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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 46 104 it is the complementary color RGB 81 209 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 46 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 46 104 shade: RGB 179 46 99, RGB 196 64 118, RGB 213 82 137, RGB 230 100 156 and RGB 247 118 175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 46 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 46 104 shade: RGB 174 46 104, RGB 157 28 85, RGB 140 10 66, RGB 123 0 47 and RGB 106 0 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 46 104 shade: RGB 173 46 103, RGB 173 46 69 and RGB 173 46 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 46 104 shade: RGB 173 46 103, RGB 173 46 137, RGB 173 46 172, RGB 139 46 173 and RGB 105 46 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 46 104 shade matches the following richer shades: RGB 173 46 103, RGB 190 28 102 and RGB 208 10 100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 46 104 shade: RGB 173 46 103, RGB 155 63 105, RGB 137 81 107, RGB 120 99 108 and RGB 102 117 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 46 104 shade: RGB 173 46 173, RGB 173 46 139, RGB 173 46 105, RGB 173 46 71 and RGB 173 54 46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 46 104 shade: RGB 108 28 64, RGB 140 37 84, RGB 173 46 103, RGB 202 57 123 and RGB 211 90 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 46 104 shade: RGB 174 46 104, RGB 173 139 46 and RGB 46 156 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 46 104 shade: RGB 174 46 104, RGB 105 173 46 and RGB 46 105 173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 46 104 shade: RGB 174 46 104, RGB 173 139 46, RGB 46 173 113 and RGB 46 79 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 46 104 shade: RGB 174 46 104, RGB 169 173 46, RGB 46 173 113 and RGB 50 46 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 40 / 32

HEX #AE2E68

RGB 174 46 104

HSL 332.81, 0.58%, 0.43%

LAB 41.14, 55.65, -3.15

 

Complementary color

CMYK 61 / 0 / 28 / 18

HEX #51D197

RGB 81 209 151

HSL 152.81, 0.58%, 0.57%

LAB 75.81, -48.71, 18.52

 

CMYK 0 / 74 / 45 / 30

HEX #B32E63

RGB 179 46 99

HSL 336.09, 0.59%, 0.44%

LAB 41.9, 56.56, 1.21

 

CMYK 0 / 67 / 40 / 23

HEX #C44076

RGB 196 64 118

HSL 335.45, 0.53%, 0.51%

LAB 47.89, 56.77, -1.4

 

CMYK 0 / 62 / 36 / 16

HEX #D55289

RGB 213 82 137

HSL 334.81, 0.61%, 0.58%

LAB 54.01, 56.51, -3.47

 

CMYK 0 / 57 / 32 / 10

HEX #E6649C

RGB 230 100 156

HSL 334.15, 0.72%, 0.65%

LAB 60.19, 55.99, -5.17

 

CMYK 0 / 52 / 29 / 3

HEX #F776AF

RGB 247 118 175

HSL 333.49, 0.89%, 0.72%

LAB 66.39, 55.32, -6.6

 

CMYK 0 / 74 / 40 / 32

HEX #AE2E68

RGB 174 46 104

HSL 332.81, 0.58%, 0.43%

LAB 41.14, 55.65, -3.15

 

CMYK 0 / 82 / 46 / 38

HEX #9D1C55

RGB 157 28 85

HSL 333.49, 0.7%, 0.36%

LAB 35.31, 54.68, -0

 

CMYK 0 / 93 / 53 / 45

HEX #8C0A42

RGB 140 10 66

HSL 334.15, 0.87%, 0.29%

LAB 29.88, 52.44, 4.19

 

CMYK 0 / 100 / 62 / 52

HEX #7B002F

RGB 123 0 47

HSL 337.07, 1%, 0.24%

LAB 25, 48.44, 9.73

 

CMYK 0 / 100 / 74 / 58

HEX #6A001C

RGB 106 0 28

HSL 344.15, 1%, 0.21%

LAB 20.63, 42.89, 16.5

 

