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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 176 114 243 it is the complementary color RGB 79 141 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 176 114 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 176 114 243 shade: RGB 181 114 238, RGB 198 132 255, RGB 215 150 255, RGB 232 168 255 and RGB 249 186 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 176 114 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 176 114 243 shade: RGB 176 114 243, RGB 159 96 224, RGB 142 78 205, RGB 125 60 186 and RGB 108 42 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 176 114 243 shade: RGB 176 114 242, RGB 210 114 242, RGB 242 114 240, RGB 242 114 205 and RGB 242 114 170

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 176 114 243 shade: RGB 176 114 242, RGB 141 114 242 and RGB 114 114 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 176 114 243 shade matches the following richer shades: RGB 176 114 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 176 114 243 shade: RGB 176 114 242, RGB 176 126 230, RGB 176 138 218, RGB 177 151 205 and RGB 177 163 193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 176 114 243 shade: RGB 114 122 242, RGB 139 114 242, RGB 174 114 242, RGB 208 114 242 and RGB 242 114 242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 176 114 243 shade: RGB 133 38 236, RGB 154 76 239, RGB 176 114 242, RGB 197 152 246 and RGB 218 190 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 176 114 243 shade: RGB 176 114 243, RGB 242 114 157 and RGB 114 242 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 176 114 243 shade: RGB 176 114 243, RGB 242 174 114 and RGB 114 242 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 176 114 243 shade: RGB 176 114 243, RGB 242 114 157, RGB 182 242 114 and RGB 114 242 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 176 114 243 shade: RGB 176 114 243, RGB 242 114 118, RGB 182 242 114 and RGB 114 242 238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 53 / 0 / 5

HEX #B072F3

RGB 176 114 243

HSL 268.84, 0.84%, 0.7%

LAB 59.65, 48.93, -55.89

 

Complementary color

CMYK 44 / 0 / 91 / 45

HEX #4F8D0C

RGB 79 141 12

HSL 88.84, 0.84%, 0.3%

LAB 52.66, -39.57, 53.75

 

CMYK 24 / 52 / 0 / 7

HEX #B572EE

RGB 181 114 238

HSL 272.42, 0.78%, 0.69%

LAB 59.92, 49.04, -52.66

 

CMYK 22 / 48 / 0 / 0

HEX #C684FF

RGB 198 132 255

HSL 272.2, 1%, 0.76%

LAB 66.31, 47.73, -51.77

 

CMYK 16 / 41 / 0 / 0

HEX #D796FF

RGB 215 150 255

HSL 277.14, 1%, 0.79%

LAB 71.88, 42.81, -42.89

 

CMYK 9 / 34 / 0 / 0

HEX #E8A8FF

RGB 232 168 255

HSL 284.14, 1%, 0.83%

LAB 77.51, 38.21, -34.01

 

CMYK 2 / 27 / 0 / 0

HEX #F9BAFF

RGB 249 186 255

HSL 294.78, 1%, 0.86%

LAB 83.17, 33.93, -25.18

 

CMYK 28 / 53 / 0 / 5

HEX #B072F3

RGB 176 114 243

HSL 268.84, 0.84%, 0.7%

LAB 59.65, 48.93, -55.89

 

CMYK 29 / 57 / 0 / 12

HEX #9F60E0

RGB 159 96 224

HSL 269.53, 0.67%, 0.63%

LAB 53.08, 49.85, -55.88

 

CMYK 31 / 62 / 0 / 20

HEX #8E4ECD

RGB 142 78 205

HSL 270.24, 0.56%, 0.55%

LAB 46.46, 50.73, -55.79

 

CMYK 33 / 68 / 0 / 27

HEX #7D3CBA

RGB 125 60 186

HSL 270.95, 0.51%, 0.48%

LAB 39.81, 51.47, -55.57

 

