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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 80 64 it is the complementary color RGB 81 175 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 80 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 80 64 shade: RGB 179 80 59, RGB 196 98 78, RGB 213 116 97, RGB 230 134 116 and RGB 247 152 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 80 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 80 64 shade: RGB 174 80 64, RGB 157 62 45, RGB 140 44 26, RGB 123 26 7 and RGB 106 8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 80 64 shade: RGB 174 80 64 and RGB 174 64 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 80 64 shade: RGB 174 80 64, RGB 174 110 64, RGB 174 140 64, RGB 174 169 64 and RGB 150 174 64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 80 64 shade matches the following richer shades: RGB 174 80 64, RGB 194 67 45, RGB 213 53 25 and RGB 233 39 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 80 64 shade: RGB 174 80 64, RGB 155 94 84, RGB 136 108 103, RGB 116 122 122 and RGB 97 135 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 80 64 shade: RGB 174 64 108, RGB 174 64 79, RGB 174 79 64, RGB 174 108 64 and RGB 174 138 64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 80 64 shade: RGB 114 52 42, RGB 144 66 53, RGB 174 80 64, RGB 193 103 87 and RGB 204 130 117

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 80 64 shade: RGB 174 80 64, RGB 138 174 64 and RGB 64 94 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 80 64 shade: RGB 174 80 64, RGB 64 174 79 and RGB 79 64 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 80 64 shade: RGB 174 80 64, RGB 138 174 64, RGB 64 160 174 and RGB 101 64 174

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 80 64 shade: RGB 174 80 64, RGB 105 174 64, RGB 64 160 174 and RGB 134 64 174

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 63 / 32

HEX #AE5040

RGB 174 80 64

HSL 8.73, 0.46%, 0.47%

LAB 45.78, 37.17, 27.77

 

Complementary color

CMYK 58 / 8 / 0 / 25

HEX #51AFBF

RGB 81 175 191

HSL 188.73, 0.46%, 0.53%

LAB 66.65, -23.06, -16.58

 

CMYK 0 / 55 / 67 / 30

HEX #B3503B

RGB 179 80 59

HSL 10.5, 0.5%, 0.47%

LAB 46.49, 38.77, 31.71

 

CMYK 0 / 50 / 60 / 23

HEX #C4624E

RGB 196 98 78

HSL 10.17, 0.5%, 0.54%

LAB 52.97, 37.4, 29.4

 

CMYK 0 / 46 / 54 / 16

HEX #D57461

RGB 213 116 97

HSL 9.83, 0.58%, 0.61%

LAB 59.43, 36.09, 27.39

 

CMYK 0 / 42 / 50 / 10

HEX #E68674

RGB 230 134 116

HSL 9.47, 0.7%, 0.68%

LAB 65.85, 34.88, 25.63

 

CMYK 0 / 38 / 45 / 3

HEX #F79887

RGB 247 152 135

HSL 9.11, 0.88%, 0.75%

LAB 72.22, 33.77, 24.06

 

CMYK 0 / 54 / 63 / 32

HEX #AE5040

RGB 174 80 64

HSL 8.73, 0.46%, 0.47%

LAB 45.78, 37.17, 27.77

 

CMYK 0 / 61 / 71 / 38

HEX #9D3E2D

RGB 157 62 45

HSL 9.11, 0.55%, 0.4%

LAB 39.25, 38.53, 30.36

 

CMYK 0 / 69 / 81 / 45

HEX #8C2C1A

RGB 140 44 26

HSL 9.47, 0.69%, 0.33%

LAB 32.81, 39.75, 33.32

 

CMYK 0 / 79 / 94 / 52

HEX #7B1A07

RGB 123 26 7

HSL 9.83, 0.89%, 0.25%

LAB 26.64, 40.49, 35.8

 

CMYK 0 / 92 / 100 / 58

HEX #6A0800

RGB 106 8 0

HSL 4.53, 1%, 0.21%

LAB 20.97, 40.06, 31.77

 

