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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 213 13 it is the complementary color RGB 80 42 242. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 213 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 175 213 13 shade: RGB 180 213 8, RGB 197 231 27, RGB 214 249 46, RGB 231 255 65 and RGB 248 255 84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 213 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 175 213 13 shade: RGB 175 213 13, RGB 158 195 0, RGB 141 177 0, RGB 124 159 0 and RGB 107 141 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 175 213 13 shade: RGB 173 210 13, RGB 210 195 13, RGB 210 141 13, RGB 210 88 13 and RGB 210 35 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 175 213 13 shade: RGB 173 210 13, RGB 120 210 13, RGB 66 210 13, RGB 13 210 13 and RGB 13 210 66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 175 213 13 shade matches the following richer shades: RGB 173 210 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 175 213 13 shade: RGB 173 210 13, RGB 162 192 31, RGB 150 174 49, RGB 139 156 67 and RGB 128 138 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 175 213 13 shade: RGB 210 141 13, RGB 210 194 13, RGB 174 210 13, RGB 122 210 13 and RGB 69 210 13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 175 213 13 shade: RGB 109 133 8, RGB 141 172 10, RGB 173 210 13, RGB 199 240 25 and RGB 208 242 64

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 175 213 13 shade: RGB 175 213 13, RGB 13 210 89 and RGB 168 13 210

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 175 213 13 shade: RGB 175 213 13, RGB 13 174 210 and RGB 210 13 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 175 213 13 shade: RGB 175 213 13, RGB 13 210 89, RGB 49 13 210 and RGB 210 13 135

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 175 213 13 shade: RGB 175 213 13, RGB 13 210 148, RGB 49 13 210 and RGB 210 13 75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 94 / 16

HEX #AFD50D

RGB 175 213 13

HSL 71.4, 0.88%, 0.44%

LAB 80.03, -34.45, 77.99

 

Complementary color

CMYK 67 / 83 / 0 / 5

HEX #502AF2

RGB 80 42 242

HSL 251.4, 0.88%, 0.56%

LAB 37.43, 67.9, -91.91

 

CMYK 15 / 0 / 96 / 16

HEX #B4D508

RGB 180 213 8

HSL 69.66, 0.93%, 0.43%

LAB 80.35, -32.49, 78.87

 

CMYK 15 / 0 / 88 / 9

HEX #C5E71B

RGB 197 231 27

HSL 70, 0.81%, 0.51%

LAB 86.55, -33.63, 81.88

 

CMYK 14 / 0 / 82 / 2

HEX #D6F92E

RGB 214 249 46

HSL 70.34, 0.94%, 0.58%

LAB 92.68, -34.59, 83.66

 

CMYK 9 / 0 / 75 / 0

HEX #E7FF41

RGB 231 255 65

HSL 67.58, 1%, 0.63%

LAB 95.53, -29.93, 81.55

 

CMYK 3 / 0 / 67 / 0

HEX #F8FF54

RGB 248 255 84

HSL 62.46, 1%, 0.66%

LAB 96.87, -22.27, 76.96

 

CMYK 18 / 0 / 94 / 16

HEX #AFD50D

RGB 175 213 13

HSL 71.4, 0.88%, 0.44%

LAB 80.03, -34.45, 77.99

 

CMYK 19 / 0 / 100 / 24

HEX #9EC300

RGB 158 195 0

HSL 71.38, 1%, 0.38%

LAB 73.74, -33.21, 73.98

 

CMYK 20 / 0 / 100 / 31

HEX #8DB100

RGB 141 177 0

HSL 72.2, 1%, 0.35%

LAB 67.36, -31.81, 68.66

 

CMYK 22 / 0 / 100 / 38

HEX #7C9F00

RGB 124 159 0

HSL 73.21, 1%, 0.31%

LAB 60.85, -30.39, 63.25

 

CMYK 24 / 0 / 100 / 45

HEX #6B8D00

RGB 107 141 0

HSL 74.47, 1%, 0.28%

LAB 54.21, -28.95, 57.72

 

