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Color name
RGB 175 139 33

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 175 139 33 it is the complementary color RGB 80 116 222. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 175 139 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 175 139 33 shade: RGB 180 139 28, RGB 197 157 47, RGB 214 175 66, RGB 231 193 85 and RGB 248 211 104

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 175 139 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 175 139 33 shade: RGB 175 139 33, RGB 158 121 14, RGB 141 103 0, RGB 124 85 0 and RGB 107 67 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 175 139 33 shade: RGB 175 139 33, RGB 175 101 33, RGB 175 62 33 and RGB 175 33 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 175 139 33 shade: RGB 175 139 33, RGB 173 175 33, RGB 135 175 33, RGB 96 175 33 and RGB 58 175 33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 175 139 33 shade matches the following richer shades: RGB 175 139 33 and RGB 192 147 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 175 139 33 shade: RGB 175 139 33, RGB 158 131 50, RGB 141 122 67, RGB 124 114 84 and RGB 107 106 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 175 139 33 shade: RGB 175 61 33, RGB 175 99 33, RGB 175 137 33, RGB 175 175 33 and RGB 137 175 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 175 139 33 shade: RGB 106 84 20, RGB 140 112 26, RGB 175 139 33, RGB 210 167 40 and RGB 220 182 71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 175 139 33 shade: RGB 175 139 33, RGB 42 175 33 and RGB 80 33 175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 175 139 33 shade: RGB 175 139 33, RGB 33 175 137 and RGB 137 33 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 175 139 33 shade: RGB 175 139 33, RGB 42 175 33, RGB 33 71 175 and RGB 166 33 175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 175 139 33 shade: RGB 175 139 33, RGB 33 175 66, RGB 33 71 175 and RGB 175 33 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 81 / 31

HEX #AF8B21

RGB 175 139 33

HSL 44.79, 0.68%, 0.41%

LAB 59.61, 3.55, 57.1

 

Complementary color

CMYK 64 / 48 / 0 / 13

HEX #5074DE

RGB 80 116 222

HSL 224.79, 0.68%, 0.59%

LAB 51.23, 20.6, -58.05

 

CMYK 0 / 23 / 84 / 29

HEX #B48B1C

RGB 180 139 28

HSL 43.82, 0.73%, 0.41%

LAB 60.12, 5.65, 59.32

 

CMYK 0 / 20 / 76 / 23

HEX #C59D2F

RGB 197 157 47

HSL 44, 0.61%, 0.48%

LAB 66.66, 4.09, 59.47

 

CMYK 0 / 18 / 69 / 16

HEX #D6AF42

RGB 214 175 66

HSL 44.19, 0.64%, 0.55%

LAB 73.12, 2.78, 58.88

 

CMYK 0 / 16 / 63 / 9

HEX #E7C155

RGB 231 193 85

HSL 44.38, 0.75%, 0.62%

LAB 79.49, 1.66, 57.94

 

CMYK 0 / 15 / 58 / 3

HEX #F8D368

RGB 248 211 104

HSL 44.58, 0.91%, 0.69%

LAB 85.78, 0.69, 56.83

 

CMYK 0 / 21 / 81 / 31

HEX #AF8B21

RGB 175 139 33

HSL 44.79, 0.68%, 0.41%

LAB 59.61, 3.55, 57.1

 

CMYK 0 / 23 / 91 / 38

HEX #9E790E

RGB 158 121 14

HSL 44.58, 0.84%, 0.34%

LAB 52.92, 5.27, 56.12

 

CMYK 0 / 27 / 100 / 45

HEX #8D6700

RGB 141 103 0

HSL 43.83, 1%, 0.28%

LAB 46.13, 7.33, 53.22

 

CMYK 0 / 31 / 100 / 51

HEX #7C5500

RGB 124 85 0

HSL 41.13, 1%, 0.24%

LAB 39.21, 9.76, 47.55

 

CMYK 0 / 37 / 100 / 58

HEX #6B4300

RGB 107 67 0

HSL 37.57, 1%, 0.21%

LAB 32.12, 12.33, 41.76

 