CMYK 35 / 75 / 0 / 35

HEX #6C2AA7

RGB 108 42 167

HSL 271.68, 0.6%, 0.41%

LAB 33.21, 51.87, -55.09

 

CMYK 27 / 53 / 0 / 5

HEX #B072F2

RGB 176 114 242

HSL 269.06, 0.83%, 0.7%

LAB 59.59, 48.7, -55.42

 

CMYK 13 / 53 / 0 / 5

HEX #D272F2

RGB 210 114 242

HSL 285, 0.83%, 0.7%

LAB 63.46, 57.37, -49.04

 

CMYK 0 / 53 / 1 / 5

HEX #F272F0

RGB 242 114 240

HSL 300.94, 0.83%, 0.7%

LAB 67.43, 65.37, -41.42

 

CMYK 0 / 53 / 15 / 5

HEX #F272CD

RGB 242 114 205

HSL 317.34, 0.83%, 0.7%

LAB 66, 59.8, -24.17

 

CMYK 0 / 53 / 30 / 5

HEX #F272AA

RGB 242 114 170

HSL 333.75, 0.83%, 0.7%

LAB 64.81, 54.99, -6.17

 

CMYK 27 / 53 / 0 / 5

HEX #B072F2

RGB 176 114 242

HSL 269.06, 0.83%, 0.7%

LAB 59.59, 48.7, -55.42

 

CMYK 42 / 53 / 0 / 5

HEX #8D72F2

RGB 141 114 242

HSL 252.66, 0.83%, 0.7%

LAB 56.2, 40.33, -61.05

 

CMYK 53 / 53 / 0 / 5

HEX #7272F2

RGB 114 114 242

HSL 240, 0.83%, 0.7%

LAB 54.05, 34.6, -64.62

 

CMYK 27 / 53 / 0 / 5

HEX #B072F2

RGB 176 114 242

HSL 269.06, 0.83%, 0.7%

LAB 59.59, 48.7, -55.42

 

CMYK 27 / 53 / 0 / 5

HEX #B072F2

RGB 176 114 242

HSL 269.06, 0.83%, 0.7%

LAB 59.59, 48.7, -55.42

 

CMYK 23 / 45 / 0 / 10

HEX #B07EE6

RGB 176 126 230

HSL 268.85, 0.68%, 0.7%

LAB 61.54, 39.38, -45.68

 

CMYK 19 / 37 / 0 / 15

HEX #B08ADA

RGB 176 138 218

HSL 268.5, 0.52%, 0.7%

LAB 63.73, 29.93, -35.57

 

CMYK 14 / 26 / 0 / 20

HEX #B197CD

RGB 177 151 205

HSL 268.89, 0.35%, 0.7%

LAB 66.43, 20.05, -24.14

 

CMYK 8 / 16 / 0 / 24

HEX #B1A3C1

RGB 177 163 193

HSL 268, 0.19%, 0.7%

LAB 69.03, 10.82, -13.54

 

CMYK 53 / 50 / 0 / 5

HEX #727AF2

RGB 114 122 242

HSL 236.25, 0.83%, 0.7%

LAB 55.99, 29.83, -61.49

 

CMYK 43 / 53 / 0 / 5

HEX #8B72F2

RGB 139 114 242

HSL 251.72, 0.83%, 0.7%

LAB 56.02, 39.88, -61.34

 

CMYK 28 / 53 / 0 / 5

HEX #AE72F2

RGB 174 114 242

HSL 268.13, 0.83%, 0.7%

LAB 59.38, 48.2, -55.77

 

CMYK 14 / 53 / 0 / 5

HEX #D072F2

RGB 208 114 242

HSL 284.06, 0.83%, 0.7%

LAB 63.22, 56.85, -49.44

 

CMYK 0 / 53 / 0 / 5

HEX #F272F2

RGB 242 114 242

HSL 300, 0.83%, 0.7%

LAB 67.52, 65.71, -42.38

 

