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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 242 85 it is the complementary color RGB 81 13 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 242 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 242 85 shade: RGB 179 242 80, RGB 196 255 99, RGB 213 255 118, RGB 230 255 137 and RGB 247 255 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 242 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 242 85 shade: RGB 174 242 85, RGB 157 224 66, RGB 140 206 47, RGB 123 188 28 and RGB 106 170 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 242 85 shade: RGB 173 242 84, RGB 216 242 84, RGB 242 225 84, RGB 242 182 84 and RGB 242 140 84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 242 85 shade: RGB 173 242 84, RGB 131 242 84, RGB 88 242 84, RGB 84 242 122 and RGB 84 242 165

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 242 85 shade matches the following richer shades: RGB 173 242 84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 242 85 shade: RGB 173 242 84, RGB 171 227 99, RGB 169 212 113, RGB 167 197 128 and RGB 165 182 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 242 85 shade: RGB 242 223 84, RGB 218 242 84, RGB 176 242 84, RGB 134 242 84 and RGB 92 242 84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 242 85 shade: RGB 135 226 17, RGB 155 239 45, RGB 173 242 84, RGB 192 245 122 and RGB 210 247 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 242 85 shade: RGB 174 242 85, RGB 84 242 181 and RGB 242 84 239

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 242 85 shade: RGB 174 242 85, RGB 84 176 242 and RGB 242 84 176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 242 85 shade: RGB 174 242 85, RGB 84 242 181, RGB 150 84 242 and RGB 242 84 144

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 242 85 shade: RGB 174 242 85, RGB 84 242 228, RGB 150 84 242 and RGB 242 84 97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 65 / 5

HEX #AEF255

RGB 174 242 85

HSL 85.99, 0.86%, 0.64%

LAB 88.52, -44.64, 66.46

 

Complementary color

CMYK 52 / 92 / 0 / 33

HEX #510DAA

RGB 81 13 170

HSL 265.99, 0.86%, 0.36%

LAB 26.56, 58.67, -67.94

 

CMYK 26 / 0 / 67 / 5

HEX #B3F250

RGB 179 242 80

HSL 83.33, 0.86%, 0.63%

LAB 88.76, -43.18, 68.71

 

CMYK 23 / 0 / 61 / 0

HEX #C4FF63

RGB 196 255 99

HSL 82.69, 1%, 0.69%

LAB 93.52, -41.3, 66.61

 

CMYK 16 / 0 / 54 / 0

HEX #D5FF76

RGB 213 255 118

HSL 78.39, 1%, 0.73%

LAB 94.73, -33.46, 60.16

 

CMYK 10 / 0 / 46 / 0

HEX #E6FF89

RGB 230 255 137

HSL 72.71, 1%, 0.77%

LAB 96.06, -25.31, 53.36

 

CMYK 3 / 0 / 39 / 0

HEX #F7FF9C

RGB 247 255 156

HSL 64.85, 1%, 0.81%

LAB 97.51, -16.94, 46.38

 

CMYK 28 / 0 / 65 / 5

HEX #AEF255

RGB 174 242 85

HSL 85.99, 0.86%, 0.64%

LAB 88.52, -44.64, 66.46

 

CMYK 30 / 0 / 71 / 12

HEX #9DE042

RGB 157 224 66

HSL 85.44, 0.72%, 0.57%

LAB 82.31, -44.3, 66.87

 

CMYK 32 / 0 / 77 / 19

HEX #8CCE2F

RGB 140 206 47

HSL 84.91, 0.63%, 0.5%

LAB 76.02, -43.81, 66.75

 

CMYK 35 / 0 / 85 / 26

HEX #7BBC1C

RGB 123 188 28

HSL 84.38, 0.74%, 0.42%

LAB 69.66, -43.13, 65.77

 

CMYK 38 / 0 / 95 / 33

HEX #6AAA09

RGB 106 170 9

HSL 83.85, 0.9%, 0.35%

LAB 63.2, -42.19, 63.4

 