CMYK 0 / 73 / 40 / 32

HEX #AD2E67

RGB 173 46 103

HSL 333.07, 0.58%, 0.43%

LAB 40.92, 55.26, -2.86

 

CMYK 0 / 73 / 60 / 32

HEX #AD2E45

RGB 173 46 69

HSL 349.13, 0.58%, 0.43%

LAB 40.03, 52.31, 17.29

 

CMYK 0 / 73 / 73 / 32

HEX #AD2E2E

RGB 173 46 46

HSL 0, 0.58%, 0.43%

LAB 39.64, 51, 30.98

 

CMYK 0 / 73 / 40 / 32

HEX #AD2E67

RGB 173 46 103

HSL 333.07, 0.58%, 0.43%

LAB 40.92, 55.26, -2.86

 

CMYK 0 / 73 / 21 / 32

HEX #AD2E89

RGB 173 46 137

HSL 317.01, 0.58%, 0.43%

LAB 42.22, 59.38, -21.94

 

CMYK 0 / 73 / 1 / 32

HEX #AD2EAC

RGB 173 46 172

HSL 300.47, 0.58%, 0.43%

LAB 43.97, 64.65, -40.25

 

CMYK 20 / 73 / 0 / 32

HEX #8B2EAD

RGB 139 46 173

HSL 283.94, 0.58%, 0.43%

LAB 38.66, 57.62, -49.65

 

CMYK 39 / 73 / 0 / 32

HEX #692EAD

RGB 105 46 173

HSL 267.87, 0.58%, 0.43%

LAB 33.93, 51, -57.53

 

CMYK 0 / 73 / 40 / 32

HEX #AD2E67

RGB 173 46 103

HSL 333.07, 0.58%, 0.43%

LAB 40.92, 55.26, -2.86

 

CMYK 0 / 85 / 46 / 25

HEX #BE1C66

RGB 190 28 102

HSL 332.59, 0.74%, 0.43%

LAB 42.36, 64.67, 0.26

 

CMYK 0 / 95 / 52 / 18

HEX #D00A64

RGB 208 10 100

HSL 332.73, 0.91%, 0.43%

LAB 45.01, 71.39, 5.79

 

CMYK 0 / 73 / 40 / 32

HEX #AD2E67

RGB 173 46 103

HSL 333.07, 0.58%, 0.43%

LAB 40.92, 55.26, -2.86

 

CMYK 0 / 59 / 32 / 39

HEX #9B3F69

RGB 155 63 105

HSL 332.61, 0.42%, 0.43%

LAB 40.48, 42.85, -5.11

 

CMYK 0 / 41 / 22 / 46

HEX #89516B

RGB 137 81 107

HSL 332.14, 0.26%, 0.43%

LAB 41.63, 27.15, -4.92

 

CMYK 0 / 18 / 10 / 53

HEX #78636C

RGB 120 99 108

HSL 334.29, 0.1%, 0.43%

LAB 44.23, 10.06, -1.92

 

CMYK 13 / 0 / 6 / 54

HEX #66756E

RGB 102 117 110

HSL 152, 0.07%, 0.43%

LAB 47.85, -7.08, 1.97

 

CMYK 0 / 73 / 0 / 32

HEX #AD2EAD

RGB 173 46 173

HSL 300, 0.58%, 0.43%

LAB 44.02, 64.82, -40.76

 

CMYK 0 / 73 / 20 / 32

HEX #AD2E8B

RGB 173 46 139

HSL 316.06, 0.58%, 0.43%

LAB 42.31, 59.65, -23.02

 

CMYK 0 / 73 / 39 / 32

HEX #AD2E69

RGB 173 46 105

HSL 332.13, 0.58%, 0.43%

LAB 40.99, 55.47, -4.01

 

CMYK 0 / 73 / 59 / 32

HEX #AD2E47

RGB 173 46 71

HSL 348.19, 0.58%, 0.43%

LAB 40.07, 52.45, 16.09

 

CMYK 0 / 69 / 73 / 32

HEX #AD362E

RGB 173 54 46

HSL 3.78, 0.58%, 0.43%

LAB 40.77, 47.9, 32.27

 

