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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 196 178 it is the complementary color RGB 80 59 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 196 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 175 196 178 shade: RGB 180 196 173, RGB 197 214 192, RGB 214 232 211, RGB 231 250 230 and RGB 248 255 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 196 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 175 196 178 shade: RGB 175 196 178, RGB 158 178 159, RGB 141 160 140, RGB 124 142 121 and RGB 107 124 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 175 196 178 shade: RGB 175 196 178, RGB 178 196 175, RGB 184 196 175, RGB 189 196 175 and RGB 195 196 175

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 175 196 178 shade: RGB 175 196 178, RGB 175 196 184, RGB 175 196 189, RGB 175 196 195 and RGB 175 191 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 175 196 178 shade matches the following richer shades: RGB 175 196 178, RGB 164 207 170, RGB 153 218 162, RGB 142 229 154 and RGB 131 241 146

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 175 196 178 shade: RGB 175 196 178, RGB 186 185 186, RGB 198 174 194, RGB 209 163 202 and RGB 220 151 210

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 175 196 178 shade: RGB 184 196 175, RGB 178 196 175, RGB 175 196 178, RGB 175 196 184 and RGB 175 196 189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 175 196 178 shade: RGB 128 161 133, RGB 152 178 155, RGB 175 196 178, RGB 199 214 201 and RGB 223 231 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 175 196 178 shade: RGB 175 196 178, RGB 175 189 196 and RGB 196 175 181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 175 196 178 shade: RGB 175 196 178, RGB 178 175 196 and RGB 196 178 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 175 196 178 shade: RGB 175 196 178, RGB 175 189 196, RGB 196 175 193 and RGB 196 182 175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 175 196 178 shade: RGB 175 196 178, RGB 175 183 196, RGB 196 175 193 and RGB 196 188 175

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 9 / 23

HEX #AFC4B2

RGB 175 196 178

HSL 128.57, 0.15%, 0.73%

LAB 77.17, -10.57, 6.62

 

Complementary color

CMYK 0 / 26 / 4 / 69

HEX #503B4D

RGB 80 59 77

HSL 308.57, 0.15%, 0.27%

LAB 27.76, 12.77, -7.36

 

CMYK 8 / 0 / 12 / 23

HEX #B4C4AD

RGB 180 196 173

HSL 101.74, 0.16%, 0.72%

LAB 77.4, -9.73, 9.69

 

CMYK 8 / 0 / 10 / 16

HEX #C5D6C0

RGB 197 214 192

HSL 106.36, 0.21%, 0.8%

LAB 83.85, -9.74, 8.92

 

CMYK 8 / 0 / 9 / 9

HEX #D6E8D3

RGB 214 232 211

HSL 111.43, 0.31%, 0.87%

LAB 90.19, -9.76, 8.17

 

CMYK 8 / 0 / 8 / 2

HEX #E7FAE6

RGB 231 250 230

HSL 117, 0.67%, 0.94%

LAB 96.44, -9.79, 7.46

 

CMYK 3 / 0 / 2 / 0

HEX #F8FFF9

RGB 248 255 249

HSL 128.57, 1%, 0.99%

LAB 99.35, -3.35, 2.05

 

CMYK 11 / 0 / 9 / 23

HEX #AFC4B2

RGB 175 196 178

HSL 128.57, 0.15%, 0.73%

LAB 77.17, -10.57, 6.62

 

CMYK 11 / 0 / 11 / 30

HEX #9EB29F

RGB 158 178 159

HSL 123, 0.11%, 0.66%

LAB 70.6, -10.59, 7.38

 

CMYK 12 / 0 / 13 / 37

HEX #8DA08C

RGB 141 160 140

HSL 117, 0.1%, 0.59%

LAB 63.92, -10.63, 8.18

 

CMYK 13 / 0 / 15 / 44

HEX #7C8E79

RGB 124 142 121

HSL 111.43, 0.09%, 0.52%

LAB 57.09, -10.68, 9.03

 

CMYK 14 / 0 / 18 / 51

HEX #6B7C66

RGB 107 124 102

HSL 106.36, 0.1%, 0.44%

LAB 50.1, -10.74, 9.95

 

CMYK 11 / 0 / 9 / 23

HEX #AFC4B2

RGB 175 196 178

HSL 128.57, 0.15%, 0.73%

LAB 77.17, -10.57, 6.62

 

