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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 50 113 it is the complementary color RGB 81 205 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 50 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 50 113 shade: RGB 179 50 108, RGB 196 68 127, RGB 213 86 146, RGB 230 104 165 and RGB 247 122 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 50 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 50 113 shade: RGB 174 50 113, RGB 157 32 94, RGB 140 14 75, RGB 123 0 56 and RGB 106 0 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 50 113 shade: RGB 173 50 113, RGB 173 50 79 and RGB 173 50 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 50 113 shade: RGB 173 50 113, RGB 173 50 146, RGB 168 50 173, RGB 134 50 173 and RGB 101 50 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 50 113 shade matches the following richer shades: RGB 173 50 113, RGB 192 32 113 and RGB 210 14 113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 50 113 shade: RGB 173 50 113, RGB 155 68 112, RGB 137 86 112, RGB 119 104 112 and RGB 101 123 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 50 113 shade: RGB 167 50 173, RGB 173 50 147, RGB 173 50 114, RGB 173 50 81 and RGB 173 52 50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 50 113 shade: RGB 109 31 71, RGB 141 41 92, RGB 173 50 113, RGB 200 65 133 and RGB 209 97 154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 50 113 shade: RGB 174 50 113, RGB 173 134 50 and RGB 50 163 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 50 113 shade: RGB 174 50 113, RGB 114 173 50 and RGB 50 114 173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 50 113 shade: RGB 174 50 113, RGB 173 134 50, RGB 50 173 110 and RGB 50 89 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 50 113 shade: RGB 174 50 113, RGB 173 171 50, RGB 50 173 110 and RGB 50 52 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 35 / 32

HEX #AE3271

RGB 174 50 113

HSL 329.52, 0.55%, 0.44%

LAB 41.96, 55.2, -7.54

 

Complementary color

CMYK 60 / 0 / 31 / 20

HEX #51CD8E

RGB 81 205 142

HSL 149.52, 0.55%, 0.56%

LAB 74.42, -48.92, 21.36

 

CMYK 0 / 72 / 40 / 30

HEX #B3326C

RGB 179 50 108

HSL 333.02, 0.56%, 0.45%

LAB 42.68, 56.07, -3.26

 

CMYK 0 / 65 / 35 / 23

HEX #C4447F

RGB 196 68 127

HSL 332.34, 0.52%, 0.52%

LAB 48.76, 56.15, -5.57

 

CMYK 0 / 60 / 31 / 16

HEX #D55692

RGB 213 86 146

HSL 331.65, 0.6%, 0.59%

LAB 54.95, 55.82, -7.41

 

CMYK 0 / 55 / 28 / 10

HEX #E668A5

RGB 230 104 165

HSL 330.95, 0.72%, 0.65%

LAB 61.17, 55.26, -8.92

 

CMYK 0 / 51 / 26 / 3

HEX #F77AB8

RGB 247 122 184

HSL 330.24, 0.89%, 0.72%

LAB 67.39, 54.59, -10.18

 

CMYK 0 / 71 / 35 / 32

HEX #AE3271

RGB 174 50 113

HSL 329.52, 0.55%, 0.44%

LAB 41.96, 55.2, -7.54

 

CMYK 0 / 80 / 40 / 38

HEX #9D205E

RGB 157 32 94

HSL 330.24, 0.66%, 0.37%

LAB 36, 54.45, -4.78

 

CMYK 0 / 90 / 46 / 45

HEX #8C0E4B

RGB 140 14 75

HSL 330.95, 0.82%, 0.3%

LAB 30.39, 52.54, -1.06

 

CMYK 0 / 100 / 54 / 52

HEX #7B0038

RGB 123 0 56

HSL 332.68, 1%, 0.24%

LAB 25.25, 49.1, 3.86

 

CMYK 0 / 100 / 65 / 58

HEX #6A0025

RGB 106 0 37

HSL 339.06, 1%, 0.21%

LAB 20.82, 43.41, 10.39

 

