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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 44 170 it is the complementary color RGB 81 211 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 44 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 44 170 shade: RGB 179 44 165, RGB 196 62 184, RGB 213 80 203, RGB 230 98 222 and RGB 247 116 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 44 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 44 170 shade: RGB 174 44 170, RGB 157 26 151, RGB 140 8 132, RGB 123 0 113 and RGB 106 0 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 44 170 shade: RGB 175 43 171, RGB 175 43 135, RGB 175 43 100, RGB 175 43 64 and RGB 175 43 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 44 170 shade: RGB 175 43 171, RGB 144 43 175, RGB 108 43 175, RGB 73 43 175 and RGB 43 43 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 44 170 shade matches the following richer shades: RGB 175 43 171, RGB 193 26 188 and RGB 210 8 204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 44 170 shade: RGB 175 43 171, RGB 157 61 154, RGB 139 79 138, RGB 122 97 121 and RGB 104 114 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 44 170 shade: RGB 107 43 175, RGB 142 43 175, RGB 175 43 173, RGB 175 43 138 and RGB 175 43 103

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 44 170 shade: RGB 109 27 106, RGB 142 35 139, RGB 175 43 171, RGB 205 55 200 and RGB 213 88 209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 44 170 shade: RGB 174 44 170, RGB 175 72 43 and RGB 43 175 125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 44 170 shade: RGB 174 44 170, RGB 173 175 43 and RGB 43 173 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 44 170 shade: RGB 174 44 170, RGB 175 72 43, RGB 43 175 46 and RGB 43 146 175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 44 170 shade: RGB 174 44 170, RGB 175 111 43, RGB 43 175 46 and RGB 43 107 175

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 2 / 32

HEX #AE2CAA

RGB 174 44 170

HSL 301.85, 0.6%, 0.43%

LAB 43.8, 65.18, -39.32

 

Complementary color

CMYK 62 / 0 / 60 / 17

HEX #51D355

RGB 81 211 85

HSL 121.85, 0.6%, 0.57%

LAB 75.45, -60.19, 50.92

 

CMYK 0 / 75 / 8 / 30

HEX #B32CA5

RGB 179 44 165

HSL 306.22, 0.61%, 0.44%

LAB 44.38, 65.49, -35.38

 

CMYK 0 / 68 / 6 / 23

HEX #C43EB8

RGB 196 62 184

HSL 305.37, 0.53%, 0.51%

LAB 50.27, 66.29, -37.11

 

CMYK 0 / 62 / 5 / 16

HEX #D550CB

RGB 213 80 203

HSL 304.51, 0.61%, 0.57%

LAB 56.28, 66.5, -38.43

 

CMYK 0 / 57 / 3 / 10

HEX #E662DE

RGB 230 98 222

HSL 303.64, 0.73%, 0.64%

LAB 62.37, 66.34, -39.46

 

CMYK 0 / 53 / 2 / 3

HEX #F774F1

RGB 247 116 241

HSL 302.75, 0.89%, 0.71%

LAB 68.47, 65.96, -40.29

 

CMYK 0 / 75 / 2 / 32

HEX #AE2CAA

RGB 174 44 170

HSL 301.85, 0.6%, 0.43%

LAB 43.8, 65.18, -39.32

 

CMYK 0 / 83 / 4 / 38

HEX #9D1A97

RGB 157 26 151

HSL 302.75, 0.72%, 0.36%

LAB 38.09, 63.53, -37.15

 

CMYK 0 / 94 / 6 / 45

HEX #8C0884

RGB 140 8 132

HSL 303.64, 0.89%, 0.29%

LAB 32.73, 60.54, -34.16

 

CMYK 0 / 100 / 8 / 52

HEX #7B0071

RGB 123 0 113

HSL 304.88, 1%, 0.24%

LAB 27.85, 55.73, -30.1

 

CMYK 0 / 100 / 11 / 58

HEX #6A005E

RGB 106 0 94

HSL 306.79, 1%, 0.21%

LAB 23.24, 49.64, -25.25

 

CMYK 0 / 75 / 2 / 31

HEX #AF2BAB

RGB 175 43 171

HSL 301.82, 0.61%, 0.43%

LAB 43.92, 65.86, -39.72

 

