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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 222 99 it is the complementary color RGB 80 33 156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 222 99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 175 222 99 shade: RGB 180 222 94, RGB 197 240 113, RGB 214 255 132, RGB 231 255 151 and RGB 248 255 170

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 222 99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 175 222 99 shade: RGB 175 222 99, RGB 158 204 80, RGB 141 186 61, RGB 124 168 42 and RGB 107 150 23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 175 222 99 shade: RGB 175 221 99, RGB 208 221 99, RGB 221 202 99, RGB 221 169 99 and RGB 221 136 99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 175 222 99 shade: RGB 175 221 99, RGB 142 221 99, RGB 108 221 99, RGB 99 221 122 and RGB 99 221 155

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 175 222 99 shade matches the following richer shades: RGB 175 221 99, RGB 178 237 84 and RGB 182 252 68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 175 222 99 shade: RGB 175 221 99, RGB 171 206 114, RGB 167 191 129, RGB 164 176 145 and RGB 160 160 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 175 222 99 shade: RGB 221 201 99, RGB 209 221 99, RGB 177 221 99, RGB 144 221 99 and RGB 111 221 99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 175 222 99 shade: RGB 137 196 41, RGB 157 214 65, RGB 175 221 99, RGB 192 229 133 and RGB 210 236 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 175 222 99 shade: RGB 175 222 99, RGB 99 221 168 and RGB 217 99 221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 175 222 99 shade: RGB 175 222 99, RGB 99 177 221 and RGB 221 99 177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 175 222 99 shade: RGB 175 222 99, RGB 99 221 168, RGB 144 99 221 and RGB 221 99 152

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 175 222 99 shade: RGB 175 222 99, RGB 99 221 205, RGB 144 99 221 and RGB 221 99 115

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 55 / 13

HEX #AFDE63

RGB 175 222 99

HSL 82.93, 0.65%, 0.63%

LAB 83.05, -34.23, 54.5

 

Complementary color

CMYK 49 / 79 / 0 / 39

HEX #50219C

RGB 80 33 156

HSL 262.93, 0.65%, 0.37%

LAB 27.28, 48.33, -58.26

 

CMYK 19 / 0 / 58 / 13

HEX #B4DE5E

RGB 180 222 94

HSL 79.69, 0.66%, 0.62%

LAB 83.31, -32.79, 57.11

 

CMYK 18 / 0 / 53 / 6

HEX #C5F071

RGB 197 240 113

HSL 80.31, 0.81%, 0.69%

LAB 89.57, -32.99, 56.12

 

CMYK 16 / 0 / 48 / 0

HEX #D6FF84

RGB 214 255 132

HSL 80, 1%, 0.76%

LAB 94.94, -31.76, 54.08

 

CMYK 9 / 0 / 41 / 0

HEX #E7FF97

RGB 231 255 151

HSL 73.85, 1%, 0.8%

LAB 96.3, -23.47, 47.03

 

CMYK 3 / 0 / 33 / 0

HEX #F8FFAA

RGB 248 255 170

HSL 64.94, 1%, 0.83%

LAB 97.78, -14.99, 39.91

 

CMYK 21 / 0 / 55 / 13

HEX #AFDE63

RGB 175 222 99

HSL 82.93, 0.65%, 0.63%

LAB 83.05, -34.23, 54.5

 

CMYK 23 / 0 / 61 / 20

HEX #9ECC50

RGB 158 204 80

HSL 82.26, 0.55%, 0.56%

LAB 76.7, -34.02, 55.44

 

CMYK 24 / 0 / 67 / 27

HEX #8DBA3D

RGB 141 186 61

HSL 81.6, 0.51%, 0.48%

LAB 70.26, -33.71, 56.13

 

CMYK 26 / 0 / 75 / 34

HEX #7CA82A

RGB 124 168 42

HSL 80.95, 0.6%, 0.41%

LAB 63.72, -33.25, 56.36

 

CMYK 29 / 0 / 85 / 41

HEX #6B9617

RGB 107 150 23

HSL 80.31, 0.73%, 0.34%

LAB 57.08, -32.58, 55.67

 

