 31

HEX #B02020

RGB 176 32 32

HSL 0, 0.69%, 0.41%

LAB 38.49, 55.82, 38.01

 

CMYK 0 / 34 / 82 / 31

HEX #B07520

RGB 176 117 32

HSL 35.42, 0.69%, 0.41%

LAB 54.09, 16.22, 52.57

 

CMYK 0 / 11 / 82 / 31

HEX #B09C20

RGB 176 156 32

HSL 51.67, 0.69%, 0.41%

LAB 64.25, -5.27, 61.53

 

CMYK 11 / 0 / 82 / 31

HEX #9DB020

RGB 157 176 32

HSL 67.92, 0.69%, 0.41%

LAB 68.26, -23.92, 64.4

 

CMYK 32 / 0 / 82 / 31

HEX #77B020

RGB 119 176 32

HSL 83.75, 0.69%, 0.41%

LAB 65.81, -39.28, 61.3

 

CMYK 55 / 0 / 82 / 31

HEX #50B020

RGB 80 176 32

HSL 100, 0.69%, 0.41%

LAB 64.05, -52.2, 59.04

 

CMYK 0 / 34 / 82 / 31

HEX #B07520

RGB 176 117 32

HSL 35.42, 0.69%, 0.41%

LAB 54.09, 16.22, 52.57

 

CMYK 0 / 38 / 92 / 24

HEX #C1780F

RGB 193 120 15

HSL 35.39, 0.86%, 0.41%

LAB 56.88, 21.65, 60.75

 

CMYK 0 / 34 / 82 / 31

HEX #B07520

RGB 176 117 32

HSL 35.42, 0.69%, 0.41%

LAB 54.09, 16.22, 52.57

 

CMYK 0 / 28 / 69 / 38

HEX #9F7231

RGB 159 114 49

HSL 35.45, 0.53%, 0.41%

LAB 51.41, 11.07, 41.88

 

CMYK 0 / 22 / 54 / 44

HEX #8E6F42

RGB 142 111 66

HSL 35.53, 0.37%, 0.41%

LAB 48.9, 6.45, 29.57

 

CMYK 0 / 14 / 34 / 51

HEX #7D6C53

RGB 125 108 83

HSL 35.71, 0.2%, 0.41%

LAB 46.59, 2.68, 16.48

 

CMYK 0 / 4 / 8 / 57

HEX #6D6964

RGB 109 105 100

HSL 33.33, 0.04%, 0.41%

LAB 44.62, 0.58, 3.36

 

CMYK 0 / 78 / 82 / 31

HEX #B02720

RGB 176 39 32

HSL 2.92, 0.69%, 0.41%

LAB 39.22, 53.79, 38.72

 

CMYK 0 / 56 / 82 / 31

HEX #B04E20

RGB 176 78 32

HSL 19.17, 0.69%, 0.41%

LAB 45.34, 37.36, 44.56

 

CMYK 0 / 34 / 82 / 31

HEX #B07420

RGB 176 116 32

HSL 35, 0.69%, 0.41%

LAB 53.84, 16.78, 52.35

 

CMYK 0 / 12 / 82 / 31

HEX #B09B20

RGB 176 155 32

HSL 51.25, 0.69%, 0.41%

LAB 63.98, -4.74, 61.29

 

CMYK 10 / 0 / 82 / 31

HEX #9FB020

RGB 159 176 32

HSL 67.08, 0.69%, 0.41%

LAB 68.41, -23.07, 64.59

 

CMYK 0 / 33 / 82 / 58

HEX #6A4713

RGB 106 71 19

HSL 35.86, 0.7%, 0.25%

LAB 33.17, 10, 35.31

 

CMYK 0 / 33 / 82 / 45

HEX #8D5E1A

RGB 141 94 26

HSL 35.48, 0.69%, 0.33%

LAB 43.86, 13.22, 43.97

 

CMYK 0 / 34 / 82 / 31

HEX #B07520

RGB 176 117 32

HSL 35.42, 0.69%, 0.41%

LAB 54.09, 16.22, 52.57

 

CMYK 0 / 34 / 82 / 17

HEX #D38C26

RGB 211 140 38

HSL 35.38, 0.69%, 0.49%

LAB 63.95, 19.11, 60.8

 

CMYK 0 / 28 / 68 / 13

HEX #DD9F46

RGB 221 159 70

HSL 35.36, 0.69%, 0.57%

LAB 69.9, 14.53, 53.98

 

CMYK 0 / 34 / 82 / 31

HEX #B07520

RGB 176 117 32

HSL 35.42, 0.69%, 0.41%

LAB 54.09, 16.22, 52.57

 

CMYK 64 / 0 / 82 / 31

HEX #3FB020

RGB 63 176 32

HSL 107.08, 0.69%, 0.41%

LAB 63.52, -56.49, 58.36

 

CMYK 67 / 82 / 0 / 31

HEX #3A20B0

RGB 58 32 176

HSL 250.83, 0.69%, 0.41%

LAB 26.93, 51.79, -71.02

 

CMYK 0 / 34 / 82 / 31

HEX #B07520

RGB 176 117 32

HSL 35.42, 0.69%, 0.41%

LAB 54.09, 16.22, 52.57

 

CMYK 82 / 0 / 34 / 31

HEX #20B074

RGB 32 176 116

HSL 155, 0.69%, 0.41%

LAB 63.85, -50.44, 20.67

 

CMYK 34 / 82 / 0 / 31

HEX #7420B0

RGB 116 32 176

HSL 275, 0.69%, 0.41%

LAB 33.73, 59.13, -59.58

 

CMYK 0 / 34 / 82 / 31

HEX #B07520

RGB 176 117 32

HSL 35.42, 0.69%, 0.41%

LAB 54.09, 16.22, 52.57

 

CMYK 64 / 0 / 82 / 31

HEX #3FB020

RGB 63 176 32

HSL 107.08, 0.69%, 0.41%

LAB 63.52, -56.49, 58.36

 

CMYK 82 / 48 / 0 / 31

HEX #205CB0

RGB 32 92 176

HSL 215, 0.69%, 0.41%

LAB 39.74, 12.36, -50.14

 

CMYK 18 / 82 / 0 / 31

HEX #9120B0

RGB 145 32 176

HSL 287.08, 0.69%, 0.41%

LAB 38.18, 64.02, -52.16

 

CMYK 0 / 34 / 82 / 31

HEX #B07520

RGB 176 117 32

HSL 35.42, 0.69%, 0.41%

LAB 54.09, 16.22, 52.57

 

CMYK 82 / 0 / 75 / 31

HEX #20B02C

RGB 32 176 44

HSL 125, 0.69%, 0.41%

LAB 62.96, -61, 53.8

 

CMYK 82 / 48 / 0 / 31

HEX #205CB0

RGB 32 92 176

HSL 215, 0.69%, 0.41%

LAB 39.74, 12.36, -50.14

 

CMYK 0 / 82 / 7 / 31

HEX #B020A4

RGB 176 32 164

HSL 305, 0.69%, 0.41%

LAB 42.68, 67.96, -37.51

 

Description

Color code: RGB 176 117 32 | qconv.com Color code: RGB 176 117 32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 117 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 117 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 82 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 82% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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