CMYK 0 / 71 / 35 / 32

HEX #AD3271

RGB 173 50 113

HSL 329.27, 0.55%, 0.44%

LAB 41.78, 54.92, -7.83

 

CMYK 0 / 71 / 54 / 32

HEX #AD324F

RGB 173 50 79

HSL 345.85, 0.55%, 0.44%

LAB 40.78, 51.57, 12.03

 

CMYK 0 / 71 / 71 / 32

HEX #AD3232

RGB 173 50 50

HSL 0, 0.55%, 0.44%

LAB 40.24, 49.69, 29.29

 

CMYK 0 / 71 / 35 / 32

HEX #AD3271

RGB 173 50 113

HSL 329.27, 0.55%, 0.44%

LAB 41.78, 54.92, -7.83

 

CMYK 0 / 71 / 16 / 32

HEX #AD3292

RGB 173 50 146

HSL 313.17, 0.55%, 0.44%

LAB 43.12, 59.25, -26.01

 

CMYK 3 / 71 / 0 / 32

HEX #A832AD

RGB 168 50 173

HSL 297.56, 0.55%, 0.44%

LAB 43.69, 62.37, -41.34

 

CMYK 23 / 71 / 0 / 32

HEX #8632AD

RGB 134 50 173

HSL 280.98, 0.55%, 0.44%

LAB 38.49, 54.96, -49.95

 

CMYK 42 / 71 / 0 / 32

HEX #6532AD

RGB 101 50 173

HSL 264.88, 0.55%, 0.44%

LAB 34.12, 48.35, -57.25

 

CMYK 0 / 71 / 35 / 32

HEX #AD3271

RGB 173 50 113

HSL 329.27, 0.55%, 0.44%

LAB 41.78, 54.92, -7.83

 

CMYK 0 / 83 / 41 / 25

HEX #C02071

RGB 192 32 113

HSL 329.63, 0.71%, 0.44%

LAB 43.41, 65.3, -5.03

 

CMYK 0 / 93 / 46 / 18

HEX #D20E71

RGB 210 14 113

HSL 329.69, 0.88%, 0.44%

LAB 45.92, 72.47, -0.92

 

CMYK 0 / 71 / 35 / 32

HEX #AD3271

RGB 173 50 113

HSL 329.27, 0.55%, 0.44%

LAB 41.78, 54.92, -7.83

 

CMYK 0 / 56 / 28 / 39

HEX #9B4470

RGB 155 68 112

HSL 329.66, 0.39%, 0.44%

LAB 41.65, 41.34, -7.72

 

CMYK 0 / 37 / 18 / 46

HEX #895670

RGB 137 86 112

HSL 329.41, 0.23%, 0.44%

LAB 42.98, 25.09, -5.99

 

CMYK 0 / 13 / 6 / 53

HEX #776870

RGB 119 104 112

HSL 328, 0.07%, 0.44%

LAB 45.62, 7.45, -2.3

 

CMYK 18 / 0 / 9 / 52

HEX #657B70

RGB 101 123 112

HSL 150, 0.1%, 0.44%

LAB 49.62, -10.41, 3.35

 

CMYK 3 / 71 / 0 / 32

HEX #A732AD

RGB 167 50 173

HSL 297.07, 0.55%, 0.44%

LAB 43.53, 62.14, -41.61

 

CMYK 0 / 71 / 15 / 32

HEX #AD3293

RGB 173 50 147

HSL 312.68, 0.55%, 0.44%

LAB 43.17, 59.4, -26.54

 

CMYK 0 / 71 / 34 / 32

HEX #AD3272

RGB 173 50 114

HSL 328.78, 0.55%, 0.44%

LAB 41.81, 55.03, -8.39

 

CMYK 0 / 71 / 53 / 32

HEX #AD3251

RGB 173 50 81

HSL 344.88, 0.55%, 0.44%

LAB 40.83, 51.73, 10.84

 

CMYK 0 / 70 / 71 / 32

HEX #AD3432

RGB 173 52 50

HSL 0.98, 0.55%, 0.44%

LAB 40.53, 48.9, 29.63

 