CMYK 18 / 0 / 94 / 18

HEX #ADD20D

RGB 173 210 13

HSL 71.27, 0.88%, 0.44%

LAB 79.05, -33.88, 77.17

 

CMYK 0 / 7 / 94 / 18

HEX #D2C30D

RGB 210 195 13

HSL 55.43, 0.88%, 0.44%

LAB 77.73, -10.99, 77.39

 

CMYK 0 / 33 / 94 / 18

HEX #D28D0D

RGB 210 141 13

HSL 38.98, 0.88%, 0.44%

LAB 63.98, 17.6, 67.24

 

CMYK 0 / 58 / 94 / 18

HEX #D2580D

RGB 210 88 13

HSL 22.84, 0.88%, 0.44%

LAB 52.63, 45.14, 59.37

 

CMYK 0 / 83 / 94 / 18

HEX #D2230D

RGB 210 35 13

HSL 6.7, 0.88%, 0.44%

LAB 45.54, 64.44, 54.91

 

CMYK 18 / 0 / 94 / 18

HEX #ADD20D

RGB 173 210 13

HSL 71.27, 0.88%, 0.44%

LAB 79.05, -33.88, 77.17

 

CMYK 43 / 0 / 94 / 18

HEX #78D20D

RGB 120 210 13

HSL 87.41, 0.88%, 0.44%

LAB 76.14, -53.48, 73.63

 

CMYK 69 / 0 / 94 / 18

HEX #42D20D

RGB 66 210 13

HSL 103.86, 0.88%, 0.44%

LAB 74.37, -67.61, 71.45

 

CMYK 94 / 0 / 94 / 18

HEX #0DD20D

RGB 13 210 13

HSL 120, 0.88%, 0.44%

LAB 73.68, -73.69, 70.6

 

CMYK 94 / 0 / 69 / 18

HEX #0DD242

RGB 13 210 66

HSL 136.14, 0.88%, 0.44%

LAB 73.92, -70.68, 56.88

 

CMYK 18 / 0 / 94 / 18

HEX #ADD20D

RGB 173 210 13

HSL 71.27, 0.88%, 0.44%

LAB 79.05, -33.88, 77.17

 

CMYK 18 / 0 / 94 / 18

HEX #ADD20D

RGB 173 210 13

HSL 71.27, 0.88%, 0.44%

LAB 79.05, -33.88, 77.17

 

CMYK 16 / 0 / 84 / 25

HEX #A2C01F

RGB 162 192 31

HSL 71.18, 0.72%, 0.44%

LAB 73.21, -29.58, 69.06

 

CMYK 14 / 0 / 72 / 32

HEX #96AE31

RGB 150 174 49

HSL 71.52, 0.56%, 0.44%

LAB 67.26, -25.13, 57.9

 

CMYK 11 / 0 / 57 / 39

HEX #8B9C43

RGB 139 156 67

HSL 71.46, 0.4%, 0.44%

LAB 61.37, -19.45, 43.78

 

CMYK 7 / 0 / 38 / 46

HEX #808A56

RGB 128 138 86

HSL 71.54, 0.23%, 0.44%

LAB 55.52, -12.53, 26.65

 

CMYK 0 / 33 / 94 / 18

HEX #D28D0D

RGB 210 141 13

HSL 38.98, 0.88%, 0.44%

LAB 63.98, 17.6, 67.24

 

CMYK 0 / 8 / 94 / 18

HEX #D2C20D

RGB 210 194 13

HSL 55.13, 0.88%, 0.44%

LAB 77.47, -10.48, 77.19

 

CMYK 17 / 0 / 94 / 18

HEX #AED20D

RGB 174 210 13

HSL 70.96, 0.88%, 0.44%

LAB 79.11, -33.48, 77.25

 

CMYK 42 / 0 / 94 / 18

HEX #7AD20D

RGB 122 210 13

HSL 86.8, 0.88%, 0.44%

LAB 76.23, -52.83, 73.74

 

