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Color name
RGB 174 90 200

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 90 200 it is the complementary color RGB 81 165 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 90 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 90 200 shade: RGB 179 90 195, RGB 196 108 214, RGB 213 126 233, RGB 230 144 252 and RGB 247 162 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 90 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 90 200 shade: RGB 174 90 200, RGB 157 72 181, RGB 140 54 162, RGB 123 36 143 and RGB 106 18 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 90 200 shade: RGB 174 90 200, RGB 200 90 196, RGB 200 90 166, RGB 200 90 137 and RGB 200 90 107

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 90 200 shade: RGB 174 90 200, RGB 144 90 200, RGB 115 90 200 and RGB 90 90 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 90 200 shade matches the following richer shades: RGB 174 90 200, RGB 183 72 217, RGB 192 55 235 and RGB 202 37 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 90 200 shade: RGB 174 90 200, RGB 164 108 182, RGB 155 126 164, RGB 146 143 146 and RGB 136 161 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 90 200 shade: RGB 114 90 200, RGB 143 90 200, RGB 172 90 200, RGB 200 90 198 and RGB 200 90 169

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 90 200 shade: RGB 131 52 156, RGB 157 62 187, RGB 174 90 200, RGB 189 121 210 and RGB 204 152 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 90 200 shade: RGB 174 90 200, RGB 200 90 96 and RGB 90 200 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 90 200 shade: RGB 174 90 200, RGB 200 172 90 and RGB 90 200 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 90 200 shade: RGB 174 90 200, RGB 200 90 96, RGB 117 200 90 and RGB 90 200 194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 90 200 shade: RGB 174 90 200, RGB 200 117 90, RGB 117 200 90 and RGB 90 172 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 55 / 0 / 22

HEX #AE5AC8

RGB 174 90 200

HSL 285.82, 0.5%, 0.57%

LAB 52.38, 51.42, -43.24

 

Complementary color

CMYK 51 / 0 / 67 / 35

HEX #51A537

RGB 81 165 55

HSL 105.82, 0.5%, 0.43%

LAB 60.72, -46.06, 47.57

 

CMYK 8 / 54 / 0 / 24

HEX #B35AC3

RGB 179 90 195

HSL 290.86, 0.47%, 0.56%

LAB 52.77, 51.76, -39.7

 

CMYK 8 / 50 / 0 / 16

HEX #C46CD6

RGB 196 108 214

HSL 289.81, 0.56%, 0.63%

LAB 59.27, 51.1, -40.15

 

CMYK 9 / 46 / 0 / 9

HEX #D57EE9

RGB 213 126 233

HSL 288.79, 0.71%, 0.7%

LAB 65.71, 50.37, -40.5

 

CMYK 9 / 43 / 0 / 1

HEX #E690FC

RGB 230 144 252

HSL 287.78, 0.95%, 0.78%

LAB 72.09, 49.63, -40.81

 

CMYK 3 / 36 / 0 / 0

HEX #F7A2FF

RGB 247 162 255

HSL 294.84, 1%, 0.82%

LAB 77.78, 45.87, -33.46

 

CMYK 13 / 55 / 0 / 22

HEX #AE5AC8

RGB 174 90 200

HSL 285.82, 0.5%, 0.57%

LAB 52.38, 51.42, -43.24

 

CMYK 13 / 60 / 0 / 29

HEX #9D48B5

RGB 157 72 181

HSL 286.79, 0.43%, 0.5%

LAB 45.82, 52, -42.76

 

CMYK 14 / 67 / 0 / 36

HEX #8C36A2

RGB 140 54 162

HSL 287.78, 0.5%, 0.42%

LAB 39.28, 52.3, -42.07

 

CMYK 14 / 75 / 0 / 44

HEX #7B248F

RGB 123 36 143

HSL 288.79, 0.6%, 0.35%

LAB 32.82, 52.08, -41.01

 

CMYK 15 / 85 / 0 / 51

HEX #6A127C

RGB 106 18 124

HSL 289.81, 0.75%, 0.28%

LAB 26.6, 50.83, -39.31

 

CMYK 13 / 55 / 0 / 22

HEX #AE5AC8

RGB 174 90 200

HSL 285.82, 0.5%, 0.57%

LAB 52.38, 51.42, -43.24

 

