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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 65 153 it is the complementary color RGB 81 190 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 65 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 65 153 shade: RGB 179 65 148, RGB 196 83 167, RGB 213 101 186, RGB 230 119 205 and RGB 247 137 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 65 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 65 153 shade: RGB 174 65 153, RGB 157 47 134, RGB 140 29 115, RGB 123 11 96 and RGB 106 0 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 65 153 shade: RGB 174 64 153, RGB 174 64 124, RGB 174 64 94 and RGB 174 64 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 65 153 shade: RGB 174 64 153, RGB 166 64 174, RGB 136 64 174, RGB 107 64 174 and RGB 77 64 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 65 153 shade matches the following richer shades: RGB 174 64 153, RGB 194 45 165, RGB 213 25 177 and RGB 233 6 189

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 65 153 shade: RGB 174 64 153, RGB 155 84 141, RGB 136 103 129, RGB 116 122 117 and RGB 97 142 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 65 153 shade: RGB 136 64 174, RGB 165 64 174, RGB 174 64 154, RGB 174 64 125 and RGB 174 64 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 65 153 shade: RGB 114 42 100, RGB 144 53 127, RGB 174 64 153, RGB 193 87 172 and RGB 204 117 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 65 153 shade: RGB 174 65 153, RGB 174 106 64 and RGB 64 174 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 65 153 shade: RGB 174 65 153, RGB 154 174 64 and RGB 64 154 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 65 153 shade: RGB 174 65 153, RGB 174 106 64, RGB 64 174 84 and RGB 64 132 174

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 65 153 shade: RGB 174 65 153, RGB 174 140 64, RGB 64 174 84 and RGB 64 99 174

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 12 / 32

HEX #AE4199

RGB 174 65 153

HSL 311.56, 0.46%, 0.47%

LAB 45.74, 54.64, -26.14

 

Complementary color

CMYK 57 / 0 / 46 / 25

HEX #51BE66

RGB 81 190 102

HSL 131.56, 0.46%, 0.53%

LAB 69.14, -50.04, 35.17

 

CMYK 0 / 64 / 17 / 30

HEX #B34194

RGB 179 65 148

HSL 316.32, 0.47%, 0.48%

LAB 46.31, 55.25, -22.19

 

CMYK 0 / 58 / 15 / 23

HEX #C453A7

RGB 196 83 167

HSL 315.4, 0.49%, 0.55%

LAB 52.63, 55, -23.49

 

CMYK 0 / 53 / 13 / 16

HEX #D565BA

RGB 213 101 186

HSL 314.46, 0.57%, 0.62%

LAB 58.97, 54.5, -24.53

 

CMYK 0 / 48 / 11 / 10

HEX #E677CD

RGB 230 119 205

HSL 313.51, 0.69%, 0.68%

LAB 65.3, 53.87, -25.38

 

CMYK 0 / 45 / 9 / 3

HEX #F789E0

RGB 247 137 224

HSL 312.55, 0.87%, 0.75%

LAB 71.59, 53.19, -26.11

 

CMYK 0 / 63 / 12 / 32

HEX #AE4199

RGB 174 65 153

HSL 311.56, 0.46%, 0.47%

LAB 45.74, 54.64, -26.14

 

CMYK 0 / 70 / 15 / 38

HEX #9D2F86

RGB 157 47 134

HSL 312.55, 0.54%, 0.4%

LAB 39.45, 54.49, -24.62

 

CMYK 0 / 79 / 18 / 45

HEX #8C1D73

RGB 140 29 115

HSL 313.51, 0.66%, 0.33%

LAB 33.33, 53.59, -22.53

 

CMYK 0 / 91 / 22 / 52

HEX #7B0B60

RGB 123 11 96

HSL 314.46, 0.84%, 0.26%

LAB 27.56, 51.39, -19.55

 

CMYK 0 / 100 / 27 / 58

HEX #6A004D

RGB 106 0 77

HSL 316.42, 1%, 0.21%

LAB 22.3, 47.28, -15.33

 

CMYK 0 / 63 / 12 / 32

HEX #AE4099

RGB 174 64 153

HSL 311.45, 0.46%, 0.47%

LAB 45.59, 55.06, -26.38

 