CMYK 29 / 0 / 65 / 5

HEX #ADF254

RGB 173 242 84

HSL 86.2, 0.86%, 0.64%

LAB 88.46, -45.07, 66.76

 

CMYK 11 / 0 / 65 / 5

HEX #D8F254

RGB 216 242 84

HSL 69.87, 0.86%, 0.64%

LAB 91.12, -28.85, 70.36

 

CMYK 0 / 7 / 65 / 5

HEX #F2E154

RGB 242 225 84

HSL 53.54, 0.86%, 0.64%

LAB 88.62, -10.12, 68.4

 

CMYK 0 / 25 / 65 / 5

HEX #F2B654

RGB 242 182 84

HSL 37.22, 0.86%, 0.64%

LAB 77.86, 11.95, 56.91

 

CMYK 0 / 42 / 65 / 5

HEX #F28C54

RGB 242 140 84

HSL 21.27, 0.86%, 0.64%

LAB 68.22, 34.03, 46.06

 

CMYK 29 / 0 / 65 / 5

HEX #ADF254

RGB 173 242 84

HSL 86.2, 0.86%, 0.64%

LAB 88.46, -45.07, 66.76

 

CMYK 46 / 0 / 65 / 5

HEX #83F254

RGB 131 242 84

HSL 102.15, 0.86%, 0.64%

LAB 86.49, -58.78, 64.07

 

CMYK 64 / 0 / 65 / 5

HEX #58F254

RGB 88 242 84

HSL 118.48, 0.86%, 0.64%

LAB 85.11, -69.49, 62.17

 

CMYK 65 / 0 / 50 / 5

HEX #54F27A

RGB 84 242 122

HSL 134.43, 0.86%, 0.64%

LAB 85.4, -65.77, 45.77

 

CMYK 65 / 0 / 32 / 5

HEX #54F2A5

RGB 84 242 165

HSL 150.76, 0.86%, 0.64%

LAB 86.06, -58.47, 25.33

 

CMYK 29 / 0 / 65 / 5

HEX #ADF254

RGB 173 242 84

HSL 86.2, 0.86%, 0.64%

LAB 88.46, -45.07, 66.76

 

CMYK 29 / 0 / 65 / 5

HEX #ADF254

RGB 173 242 84

HSL 86.2, 0.86%, 0.64%

LAB 88.46, -45.07, 66.76

 

CMYK 25 / 0 / 56 / 11

HEX #ABE363

RGB 171 227 99

HSL 86.25, 0.7%, 0.64%

LAB 84.22, -37.97, 55.79

 

CMYK 20 / 0 / 47 / 17

HEX #A9D471

RGB 169 212 113

HSL 86.06, 0.54%, 0.64%

LAB 80.02, -30.37, 44.22

 

CMYK 15 / 0 / 35 / 23

HEX #A7C580

RGB 167 197 128

HSL 86.09, 0.37%, 0.64%

LAB 75.89, -22.01, 31.37

 

CMYK 9 / 0 / 21 / 29

HEX #A5B68F

RGB 165 182 143

HSL 86.15, 0.21%, 0.64%

LAB 71.85, -12.92, 17.93

 

CMYK 0 / 8 / 65 / 5

HEX #F2DF54

RGB 242 223 84

HSL 52.78, 0.86%, 0.64%

LAB 88.11, -9.12, 67.86

 

CMYK 10 / 0 / 65 / 5

HEX #DAF254

RGB 218 242 84

HSL 69.11, 0.86%, 0.64%

LAB 91.26, -28.06, 70.55

 

CMYK 27 / 0 / 65 / 5

HEX #B0F254

RGB 176 242 84

HSL 85.06, 0.86%, 0.64%

LAB 88.63, -43.99, 66.99

 

CMYK 45 / 0 / 65 / 5

HEX #86F254

RGB 134 242 84

HSL 101.01, 0.86%, 0.64%

LAB 86.61, -57.9, 64.23

 