CMYK 0 / 75 / 23 / 31

HEX #AF2B87

RGB 175 43 135

HSL 318.18, 0.61%, 0.43%

LAB 42.14, 60.59, -20.81

 

CMYK 0 / 75 / 43 / 31

HEX #AF2B64

RGB 175 43 100

HSL 334.09, 0.61%, 0.43%

LAB 40.84, 56.54, -1.06

 

CMYK 0 / 75 / 63 / 31

HEX #AF2B40

RGB 175 43 64

HSL 350.45, 0.61%, 0.43%

LAB 39.94, 53.64, 20.38

 

CMYK 0 / 75 / 75 / 31

HEX #AF2B2B

RGB 175 43 43

HSL 0, 0.61%, 0.43%

LAB 39.61, 52.56, 32.82

 

CMYK 0 / 75 / 2 / 31

HEX #AF2BAB

RGB 175 43 171

HSL 301.82, 0.61%, 0.43%

LAB 43.92, 65.86, -39.72

 

CMYK 18 / 75 / 0 / 31

HEX #902BAF

RGB 144 43 175

HSL 285.91, 0.61%, 0.43%

LAB 39.16, 60.15, -49.99

 

CMYK 38 / 75 / 0 / 31

HEX #6C2BAF

RGB 108 43 175

HSL 269.55, 0.61%, 0.43%

LAB 34.01, 53.37, -58.59

 

CMYK 58 / 75 / 0 / 31

HEX #492BAF

RGB 73 43 175

HSL 253.64, 0.61%, 0.43%

LAB 30.01, 47.9, -65.29

 

CMYK 75 / 75 / 0 / 31

HEX #2B2BAF

RGB 43 43 175

HSL 240, 0.61%, 0.43%

LAB 27.67, 44.59, -69.22

 

CMYK 0 / 75 / 2 / 31

HEX #AF2BAB

RGB 175 43 171

HSL 301.82, 0.61%, 0.43%

LAB 43.92, 65.86, -39.72

 

CMYK 0 / 87 / 3 / 24

HEX #C11ABC

RGB 193 26 188

HSL 301.8, 0.76%, 0.43%

LAB 46.59, 76.02, -45.3

 

CMYK 0 / 96 / 3 / 18

HEX #D208CC

RGB 210 8 204

HSL 301.78, 0.93%, 0.43%

LAB 49.78, 83.4, -49.33

 

CMYK 0 / 75 / 2 / 31

HEX #AF2BAB

RGB 175 43 171

HSL 301.82, 0.61%, 0.43%

LAB 43.92, 65.86, -39.72

 

CMYK 0 / 61 / 2 / 38

HEX #9D3D9A

RGB 157 61 154

HSL 301.88, 0.44%, 0.43%

LAB 42.52, 51.97, -31.97

 

CMYK 0 / 43 / 1 / 45

HEX #8B4F8A

RGB 139 79 138

HSL 301, 0.28%, 0.43%

LAB 42.64, 34.55, -22.32

 

CMYK 0 / 20 / 1 / 52

HEX #7A6179

RGB 122 97 121

HSL 302.4, 0.11%, 0.43%

LAB 44.33, 14.6, -9.62

 

CMYK 9 / 0 / 9 / 55

HEX #687268

RGB 104 114 104

HSL 120, 0.05%, 0.43%

LAB 46.94, -5.85, 4.25

 

CMYK 39 / 75 / 0 / 31

HEX #6B2BAF

RGB 107 43 175

HSL 269.09, 0.61%, 0.43%

LAB 33.88, 53.19, -58.8

 

CMYK 19 / 75 / 0 / 31

HEX #8E2BAF

RGB 142 43 175

HSL 285, 0.61%, 0.43%

LAB 38.85, 59.75, -50.5

 

CMYK 0 / 75 / 1 / 31

HEX #AF2BAD

RGB 175 43 173

HSL 300.91, 0.61%, 0.43%

LAB 44.03, 66.18, -40.73

 

CMYK 0 / 75 / 21 / 31

HEX #AF2B8A

RGB 175 43 138

HSL 316.82, 0.61%, 0.43%

LAB 42.27, 60.99, -22.44

 

