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Color name
RGB 175 62 55

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 62 55 it is the complementary color RGB 80 193 200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 62 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 175 62 55 shade: RGB 180 62 50, RGB 197 80 69, RGB 214 98 88, RGB 231 116 107 and RGB 248 134 126

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 62 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 175 62 55 shade: RGB 175 62 55, RGB 158 44 36, RGB 141 26 17, RGB 124 8 0 and RGB 107 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 175 62 55 shade: RGB 174 62 55 and RGB 174 55 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 175 62 55 shade: RGB 174 62 55, RGB 174 94 55, RGB 174 126 55, RGB 174 158 55 and RGB 158 174 55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 175 62 55 shade matches the following richer shades: RGB 174 62 55, RGB 192 45 36 and RGB 211 29 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 175 62 55 shade: RGB 174 62 55, RGB 155 78 73, RGB 137 94 92, RGB 118 111 110 and RGB 100 127 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 175 62 55 shade: RGB 174 55 112, RGB 174 55 80, RGB 174 61 55, RGB 174 92 55 and RGB 174 124 55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 175 62 55 shade: RGB 111 39 35, RGB 143 50 45, RGB 174 62 55, RGB 197 80 73 and RGB 207 110 104

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 175 62 55 shade: RGB 175 62 55, RGB 144 174 55 and RGB 55 96 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 175 62 55 shade: RGB 175 62 55, RGB 55 174 61 and RGB 61 55 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 175 62 55 shade: RGB 175 62 55, RGB 144 174 55, RGB 55 168 174 and RGB 84 55 174

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 175 62 55 shade: RGB 175 62 55, RGB 108 174 55, RGB 55 168 174 and RGB 120 55 174

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 69 / 31

HEX #AF3E37

RGB 175 62 55

HSL 3.5, 0.52%, 0.45%

LAB 42.51, 45.63, 29.11

 

Complementary color

CMYK 60 / 4 / 0 / 22

HEX #50C1C8

RGB 80 193 200

HSL 183.5, 0.52%, 0.55%

LAB 72.24, -29.62, -13.11

 

CMYK 0 / 66 / 72 / 29

HEX #B43E32

RGB 180 62 50

HSL 5.54, 0.57%, 0.45%

LAB 43.33, 47.12, 33.21

 

CMYK 0 / 59 / 65 / 23

HEX #C55045

RGB 197 80 69

HSL 5.16, 0.52%, 0.52%

LAB 49.54, 46.05, 30.33

 

CMYK 0 / 54 / 59 / 16

HEX #D66258

RGB 214 98 88

HSL 4.76, 0.61%, 0.59%

LAB 55.82, 44.87, 27.86

 

CMYK 0 / 50 / 54 / 9

HEX #E7746B

RGB 231 116 107

HSL 4.35, 0.72%, 0.66%

LAB 62.12, 43.68, 25.74

 

CMYK 0 / 46 / 49 / 3

HEX #F8867E

RGB 248 134 126

HSL 3.93, 0.9%, 0.73%

LAB 68.4, 42.53, 23.89

 

CMYK 0 / 65 / 69 / 31

HEX #AF3E37

RGB 175 62 55

HSL 3.5, 0.52%, 0.45%

LAB 42.51, 45.63, 29.11

 

CMYK 0 / 72 / 77 / 38

HEX #9E2C24

RGB 158 44 36

HSL 3.93, 0.63%, 0.38%

LAB 36.36, 46.41, 32.42

 

CMYK 0 / 82 / 88 / 45

HEX #8D1A11

RGB 141 26 17

HSL 4.35, 0.78%, 0.31%

LAB 30.5, 46.54, 36.04

 

CMYK 0 / 94 / 100 / 51

HEX #7C0800

RGB 124 8 0

HSL 3.87, 1%, 0.24%

LAB 25.13, 45.41, 37.36

 

CMYK 0 / 100 / 100 / 58

HEX #6B0000

RGB 107 0 0

HSL 0, 1%, 0.21%

LAB 20.54, 42.28, 31.36

 

