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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 48 139 it is the complementary color RGB 80 207 116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 48 139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 175 48 139 shade: RGB 180 48 134, RGB 197 66 153, RGB 214 84 172, RGB 231 102 191 and RGB 248 120 210

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 48 139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 175 48 139 shade: RGB 175 48 139, RGB 158 30 120, RGB 141 12 101, RGB 124 0 82 and RGB 107 0 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 175 48 139 shade: RGB 176 48 139, RGB 176 48 105, RGB 176 48 70 and RGB 176 48 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 175 48 139 shade: RGB 176 48 139, RGB 176 48 174, RGB 143 48 176, RGB 108 48 176 and RGB 74 48 176

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 175 48 139 shade matches the following richer shades: RGB 176 48 139, RGB 194 30 147 and RGB 212 11 155

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 175 48 139 shade: RGB 176 48 139, RGB 158 66 132, RGB 139 84 124, RGB 121 102 116 and RGB 103 120 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 175 48 139 shade: RGB 144 48 176, RGB 176 48 174, RGB 176 48 139, RGB 176 48 105 and RGB 176 48 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 175 48 139 shade: RGB 111 30 88, RGB 143 39 114, RGB 176 48 139, RGB 202 63 162 and RGB 211 95 178

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 175 48 139 shade: RGB 175 48 139, RGB 176 110 48 and RGB 48 176 161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 175 48 139 shade: RGB 175 48 139, RGB 139 176 48 and RGB 48 139 176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 175 48 139 shade: RGB 175 48 139, RGB 176 110 48, RGB 48 176 84 and RGB 48 114 176

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 175 48 139 shade: RGB 175 48 139, RGB 176 148 48, RGB 48 176 84 and RGB 48 75 176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 21 / 31

HEX #AF308B

RGB 175 48 139

HSL 317.01, 0.57%, 0.44%

LAB 42.9, 59.47, -22.08

 

Complementary color

CMYK 61 / 0 / 44 / 19

HEX #50CF74

RGB 80 207 116

HSL 137.01, 0.57%, 0.56%

LAB 74.57, -54.65, 35.01

 

CMYK 0 / 73 / 26 / 29

HEX #B43086

RGB 180 48 134

HSL 320.91, 0.58%, 0.45%

LAB 43.56, 60.09, -17.94

 

CMYK 0 / 66 / 22 / 23

HEX #C54299

RGB 197 66 153

HSL 320.15, 0.53%, 0.52%

LAB 49.58, 60.49, -19.92

 

CMYK 0 / 61 / 20 / 16

HEX #D654AC

RGB 214 84 172

HSL 319.38, 0.61%, 0.58%

LAB 55.7, 60.41, -21.46

 

CMYK 0 / 56 / 17 / 9

HEX #E766BF

RGB 231 102 191

HSL 318.6, 0.73%, 0.65%

LAB 61.87, 60.04, -22.71

 

CMYK 0 / 52 / 15 / 3

HEX #F878D2

RGB 248 120 210

HSL 317.81, 0.9%, 0.72%

LAB 68.05, 59.5, -23.75

 

CMYK 0 / 73 / 21 / 31

HEX #AF308B

RGB 175 48 139

HSL 317.01, 0.57%, 0.44%

LAB 42.9, 59.47, -22.08

 

CMYK 0 / 81 / 24 / 38

HEX #9E1E78

RGB 158 30 120

HSL 317.81, 0.68%, 0.37%

LAB 37.03, 58.32, -19.68

 

CMYK 0 / 91 / 28 / 45

HEX #8D0C65

RGB 141 12 101

HSL 318.6, 0.84%, 0.3%

LAB 31.5, 55.92, -16.41

 

CMYK 0 / 100 / 34 / 51

HEX #7C0052

RGB 124 0 82

HSL 320.32, 1%, 0.24%

LAB 26.43, 51.84, -12.01

 

CMYK 0 / 100 / 41 / 58

HEX #6B003F

RGB 107 0 63

HSL 324.67, 1%, 0.21%

LAB 21.89, 45.88, -6.33

 