CMYK 0 / 63 / 29 / 32

HEX #AE407C

RGB 174 64 124

HSL 327.27, 0.46%, 0.47%

LAB 44.41, 50.88, -10.64

 

CMYK 0 / 63 / 46 / 32

HEX #AE405E

RGB 174 64 94

HSL 343.64, 0.46%, 0.47%

LAB 43.47, 47.42, 6.46

 

CMYK 0 / 63 / 63 / 32

HEX #AE4040

RGB 174 64 64

HSL 0, 0.46%, 0.47%

LAB 42.82, 44.93, 24.05

 

CMYK 0 / 63 / 12 / 32

HEX #AE4099

RGB 174 64 153

HSL 311.45, 0.46%, 0.47%

LAB 45.59, 55.06, -26.38

 

CMYK 5 / 63 / 0 / 32

HEX #A640AE

RGB 166 64 174

HSL 295.64, 0.46%, 0.47%

LAB 45.4, 56.55, -39.24

 

CMYK 22 / 63 / 0 / 32

HEX #8840AE

RGB 136 64 174

HSL 279.27, 0.46%, 0.47%

LAB 41.15, 49.21, -46.27

 

CMYK 39 / 63 / 0 / 32

HEX #6B40AE

RGB 107 64 174

HSL 263.45, 0.46%, 0.47%

LAB 37.57, 42.48, -52.21

 

CMYK 56 / 63 / 0 / 32

HEX #4D40AE

RGB 77 64 174

HSL 247.09, 0.46%, 0.47%

LAB 34.6, 36.39, -57.16

 

CMYK 0 / 63 / 12 / 32

HEX #AE4099

RGB 174 64 153

HSL 311.45, 0.46%, 0.47%

LAB 45.59, 55.06, -26.38

 

CMYK 0 / 77 / 15 / 24

HEX #C22DA5

RGB 194 45 165

HSL 311.68, 0.62%, 0.47%

LAB 47.06, 68.55, -30.99

 

CMYK 0 / 88 / 17 / 16

HEX #D519B1

RGB 213 25 177

HSL 311.49, 0.79%, 0.47%

LAB 49.52, 78.44, -33.99

 

CMYK 0 / 97 / 19 / 9

HEX #E906BD

RGB 233 6 189

HSL 311.63, 0.95%, 0.47%

LAB 53.09, 85.61, -35.14

 

CMYK 0 / 63 / 12 / 32

HEX #AE4099

RGB 174 64 153

HSL 311.45, 0.46%, 0.47%

LAB 45.59, 55.06, -26.38

 

CMYK 0 / 46 / 9 / 39

HEX #9B548D

RGB 155 84 141

HSL 311.83, 0.3%, 0.47%

LAB 45.95, 37.6, -18.85

 

CMYK 0 / 24 / 5 / 47

HEX #886781

RGB 136 103 129

HSL 312.73, 0.14%, 0.47%

LAB 47.65, 17.83, -9.3

 

CMYK 5 / 0 / 4 / 52

HEX #747A75

RGB 116 122 117

HSL 130, 0.03%, 0.47%

LAB 50.59, -3.26, 1.95

 

CMYK 32 / 0 / 25 / 44

HEX #618E6A

RGB 97 142 106

HSL 132, 0.19%, 0.47%

LAB 55, -23.19, 14.39

 

CMYK 22 / 63 / 0 / 32

HEX #8840AE

RGB 136 64 174

HSL 279.27, 0.46%, 0.47%

LAB 41.15, 49.21, -46.27

 

CMYK 5 / 63 / 0 / 32

HEX #A540AE

RGB 165 64 174

HSL 295.09, 0.46%, 0.47%

LAB 45.25, 56.3, -39.48

 

CMYK 0 / 63 / 11 / 32

HEX #AE409A

RGB 174 64 154

HSL 310.91, 0.46%, 0.47%

LAB 45.63, 55.22, -26.91

 

CMYK 0 / 63 / 28 / 32

HEX #AE407D

RGB 174 64 125

HSL 326.73, 0.46%, 0.47%

LAB 44.44, 51.01, -11.2

 

