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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 176 108 150 it is the complementary color RGB 79 147 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 176 108 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 176 108 150 shade: RGB 181 108 145, RGB 198 126 164, RGB 215 144 183, RGB 232 162 202 and RGB 249 180 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 176 108 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 176 108 150 shade: RGB 176 108 150, RGB 159 90 131, RGB 142 72 112, RGB 125 54 93 and RGB 108 36 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 176 108 150 shade: RGB 176 109 150, RGB 176 109 132, RGB 176 109 114 and RGB 176 109 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 176 108 150 shade: RGB 176 109 150, RGB 176 109 168, RGB 165 109 176, RGB 147 109 176 and RGB 129 109 176

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 176 108 150 shade matches the following richer shades: RGB 176 109 150, RGB 194 90 154, RGB 212 72 159, RGB 230 54 163 and RGB 249 36 167

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 176 108 150 shade: RGB 176 109 150, RGB 158 127 146, RGB 140 145 142, RGB 121 163 137 and RGB 103 181 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 176 108 150 shade: RGB 165 109 176, RGB 176 109 169, RGB 176 109 151, RGB 176 109 133 and RGB 176 109 115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 176 108 150 shade: RGB 132 71 108, RGB 158 85 130, RGB 176 109 150, RGB 190 135 169 and RGB 205 162 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 176 108 150 shade: RGB 176 108 150, RGB 176 147 109 and RGB 109 176 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 176 108 150 shade: RGB 176 108 150, RGB 151 176 109 and RGB 109 151 176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 176 108 150 shade: RGB 176 108 150, RGB 176 147 109, RGB 109 176 133 and RGB 109 138 176

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 176 108 150 shade: RGB 176 108 150, RGB 176 167 109, RGB 109 176 133 and RGB 109 118 176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 15 / 31

HEX #B06C96

RGB 176 108 150

HSL 322.94, 0.3%, 0.56%

LAB 54.19, 33.16, -11.41

 

Complementary color

CMYK 46 / 0 / 29 / 42

HEX #4F9369

RGB 79 147 105

HSL 142.94, 0.3%, 0.44%

LAB 55.63, -31.5, 15.69

 

CMYK 0 / 40 / 20 / 29

HEX #B56C91

RGB 181 108 145

HSL 329.59, 0.33%, 0.57%

LAB 54.65, 34.11, -7.74

 

CMYK 0 / 36 / 17 / 22

HEX #C67EA4

RGB 198 126 164

HSL 328.33, 0.39%, 0.64%

LAB 61.31, 33.31, -8.57

 

CMYK 0 / 33 / 15 / 16

HEX #D790B7

RGB 215 144 183

HSL 327.04, 0.47%, 0.7%

LAB 67.88, 32.55, -9.31

 

CMYK 0 / 30 / 13 / 9

HEX #E8A2CA

RGB 232 162 202

HSL 325.71, 0.6%, 0.77%

LAB 74.36, 31.83, -9.99

 

CMYK 0 / 28 / 11 / 2

HEX #F9B4DD

RGB 249 180 221

HSL 324.35, 0.85%, 0.84%

LAB 80.74, 31.17, -10.61

 

CMYK 0 / 39 / 15 / 31

HEX #B06C96

RGB 176 108 150

HSL 322.94, 0.3%, 0.56%

LAB 54.19, 33.16, -11.41

RGB 176 108 150

CMYK 0 / 43 / 18 / 38

HEX #9F5A83

RGB 159 90 131

HSL 324.35, 0.28%, 0.49%

LAB 47.39, 33.98, -10.6

RGB 159 90 131

CMYK 0 / 49 / 21 / 44

HEX #8E4870

RGB 142 72 112

HSL 325.71, 0.33%, 0.42%

LAB 40.5, 34.81, -9.63

RGB 142 72 112

CMYK 0 / 57 / 26 / 51

HEX #7D365D

RGB 125 54 93

HSL 327.04, 0.4%, 0.35%

LAB 33.54, 35.57, -8.41

RGB 125 54 93

CMYK 0 / 67 / 31 / 58

HEX #6C244A

RGB 108 36 74

HSL 328.33, 0.5%, 0.28%

LAB 26.58, 36.07, -6.75

RGB 108 36 74

CMYK 0 / 38 / 15 / 31

HEX #B06D96

RGB 176 109 150

HSL 323.28, 0.3%, 0.56%

LAB 54.42, 32.61, -11.08

 