CMYK 0 / 75 / 41 / 31

HEX #AF2B67

RGB 175 43 103

HSL 332.73, 0.61%, 0.43%

LAB 40.93, 56.84, -2.81

 

CMYK 0 / 75 / 3 / 57

HEX #6D1B6A

RGB 109 27 106

HSL 302.2, 0.6%, 0.27%

LAB 26.95, 45.28, -27.19

 

CMYK 0 / 75 / 2 / 44

HEX #8E238B

RGB 142 35 139

HSL 301.68, 0.6%, 0.35%

LAB 35.63, 55.91, -33.88

 

CMYK 0 / 75 / 2 / 31

HEX #AF2BAB

RGB 175 43 171

HSL 301.82, 0.61%, 0.43%

LAB 43.92, 65.86, -39.72

 

CMYK 0 / 73 / 2 / 20

HEX #CD37C8

RGB 205 55 200

HSL 302, 0.6%, 0.51%

LAB 51.7, 73.15, -44.02

 

CMYK 0 / 59 / 2 / 16

HEX #D558D1

RGB 213 88 209

HSL 301.92, 0.6%, 0.59%

LAB 57.78, 64.15, -39.5

 

CMYK 0 / 75 / 2 / 32

HEX #AE2CAA

RGB 174 44 170

HSL 301.85, 0.6%, 0.43%

LAB 43.8, 65.18, -39.32

 

CMYK 0 / 59 / 75 / 31

HEX #AF482B

RGB 175 72 43

HSL 13.18, 0.61%, 0.43%

LAB 44.12, 40.38, 37.75

 

CMYK 75 / 0 / 29 / 31

HEX #2BAF7D

RGB 43 175 125

HSL 157.27, 0.61%, 0.43%

LAB 63.88, -46.78, 15.83

 

CMYK 0 / 75 / 2 / 32

HEX #AE2CAA

RGB 174 44 170

HSL 301.85, 0.6%, 0.43%

LAB 43.8, 65.18, -39.32

 

CMYK 1 / 0 / 75 / 31

HEX #ADAF2B

RGB 173 175 43

HSL 60.91, 0.61%, 0.43%

LAB 69.27, -16.12, 62.51

 

CMYK 75 / 1 / 0 / 31

HEX #2BADAF

RGB 43 173 175

HSL 180.91, 0.61%, 0.43%

LAB 64.56, -32.63, -10.93

 

CMYK 0 / 75 / 2 / 32

HEX #AE2CAA

RGB 174 44 170

HSL 301.85, 0.6%, 0.43%

LAB 43.8, 65.18, -39.32

 

CMYK 0 / 59 / 75 / 31

HEX #AF482B

RGB 175 72 43

HSL 13.18, 0.61%, 0.43%

LAB 44.12, 40.38, 37.75

 

CMYK 75 / 0 / 74 / 31

HEX #2BAF2E

RGB 43 175 46

HSL 121.36, 0.61%, 0.43%

LAB 62.82, -59.03, 53

 

CMYK 75 / 17 / 0 / 31

HEX #2B92AF

RGB 43 146 175

HSL 193.18, 0.61%, 0.43%

LAB 56.25, -19.02, -23.53

 

CMYK 0 / 75 / 2 / 32

HEX #AE2CAA

RGB 174 44 170

HSL 301.85, 0.6%, 0.43%

LAB 43.8, 65.18, -39.32

 

CMYK 0 / 37 / 75 / 31

HEX #AF6F2B

RGB 175 111 43

HSL 30.91, 0.61%, 0.43%

LAB 52.57, 19.58, 46.52

 

CMYK 75 / 0 / 74 / 31

HEX #2BAF2E

RGB 43 175 46

HSL 121.36, 0.61%, 0.43%

LAB 62.82, -59.03, 53

 

CMYK 75 / 39 / 0 / 31

HEX #2B6BAF

RGB 43 107 175

HSL 210.91, 0.61%, 0.43%

LAB 44.41, 3.62, -42.06

 

Description

Color code: RGB 174 44 170 | qconv.com Color code: RGB 174 44 170 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 44 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 44 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 2 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 2% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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