CMYK 0 / 55 / 2 / 22

HEX #C85AC4

RGB 200 90 196

HSL 302.18, 0.5%, 0.57%

LAB 55.66, 57.63, -35.53

 

CMYK 0 / 55 / 17 / 22

HEX #C85AA6

RGB 200 90 166

HSL 318.55, 0.5%, 0.57%

LAB 54.39, 52.77, -20.16

 

CMYK 0 / 55 / 32 / 22

HEX #C85A89

RGB 200 90 137

HSL 334.36, 0.5%, 0.57%

LAB 53.38, 48.74, -4.63

 

CMYK 0 / 55 / 47 / 22

HEX #C85A6B

RGB 200 90 107

HSL 350.73, 0.5%, 0.57%

LAB 52.57, 45.37, 12.01

 

CMYK 13 / 55 / 0 / 22

HEX #AE5AC8

RGB 174 90 200

HSL 285.82, 0.5%, 0.57%

LAB 52.38, 51.42, -43.24

 

CMYK 28 / 55 / 0 / 22

HEX #905AC8

RGB 144 90 200

HSL 269.45, 0.5%, 0.57%

LAB 48.77, 43.63, -49.18

 

CMYK 43 / 55 / 0 / 22

HEX #735AC8

RGB 115 90 200

HSL 253.64, 0.5%, 0.57%

LAB 45.81, 36.58, -54.1

 

CMYK 55 / 55 / 0 / 22

HEX #5A5AC8

RGB 90 90 200

HSL 240, 0.5%, 0.57%

LAB 43.74, 31.23, -57.55

 

CMYK 13 / 55 / 0 / 22

HEX #AE5AC8

RGB 174 90 200

HSL 285.82, 0.5%, 0.57%

LAB 52.38, 51.42, -43.24

 

CMYK 16 / 67 / 0 / 15

HEX #B748D9

RGB 183 72 217

HSL 285.93, 0.66%, 0.57%

LAB 51.51, 65.23, -54.25

 

CMYK 18 / 77 / 0 / 8

HEX #C037EB

RGB 192 55 235

HSL 285.67, 0.82%, 0.57%

LAB 51.77, 76.57, -63.96

 

CMYK 20 / 85 / 0 / 1

HEX #CA25FD

RGB 202 37 253

HSL 285.83, 0.98%, 0.57%

LAB 52.92, 86.02, -72.1

 

CMYK 13 / 55 / 0 / 22

HEX #AE5AC8

RGB 174 90 200

HSL 285.82, 0.5%, 0.57%

LAB 52.38, 51.42, -43.24

 

CMYK 10 / 41 / 0 / 29

HEX #A46CB6

RGB 164 108 182

HSL 285.41, 0.34%, 0.57%

LAB 54.02, 35.24, -30.39

 

CMYK 5 / 23 / 0 / 36

HEX #9B7EA4

RGB 155 126 164

HSL 285.79, 0.17%, 0.57%

LAB 56.65, 18.25, -16.04

 

CMYK 0 / 2 / 0 / 43

HEX #928F92

RGB 146 143 146

HSL 300, 0.01%, 0.57%

LAB 59.74, 1.69, -1.2

 

CMYK 16 / 0 / 20 / 37

HEX #88A181

RGB 136 161 129

HSL 106.88, 0.15%, 0.57%

LAB 63.6, -14.97, 13.81

 

CMYK 43 / 55 / 0 / 22

HEX #725AC8

RGB 114 90 200

HSL 253.09, 0.5%, 0.57%

LAB 45.72, 36.35, -54.25

 

CMYK 29 / 55 / 0 / 22

HEX #8F5AC8

RGB 143 90 200

HSL 268.91, 0.5%, 0.57%

LAB 48.66, 43.38, -49.37

 

CMYK 14 / 55 / 0 / 22

HEX #AC5AC8

RGB 172 90 200

HSL 284.73, 0.5%, 0.57%

LAB 52.12, 50.89, -43.66

 

CMYK 0 / 55 / 1 / 22

HEX #C85AC6

RGB 200 90 198

HSL 301.09, 0.5%, 0.57%

LAB 55.75, 57.98, -36.53

 