CMYK 0 / 73 / 21 / 31

HEX #B0308B

RGB 176 48 139

HSL 317.34, 0.57%, 0.44%

LAB 43.08, 59.73, -21.8

 

CMYK 0 / 73 / 40 / 31

HEX #B03069

RGB 176 48 105

HSL 333.28, 0.57%, 0.44%

LAB 41.79, 55.62, -2.77

 

CMYK 0 / 73 / 60 / 31

HEX #B03046

RGB 176 48 70

HSL 349.69, 0.57%, 0.44%

LAB 40.87, 52.58, 17.89

 

CMYK 0 / 73 / 73 / 31

HEX #B03030

RGB 176 48 48

HSL 0, 0.57%, 0.44%

LAB 40.5, 51.32, 30.94

 

CMYK 0 / 73 / 21 / 31

HEX #B0308B

RGB 176 48 139

HSL 317.34, 0.57%, 0.44%

LAB 43.08, 59.73, -21.8

 

CMYK 0 / 73 / 1 / 31

HEX #B030AE

RGB 176 48 174

HSL 300.94, 0.57%, 0.44%

LAB 44.8, 64.98, -40.09

 

CMYK 19 / 73 / 0 / 31

HEX #8F30B0

RGB 143 48 176

HSL 284.53, 0.57%, 0.44%

LAB 39.73, 58.28, -49.68

 

CMYK 39 / 73 / 0 / 31

HEX #6C30B0

RGB 108 48 176

HSL 268.13, 0.57%, 0.44%

LAB 34.88, 51.37, -57.76

 

CMYK 58 / 73 / 0 / 31

HEX #4A30B0

RGB 74 48 176

HSL 252.19, 0.57%, 0.44%

LAB 31.12, 45.73, -64.05

 

CMYK 0 / 73 / 21 / 31

HEX #B0308B

RGB 176 48 139

HSL 317.34, 0.57%, 0.44%

LAB 43.08, 59.73, -21.8

 

CMYK 0 / 85 / 24 / 24

HEX #C21E93

RGB 194 30 147

HSL 317.2, 0.73%, 0.44%

LAB 44.95, 69.9, -23.49

 

CMYK 0 / 95 / 27 / 17

HEX #D40B9B

RGB 212 11 155

HSL 317.01, 0.9%, 0.44%

LAB 47.76, 77.28, -23.69

 

CMYK 0 / 73 / 21 / 31

HEX #B0308B

RGB 176 48 139

HSL 317.34, 0.57%, 0.44%

LAB 43.08, 59.73, -21.8

 

CMYK 0 / 58 / 16 / 38

HEX #9E4284

RGB 158 66 132

HSL 316.96, 0.41%, 0.44%

LAB 42.51, 46.26, -18.65

 

CMYK 0 / 40 / 11 / 45

HEX #8B547C

RGB 139 84 124

HSL 316.36, 0.25%, 0.44%

LAB 43.19, 29.08, -12.97

 

CMYK 0 / 16 / 4 / 53

HEX #796674

RGB 121 102 116

HSL 315.79, 0.09%, 0.44%

LAB 45.4, 10.21, -5.02

 

CMYK 14 / 0 / 10 / 53

HEX #67786C

RGB 103 120 108

HSL 137.65, 0.08%, 0.44%

LAB 48.76, -8.83, 4.48

 

CMYK 18 / 73 / 0 / 31

HEX #9030B0

RGB 144 48 176

HSL 285, 0.57%, 0.44%

LAB 39.88, 58.49, -49.43

 

CMYK 0 / 73 / 1 / 31

HEX #B030AE

RGB 176 48 174

HSL 300.94, 0.57%, 0.44%

LAB 44.8, 64.98, -40.09

 

CMYK 0 / 73 / 21 / 31

HEX #B0308B

RGB 176 48 139

HSL 317.34, 0.57%, 0.44%

LAB 43.08, 59.73, -21.8

 

CMYK 0 / 73 / 40 / 31

HEX #B03069

RGB 176 48 105

HSL 333.28, 0.57%, 0.44%

LAB 41.79, 55.62, -2.77

 

