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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 70 178 it is the complementary color RGB 80 185 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 70 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 175 70 178 shade: RGB 180 70 173, RGB 197 88 192, RGB 214 106 211, RGB 231 124 230 and RGB 248 142 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 70 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 175 70 178 shade: RGB 175 70 178, RGB 158 52 159, RGB 141 34 140, RGB 124 16 121 and RGB 107 0 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 175 70 178 shade: RGB 176 69 179, RGB 179 69 153, RGB 179 69 123, RGB 179 69 94 and RGB 179 69 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 175 70 178 shade: RGB 176 69 179, RGB 147 69 179, RGB 117 69 179, RGB 87 69 179 and RGB 69 69 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 175 70 178 shade matches the following richer shades: RGB 176 69 179, RGB 195 49 200, RGB 215 29 220 and RGB 234 9 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 175 70 178 shade: RGB 176 69 179, RGB 157 90 159, RGB 138 110 139, RGB 119 130 119 and RGB 100 150 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 175 70 178 shade: RGB 117 69 179, RGB 146 69 179, RGB 176 69 179, RGB 179 69 154 and RGB 179 69 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 175 70 178 shade: RGB 118 46 120, RGB 147 58 150, RGB 176 69 179, RGB 191 97 193 and RGB 203 127 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 175 70 178 shade: RGB 175 70 178, RGB 179 88 69 and RGB 69 179 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 175 70 178 shade: RGB 175 70 178, RGB 179 176 69 and RGB 69 179 176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 175 70 178 shade: RGB 175 70 178, RGB 179 88 69, RGB 73 179 69 and RGB 69 161 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 175 70 178 shade: RGB 175 70 178, RGB 179 121 69, RGB 73 179 69 and RGB 69 128 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 61 / 0 / 30

HEX #AF46B2

RGB 175 70 178

HSL 298.33, 0.44%, 0.49%

LAB 47.89, 56.93, -37.57

 

Complementary color

CMYK 57 / 0 / 58 / 27

HEX #50B94D

RGB 80 185 77

HSL 118.33, 0.44%, 0.51%

LAB 67.23, -51.78, 45.04

 

CMYK 0 / 61 / 4 / 29

HEX #B446AD

RGB 180 70 173

HSL 303.82, 0.44%, 0.49%

LAB 48.39, 57.35, -33.8

 

CMYK 0 / 55 / 3 / 23

HEX #C558C0

RGB 197 88 192

HSL 302.75, 0.48%, 0.56%

LAB 54.72, 57.06, -34.75

 

CMYK 0 / 50 / 1 / 16

HEX #D66AD3

RGB 214 106 211

HSL 301.67, 0.57%, 0.63%

LAB 61.05, 56.55, -35.5

 

CMYK 0 / 46 / 0 / 9

HEX #E77CE6

RGB 231 124 230

HSL 300.56, 0.69%, 0.7%

LAB 67.37, 55.92, -36.1

 

CMYK 0 / 43 / 0 / 2

HEX #F88EF9

RGB 248 142 249

HSL 299.44, 0.9%, 0.77%

LAB 73.64, 55.24, -36.61

 

CMYK 2 / 61 / 0 / 30

HEX #AF46B2

RGB 175 70 178

HSL 298.33, 0.44%, 0.49%

LAB 47.89, 56.93, -37.57

 

CMYK 1 / 67 / 0 / 38

HEX #9E349F

RGB 158 52 159

HSL 299.44, 0.51%, 0.41%

LAB 41.58, 56.88, -36.45

 

CMYK 0 / 76 / 1 / 45

HEX #8D228C

RGB 141 34 140

HSL 300.56, 0.61%, 0.34%

LAB 35.4, 56.18, -34.87

 

CMYK 0 / 87 / 2 / 51

HEX #7C1079

RGB 124 16 121

HSL 301.67, 0.77%, 0.27%

LAB 29.5, 54.34, -32.57

 

CMYK 0 / 100 / 5 / 58

HEX #6B0066

RGB 107 0 102

HSL 302.8, 1%, 0.21%

LAB 23.95, 51.06, -29.38

 

CMYK 2 / 61 / 0 / 30

HEX #B045B3

RGB 176 69 179

HSL 298.36, 0.44%, 0.49%

LAB 47.93, 57.79, -38.08

 