CMYK 67 / 0 / 94 / 18

HEX #45D20D

RGB 69 210 13

HSL 102.94, 0.88%, 0.44%

LAB 74.44, -67.02, 71.54

 

CMYK 18 / 0 / 94 / 48

HEX #6D8508

RGB 109 133 8

HSL 71.52, 0.89%, 0.28%

LAB 51.89, -24, 54.55

 

CMYK 18 / 0 / 94 / 33

HEX #8DAC0A

RGB 141 172 10

HSL 71.48, 0.89%, 0.36%

LAB 65.9, -29.29, 66.3

 

CMYK 18 / 0 / 94 / 18

HEX #ADD20D

RGB 173 210 13

HSL 71.27, 0.88%, 0.44%

LAB 79.05, -33.88, 77.17

 

CMYK 17 / 0 / 90 / 6

HEX #C7F019

RGB 199 240 25

HSL 71.44, 0.88%, 0.52%

LAB 89.17, -36.96, 84.36

 

CMYK 14 / 0 / 74 / 5

HEX #D0F240

RGB 208 242 64

HSL 71.46, 0.87%, 0.6%

LAB 90.45, -33.07, 76.54

 

CMYK 18 / 0 / 94 / 16

HEX #AFD50D

RGB 175 213 13

HSL 71.4, 0.88%, 0.44%

LAB 80.03, -34.45, 77.99

 

CMYK 94 / 0 / 58 / 18

HEX #0DD259

RGB 13 210 89

HSL 143.15, 0.88%, 0.44%

LAB 74.13, -68.05, 47.3

 

CMYK 20 / 94 / 0 / 18

HEX #A80DD2

RGB 168 13 210

HSL 287.21, 0.88%, 0.44%

LAB 43.16, 77.39, -63.82

 

CMYK 18 / 0 / 94 / 16

HEX #AFD50D

RGB 175 213 13

HSL 71.4, 0.88%, 0.44%

LAB 80.03, -34.45, 77.99

 

CMYK 94 / 17 / 0 / 18

HEX #0DAED2

RGB 13 174 210

HSL 190.96, 0.88%, 0.44%

LAB 65.76, -23.98, -28.57

 

CMYK 0 / 94 / 17 / 18

HEX #D20DAE

RGB 210 13 174

HSL 310.96, 0.88%, 0.44%

LAB 48.32, 78.96, -34.14

 

CMYK 18 / 0 / 94 / 16

HEX #AFD50D

RGB 175 213 13

HSL 71.4, 0.88%, 0.44%

LAB 80.03, -34.45, 77.99

 

CMYK 94 / 0 / 58 / 18

HEX #0DD259

RGB 13 210 89

HSL 143.15, 0.88%, 0.44%

LAB 74.13, -68.05, 47.3

 

CMYK 77 / 94 / 0 / 18

HEX #310DD2

RGB 49 13 210

HSL 250.96, 0.88%, 0.44%

LAB 28.36, 66.68, -88.71

 

CMYK 0 / 94 / 36 / 18

HEX #D20D87

RGB 210 13 135

HSL 322.84, 0.88%, 0.44%

LAB 46.63, 74.57, -13.37

 

CMYK 18 / 0 / 94 / 16

HEX #AFD50D

RGB 175 213 13

HSL 71.4, 0.88%, 0.44%

LAB 80.03, -34.45, 77.99

 

CMYK 94 / 0 / 30 / 18

HEX #0DD294

RGB 13 210 148

HSL 161.12, 0.88%, 0.44%

LAB 75.02, -57.46, 18.85

 

CMYK 77 / 94 / 0 / 18

HEX #310DD2

RGB 49 13 210

HSL 250.96, 0.88%, 0.44%

LAB 28.36, 66.68, -88.71

 

CMYK 0 / 94 / 64 / 18

HEX #D20D4B

RGB 210 13 75

HSL 341.12, 0.88%, 0.44%

LAB 44.94, 70, 21.37

 

Description

Color code: RGB 175 213 13 | qconv.com Color code: RGB 175 213 13 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 213 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 213 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 94 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 94% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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