CMYK 0 / 54 / 63 / 32

HEX #AE5040

RGB 174 80 64

HSL 8.73, 0.46%, 0.47%

LAB 45.78, 37.17, 27.77

 

CMYK 0 / 63 / 63 / 32

HEX #AE4040

RGB 174 64 64

HSL 0, 0.46%, 0.47%

LAB 42.82, 44.93, 24.05

 

CMYK 0 / 54 / 63 / 32

HEX #AE5040

RGB 174 80 64

HSL 8.73, 0.46%, 0.47%

LAB 45.78, 37.17, 27.77

 

CMYK 0 / 37 / 63 / 32

HEX #AE6E40

RGB 174 110 64

HSL 25.09, 0.46%, 0.47%

LAB 52.42, 20.92, 35.81

 

CMYK 0 / 20 / 63 / 32

HEX #AE8C40

RGB 174 140 64

HSL 41.45, 0.46%, 0.47%

LAB 60, 4.14, 44.51

 

CMYK 0 / 3 / 63 / 32

HEX #AEA940

RGB 174 169 64

HSL 57.27, 0.46%, 0.47%

LAB 67.83, -11.46, 53.06

 

CMYK 14 / 0 / 63 / 32

HEX #96AE40

RGB 150 174 64

HSL 73.09, 0.46%, 0.47%

LAB 67.37, -24.16, 52.01

 

CMYK 0 / 54 / 63 / 32

HEX #AE5040

RGB 174 80 64

HSL 8.73, 0.46%, 0.47%

LAB 45.78, 37.17, 27.77

 

CMYK 0 / 65 / 77 / 24

HEX #C2432D

RGB 194 67 45

HSL 8.86, 0.62%, 0.47%

LAB 46.54, 49.62, 40.23

 

CMYK 0 / 75 / 88 / 16

HEX #D53519

RGB 213 53 25

HSL 8.94, 0.79%, 0.47%

LAB 47.96, 60.49, 52.44

 

CMYK 0 / 83 / 97 / 9

HEX #E92706

RGB 233 39 6

HSL 8.72, 0.95%, 0.47%

LAB 50.44, 69.82, 61.89

 

CMYK 0 / 54 / 63 / 32

HEX #AE5040

RGB 174 80 64

HSL 8.73, 0.46%, 0.47%

LAB 45.78, 37.17, 27.77

 

CMYK 0 / 39 / 46 / 39

HEX #9B5E54

RGB 155 94 84

HSL 8.45, 0.3%, 0.47%

LAB 46.46, 23.73, 16.29

 

CMYK 0 / 21 / 24 / 47

HEX #886C67

RGB 136 108 103

HSL 9.09, 0.14%, 0.47%

LAB 48.18, 10.29, 7.01

 

CMYK 5 / 0 / 0 / 52

HEX #747A7A

RGB 116 122 122

HSL 180, 0.03%, 0.47%

LAB 50.73, -2.24, -0.78

 

CMYK 32 / 5 / 0 / 44

HEX #61878E

RGB 97 135 142

HSL 189.33, 0.19%, 0.47%

LAB 53.84, -11.38, -8.02

 

CMYK 0 / 63 / 38 / 32

HEX #AE406C

RGB 174 64 108

HSL 336, 0.46%, 0.47%

LAB 43.87, 48.92, -1.61

 

CMYK 0 / 63 / 55 / 32

HEX #AE404F

RGB 174 64 79

HSL 351.82, 0.46%, 0.47%

LAB 43.11, 46.05, 15.24

 

CMYK 0 / 55 / 63 / 32

HEX #AE4F40

RGB 174 79 64

HSL 8.18, 0.46%, 0.47%

LAB 45.58, 37.68, 27.52

 

CMYK 0 / 38 / 63 / 32

HEX #AE6C40

RGB 174 108 64

HSL 24, 0.46%, 0.47%

LAB 51.94, 22.04, 35.24

 