CMYK 0 / 61 / 15 / 30

HEX #B34599

RGB 179 69 153

HSL 314.18, 0.44%, 0.49%

LAB 47.16, 54.28, -23.88

 

CMYK 0 / 61 / 31 / 30

HEX #B3457B

RGB 179 69 123

HSL 330.55, 0.44%, 0.49%

LAB 46, 50.06, -7.55

 

CMYK 0 / 61 / 47 / 30

HEX #B3455E

RGB 179 69 94

HSL 346.36, 0.44%, 0.49%

LAB 45.15, 46.82, 8.96

 

CMYK 0 / 61 / 61 / 30

HEX #B34545

RGB 179 69 69

HSL 0, 0.44%, 0.49%

LAB 44.62, 44.75, 23.5

 

CMYK 2 / 61 / 0 / 30

HEX #B045B3

RGB 176 69 179

HSL 298.36, 0.44%, 0.49%

LAB 47.93, 57.79, -38.08

 

CMYK 18 / 61 / 0 / 30

HEX #9345B3

RGB 147 69 179

HSL 282.55, 0.44%, 0.49%

LAB 43.82, 50.53, -44.86

 

CMYK 35 / 61 / 0 / 30

HEX #7545B3

RGB 117 69 179

HSL 266.18, 0.44%, 0.49%

LAB 40.07, 43.32, -51.08

 

CMYK 51 / 61 / 0 / 30

HEX #5745B3

RGB 87 69 179

HSL 249.82, 0.44%, 0.49%

LAB 37, 36.84, -56.2

 

CMYK 61 / 61 / 0 / 30

HEX #4545B3

RGB 69 69 179

HSL 240, 0.44%, 0.49%

LAB 35.55, 33.55, -58.62

 

CMYK 2 / 61 / 0 / 30

HEX #B045B3

RGB 176 69 179

HSL 298.36, 0.44%, 0.49%

LAB 47.93, 57.79, -38.08

 

CMYK 3 / 76 / 0 / 22

HEX #C331C8

RGB 195 49 200

HSL 298.01, 0.61%, 0.49%

LAB 49.46, 72.89, -47.68

 

CMYK 2 / 87 / 0 / 14

HEX #D71DDC

RGB 215 29 220

HSL 298.43, 0.77%, 0.49%

LAB 52.39, 84.18, -54.28

 

CMYK 3 / 96 / 0 / 6

HEX #EA09F0

RGB 234 9 240

HSL 298.44, 0.93%, 0.49%

LAB 56.07, 92.34, -59.5

 

CMYK 2 / 61 / 0 / 30

HEX #B045B3

RGB 176 69 179

HSL 298.36, 0.44%, 0.49%

LAB 47.93, 57.79, -38.08

 

CMYK 1 / 43 / 0 / 38

HEX #9D5A9F

RGB 157 90 159

HSL 298.26, 0.28%, 0.49%

LAB 48.24, 38.34, -26.02

 

CMYK 1 / 21 / 0 / 45

HEX #8A6E8B

RGB 138 110 139

HSL 297.93, 0.12%, 0.49%

LAB 50, 16.42, -11.68

 

CMYK 8 / 0 / 8 / 49

HEX #778277

RGB 119 130 119

HSL 120, 0.04%, 0.49%

LAB 53.19, -6.28, 4.57

 

CMYK 33 / 0 / 34 / 41

HEX #649663

RGB 100 150 99

HSL 118.82, 0.2%, 0.49%

LAB 57.49, -27.43, 21.73

 

CMYK 35 / 61 / 0 / 30

HEX #7545B3

RGB 117 69 179

HSL 266.18, 0.44%, 0.49%

LAB 40.07, 43.32, -51.08

 

CMYK 18 / 61 / 0 / 30

HEX #9245B3

RGB 146 69 179

HSL 282, 0.44%, 0.49%

LAB 43.69, 50.28, -45.08

 

CMYK 2 / 61 / 0 / 30

HEX #B045B3

RGB 176 69 179

HSL 298.36, 0.44%, 0.49%

LAB 47.93, 57.79, -38.08

 