CMYK 21 / 0 / 55 / 13

HEX #AFDD63

RGB 175 221 99

HSL 82.62, 0.64%, 0.63%

LAB 82.77, -33.77, 54.18

 

CMYK 6 / 0 / 55 / 13

HEX #D0DD63

RGB 208 221 99

HSL 66.39, 0.64%, 0.63%

LAB 85.01, -20.96, 57.34

 

CMYK 0 / 9 / 55 / 13

HEX #DDCA63

RGB 221 202 99

HSL 50.66, 0.64%, 0.63%

LAB 81.02, -6.17, 53.04

 

CMYK 0 / 24 / 55 / 13

HEX #DDA963

RGB 221 169 99

HSL 34.43, 0.64%, 0.63%

LAB 72.66, 11.14, 43.13

 

CMYK 0 / 38 / 55 / 13

HEX #DD8863

RGB 221 136 99

HSL 18.2, 0.64%, 0.63%

LAB 64.87, 28.84, 33.47

 

CMYK 21 / 0 / 55 / 13

HEX #AFDD63

RGB 175 221 99

HSL 82.62, 0.64%, 0.63%

LAB 82.77, -33.77, 54.18

 

CMYK 36 / 0 / 55 / 13

HEX #8EDD63

RGB 142 221 99

HSL 98.85, 0.64%, 0.63%

LAB 80.94, -45.47, 51.59

 

CMYK 51 / 0 / 55 / 13

HEX #6CDD63

RGB 108 221 99

HSL 115.57, 0.64%, 0.63%

LAB 79.5, -55.69, 49.53

 

CMYK 55 / 0 / 45 / 13

HEX #63DD7A

RGB 99 221 122

HSL 131.31, 0.64%, 0.63%

LAB 79.48, -54.85, 38.42

 

CMYK 55 / 0 / 30 / 13

HEX #63DD9B

RGB 99 221 155

HSL 147.54, 0.64%, 0.63%

LAB 80.03, -49.1, 22.31

 

CMYK 21 / 0 / 55 / 13

HEX #AFDD63

RGB 175 221 99

HSL 82.62, 0.64%, 0.63%

LAB 82.77, -33.77, 54.18

 

CMYK 25 / 0 / 65 / 7

HEX #B2ED54

RGB 178 237 84

HSL 83.14, 0.81%, 0.63%

LAB 87.33, -41.09, 65.64

 

CMYK 28 / 0 / 73 / 1

HEX #B6FC44

RGB 182 252 68

HSL 82.83, 0.97%, 0.63%

LAB 91.68, -47.1, 75.88

 

CMYK 21 / 0 / 55 / 13

HEX #AFDD63

RGB 175 221 99

HSL 82.62, 0.64%, 0.63%

LAB 82.77, -33.77, 54.18

 

CMYK 17 / 0 / 45 / 19

HEX #ABCE72

RGB 171 206 114

HSL 82.83, 0.48%, 0.63%

LAB 78.47, -26.66, 41.84

 

CMYK 13 / 0 / 32 / 25

HEX #A7BF81

RGB 167 191 129

HSL 83.23, 0.33%, 0.63%

LAB 74.23, -18.87, 28.65

 

CMYK 7 / 0 / 18 / 31

HEX #A4B091

RGB 164 176 145

HSL 83.23, 0.16%, 0.63%

LAB 70.17, -9.83, 14.49

 

CMYK 0 / 0 / 0 / 37

HEX #A0A0A0

RGB 160 160 160

HSL 0, 0%, 0.63%

LAB 65.87, 0, -0.01

 

CMYK 0 / 9 / 55 / 13

HEX #DDC963

RGB 221 201 99

HSL 50.16, 0.64%, 0.63%

LAB 80.76, -5.65, 52.74

 

CMYK 5 / 0 / 55 / 13

HEX #D1DD63

RGB 209 221 99

HSL 65.9, 0.64%, 0.63%

LAB 85.08, -20.56, 57.44

 

CMYK 20 / 0 / 55 / 13

HEX #B1DD63

RGB 177 221 99

HSL 81.64, 0.64%, 0.63%

LAB 82.89, -33.02, 54.35

 

CMYK 35 / 0 / 55 / 13

HEX #90DD63

RGB 144 221 99

HSL 97.87, 0.64%, 0.63%

LAB 81.04, -44.8, 51.73

 