CMYK 9 / 0 / 11 / 23

HEX #B2C4AF

RGB 178 196 175

HSL 111.43, 0.15%, 0.73%

LAB 77.3, -10.07, 8.46

 

CMYK 6 / 0 / 11 / 23

HEX #B8C4AF

RGB 184 196 175

HSL 94.29, 0.15%, 0.73%

LAB 77.74, -7.96, 9.13

 

CMYK 4 / 0 / 11 / 23

HEX #BDC4AF

RGB 189 196 175

HSL 80, 0.15%, 0.73%

LAB 78.11, -6.18, 9.71

 

CMYK 1 / 0 / 11 / 23

HEX #C3C4AF

RGB 195 196 175

HSL 62.86, 0.15%, 0.73%

LAB 78.56, -4.02, 10.43

 

CMYK 11 / 0 / 9 / 23

HEX #AFC4B2

RGB 175 196 178

HSL 128.57, 0.15%, 0.73%

LAB 77.17, -10.57, 6.62

 

CMYK 11 / 0 / 6 / 23

HEX #AFC4B8

RGB 175 196 184

HSL 145.71, 0.15%, 0.73%

LAB 77.31, -9.45, 3.59

 

CMYK 11 / 0 / 4 / 23

HEX #AFC4BD

RGB 175 196 189

HSL 160, 0.15%, 0.73%

LAB 77.44, -8.49, 1.08

 

CMYK 11 / 0 / 1 / 23

HEX #AFC4C3

RGB 175 196 195

HSL 177.14, 0.15%, 0.73%

LAB 77.6, -7.3, -1.93

 

CMYK 11 / 3 / 0 / 23

HEX #AFBFC4

RGB 175 191 196

HSL 194.29, 0.15%, 0.73%

LAB 76.29, -4.46, -4.4

 

CMYK 11 / 0 / 9 / 23

HEX #AFC4B2

RGB 175 196 178

HSL 128.57, 0.15%, 0.73%

LAB 77.17, -10.57, 6.62

 

CMYK 21 / 0 / 18 / 19

HEX #A4CFAA

RGB 164 207 170

HSL 128.37, 0.31%, 0.73%

LAB 79.28, -21.36, 13.82

 

CMYK 30 / 0 / 26 / 15

HEX #99DAA2

RGB 153 218 162

HSL 128.31, 0.47%, 0.73%

LAB 81.58, -31.68, 21.15

 

CMYK 38 / 0 / 33 / 10

HEX #8EE59A

RGB 142 229 154

HSL 128.28, 0.63%, 0.73%

LAB 84.03, -41.44, 28.54

 

CMYK 46 / 0 / 39 / 5

HEX #83F192

RGB 131 241 146

HSL 128.18, 0.8%, 0.73%

LAB 86.9, -50.98, 36.31

 

CMYK 11 / 0 / 9 / 23

HEX #AFC4B2

RGB 175 196 178

HSL 128.57, 0.15%, 0.73%

LAB 77.17, -10.57, 6.62

 

CMYK 0 / 1 / 0 / 27

HEX #BAB9BA

RGB 186 185 186

HSL 300, 0.01%, 0.73%

LAB 75.25, 0.54, -0.39

 

CMYK 0 / 12 / 2 / 22

HEX #C6AEC2

RGB 198 174 194

HSL 310, 0.17%, 0.73%

LAB 73.66, 12.17, -6.99

 

CMYK 0 / 22 / 3 / 18

HEX #D1A3CA

RGB 209 163 202

HSL 309.13, 0.33%, 0.73%

LAB 72.24, 23.43, -13.4

 

CMYK 0 / 31 / 5 / 14

HEX #DC97D2

RGB 220 151 210

HSL 308.7, 0.5%, 0.73%

LAB 70.87, 35.05, -19.76

 

CMYK 6 / 0 / 11 / 23

HEX #B8C4AF

RGB 184 196 175

HSL 94.29, 0.15%, 0.73%

LAB 77.74, -7.96, 9.13

 

CMYK 9 / 0 / 11 / 23

HEX #B2C4AF

RGB 178 196 175

HSL 111.43, 0.15%, 0.73%

LAB 77.3, -10.07, 8.46

 

CMYK 11 / 0 / 9 / 23

HEX #AFC4B2

RGB 175 196 178

HSL 128.57, 0.15%, 0.73%

LAB 77.17, -10.57, 6.62

 