CMYK 0 / 64 / 68 / 32

HEX #AE3E37

RGB 174 62 55

HSL 3.53, 0.52%, 0.45%

LAB 42.34, 45.28, 28.86

 

CMYK 0 / 68 / 68 / 32

HEX #AE3737

RGB 174 55 55

HSL 0, 0.52%, 0.45%

LAB 41.23, 48.28, 27.51

 

CMYK 0 / 64 / 68 / 32

HEX #AE3E37

RGB 174 62 55

HSL 3.53, 0.52%, 0.45%

LAB 42.34, 45.28, 28.86

 

CMYK 0 / 46 / 68 / 32

HEX #AE5E37

RGB 174 94 55

HSL 19.66, 0.52%, 0.45%

LAB 48.61, 29.19, 36.22

 

CMYK 0 / 28 / 68 / 32

HEX #AE7E37

RGB 174 126 55

HSL 35.8, 0.52%, 0.45%

LAB 56.28, 11.36, 44.75

 

CMYK 0 / 9 / 68 / 32

HEX #AE9E37

RGB 174 158 55

HSL 51.93, 0.52%, 0.45%

LAB 64.75, -6.21, 53.66

 

CMYK 9 / 0 / 68 / 32

HEX #9EAE37

RGB 158 174 55

HSL 68.07, 0.52%, 0.45%

LAB 67.89, -21.42, 56.44

 

CMYK 0 / 64 / 68 / 32

HEX #AE3E37

RGB 174 62 55

HSL 3.53, 0.52%, 0.45%

LAB 42.34, 45.28, 28.86

 

CMYK 0 / 77 / 81 / 25

HEX #C02D24

RGB 192 45 36

HSL 3.46, 0.68%, 0.45%

LAB 43.08, 56.91, 41.41

 

CMYK 0 / 86 / 92 / 17

HEX #D31D11

RGB 211 29 17

HSL 3.71, 0.85%, 0.45%

LAB 45.31, 66.03, 53.51

 

CMYK 0 / 64 / 68 / 32

HEX #AE3E37

RGB 174 62 55

HSL 3.53, 0.52%, 0.45%

LAB 42.34, 45.28, 28.86

 

CMYK 0 / 50 / 53 / 39

HEX #9B4E49

RGB 155 78 73

HSL 3.66, 0.36%, 0.45%

LAB 42.61, 31.52, 17.73

 

CMYK 0 / 31 / 33 / 46

HEX #895E5C

RGB 137 94 92

HSL 2.67, 0.2%, 0.45%

LAB 44.37, 17.29, 8.23

 

CMYK 0 / 6 / 7 / 54

HEX #766F6E

RGB 118 111 110

HSL 7.5, 0.04%, 0.45%

LAB 47.43, 2.52, 1.52

 

CMYK 22 / 2 / 0 / 49

HEX #647F81

RGB 100 127 129

HSL 184.14, 0.13%, 0.45%

LAB 51.24, -9.17, -4.28

 

CMYK 0 / 68 / 36 / 32

HEX #AE3770

RGB 174 55 112

HSL 331.26, 0.52%, 0.45%

LAB 42.61, 53.17, -5.94

 

CMYK 0 / 68 / 54 / 32

HEX #AE3750

RGB 174 55 80

HSL 347.39, 0.52%, 0.45%

LAB 41.7, 50, 12.7

 

CMYK 0 / 65 / 68 / 32

HEX #AE3D37

RGB 174 61 55

HSL 3.03, 0.52%, 0.45%

LAB 42.17, 45.73, 28.66

 

CMYK 0 / 47 / 68 / 32

HEX #AE5C37

RGB 174 92 55

HSL 18.66, 0.52%, 0.45%

LAB 48.17, 30.27, 35.72

 

CMYK 0 / 29 / 68 / 32

HEX #AE7C37

RGB 174 124 55

HSL 34.79, 0.52%, 0.45%

LAB 55.78, 12.48, 44.2

 