CMYK 0 / 21 / 63 / 32

HEX #AE8A40

RGB 174 138 64

HSL 40.36, 0.46%, 0.47%

LAB 59.48, 5.25, 43.92

 

CMYK 0 / 54 / 63 / 55

HEX #72342A

RGB 114 52 42

HSL 8.33, 0.46%, 0.31%

LAB 29.91, 26.44, 19.19

 

CMYK 0 / 54 / 63 / 44

HEX #904235

RGB 144 66 53

HSL 8.57, 0.46%, 0.39%

LAB 37.99, 31.92, 23.57

 

CMYK 0 / 54 / 63 / 32

HEX #AE5040

RGB 174 80 64

HSL 8.73, 0.46%, 0.47%

LAB 45.78, 37.17, 27.77

 

CMYK 0 / 47 / 55 / 24

HEX #C16757

RGB 193 103 87

HSL 9.06, 0.46%, 0.55%

LAB 53.74, 34.32, 25.14

 

CMYK 0 / 36 / 43 / 20

HEX #CC8275

RGB 204 130 117

HSL 8.97, 0.46%, 0.63%

LAB 61.73, 27.04, 18.95

 

CMYK 0 / 54 / 63 / 32

HEX #AE5040

RGB 174 80 64

HSL 8.73, 0.46%, 0.47%

LAB 45.78, 37.17, 27.77

 

CMYK 21 / 0 / 63 / 32

HEX #8AAE40

RGB 138 174 64

HSL 79.64, 0.46%, 0.47%

LAB 66.55, -29.02, 50.89

 

CMYK 63 / 46 / 0 / 32

HEX #405EAE

RGB 64 94 174

HSL 223.64, 0.46%, 0.47%

LAB 41.46, 14.87, -46.14

 

CMYK 0 / 54 / 63 / 32

HEX #AE5040

RGB 174 80 64

HSL 8.73, 0.46%, 0.47%

LAB 45.78, 37.17, 27.77

 

CMYK 63 / 0 / 55 / 32

HEX #40AE4F

RGB 64 174 79

HSL 128.18, 0.46%, 0.47%

LAB 63.28, -51.13, 39.29

 

CMYK 55 / 63 / 0 / 32

HEX #4F40AE

RGB 79 64 174

HSL 248.18, 0.46%, 0.47%

LAB 34.77, 36.76, -56.88

 

CMYK 0 / 54 / 63 / 32

HEX #AE5040

RGB 174 80 64

HSL 8.73, 0.46%, 0.47%

LAB 45.78, 37.17, 27.77

 

CMYK 21 / 0 / 63 / 32

HEX #8AAE40

RGB 138 174 64

HSL 79.64, 0.46%, 0.47%

LAB 66.55, -29.02, 50.89

 

CMYK 63 / 8 / 0 / 32

HEX #40A0AE

RGB 64 160 174

HSL 187.64, 0.46%, 0.47%

LAB 61.03, -23.55, -15.63

 

CMYK 42 / 63 / 0 / 32

HEX #6540AE

RGB 101 64 174

HSL 260.18, 0.46%, 0.47%

LAB 36.91, 41.18, -53.31

 

CMYK 0 / 54 / 63 / 32

HEX #AE5040

RGB 174 80 64

HSL 8.73, 0.46%, 0.47%

LAB 45.78, 37.17, 27.77

 

CMYK 40 / 0 / 63 / 32

HEX #69AE40

RGB 105 174 64

HSL 97.64, 0.46%, 0.47%

LAB 64.68, -41.29, 48.3

 

CMYK 63 / 8 / 0 / 32

HEX #40A0AE

RGB 64 160 174

HSL 187.64, 0.46%, 0.47%

LAB 61.03, -23.55, -15.63

 

CMYK 23 / 63 / 0 / 32

HEX #8640AE

RGB 134 64 174

HSL 278.18, 0.46%, 0.47%

LAB 40.88, 48.73, -46.71

 

Description

Color code: RGB 174 80 64 | qconv.com Color code: RGB 174 80 64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 80 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 80 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 63 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 63% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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