CMYK 0 / 38 / 25 / 31

HEX #B06D84

RGB 176 109 132

HSL 339.4, 0.3%, 0.56%

LAB 53.85, 29.78, -1.37

 

CMYK 0 / 38 / 35 / 31

HEX #B06D72

RGB 176 109 114

HSL 355.52, 0.3%, 0.56%

LAB 53.37, 27.29, 8.51

 

CMYK 0 / 38 / 38 / 31

HEX #B06D6D

RGB 176 109 109

HSL 0, 0.3%, 0.56%

LAB 53.25, 26.66, 11.28

 

CMYK 0 / 38 / 15 / 31

HEX #B06D96

RGB 176 109 150

HSL 323.28, 0.3%, 0.56%

LAB 54.42, 32.61, -11.08

 

CMYK 0 / 38 / 5 / 31

HEX #B06DA8

RGB 176 109 168

HSL 307.16, 0.3%, 0.56%

LAB 55.07, 35.77, -20.57

 

CMYK 6 / 38 / 0 / 31

HEX #A56DB0

RGB 165 109 176

HSL 290.15, 0.3%, 0.56%

LAB 54.1, 33.75, -26.79

 

CMYK 16 / 38 / 0 / 31

HEX #936DB0

RGB 147 109 176

HSL 274.03, 0.3%, 0.56%

LAB 52.15, 28.06, -29.98

 

CMYK 27 / 38 / 0 / 31

HEX #816DB0

RGB 129 109 176

HSL 257.91, 0.3%, 0.56%

LAB 50.38, 22.53, -32.87

 

CMYK 0 / 38 / 15 / 31

HEX #B06D96

RGB 176 109 150

HSL 323.28, 0.3%, 0.56%

LAB 54.42, 32.61, -11.08

 

CMYK 0 / 54 / 21 / 24

HEX #C25A9A

RGB 194 90 154

HSL 323.08, 0.46%, 0.56%

LAB 53.07, 49.14, -15.21

 

CMYK 0 / 66 / 25 / 17

HEX #D4489F

RGB 212 72 159

HSL 322.71, 0.62%, 0.56%

LAB 53.1, 63.01, -17.87

 

CMYK 0 / 77 / 29 / 10

HEX #E636A3

RGB 230 54 163

HSL 322.84, 0.78%, 0.56%

LAB 54.14, 74.12, -18.36

 

CMYK 0 / 86 / 33 / 2

HEX #F924A7

RGB 249 36 167

HSL 323.1, 0.95%, 0.56%

LAB 56.28, 82.92, -17.14

 

CMYK 0 / 38 / 15 / 31

HEX #B06D96

RGB 176 109 150

HSL 323.28, 0.3%, 0.56%

LAB 54.42, 32.61, -11.08

 

CMYK 0 / 20 / 8 / 38

HEX #9E7F92

RGB 158 127 146

HSL 323.23, 0.14%, 0.56%

LAB 56.61, 15.22, -5.69

 

CMYK 3 / 0 / 2 / 43

HEX #8C918E

RGB 140 145 142

HSL 144, 0.02%, 0.56%

LAB 59.69, -2.41, 0.95

 

CMYK 26 / 0 / 16 / 36

HEX #79A389

RGB 121 163 137

HSL 142.86, 0.19%, 0.56%

LAB 63.4, -19.76, 8.94

 

CMYK 43 / 0 / 27 / 29

HEX #67B585

RGB 103 181 133

HSL 143.08, 0.35%, 0.56%

LAB 67.74, -34.93, 17.11

 

CMYK 6 / 38 / 0 / 31

HEX #A56DB0

RGB 165 109 176

HSL 290.15, 0.3%, 0.56%

LAB 54.1, 33.75, -26.79

 

CMYK 0 / 38 / 4 / 31

HEX #B06DA9

RGB 176 109 169

HSL 306.27, 0.3%, 0.56%

LAB 55.11, 35.95, -21.09

 

CMYK 0 / 38 / 14 / 31

HEX #B06D97

RGB 176 109 151

HSL 322.39, 0.3%, 0.56%

LAB 54.45, 32.78, -11.61

 

CMYK 0 / 38 / 24 / 31

HEX #B06D85

RGB 176 109 133

HSL 338.51, 0.3%, 0.56%

LAB 53.88, 29.93, -1.91

 