CMYK 0 / 65 / 68 / 56

HEX #6F2723

RGB 111 39 35

HSL 3.16, 0.52%, 0.29%

LAB 26.6, 31.65, 19.42

 

CMYK 0 / 65 / 69 / 44

HEX #8F322D

RGB 143 50 45

HSL 3.06, 0.52%, 0.37%

LAB 34.62, 39.04, 24.27

 

CMYK 0 / 64 / 68 / 32

HEX #AE3E37

RGB 174 62 55

HSL 3.53, 0.52%, 0.45%

LAB 42.34, 45.28, 28.86

 

CMYK 0 / 59 / 63 / 23

HEX #C55049

RGB 197 80 73

HSL 3.39, 0.52%, 0.53%

LAB 49.6, 46.3, 28.08

 

CMYK 0 / 47 / 50 / 19

HEX #CF6E68

RGB 207 110 104

HSL 3.5, 0.52%, 0.61%

LAB 57.48, 37.54, 20.67

 

CMYK 0 / 65 / 69 / 31

HEX #AF3E37

RGB 175 62 55

HSL 3.5, 0.52%, 0.45%

LAB 42.51, 45.63, 29.11

 

CMYK 17 / 0 / 68 / 32

HEX #90AE37

RGB 144 174 55

HSL 75.13, 0.52%, 0.45%

LAB 66.88, -27.25, 55.09

 

CMYK 68 / 45 / 0 / 32

HEX #3760AE

RGB 55 96 174

HSL 219.33, 0.52%, 0.45%

LAB 41.59, 12.01, -45.95

 

CMYK 0 / 65 / 69 / 31

HEX #AF3E37

RGB 175 62 55

HSL 3.5, 0.52%, 0.45%

LAB 42.51, 45.63, 29.11

 

CMYK 68 / 0 / 65 / 32

HEX #37AE3D

RGB 55 174 61

HSL 123.03, 0.52%, 0.45%

LAB 62.86, -55.18, 47.09

 

CMYK 65 / 68 / 0 / 32

HEX #3D37AE

RGB 61 55 174

HSL 243.03, 0.52%, 0.45%

LAB 31.3, 39.26, -62.61

 

CMYK 0 / 65 / 69 / 31

HEX #AF3E37

RGB 175 62 55

HSL 3.5, 0.52%, 0.45%

LAB 42.51, 45.63, 29.11

 

CMYK 17 / 0 / 68 / 32

HEX #90AE37

RGB 144 174 55

HSL 75.13, 0.52%, 0.45%

LAB 66.88, -27.25, 55.09

 

CMYK 68 / 3 / 0 / 32

HEX #37A8AE

RGB 55 168 174

HSL 183.03, 0.52%, 0.45%

LAB 63.24, -28.98, -12.33

 

CMYK 52 / 68 / 0 / 32

HEX #5437AE

RGB 84 55 174

HSL 254.62, 0.52%, 0.45%

LAB 33.29, 42.9, -59.27

 

CMYK 0 / 65 / 69 / 31

HEX #AF3E37

RGB 175 62 55

HSL 3.5, 0.52%, 0.45%

LAB 42.51, 45.63, 29.11

 

CMYK 38 / 0 / 68 / 32

HEX #6CAE37

RGB 108 174 55

HSL 93.28, 0.52%, 0.45%

LAB 64.75, -41.03, 52.22

 

CMYK 68 / 3 / 0 / 32

HEX #37A8AE

RGB 55 168 174

HSL 183.03, 0.52%, 0.45%

LAB 63.24, -28.98, -12.33

 

CMYK 31 / 68 / 0 / 32

HEX #7837AE

RGB 120 55 174

HSL 272.77, 0.52%, 0.45%

LAB 37.45, 49.96, -52.33

 

Description

Color code: RGB 175 62 55 | qconv.com Color code: RGB 175 62 55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 62 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 62 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 69 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 69% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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