CMYK 0 / 72 / 35 / 57

HEX #6D1F47

RGB 109 31 71

HSL 329.23, 0.56%, 0.27%

LAB 25.82, 38.25, -5.85

 

CMYK 0 / 71 / 35 / 45

HEX #8D295C

RGB 141 41 92

HSL 329.4, 0.55%, 0.36%

LAB 34.03, 46.58, -6.76

 

CMYK 0 / 71 / 35 / 32

HEX #AD3271

RGB 173 50 113

HSL 329.27, 0.55%, 0.44%

LAB 41.78, 54.92, -7.83

 

CMYK 0 / 68 / 34 / 22

HEX #C84185

RGB 200 65 133

HSL 329.78, 0.55%, 0.52%

LAB 49.2, 59.2, -8.47

 

CMYK 0 / 54 / 26 / 18

HEX #D1619A

RGB 209 97 154

HSL 329.46, 0.55%, 0.6%

LAB 56.52, 50.5, -9.8

 

CMYK 0 / 71 / 35 / 32

HEX #AE3271

RGB 174 50 113

HSL 329.52, 0.55%, 0.44%

LAB 41.96, 55.2, -7.54

 

CMYK 0 / 23 / 71 / 32

HEX #AD8632

RGB 173 134 50

HSL 40.98, 0.55%, 0.44%

LAB 58.19, 6.16, 49.04

 

CMYK 71 / 6 / 0 / 32

HEX #32A3AD

RGB 50 163 173

HSL 184.88, 0.55%, 0.44%

LAB 61.56, -27.52, -14.31

 

CMYK 0 / 71 / 35 / 32

HEX #AE3271

RGB 174 50 113

HSL 329.52, 0.55%, 0.44%

LAB 41.96, 55.2, -7.54

 

CMYK 34 / 0 / 71 / 32

HEX #72AD32

RGB 114 173 50

HSL 88.78, 0.55%, 0.44%

LAB 64.72, -38.82, 54.24

 

CMYK 71 / 34 / 0 / 32

HEX #3272AD

RGB 50 114 173

HSL 208.78, 0.55%, 0.44%

LAB 46.62, -0.45, -37.38

 

CMYK 0 / 71 / 35 / 32

HEX #AE3271

RGB 174 50 113

HSL 329.52, 0.55%, 0.44%

LAB 41.96, 55.2, -7.54

 

CMYK 0 / 23 / 71 / 32

HEX #AD8632

RGB 173 134 50

HSL 40.98, 0.55%, 0.44%

LAB 58.19, 6.16, 49.04

 

CMYK 71 / 0 / 36 / 32

HEX #32AD6E

RGB 50 173 110

HSL 149.27, 0.55%, 0.44%

LAB 63.09, -48.16, 22.93

 

CMYK 71 / 49 / 0 / 32

HEX #3259AD

RGB 50 89 173

HSL 220.98, 0.55%, 0.44%

LAB 39.31, 15.39, -49.03

 

CMYK 0 / 71 / 35 / 32

HEX #AE3271

RGB 174 50 113

HSL 329.52, 0.55%, 0.44%

LAB 41.96, 55.2, -7.54

 

CMYK 0 / 1 / 71 / 32

HEX #ADAB32

RGB 173 171 50

HSL 59.02, 0.55%, 0.44%

LAB 68.2, -13.74, 59.05

 

CMYK 71 / 0 / 36 / 32

HEX #32AD6E

RGB 50 173 110

HSL 149.27, 0.55%, 0.44%

LAB 63.09, -48.16, 22.93

 

CMYK 71 / 70 / 0 / 32

HEX #3234AD

RGB 50 52 173

HSL 239.02, 0.55%, 0.44%

LAB 29.79, 39.34, -64.52

 

Description

Color code: RGB 174 50 113 | qconv.com Color code: RGB 174 50 113 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 50 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 50 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 35 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 35% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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