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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 78 153 it is the complementary color RGB 80 177 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 78 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 175 78 153 shade: RGB 180 78 148, RGB 197 96 167, RGB 214 114 186, RGB 231 132 205 and RGB 248 150 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 78 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 175 78 153 shade: RGB 175 78 153, RGB 158 60 134, RGB 141 42 115, RGB 124 24 96 and RGB 107 6 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 175 78 153 shade: RGB 175 79 153, RGB 175 79 127, RGB 175 79 101 and RGB 175 79 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 175 78 153 shade: RGB 175 79 153, RGB 171 79 175, RGB 145 79 175, RGB 119 79 175 and RGB 93 79 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 175 78 153 shade matches the following richer shades: RGB 175 79 153, RGB 196 58 165, RGB 217 37 176 and RGB 237 17 187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 175 78 153 shade: RGB 175 79 153, RGB 155 99 142, RGB 134 120 131, RGB 114 140 120 and RGB 93 161 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 175 78 153 shade: RGB 145 79 175, RGB 171 79 175, RGB 175 79 154, RGB 175 79 129 and RGB 175 79 103

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 175 78 153 shade: RGB 119 53 104, RGB 147 66 129, RGB 175 79 153, RGB 188 107 170 and RGB 201 135 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 175 78 153 shade: RGB 175 78 153, RGB 175 119 79 and RGB 79 175 158

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 175 78 153 shade: RGB 175 78 153, RGB 154 175 79 and RGB 79 154 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 175 78 153 shade: RGB 175 78 153, RGB 175 119 79, RGB 79 175 100 and RGB 79 135 175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 175 78 153 shade: RGB 175 78 153, RGB 175 148 79, RGB 79 175 100 and RGB 79 106 175

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 13 / 31

HEX #AF4E99

RGB 175 78 153

HSL 313.61, 0.38%, 0.5%

LAB 48.09, 48.98, -22.5

 

Complementary color

CMYK 55 / 0 / 42 / 31

HEX #50B166

RGB 80 177 102

HSL 133.61, 0.38%, 0.5%

LAB 65.05, -45.04, 29.92

 

CMYK 0 / 57 / 18 / 29

HEX #B44E94

RGB 180 78 148

HSL 318.82, 0.4%, 0.51%

LAB 48.62, 49.7, -18.63

 

CMYK 0 / 51 / 15 / 23

HEX #C560A7

RGB 197 96 167

HSL 317.82, 0.47%, 0.57%

LAB 55.1, 49.11, -19.7

 

CMYK 0 / 47 / 13 / 16

HEX #D672BA

RGB 214 114 186

HSL 316.8, 0.55%, 0.64%

LAB 61.55, 48.42, -20.57

 

CMYK 0 / 43 / 11 / 9

HEX #E784CD

RGB 231 132 205

HSL 315.76, 0.67%, 0.71%

LAB 67.95, 47.69, -21.32

 

CMYK 0 / 40 / 10 / 3

HEX #F896E0

RGB 248 150 224

HSL 314.69, 0.88%, 0.78%

LAB 74.29, 46.95, -21.98

 

CMYK 0 / 55 / 13 / 31

HEX #AF4E99

RGB 175 78 153

HSL 313.61, 0.38%, 0.5%

LAB 48.09, 48.98, -22.5

 

CMYK 0 / 62 / 15 / 38

HEX #9E3C86

RGB 158 60 134

HSL 314.69, 0.45%, 0.43%

LAB 41.57, 49.36, -21.32

 

CMYK 0 / 70 / 18 / 45

HEX #8D2A73

RGB 141 42 115

HSL 315.76, 0.54%, 0.36%

LAB 35.12, 49.31, -19.74

 

CMYK 0 / 81 / 23 / 51

HEX #7C1860

RGB 124 24 96

HSL 316.8, 0.68%, 0.29%

LAB 28.86, 48.45, -17.51

 

CMYK 0 / 94 / 28 / 58

HEX #6B064D

RGB 107 6 77

HSL 317.82, 0.89%, 0.22%

LAB 22.97, 46.18, -14.28

 

