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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 154 89 it is the complementary color RGB 80 101 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 154 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 175 154 89 shade: RGB 180 154 84, RGB 197 172 103, RGB 214 190 122, RGB 231 208 141 and RGB 248 226 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 154 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 175 154 89 shade: RGB 175 154 89, RGB 158 136 70, RGB 141 118 51, RGB 124 100 32 and RGB 107 82 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 175 154 89 shade: RGB 175 154 89, RGB 175 131 89, RGB 175 108 89 and RGB 175 89 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 175 154 89 shade: RGB 175 154 89, RGB 173 175 89, RGB 150 175 89, RGB 127 175 89 and RGB 103 175 89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 175 154 89 shade matches the following richer shades: RGB 175 154 89, RGB 195 164 69, RGB 215 174 50, RGB 234 184 30 and RGB 254 195 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 175 154 89 shade: RGB 175 154 89, RGB 155 144 109, RGB 135 134 129, RGB 116 124 149 and RGB 96 113 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 175 154 89 shade: RGB 175 108 89, RGB 175 131 89, RGB 175 154 89, RGB 174 175 89 and RGB 151 175 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 175 154 89 shade: RGB 123 107 59, RGB 151 132 72, RGB 175 154 89, RGB 188 171 117 and RGB 202 188 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 175 154 89 shade: RGB 175 154 89, RGB 94 175 89 and RGB 119 89 175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 175 154 89 shade: RGB 175 154 89, RGB 89 175 154 and RGB 154 89 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 175 154 89 shade: RGB 175 154 89, RGB 94 175 89, RGB 89 111 175 and RGB 171 89 175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 175 154 89 shade: RGB 175 154 89, RGB 89 175 111, RGB 89 111 175 and RGB 175 89 154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 49 / 31

HEX #AF9A59

RGB 175 154 89

HSL 45.35, 0.35%, 0.52%

LAB 64.12, -1.02, 36.77

 

Complementary color

CMYK 52 / 39 / 0 / 35

HEX #5065A6

RGB 80 101 166

HSL 225.35, 0.35%, 0.48%

LAB 43.9, 11.1, -37.48

 

CMYK 0 / 14 / 53 / 29

HEX #B49A54

RGB 180 154 84

HSL 43.75, 0.39%, 0.52%

LAB 64.53, 0.66, 39.96

 

CMYK 0 / 13 / 48 / 23

HEX #C5AC67

RGB 197 172 103

HSL 44.04, 0.45%, 0.59%

LAB 71.11, -0.09, 38.66

 

CMYK 0 / 11 / 43 / 16

HEX #D6BE7A

RGB 214 190 122

HSL 44.35, 0.53%, 0.66%

LAB 77.6, -0.72, 37.4

 

CMYK 0 / 10 / 39 / 9

HEX #E7D08D

RGB 231 208 141

HSL 44.67, 0.65%, 0.73%

LAB 83.98, -1.26, 36.19

 

CMYK 0 / 9 / 35 / 3

HEX #F8E2A0

RGB 248 226 160

HSL 45, 0.86%, 0.8%

LAB 90.27, -1.73, 35.04

 

CMYK 0 / 12 / 49 / 31

HEX #AF9A59

RGB 175 154 89

HSL 45.35, 0.35%, 0.52%

LAB 64.12, -1.02, 36.77

 

CMYK 0 / 14 / 56 / 38

HEX #9E8846

RGB 158 136 70

HSL 45, 0.39%, 0.45%

LAB 57.39, -0.24, 38.08

 

CMYK 0 / 16 / 64 / 45

HEX #8D7633

RGB 141 118 51

HSL 44.67, 0.47%, 0.38%

LAB 50.52, 0.72, 39.35

 

CMYK 0 / 19 / 74 / 51

HEX #7C6420

RGB 124 100 32

HSL 44.35, 0.59%, 0.31%

LAB 43.51, 1.95, 40.37

 

CMYK 0 / 23 / 88 / 58

HEX #6B520D

RGB 107 82 13

HSL 44.04, 0.78%, 0.24%

LAB 36.35, 3.55, 40.54

 

CMYK 0 / 12 / 49 / 31

HEX #AF9A59

RGB 175 154 89

HSL 45.35, 0.35%, 0.52%

LAB 64.12, -1.02, 36.77

 