CMYK 0 / 63 / 45 / 32

HEX #AE405F

RGB 174 64 95

HSL 343.09, 0.46%, 0.47%

LAB 43.49, 47.52, 5.88

 

CMYK 0 / 63 / 12 / 55

HEX #722A64

RGB 114 42 100

HSL 311.67, 0.46%, 0.31%

LAB 29.8, 39.18, -18.79

 

CMYK 0 / 63 / 12 / 44

HEX #90357F

RGB 144 53 127

HSL 311.21, 0.46%, 0.39%

LAB 37.86, 47.38, -22.94

 

CMYK 0 / 63 / 12 / 32

HEX #AE4099

RGB 174 64 153

HSL 311.45, 0.46%, 0.47%

LAB 45.59, 55.06, -26.38

 

CMYK 0 / 55 / 11 / 24

HEX #C157AC

RGB 193 87 172

HSL 311.89, 0.46%, 0.55%

LAB 53.09, 53.06, -25.74

 

CMYK 0 / 43 / 8 / 20

HEX #CC75BB

RGB 204 117 187

HSL 311.72, 0.46%, 0.63%

LAB 60.91, 43.9, -22.23

 

CMYK 0 / 63 / 12 / 32

HEX #AE4199

RGB 174 65 153

HSL 311.56, 0.46%, 0.47%

LAB 45.74, 54.64, -26.14

 

CMYK 0 / 39 / 63 / 32

HEX #AE6A40

RGB 174 106 64

HSL 22.91, 0.46%, 0.47%

LAB 51.47, 23.16, 34.68

 

CMYK 63 / 0 / 13 / 32

HEX #40AE97

RGB 64 174 151

HSL 167.45, 0.46%, 0.47%

LAB 64.64, -36.75, 2.61

 

CMYK 0 / 63 / 12 / 32

HEX #AE4199

RGB 174 65 153

HSL 311.56, 0.46%, 0.47%

LAB 45.74, 54.64, -26.14

 

CMYK 11 / 0 / 63 / 32

HEX #9AAE40

RGB 154 174 64

HSL 70.91, 0.46%, 0.47%

LAB 67.66, -22.5, 52.4

 

CMYK 63 / 11 / 0 / 32

HEX #409AAE

RGB 64 154 174

HSL 190.91, 0.46%, 0.47%

LAB 59.21, -20.44, -18.39

 

CMYK 0 / 63 / 12 / 32

HEX #AE4199

RGB 174 65 153

HSL 311.56, 0.46%, 0.47%

LAB 45.74, 54.64, -26.14

 

CMYK 0 / 39 / 63 / 32

HEX #AE6A40

RGB 174 106 64

HSL 22.91, 0.46%, 0.47%

LAB 51.47, 23.16, 34.68

 

CMYK 63 / 0 / 52 / 32

HEX #40AE54

RGB 64 174 84

HSL 130.91, 0.46%, 0.47%

LAB 63.34, -50.42, 36.9

 

CMYK 63 / 24 / 0 / 32

HEX #4084AE

RGB 64 132 174

HSL 202.91, 0.46%, 0.47%

LAB 52.56, -8.37, -28.62

 

CMYK 0 / 63 / 12 / 32

HEX #AE4199

RGB 174 65 153

HSL 311.56, 0.46%, 0.47%

LAB 45.74, 54.64, -26.14

 

CMYK 0 / 20 / 63 / 32

HEX #AE8C40

RGB 174 140 64

HSL 41.45, 0.46%, 0.47%

LAB 60, 4.14, 44.51

 

CMYK 63 / 0 / 52 / 32

HEX #40AE54

RGB 64 174 84

HSL 130.91, 0.46%, 0.47%

LAB 63.34, -50.42, 36.9

 

CMYK 63 / 43 / 0 / 32

HEX #4063AE

RGB 64 99 174

HSL 220.91, 0.46%, 0.47%

LAB 42.87, 11.67, -43.88

 

Description

Color code: RGB 174 65 153 | qconv.com Color code: RGB 174 65 153 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 65 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 65 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 12 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 12% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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