CMYK 0 / 21 / 81 / 31

HEX #AF8B21

RGB 175 139 33

HSL 44.79, 0.68%, 0.41%

LAB 59.61, 3.55, 57.1

 

CMYK 0 / 42 / 81 / 31

HEX #AF6521

RGB 175 101 33

HSL 28.73, 0.68%, 0.41%

LAB 50.13, 24.73, 48.53

 

CMYK 0 / 65 / 81 / 31

HEX #AF3E21

RGB 175 62 33

HSL 12.25, 0.68%, 0.41%

LAB 42.26, 44.66, 41.09

 

CMYK 0 / 81 / 81 / 31

HEX #AF2121

RGB 175 33 33

HSL 0, 0.68%, 0.41%

LAB 38.4, 55.29, 37.29

 

CMYK 0 / 21 / 81 / 31

HEX #AF8B21

RGB 175 139 33

HSL 44.79, 0.68%, 0.41%

LAB 59.61, 3.55, 57.1

 

CMYK 1 / 0 / 81 / 31

HEX #ADAF21

RGB 173 175 33

HSL 60.85, 0.68%, 0.41%

LAB 69.22, -16.49, 65.46

 

CMYK 23 / 0 / 81 / 31

HEX #87AF21

RGB 135 175 33

HSL 76.9, 0.68%, 0.41%

LAB 66.46, -32.54, 61.96

 

CMYK 45 / 0 / 81 / 31

HEX #60AF21

RGB 96 175 33

HSL 93.38, 0.68%, 0.41%

LAB 64.37, -46.91, 59.29

 

CMYK 67 / 0 / 81 / 31

HEX #3AAF21

RGB 58 175 33

HSL 109.44, 0.68%, 0.41%

LAB 63.07, -57.18, 57.61

 

CMYK 0 / 21 / 81 / 31

HEX #AF8B21

RGB 175 139 33

HSL 44.79, 0.68%, 0.41%

LAB 59.61, 3.55, 57.1

 

CMYK 0 / 23 / 92 / 25

HEX #C09310

RGB 192 147 16

HSL 44.66, 0.85%, 0.41%

LAB 63.43, 6.4, 65.4

 

CMYK 0 / 21 / 81 / 31

HEX #AF8B21

RGB 175 139 33

HSL 44.79, 0.68%, 0.41%

LAB 59.61, 3.55, 57.1

 

CMYK 0 / 17 / 68 / 38

HEX #9E8332

RGB 158 131 50

HSL 45, 0.52%, 0.41%

LAB 55.82, 1.08, 46.07

 

CMYK 0 / 13 / 52 / 45

HEX #8D7A43

RGB 141 122 67

HSL 44.59, 0.36%, 0.41%

LAB 51.82, -0.2, 32.58

 

CMYK 0 / 8 / 32 / 51

HEX #7C7254

RGB 124 114 84

HSL 45, 0.19%, 0.41%

LAB 48.21, -1.09, 18.06

 

CMYK 0 / 1 / 6 / 58

HEX #6B6A65

RGB 107 106 101

HSL 50, 0.03%, 0.41%

LAB 44.76, -0.61, 2.94

 

CMYK 0 / 65 / 81 / 31

HEX #AF3D21

RGB 175 61 33

HSL 11.83, 0.68%, 0.41%

LAB 42.09, 45.1, 40.93

 

CMYK 0 / 43 / 81 / 31

HEX #AF6321

RGB 175 99 33

HSL 27.89, 0.68%, 0.41%

LAB 49.67, 25.84, 48.1

 

CMYK 0 / 22 / 81 / 31

HEX #AF8921

RGB 175 137 33

HSL 43.94, 0.68%, 0.41%

LAB 59.08, 4.65, 56.63

 

CMYK 0 / 0 / 81 / 31

HEX #AFAF21

RGB 175 175 33

HSL 60, 0.68%, 0.41%

LAB 69.39, -15.62, 65.66

 