CMYK 0 / 25 / 49 / 31

HEX #AF8359

RGB 175 131 89

HSL 29.3, 0.35%, 0.52%

LAB 58.1, 11.69, 29.21

 

CMYK 0 / 38 / 49 / 31

HEX #AF6C59

RGB 175 108 89

HSL 13.26, 0.35%, 0.52%

LAB 52.46, 24.59, 21.86

 

CMYK 0 / 49 / 49 / 31

HEX #AF5959

RGB 175 89 89

HSL 0, 0.35%, 0.52%

LAB 48.23, 34.95, 16.17

 

CMYK 0 / 12 / 49 / 31

HEX #AF9A59

RGB 175 154 89

HSL 45.35, 0.35%, 0.52%

LAB 64.12, -1.02, 36.77

 

CMYK 1 / 0 / 49 / 31

HEX #ADAF59

RGB 173 175 89

HSL 61.4, 0.35%, 0.52%

LAB 69.66, -13.01, 43.46

 

CMYK 14 / 0 / 49 / 31

HEX #96AF59

RGB 150 175 89

HSL 77.44, 0.35%, 0.52%

LAB 67.92, -22.39, 40.95

 

CMYK 27 / 0 / 49 / 31

HEX #7FAF59

RGB 127 175 89

HSL 93.49, 0.35%, 0.52%

LAB 66.44, -31.24, 38.81

 

CMYK 41 / 0 / 49 / 31

HEX #67AF59

RGB 103 175 89

HSL 110.23, 0.35%, 0.52%

LAB 65.17, -39.54, 36.96

 

CMYK 0 / 12 / 49 / 31

HEX #AF9A59

RGB 175 154 89

HSL 45.35, 0.35%, 0.52%

LAB 64.12, -1.02, 36.77

 

CMYK 0 / 16 / 65 / 24

HEX #C3A445

RGB 195 164 69

HSL 45.24, 0.51%, 0.52%

LAB 68.45, 0.61, 52.07

 

CMYK 0 / 19 / 77 / 16

HEX #D7AE32

RGB 215 174 50

HSL 45.09, 0.67%, 0.52%

LAB 72.86, 3, 64.85

 

CMYK 0 / 21 / 87 / 8

HEX #EAB81E

RGB 234 184 30

HSL 45.29, 0.83%, 0.52%

LAB 77.2, 5.38, 75.1

 

CMYK 0 / 23 / 96 / 0

HEX #FEC30A

RGB 254 195 10

HSL 45.49, 0.99%, 0.52%

LAB 81.9, 7.97, 82.64

 

CMYK 0 / 12 / 49 / 31

HEX #AF9A59

RGB 175 154 89

HSL 45.35, 0.35%, 0.52%

LAB 64.12, -1.02, 36.77

 

CMYK 0 / 7 / 30 / 39

HEX #9B906D

RGB 155 144 109

HSL 45.65, 0.19%, 0.52%

LAB 59.91, -1.56, 20.11

 

CMYK 0 / 1 / 4 / 47

HEX #878681

RGB 135 134 129

HSL 50, 0.02%, 0.52%

LAB 55.87, -0.59, 2.81

 

CMYK 22 / 17 / 0 / 42

HEX #747C95

RGB 116 124 149

HSL 225.45, 0.13%, 0.52%

LAB 52.17, 2.73, -14.46

 

CMYK 43 / 33 / 0 / 34

HEX #6071A8

RGB 96 113 168

HSL 225.83, 0.29%, 0.52%

LAB 48.42, 8.39, -31.47

 

CMYK 0 / 38 / 49 / 31

HEX #AF6C59

RGB 175 108 89

HSL 13.26, 0.35%, 0.52%

LAB 52.46, 24.59, 21.86

 

CMYK 0 / 25 / 49 / 31

HEX #AF8359

RGB 175 131 89

HSL 29.3, 0.35%, 0.52%

LAB 58.1, 11.69, 29.21

 

CMYK 0 / 12 / 49 / 31

HEX #AF9A59

RGB 175 154 89

HSL 45.35, 0.35%, 0.52%

LAB 64.12, -1.02, 36.77

 