CMYK 62 / 0 / 65 / 5

HEX #5CF254

RGB 92 242 84

HSL 116.96, 0.86%, 0.64%

LAB 85.21, -68.67, 62.31

 

CMYK 40 / 0 / 92 / 11

HEX #87E211

RGB 135 226 17

HSL 86.12, 0.86%, 0.48%

LAB 81.61, -54.71, 77.86

 

CMYK 35 / 0 / 81 / 6

HEX #9BEF2D

RGB 155 239 45

HSL 85.98, 0.86%, 0.56%

LAB 86.45, -52.31, 77.12

 

CMYK 29 / 0 / 65 / 5

HEX #ADF254

RGB 173 242 84

HSL 86.2, 0.86%, 0.64%

LAB 88.46, -45.07, 66.76

 

CMYK 22 / 0 / 50 / 4

HEX #C0F57A

RGB 192 245 122

HSL 85.85, 0.86%, 0.72%

LAB 90.74, -36.23, 53.32

 

CMYK 15 / 0 / 35 / 3

HEX #D2F7A0

RGB 210 247 160

HSL 85.52, 0.84%, 0.8%

LAB 92.91, -26.26, 37.98

 

CMYK 28 / 0 / 65 / 5

HEX #AEF255

RGB 174 242 85

HSL 85.99, 0.86%, 0.64%

LAB 88.52, -44.64, 66.46

 

CMYK 65 / 0 / 25 / 5

HEX #54F2B5

RGB 84 242 181

HSL 156.84, 0.86%, 0.64%

LAB 86.37, -55.19, 17.53

 

CMYK 0 / 65 / 1 / 5

HEX #F254EF

RGB 242 84 239

HSL 301.14, 0.86%, 0.64%

LAB 62.89, 77.56, -48.01

 

CMYK 28 / 0 / 65 / 5

HEX #AEF255

RGB 174 242 85

HSL 85.99, 0.86%, 0.64%

LAB 88.52, -44.64, 66.46

 

CMYK 65 / 27 / 0 / 5

HEX #54B0F2

RGB 84 176 242

HSL 205.06, 0.86%, 0.64%

LAB 69, -7.29, -40.96

 

CMYK 0 / 65 / 27 / 5

HEX #F254B0

RGB 242 84 176

HSL 325.06, 0.86%, 0.64%

LAB 60.21, 68.66, -16.52

 

CMYK 28 / 0 / 65 / 5

HEX #AEF255

RGB 174 242 85

HSL 85.99, 0.86%, 0.64%

LAB 88.52, -44.64, 66.46

 

CMYK 65 / 0 / 25 / 5

HEX #54F2B5

RGB 84 242 181

HSL 156.84, 0.86%, 0.64%

LAB 86.37, -55.19, 17.53

 

CMYK 38 / 65 / 0 / 5

HEX #9654F2

RGB 150 84 242

HSL 265.06, 0.86%, 0.64%

LAB 50.96, 58.39, -69.45

 

CMYK 0 / 65 / 40 / 5

HEX #F25490

RGB 242 84 144

HSL 337.22, 0.86%, 0.64%

LAB 59.19, 65.1, 0.54

 

CMYK 28 / 0 / 65 / 5

HEX #AEF255

RGB 174 242 85

HSL 85.99, 0.86%, 0.64%

LAB 88.52, -44.64, 66.46

 

CMYK 65 / 0 / 6 / 5

HEX #54F2E4

RGB 84 242 228

HSL 174.68, 0.86%, 0.64%

LAB 87.48, -44, -5.38

 

CMYK 38 / 65 / 0 / 5

HEX #9654F2

RGB 150 84 242

HSL 265.06, 0.86%, 0.64%

LAB 50.96, 58.39, -69.45

 

CMYK 0 / 65 / 60 / 5

HEX #F25461

RGB 242 84 97

HSL 355.06, 0.86%, 0.64%

LAB 58.11, 61.22, 26.52

 

Description

Color code: RGB 174 242 85 | qconv.com Color code: RGB 174 242 85 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 242 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 242 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 65 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 65% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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