CMYK 0 / 61 / 14 / 30

HEX #B3459A

RGB 179 69 154

HSL 313.64, 0.44%, 0.49%

LAB 47.2, 54.44, -24.41

 

CMYK 0 / 61 / 31 / 30

HEX #B3457C

RGB 179 69 124

HSL 330, 0.44%, 0.49%

LAB 46.04, 50.19, -8.11

 

CMYK 2 / 62 / 0 / 53

HEX #762E78

RGB 118 46 120

HSL 298.38, 0.45%, 0.33%

LAB 32.17, 42.06, -27.77

 

CMYK 2 / 61 / 0 / 41

HEX #933A96

RGB 147 58 150

HSL 298.04, 0.44%, 0.41%

LAB 40.3, 49.95, -33.16

 

CMYK 2 / 61 / 0 / 30

HEX #B045B3

RGB 176 69 179

HSL 298.36, 0.44%, 0.49%

LAB 47.93, 57.79, -38.08

 

CMYK 1 / 50 / 0 / 24

HEX #BF61C1

RGB 191 97 193

HSL 298.75, 0.44%, 0.57%

LAB 55.56, 51.25, -34.07

 

CMYK 1 / 38 / 0 / 20

HEX #CB7FCD

RGB 203 127 205

HSL 298.46, 0.44%, 0.65%

LAB 63.58, 41.54, -28.31

 

CMYK 2 / 61 / 0 / 30

HEX #AF46B2

RGB 175 70 178

HSL 298.33, 0.44%, 0.49%

LAB 47.89, 56.93, -37.57

 

CMYK 0 / 51 / 61 / 30

HEX #B35845

RGB 179 88 69

HSL 10.36, 0.44%, 0.49%

LAB 48.25, 35.33, 28.11

 

CMYK 61 / 0 / 26 / 30

HEX #45B384

RGB 69 179 132

HSL 154.36, 0.44%, 0.49%

LAB 65.88, -42.54, 14.88

 

CMYK 2 / 61 / 0 / 30

HEX #AF46B2

RGB 175 70 178

HSL 298.33, 0.44%, 0.49%

LAB 47.89, 56.93, -37.57

 

CMYK 0 / 2 / 61 / 30

HEX #B3B045

RGB 179 176 69

HSL 58.36, 0.44%, 0.49%

LAB 70.22, -12.61, 53.57

 

CMYK 61 / 0 / 2 / 30

HEX #45B3B0

RGB 69 179 176

HSL 178.36, 0.44%, 0.49%

LAB 67.01, -31.51, -7.77

 

CMYK 2 / 61 / 0 / 30

HEX #AF46B2

RGB 175 70 178

HSL 298.33, 0.44%, 0.49%

LAB 47.89, 56.93, -37.57

 

CMYK 0 / 51 / 61 / 30

HEX #B35845

RGB 179 88 69

HSL 10.36, 0.44%, 0.49%

LAB 48.25, 35.33, 28.11

 

CMYK 59 / 0 / 61 / 30

HEX #49B345

RGB 73 179 69

HSL 117.82, 0.44%, 0.49%

LAB 65.03, -52.16, 46.12

 

CMYK 61 / 10 / 0 / 30

HEX #45A1B3

RGB 69 161 179

HSL 189.82, 0.44%, 0.49%

LAB 61.66, -21.67, -17.47

 

CMYK 2 / 61 / 0 / 30

HEX #AF46B2

RGB 175 70 178

HSL 298.33, 0.44%, 0.49%

LAB 47.89, 56.93, -37.57

 

CMYK 0 / 32 / 61 / 30

HEX #B37945

RGB 179 121 69

HSL 28.36, 0.44%, 0.49%

LAB 55.77, 17.28, 37.26

 

CMYK 59 / 0 / 61 / 30

HEX #49B345

RGB 73 179 69

HSL 117.82, 0.44%, 0.49%

LAB 65.03, -52.16, 46.12

 

CMYK 61 / 28 / 0 / 30

HEX #4580B3

RGB 69 128 179

HSL 207.82, 0.44%, 0.49%

LAB 51.79, -3.43, -32.68

 

Description

Color code: RGB 175 70 178 | qconv.com Color code: RGB 175 70 178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 70 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 70 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 61 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 61% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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