CMYK 0 / 74 / 41 / 58

HEX #6C1C40

RGB 108 28 64

HSL 333, 0.59%, 0.27%

LAB 24.92, 38.33, -2.48

 

CMYK 0 / 74 / 40 / 45

HEX #8C2554

RGB 140 37 84

HSL 332.62, 0.58%, 0.35%

LAB 33, 46.9, -3.13

 

CMYK 0 / 73 / 40 / 32

HEX #AD2E67

RGB 173 46 103

HSL 333.07, 0.58%, 0.43%

LAB 40.92, 55.26, -2.86

 

CMYK 0 / 72 / 39 / 21

HEX #CA397B

RGB 202 57 123

HSL 332.69, 0.58%, 0.51%

LAB 48.15, 61.62, -3.94

 

CMYK 0 / 57 / 31 / 17

HEX #D35A91

RGB 211 90 145

HSL 332.73, 0.58%, 0.59%

LAB 55.28, 53.27, -6.35

 

CMYK 0 / 74 / 40 / 32

HEX #AE2E68

RGB 174 46 104

HSL 332.81, 0.58%, 0.43%

LAB 41.14, 55.65, -3.15

 

CMYK 0 / 20 / 73 / 32

HEX #AD8B2E

RGB 173 139 46

HSL 43.94, 0.58%, 0.43%

LAB 59.48, 3.19, 52.04

 

CMYK 73 / 10 / 0 / 32

HEX #2E9CAD

RGB 46 156 173

HSL 188.03, 0.58%, 0.43%

LAB 59.32, -24.52, -17.7

 

CMYK 0 / 74 / 40 / 32

HEX #AE2E68

RGB 174 46 104

HSL 332.81, 0.58%, 0.43%

LAB 41.14, 55.65, -3.15

 

CMYK 39 / 0 / 73 / 32

HEX #69AD2E

RGB 105 173 46

HSL 92.13, 0.58%, 0.43%

LAB 64.23, -42.3, 55.09

 

CMYK 73 / 39 / 0 / 32

HEX #2E69AD

RGB 46 105 173

HSL 212.13, 0.58%, 0.43%

LAB 43.8, 4.53, -41.85

 

CMYK 0 / 74 / 40 / 32

HEX #AE2E68

RGB 174 46 104

HSL 332.81, 0.58%, 0.43%

LAB 41.14, 55.65, -3.15

 

CMYK 0 / 20 / 73 / 32

HEX #AD8B2E

RGB 173 139 46

HSL 43.94, 0.58%, 0.43%

LAB 59.48, 3.19, 52.04

 

CMYK 73 / 0 / 35 / 32

HEX #2EAD71

RGB 46 173 113

HSL 151.65, 0.58%, 0.43%

LAB 63.06, -48.17, 21.26

 

CMYK 73 / 54 / 0 / 32

HEX #2E4FAD

RGB 46 79 173

HSL 224.41, 0.58%, 0.43%

LAB 36.35, 21.42, -53.82

 

CMYK 0 / 74 / 40 / 32

HEX #AE2E68

RGB 174 46 104

HSL 332.81, 0.58%, 0.43%

LAB 41.14, 55.65, -3.15

 

CMYK 2 / 0 / 73 / 32

HEX #A9AD2E

RGB 169 173 46

HSL 61.89, 0.58%, 0.43%

LAB 68.4, -16.7, 60.57

 

CMYK 73 / 0 / 35 / 32

HEX #2EAD71

RGB 46 173 113

HSL 151.65, 0.58%, 0.43%

LAB 63.06, -48.17, 21.26

 

CMYK 71 / 73 / 0 / 32

HEX #322EAD

RGB 50 46 173

HSL 241.89, 0.58%, 0.43%

LAB 28.51, 42.89, -66.63

 

Description

Color code: RGB 174 46 104 | qconv.com Color code: RGB 174 46 104 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 46 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 46 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 40 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 40% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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