CMYK 11 / 0 / 6 / 23

HEX #AFC4B8

RGB 175 196 184

HSL 145.71, 0.15%, 0.73%

LAB 77.31, -9.45, 3.59

 

CMYK 11 / 0 / 4 / 23

HEX #AFC4BD

RGB 175 196 189

HSL 160, 0.15%, 0.73%

LAB 77.44, -8.49, 1.08

 

CMYK 20 / 0 / 17 / 37

HEX #80A185

RGB 128 161 133

HSL 129.09, 0.15%, 0.57%

LAB 63.15, -17.11, 10.89

 

CMYK 15 / 0 / 13 / 30

HEX #98B29B

RGB 152 178 155

HSL 126.92, 0.14%, 0.65%

LAB 70.09, -13.44, 8.79

 

CMYK 11 / 0 / 9 / 23

HEX #AFC4B2

RGB 175 196 178

HSL 128.57, 0.15%, 0.73%

LAB 77.17, -10.57, 6.62

 

CMYK 7 / 0 / 6 / 16

HEX #C7D6C9

RGB 199 214 201

HSL 128, 0.15%, 0.81%

LAB 84.2, -7.45, 4.67

 

CMYK 3 / 0 / 3 / 9

HEX #DFE7E0

RGB 223 231 224

HSL 127.5, 0.14%, 0.89%

LAB 90.88, -3.93, 2.46

 

CMYK 11 / 0 / 9 / 23

HEX #AFC4B2

RGB 175 196 178

HSL 128.57, 0.15%, 0.73%

LAB 77.17, -10.57, 6.62

 

CMYK 11 / 4 / 0 / 23

HEX #AFBDC4

RGB 175 189 196

HSL 200, 0.15%, 0.73%

LAB 75.76, -3.4, -5.18

 

CMYK 0 / 11 / 8 / 23

HEX #C4AFB5

RGB 196 175 181

HSL 342.86, 0.15%, 0.73%

LAB 73.37, 8.58, -0.31

 

CMYK 11 / 0 / 9 / 23

HEX #AFC4B2

RGB 175 196 178

HSL 128.57, 0.15%, 0.73%

LAB 77.17, -10.57, 6.62

 

CMYK 9 / 11 / 0 / 23

HEX #B2AFC4

RGB 178 175 196

HSL 248.57, 0.15%, 0.73%

LAB 72.3, 5.16, -10.29

 

CMYK 0 / 9 / 11 / 23

HEX #C4B2AF

RGB 196 178 175

HSL 8.57, 0.15%, 0.73%

LAB 73.98, 5.92, 3.86

 

CMYK 11 / 0 / 9 / 23

HEX #AFC4B2

RGB 175 196 178

HSL 128.57, 0.15%, 0.73%

LAB 77.17, -10.57, 6.62

 

CMYK 11 / 4 / 0 / 23

HEX #AFBDC4

RGB 175 189 196

HSL 200, 0.15%, 0.73%

LAB 75.76, -3.4, -5.18

 

CMYK 0 / 11 / 2 / 23

HEX #C4AFC1

RGB 196 175 193

HSL 308.57, 0.15%, 0.73%

LAB 73.7, 10.74, -6.4

 

CMYK 0 / 7 / 11 / 23

HEX #C4B6AF

RGB 196 182 175

HSL 20, 0.15%, 0.73%

LAB 75.01, 3.77, 5.34

 

CMYK 11 / 0 / 9 / 23

HEX #AFC4B2

RGB 175 196 178

HSL 128.57, 0.15%, 0.73%

LAB 77.17, -10.57, 6.62

 

CMYK 11 / 7 / 0 / 23

HEX #AFB7C4

RGB 175 183 196

HSL 217.14, 0.15%, 0.73%

LAB 74.17, -0.19, -7.54

 

CMYK 0 / 11 / 2 / 23

HEX #C4AFC1

RGB 196 175 193

HSL 308.57, 0.15%, 0.73%

LAB 73.7, 10.74, -6.4

 

CMYK 0 / 4 / 11 / 23

HEX #C4BCAF

RGB 196 188 175

HSL 37.14, 0.15%, 0.73%

LAB 76.56, 0.56, 7.57

 

Description

Color code: RGB 175 196 178 | qconv.com Color code: RGB 175 196 178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 196 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 196 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 9 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 9% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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