CMYK 22 / 0 / 81 / 31

HEX #89AF21

RGB 137 175 33

HSL 76.06, 0.68%, 0.41%

LAB 66.59, -31.73, 62.13

 

CMYK 0 / 21 / 81 / 58

HEX #6A5414

RGB 106 84 20

HSL 44.65, 0.68%, 0.25%

LAB 36.85, 2.12, 38.35

 

CMYK 0 / 20 / 81 / 45

HEX #8C701A

RGB 140 112 26

HSL 45.26, 0.69%, 0.33%

LAB 48.56, 2.31, 48.21

 

CMYK 0 / 21 / 81 / 31

HEX #AF8B21

RGB 175 139 33

HSL 44.79, 0.68%, 0.41%

LAB 59.61, 3.55, 57.1

 

CMYK 0 / 20 / 81 / 18

HEX #D2A728

RGB 210 167 40

HSL 44.82, 0.68%, 0.49%

LAB 70.52, 4.19, 65.87

 

CMYK 0 / 17 / 68 / 14

HEX #DCB647

RGB 220 182 71

HSL 44.7, 0.68%, 0.57%

LAB 75.53, 1.93, 59.46

 

CMYK 0 / 21 / 81 / 31

HEX #AF8B21

RGB 175 139 33

HSL 44.79, 0.68%, 0.41%

LAB 59.61, 3.55, 57.1

 

CMYK 76 / 0 / 81 / 31

HEX #2AAF21

RGB 42 175 33

HSL 116.2, 0.68%, 0.41%

LAB 62.73, -60.09, 57.17

 

CMYK 54 / 81 / 0 / 31

HEX #5021AF

RGB 80 33 175

HSL 259.86, 0.68%, 0.41%

LAB 29.13, 53.42, -66.71

 

CMYK 0 / 21 / 81 / 31

HEX #AF8B21

RGB 175 139 33

HSL 44.79, 0.68%, 0.41%

LAB 59.61, 3.55, 57.1

 

CMYK 81 / 0 / 22 / 31

HEX #21AF89

RGB 33 175 137

HSL 163.94, 0.68%, 0.41%

LAB 63.99, -45.07, 9.36

 

CMYK 22 / 81 / 0 / 31

HEX #8921AF

RGB 137 33 175

HSL 283.94, 0.68%, 0.41%

LAB 36.93, 62.12, -53.64

 

CMYK 0 / 21 / 81 / 31

HEX #AF8B21

RGB 175 139 33

HSL 44.79, 0.68%, 0.41%

LAB 59.61, 3.55, 57.1

 

CMYK 76 / 0 / 81 / 31

HEX #2AAF21

RGB 42 175 33

HSL 116.2, 0.68%, 0.41%

LAB 62.73, -60.09, 57.17

 

CMYK 81 / 59 / 0 / 31

HEX #2147AF

RGB 33 71 175

HSL 223.94, 0.68%, 0.41%

LAB 33.83, 26.04, -59.13

 

CMYK 5 / 81 / 0 / 31

HEX #A621AF

RGB 166 33 175

HSL 296.2, 0.68%, 0.41%

LAB 41.67, 67.47, -45.76

 

CMYK 0 / 21 / 81 / 31

HEX #AF8B21

RGB 175 139 33

HSL 44.79, 0.68%, 0.41%

LAB 59.61, 3.55, 57.1

 

CMYK 81 / 0 / 62 / 31

HEX #21AF42

RGB 33 175 66

HSL 133.94, 0.68%, 0.41%

LAB 62.82, -58.38, 44.72

 

CMYK 81 / 59 / 0 / 31

HEX #2147AF

RGB 33 71 175

HSL 223.94, 0.68%, 0.41%

LAB 33.83, 26.04, -59.13

 

CMYK 0 / 81 / 19 / 31

HEX #AF218E

RGB 175 33 142

HSL 313.94, 0.68%, 0.41%

LAB 41.46, 64.38, -26.14

 

Description

Color code: RGB 175 139 33 | qconv.com Color code: RGB 175 139 33 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 139 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 139 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 81 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 81% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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