CMYK 0 / 55 / 16 / 22

HEX #C85AA9

RGB 200 90 169

HSL 316.91, 0.5%, 0.57%

LAB 54.51, 53.23, -21.73

 

CMYK 16 / 67 / 0 / 39

HEX #83349C

RGB 131 52 156

HSL 285.58, 0.5%, 0.41%

LAB 37.26, 49.83, -41.75

 

CMYK 16 / 67 / 0 / 27

HEX #9D3EBB

RGB 157 62 187

HSL 285.6, 0.5%, 0.49%

LAB 44.52, 57.77, -48.35

 

CMYK 13 / 55 / 0 / 22

HEX #AE5AC8

RGB 174 90 200

HSL 285.82, 0.5%, 0.57%

LAB 52.38, 51.42, -43.24

 

CMYK 10 / 42 / 0 / 18

HEX #BD79D2

RGB 189 121 210

HSL 285.84, 0.5%, 0.65%

LAB 60.91, 41.48, -35.38

 

CMYK 7 / 31 / 0 / 14

HEX #CC98DC

RGB 204 152 220

HSL 285.88, 0.49%, 0.73%

LAB 69.8, 31.24, -27.07

 

CMYK 13 / 55 / 0 / 22

HEX #AE5AC8

RGB 174 90 200

HSL 285.82, 0.5%, 0.57%

LAB 52.38, 51.42, -43.24

 

CMYK 0 / 55 / 52 / 22

HEX #C85A60

RGB 200 90 96

HSL 356.73, 0.5%, 0.57%

LAB 52.33, 44.35, 18.2

 

CMYK 55 / 0 / 36 / 22

HEX #5AC880

RGB 90 200 128

HSL 140.73, 0.5%, 0.57%

LAB 72.92, -47.57, 26.73

 

CMYK 13 / 55 / 0 / 22

HEX #AE5AC8

RGB 174 90 200

HSL 285.82, 0.5%, 0.57%

LAB 52.38, 51.42, -43.24

 

CMYK 0 / 14 / 55 / 22

HEX #C8AC5A

RGB 200 172 90

HSL 44.73, 0.5%, 0.57%

LAB 71.23, 0, 45.41

 

CMYK 55 / 0 / 14 / 22

HEX #5AC8AC

RGB 90 200 172

HSL 164.73, 0.5%, 0.57%

LAB 73.84, -38.28, 4.51

 

CMYK 13 / 55 / 0 / 22

HEX #AE5AC8

RGB 174 90 200

HSL 285.82, 0.5%, 0.57%

LAB 52.38, 51.42, -43.24

 

CMYK 0 / 55 / 52 / 22

HEX #C85A60

RGB 200 90 96

HSL 356.73, 0.5%, 0.57%

LAB 52.33, 44.35, 18.2

 

CMYK 42 / 0 / 55 / 22

HEX #75C85A

RGB 117 200 90

HSL 105.27, 0.5%, 0.57%

LAB 73.43, -45.68, 46.62

 

CMYK 55 / 0 / 3 / 22

HEX #5AC8C2

RGB 90 200 194

HSL 176.73, 0.5%, 0.57%

LAB 74.43, -32.75, -6.55

 

CMYK 13 / 55 / 0 / 22

HEX #AE5AC8

RGB 174 90 200

HSL 285.82, 0.5%, 0.57%

LAB 52.38, 51.42, -43.24

 

CMYK 0 / 42 / 55 / 22

HEX #C8755A

RGB 200 117 90

HSL 14.73, 0.5%, 0.57%

LAB 57.79, 29.87, 28.86

 

CMYK 42 / 0 / 55 / 22

HEX #75C85A

RGB 117 200 90

HSL 105.27, 0.5%, 0.57%

LAB 73.43, -45.68, 46.62

 

CMYK 55 / 14 / 0 / 22

HEX #5AACC8

RGB 90 172 200

HSL 195.27, 0.5%, 0.57%

LAB 66.4, -17.07, -21.9

 

Description

Color code: RGB 174 90 200 | qconv.com Color code: RGB 174 90 200 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 90 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 90 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 55 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 55% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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