CMYK 0 / 38 / 35 / 31

HEX #B06D73

RGB 176 109 115

HSL 354.63, 0.3%, 0.56%

LAB 53.39, 27.41, 7.96

 

CMYK 0 / 46 / 18 / 48

HEX #84476C

RGB 132 71 108

HSL 323.61, 0.3%, 0.4%

LAB 38.72, 31.17, -9.98

 

CMYK 0 / 46 / 18 / 38

HEX #9E5582

RGB 158 85 130

HSL 323.01, 0.3%, 0.48%

LAB 46.15, 36.2, -11.89

 

CMYK 0 / 38 / 15 / 31

HEX #B06D96

RGB 176 109 150

HSL 323.28, 0.3%, 0.56%

LAB 54.42, 32.61, -11.08

 

CMYK 0 / 29 / 11 / 25

HEX #BE87A9

RGB 190 135 169

HSL 322.91, 0.3%, 0.64%

LAB 62.63, 26.38, -9.56

 

CMYK 0 / 21 / 8 / 20

HEX #CDA2BD

RGB 205 162 189

HSL 322.33, 0.3%, 0.72%

LAB 71.21, 20.27, -7.8

 

CMYK 0 / 39 / 15 / 31

HEX #B06C96

RGB 176 108 150

HSL 322.94, 0.3%, 0.56%

LAB 54.19, 33.16, -11.41

RGB 176 108 150

CMYK 0 / 16 / 38 / 31

HEX #B0936D

RGB 176 147 109

HSL 34.03, 0.3%, 0.56%

LAB 62.68, 5.41, 24.18

RGB 176 147 109

CMYK 38 / 0 / 1 / 31

HEX #6DB0AE

RGB 109 176 174

HSL 178.21, 0.3%, 0.56%

LAB 67.54, -21.68, -5.7

RGB 109 176 174

CMYK 0 / 39 / 15 / 31

HEX #B06C96

RGB 176 108 150

HSL 322.94, 0.3%, 0.56%

LAB 54.19, 33.16, -11.41

RGB 176 108 150

CMYK 14 / 0 / 38 / 31

HEX #97B06D

RGB 151 176 109

HSL 82.39, 0.3%, 0.56%

LAB 68.56, -20.12, 31.52

RGB 151 176 109

CMYK 38 / 14 / 0 / 31

HEX #6D97B0

RGB 109 151 176

HSL 202.39, 0.3%, 0.56%

LAB 60.35, -7.86, -17.6

RGB 109 151 176

CMYK 0 / 39 / 15 / 31

HEX #B06C96

RGB 176 108 150

HSL 322.94, 0.3%, 0.56%

LAB 54.19, 33.16, -11.41

RGB 176 108 150

CMYK 0 / 16 / 38 / 31

HEX #B0936D

RGB 176 147 109

HSL 34.03, 0.3%, 0.56%

LAB 62.68, 5.41, 24.18

RGB 176 147 109

CMYK 38 / 0 / 24 / 31

HEX #6DB085

RGB 109 176 133

HSL 141.49, 0.3%, 0.56%

LAB 66.52, -30.83, 15.44

RGB 109 176 133

CMYK 38 / 22 / 0 / 31

HEX #6D8AB0

RGB 109 138 176

HSL 214.03, 0.3%, 0.56%

LAB 56.65, -0.51, -23.27

RGB 109 138 176

CMYK 0 / 39 / 15 / 31

HEX #B06C96

RGB 176 108 150

HSL 322.94, 0.3%, 0.56%

LAB 54.19, 33.16, -11.41

RGB 176 108 150

CMYK 0 / 5 / 38 / 31

HEX #B0A76D

RGB 176 167 109

HSL 51.94, 0.3%, 0.56%

LAB 68, -5.46, 31.18

RGB 176 167 109

CMYK 38 / 0 / 24 / 31

HEX #6DB085

RGB 109 176 133

HSL 141.49, 0.3%, 0.56%

LAB 66.52, -30.83, 15.44

RGB 109 176 133

CMYK 38 / 33 / 0 / 31

HEX #6D76B0

RGB 109 118 176

HSL 231.94, 0.3%, 0.56%

LAB 51.09, 11.28, -31.89

RGB 109 118 176

Description

Color code: RGB 176 108 150 | qconv.com Color code: RGB 176 108 150 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 108 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 108 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 15 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 15% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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