CMYK 44 / 84 / 0 / 7

HEX #8526EC

RGB 133 38 236

HSL 268.79, 0.84%, 0.54%

LAB 41.89, 72.98, -80.97

 

CMYK 36 / 68 / 0 / 6

HEX #9A4CEF

RGB 154 76 239

HSL 268.71, 0.84%, 0.62%

LAB 49.82, 62.26, -69.6

 

CMYK 27 / 53 / 0 / 5

HEX #B072F2

RGB 176 114 242

HSL 269.06, 0.83%, 0.7%

LAB 59.59, 48.7, -55.42

 

CMYK 20 / 38 / 0 / 4

HEX #C598F6

RGB 197 152 246

HSL 268.72, 0.84%, 0.78%

LAB 70.16, 34.62, -40.81

 

CMYK 12 / 24 / 0 / 2

HEX #DABEF9

RGB 218 190 249

HSL 268.47, 0.83%, 0.86%

LAB 81.06, 20.87, -25.46

 

CMYK 28 / 53 / 0 / 5

HEX #B072F3

RGB 176 114 243

HSL 268.84, 0.84%, 0.7%

LAB 59.65, 48.93, -55.89

 

CMYK 0 / 53 / 35 / 5

HEX #F2729D

RGB 242 114 157

HSL 339.84, 0.83%, 0.7%

LAB 64.44, 53.43, 0.69

 

CMYK 53 / 0 / 50 / 5

HEX #72F27A

RGB 114 242 122

HSL 123.75, 0.83%, 0.7%

LAB 86.25, -59.27, 47.01

 

CMYK 28 / 53 / 0 / 5

HEX #B072F3

RGB 176 114 243

HSL 268.84, 0.84%, 0.7%

LAB 59.65, 48.93, -55.89

 

CMYK 0 / 28 / 53 / 5

HEX #F2AE72

RGB 242 174 114

HSL 28.13, 0.83%, 0.7%

LAB 76.29, 18.32, 40.44

 

CMYK 53 / 0 / 28 / 5

HEX #72F2AE

RGB 114 242 174

HSL 148.13, 0.83%, 0.7%

LAB 87.06, -50.74, 22.23

 

CMYK 28 / 53 / 0 / 5

HEX #B072F3

RGB 176 114 243

HSL 268.84, 0.84%, 0.7%

LAB 59.65, 48.93, -55.89

 

CMYK 0 / 53 / 35 / 5

HEX #F2729D

RGB 242 114 157

HSL 339.84, 0.83%, 0.7%

LAB 64.44, 53.43, 0.69

 

CMYK 25 / 0 / 53 / 5

HEX #B6F272

RGB 182 242 114

HSL 88.13, 0.83%, 0.7%

LAB 89.24, -39.28, 55.05

 

CMYK 53 / 0 / 18 / 5

HEX #72F2C7

RGB 114 242 199

HSL 159.84, 0.83%, 0.7%

LAB 87.58, -45.57, 10.02

 

CMYK 28 / 53 / 0 / 5

HEX #B072F3

RGB 176 114 243

HSL 268.84, 0.84%, 0.7%

LAB 59.65, 48.93, -55.89

 

CMYK 0 / 53 / 51 / 5

HEX #F27276

RGB 242 114 118

HSL 358.13, 0.83%, 0.7%

LAB 63.52, 49.52, 21.67

 

CMYK 25 / 0 / 53 / 5

HEX #B6F272

RGB 182 242 114

HSL 88.13, 0.83%, 0.7%

LAB 89.24, -39.28, 55.05

 

CMYK 53 / 0 / 2 / 5

HEX #72F2EE

RGB 114 242 238

HSL 178.13, 0.83%, 0.7%

LAB 88.57, -36.3, -8.91

 

Description

Color code: RGB 176 114 243 | qconv.com Color code: RGB 176 114 243 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 114 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 114 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 53 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 53% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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