CMYK 0 / 55 / 13 / 31

HEX #AF4F99

RGB 175 79 153

HSL 313.75, 0.38%, 0.5%

LAB 48.27, 48.49, -22.22

 

CMYK 0 / 55 / 27 / 31

HEX #AF4F7F

RGB 175 79 127

HSL 330, 0.38%, 0.5%

LAB 47.29, 44.58, -8.13

 

CMYK 0 / 55 / 42 / 31

HEX #AF4F65

RGB 175 79 101

HSL 346.25, 0.38%, 0.5%

LAB 46.51, 41.36, 6.51

 

CMYK 0 / 55 / 55 / 31

HEX #AF4F4F

RGB 175 79 79

HSL 0, 0.38%, 0.5%

LAB 46, 39.21, 19.17

 

CMYK 0 / 55 / 13 / 31

HEX #AF4F99

RGB 175 79 153

HSL 313.75, 0.38%, 0.5%

LAB 48.27, 48.49, -22.22

 

CMYK 2 / 55 / 0 / 31

HEX #AB4FAF

RGB 171 79 175

HSL 297.5, 0.38%, 0.5%

LAB 48.69, 51.17, -34.59

 

CMYK 17 / 55 / 0 / 31

HEX #914FAF

RGB 145 79 175

HSL 281.25, 0.38%, 0.5%

LAB 45.23, 44.05, -40.28

 

CMYK 32 / 55 / 0 / 31

HEX #774FAF

RGB 119 79 175

HSL 265, 0.38%, 0.5%

LAB 42.17, 37.16, -45.34

 

CMYK 47 / 55 / 0 / 31

HEX #5D4FAF

RGB 93 79 175

HSL 248.75, 0.38%, 0.5%

LAB 39.6, 30.82, -49.59

 

CMYK 0 / 55 / 13 / 31

HEX #AF4F99

RGB 175 79 153

HSL 313.75, 0.38%, 0.5%

LAB 48.27, 48.49, -22.22

 

CMYK 0 / 70 / 16 / 23

HEX #C43AA5

RGB 196 58 165

HSL 313.48, 0.54%, 0.5%

LAB 48.86, 64.87, -28.16

 

CMYK 0 / 83 / 19 / 15

HEX #D925B0

RGB 217 37 176

HSL 313.67, 0.71%, 0.5%

LAB 50.93, 76.96, -31.14

 

CMYK 0 / 93 / 21 / 7

HEX #ED11BB

RGB 237 17 187

HSL 313.64, 0.87%, 0.5%

LAB 54.02, 85.26, -32.47

 

CMYK 0 / 55 / 13 / 31

HEX #AF4F99

RGB 175 79 153

HSL 313.75, 0.38%, 0.5%

LAB 48.27, 48.49, -22.22

 

CMYK 0 / 36 / 8 / 39

HEX #9B638E

RGB 155 99 142

HSL 313.93, 0.22%, 0.5%

LAB 49.31, 29.45, -14.33

 

CMYK 0 / 10 / 2 / 47

HEX #867883

RGB 134 120 131

HSL 312.86, 0.06%, 0.5%

LAB 52, 7.47, -4.03

 

CMYK 19 / 0 / 14 / 45

HEX #728C78

RGB 114 140 120

HSL 133.85, 0.1%, 0.5%

LAB 55.78, -13.44, 7.64

 

CMYK 42 / 0 / 33 / 37

HEX #5DA16C

RGB 93 161 108

HSL 133.24, 0.27%, 0.5%

LAB 60.69, -33.35, 21.03

 

CMYK 17 / 55 / 0 / 31

HEX #914FAF

RGB 145 79 175

HSL 281.25, 0.38%, 0.5%

LAB 45.23, 44.05, -40.28

 

CMYK 2 / 55 / 0 / 31

HEX #AB4FAF

RGB 171 79 175

HSL 297.5, 0.38%, 0.5%

LAB 48.69, 51.17, -34.59

 

CMYK 0 / 55 / 12 / 31

HEX #AF4F9A

RGB 175 79 154

HSL 313.13, 0.38%, 0.5%

LAB 48.31, 48.66, -22.75

 

CMYK 0 / 55 / 26 / 31

HEX #AF4F81

RGB 175 79 129

HSL 328.75, 0.38%, 0.5%

LAB 47.35, 44.86, -9.23

 