CMYK 50 / 0 / 55 / 13

HEX #6FDD63

RGB 111 221 99

HSL 114.1, 0.64%, 0.63%

LAB 79.61, -54.88, 49.69

 

CMYK 30 / 0 / 79 / 23

HEX #89C429

RGB 137 196 41

HSL 82.84, 0.65%, 0.46%

LAB 72.86, -40.89, 65.55

 

CMYK 27 / 0 / 70 / 16

HEX #9DD641

RGB 157 214 65

HSL 82.95, 0.65%, 0.55%

LAB 79.41, -40.01, 64.3

 

CMYK 21 / 0 / 55 / 13

HEX #AFDD63

RGB 175 221 99

HSL 82.62, 0.64%, 0.63%

LAB 82.77, -33.77, 54.18

 

CMYK 16 / 0 / 42 / 10

HEX #C0E585

RGB 192 229 133

HSL 83.13, 0.65%, 0.71%

LAB 86.47, -27.6, 42.81

 

CMYK 11 / 0 / 29 / 7

HEX #D2ECA7

RGB 210 236 167

HSL 82.61, 0.64%, 0.79%

LAB 90.08, -20.04, 30.72

 

CMYK 21 / 0 / 55 / 13

HEX #AFDE63

RGB 175 222 99

HSL 82.93, 0.65%, 0.63%

LAB 83.05, -34.23, 54.5

 

CMYK 55 / 0 / 24 / 13

HEX #63DDA8

RGB 99 221 168

HSL 153.93, 0.64%, 0.63%

LAB 80.29, -46.47, 15.86

 

CMYK 2 / 55 / 0 / 13

HEX #D963DD

RGB 217 99 221

HSL 298.03, 0.64%, 0.63%

LAB 60.69, 62.37, -41.66

 

CMYK 21 / 0 / 55 / 13

HEX #AFDE63

RGB 175 222 99

HSL 82.93, 0.65%, 0.63%

LAB 83.05, -34.23, 54.5

 

CMYK 55 / 20 / 0 / 13

HEX #63B1DD

RGB 99 177 221

HSL 201.64, 0.64%, 0.63%

LAB 68.98, -11.64, -29.49

 

CMYK 0 / 55 / 20 / 13

HEX #DD63B1

RGB 221 99 177

HSL 321.64, 0.64%, 0.63%

LAB 59.41, 56.46, -18.6

 

CMYK 21 / 0 / 55 / 13

HEX #AFDE63

RGB 175 222 99

HSL 82.93, 0.65%, 0.63%

LAB 83.05, -34.23, 54.5

 

CMYK 55 / 0 / 24 / 13

HEX #63DDA8

RGB 99 221 168

HSL 153.93, 0.64%, 0.63%

LAB 80.29, -46.47, 15.86

 

CMYK 35 / 55 / 0 / 13

HEX #9063DD

RGB 144 99 221

HSL 262.13, 0.64%, 0.63%

LAB 51.92, 43.9, -56.13

 

CMYK 0 / 55 / 31 / 13

HEX #DD6398

RGB 221 99 152

HSL 333.93, 0.64%, 0.63%

LAB 58.57, 53.12, -5.41

 

CMYK 21 / 0 / 55 / 13

HEX #AFDE63

RGB 175 222 99

HSL 82.93, 0.65%, 0.63%

LAB 83.05, -34.23, 54.5

 

CMYK 55 / 0 / 7 / 13

HEX #63DDCD

RGB 99 221 205

HSL 172.13, 0.64%, 0.63%

LAB 81.17, -37.92, -2.49

 

CMYK 35 / 55 / 0 / 13

HEX #9063DD

RGB 144 99 221

HSL 262.13, 0.64%, 0.63%

LAB 51.92, 43.9, -56.13

 

CMYK 0 / 55 / 48 / 13

HEX #DD6373

RGB 221 99 115

HSL 352.13, 0.64%, 0.63%

LAB 57.59, 49.11, 14.77

 

Description

Color code: RGB 175 222 99 | qconv.com Color code: RGB 175 222 99 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 222 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 222 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 55 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 55% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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