CMYK 1 / 0 / 49 / 31

HEX #AEAF59

RGB 174 175 89

HSL 60.7, 0.35%, 0.52%

LAB 69.74, -12.59, 43.57

 

CMYK 14 / 0 / 49 / 31

HEX #97AF59

RGB 151 175 89

HSL 76.74, 0.35%, 0.52%

LAB 67.99, -22, 41.06

 

CMYK 0 / 13 / 52 / 52

HEX #7B6B3B

RGB 123 107 59

HSL 45, 0.35%, 0.36%

LAB 45.69, -0.51, 29.04

 

CMYK 0 / 13 / 52 / 41

HEX #978448

RGB 151 132 72

HSL 45.57, 0.35%, 0.44%

LAB 55.63, -0.92, 34.78

 

CMYK 0 / 12 / 49 / 31

HEX #AF9A59

RGB 175 154 89

HSL 45.35, 0.35%, 0.52%

LAB 64.12, -1.02, 36.77

 

CMYK 0 / 9 / 38 / 26

HEX #BCAB75

RGB 188 171 117

HSL 45.63, 0.35%, 0.6%

LAB 70.25, -1.76, 30.05

 

CMYK 0 / 7 / 28 / 21

HEX #CABC91

RGB 202 188 145

HSL 45.26, 0.35%, 0.68%

LAB 76.42, -1.7, 23.59

 

CMYK 0 / 12 / 49 / 31

HEX #AF9A59

RGB 175 154 89

HSL 45.35, 0.35%, 0.52%

LAB 64.12, -1.02, 36.77

 

CMYK 46 / 0 / 49 / 31

HEX #5EAF59

RGB 94 175 89

HSL 116.51, 0.35%, 0.52%

LAB 64.77, -42.33, 36.38

 

CMYK 32 / 49 / 0 / 31

HEX #7759AF

RGB 119 89 175

HSL 260.93, 0.35%, 0.52%

LAB 44.46, 31.31, -41.68

 

CMYK 0 / 12 / 49 / 31

HEX #AF9A59

RGB 175 154 89

HSL 45.35, 0.35%, 0.52%

LAB 64.12, -1.02, 36.77

 

CMYK 49 / 0 / 12 / 31

HEX #59AF9A

RGB 89 175 154

HSL 165.35, 0.35%, 0.52%

LAB 65.84, -31.2, 2.78

 

CMYK 12 / 49 / 0 / 31

HEX #9A59AF

RGB 154 89 175

HSL 285.35, 0.35%, 0.52%

LAB 48.4, 41.22, -35.2

 

CMYK 0 / 12 / 49 / 31

HEX #AF9A59

RGB 175 154 89

HSL 45.35, 0.35%, 0.52%

LAB 64.12, -1.02, 36.77

 

CMYK 46 / 0 / 49 / 31

HEX #5EAF59

RGB 94 175 89

HSL 116.51, 0.35%, 0.52%

LAB 64.77, -42.33, 36.38

 

CMYK 49 / 37 / 0 / 31

HEX #596FAF

RGB 89 111 175

HSL 224.65, 0.35%, 0.52%

LAB 47.74, 9.95, -36.66

 

CMYK 2 / 49 / 0 / 31

HEX #AB59AF

RGB 171 89 175

HSL 297.21, 0.35%, 0.52%

LAB 50.57, 46.18, -31.65

 

CMYK 0 / 12 / 49 / 31

HEX #AF9A59

RGB 175 154 89

HSL 45.35, 0.35%, 0.52%

LAB 64.12, -1.02, 36.77

 

CMYK 49 / 0 / 37 / 31

HEX #59AF6F

RGB 89 175 111

HSL 135.35, 0.35%, 0.52%

LAB 64.91, -40.27, 25.03

 

CMYK 49 / 37 / 0 / 31

HEX #596FAF

RGB 89 111 175

HSL 224.65, 0.35%, 0.52%

LAB 47.74, 9.95, -36.66

 

CMYK 0 / 49 / 12 / 31

HEX #AF599A

RGB 175 89 154

HSL 314.65, 0.35%, 0.52%

LAB 50.21, 43.65, -19.83

 

Description

Color code: RGB 175 154 89 | qconv.com Color code: RGB 175 154 89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 154 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 154 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 49 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 49% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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