CMYK 0 / 55 / 41 / 31

HEX #AF4F67

RGB 175 79 103

HSL 345, 0.38%, 0.5%

LAB 46.56, 41.58, 5.37

 

CMYK 0 / 55 / 13 / 53

HEX #773568

RGB 119 53 104

HSL 313.64, 0.38%, 0.34%

LAB 32.85, 35.88, -16.58

 

CMYK 0 / 55 / 12 / 42

HEX #934281

RGB 147 66 129

HSL 313.33, 0.38%, 0.42%

LAB 40.71, 42.39, -19.72

 

CMYK 0 / 55 / 13 / 31

HEX #AF4F99

RGB 175 79 153

HSL 313.75, 0.38%, 0.5%

LAB 48.27, 48.49, -22.22

 

CMYK 0 / 43 / 10 / 26

HEX #BC6BAA

RGB 188 107 170

HSL 313.33, 0.38%, 0.58%

LAB 56.2, 41.12, -19.87

 

CMYK 0 / 33 / 7 / 21

HEX #C987BA

RGB 201 135 186

HSL 313.64, 0.38%, 0.66%

LAB 64.4, 33.14, -16.39

 

CMYK 0 / 55 / 13 / 31

HEX #AF4E99

RGB 175 78 153

HSL 313.61, 0.38%, 0.5%

LAB 48.09, 48.98, -22.5

 

CMYK 0 / 32 / 55 / 31

HEX #AF774F

RGB 175 119 79

HSL 25, 0.38%, 0.5%

LAB 54.94, 17.49, 30.72

 

CMYK 55 / 0 / 10 / 31

HEX #4FAF9E

RGB 79 175 158

HSL 169.38, 0.38%, 0.5%

LAB 65.59, -32.48, 0.15

 

CMYK 0 / 55 / 13 / 31

HEX #AF4E99

RGB 175 78 153

HSL 313.61, 0.38%, 0.5%

LAB 48.09, 48.98, -22.5

 

CMYK 12 / 0 / 55 / 31

HEX #9AAF4F

RGB 154 175 79

HSL 73.13, 0.38%, 0.5%

LAB 68.09, -21.77, 46.09

 

CMYK 55 / 12 / 0 / 31

HEX #4F9AAF

RGB 79 154 175

HSL 193.13, 0.38%, 0.5%

LAB 59.77, -17.21, -18.06

 

CMYK 0 / 55 / 13 / 31

HEX #AF4E99

RGB 175 78 153

HSL 313.61, 0.38%, 0.5%

LAB 48.09, 48.98, -22.5

 

CMYK 0 / 32 / 55 / 31

HEX #AF774F

RGB 175 119 79

HSL 25, 0.38%, 0.5%

LAB 54.94, 17.49, 30.72

 

CMYK 55 / 0 / 43 / 31

HEX #4FAF64

RGB 79 175 100

HSL 133.13, 0.38%, 0.5%

LAB 64.36, -44.79, 30.07

 

CMYK 55 / 23 / 0 / 31

HEX #4F87AF

RGB 79 135 175

HSL 205, 0.38%, 0.5%

LAB 54.12, -6.7, -26.73

 

CMYK 0 / 55 / 13 / 31

HEX #AF4E99

RGB 175 78 153

HSL 313.61, 0.38%, 0.5%

LAB 48.09, 48.98, -22.5

 

CMYK 0 / 15 / 55 / 31

HEX #AF944F

RGB 175 148 79

HSL 43.13, 0.38%, 0.5%

LAB 62.39, 1.34, 39.83

 

CMYK 55 / 0 / 43 / 31

HEX #4FAF64

RGB 79 175 100

HSL 133.13, 0.38%, 0.5%

LAB 64.36, -44.79, 30.07

 

CMYK 55 / 39 / 0 / 31

HEX #4F6AAF

RGB 79 106 175

HSL 223.13, 0.38%, 0.5%

LAB 45.72, 10.69, -39.88

 

Description

Color code: RGB 175 78 153 | qconv.com Color code: RGB 175 78 153 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 78 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 78 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 13 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 13% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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