CMYK 0 / 73 / 60 / 31

HEX #B03047

RGB 176 48 71

HSL 349.22, 0.57%, 0.44%

LAB 40.89, 52.65, 17.3

 

CMYK 0 / 73 / 21 / 56

HEX #6F1E58

RGB 111 30 88

HSL 317.04, 0.57%, 0.28%

LAB 26.77, 41.68, -15.7

 

CMYK 0 / 73 / 20 / 44

HEX #8F2772

RGB 143 39 114

HSL 316.73, 0.57%, 0.36%

LAB 35.01, 50.85, -19.24

 

CMYK 0 / 73 / 21 / 31

HEX #B0308B

RGB 176 48 139

HSL 317.34, 0.57%, 0.44%

LAB 43.08, 59.73, -21.8

 

CMYK 0 / 69 / 20 / 21

HEX #CA3FA2

RGB 202 63 162

HSL 317.27, 0.57%, 0.52%

LAB 50.36, 64.17, -23.98

 

CMYK 0 / 55 / 16 / 17

HEX #D35FB2

RGB 211 95 178

HSL 317.07, 0.57%, 0.6%

LAB 57.32, 55.5, -22.5

 

CMYK 0 / 73 / 21 / 31

HEX #AF308B

RGB 175 48 139

HSL 317.01, 0.57%, 0.44%

LAB 42.9, 59.47, -22.08

 

CMYK 0 / 38 / 73 / 31

HEX #B06E30

RGB 176 110 48

HSL 29.06, 0.57%, 0.44%

LAB 52.5, 20.82, 44.15

 

CMYK 73 / 0 / 9 / 31

HEX #30B0A1

RGB 48 176 161

HSL 172.97, 0.57%, 0.44%

LAB 65.16, -37.46, -2.23

 

CMYK 0 / 73 / 21 / 31

HEX #AF308B

RGB 175 48 139

HSL 317.01, 0.57%, 0.44%

LAB 42.9, 59.47, -22.08

 

CMYK 21 / 0 / 73 / 31

HEX #8BB030

RGB 139 176 48

HSL 77.34, 0.57%, 0.44%

LAB 67.09, -30.66, 57.84

 

CMYK 73 / 21 / 0 / 31

HEX #308BB0

RGB 48 139 176

HSL 197.34, 0.57%, 0.44%

LAB 54.27, -14.23, -27.16

 

CMYK 0 / 73 / 21 / 31

HEX #AF308B

RGB 175 48 139

HSL 317.01, 0.57%, 0.44%

LAB 42.9, 59.47, -22.08

 

CMYK 0 / 38 / 73 / 31

HEX #B06E30

RGB 176 110 48

HSL 29.06, 0.57%, 0.44%

LAB 52.5, 20.82, 44.15

 

CMYK 73 / 0 / 52 / 31

HEX #30B054

RGB 48 176 84

HSL 136.88, 0.57%, 0.44%

LAB 63.61, -54.18, 37.13

 

CMYK 73 / 35 / 0 / 31

HEX #3072B0

RGB 48 114 176

HSL 209.06, 0.57%, 0.44%

LAB 46.71, 0.35, -38.99

 

CMYK 0 / 73 / 21 / 31

HEX #AF308B

RGB 175 48 139

HSL 317.01, 0.57%, 0.44%

LAB 42.9, 59.47, -22.08

 

CMYK 0 / 16 / 73 / 31

HEX #B09430

RGB 176 148 48

HSL 46.88, 0.57%, 0.44%

LAB 62.19, -0.3, 54.02

 

CMYK 73 / 0 / 52 / 31

HEX #30B054

RGB 48 176 84

HSL 136.88, 0.57%, 0.44%

LAB 63.61, -54.18, 37.13

 

CMYK 73 / 57 / 0 / 31

HEX #304BB0

RGB 48 75 176

HSL 227.34, 0.57%, 0.44%

LAB 35.59, 25.45, -56.83

 

Description

Color code: RGB 175 48 139 | qconv.com Color code: RGB 175 48 139 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 48 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 48 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 21 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 21% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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