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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 248 189 it is the complementary color RGB 81 7 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 248 189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 248 189 shade: RGB 179 248 184, RGB 196 255 203, RGB 213 255 222, RGB 230 255 241 and RGB 247 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 248 189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 248 189 shade: RGB 174 248 189, RGB 157 230 170, RGB 140 212 151, RGB 123 194 132 and RGB 106 176 113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 248 189 shade: RGB 175 248 189, RGB 180 248 175, RGB 199 248 175, RGB 219 248 175 and RGB 239 248 175

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 248 189 shade: RGB 175 248 189, RGB 175 248 209, RGB 175 248 229, RGB 175 247 248 and RGB 175 227 248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 248 189 shade matches the following richer shades: RGB 175 248 189

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 248 189 shade: RGB 175 248 189, RGB 182 241 194, RGB 189 234 198, RGB 196 227 202 and RGB 203 220 206

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 248 189 shade: RGB 199 248 175, RGB 180 248 175, RGB 175 248 189, RGB 175 248 209 and RGB 175 248 228

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 248 189 shade: RGB 99 241 128, RGB 137 244 159, RGB 175 248 189, RGB 213 251 220 and RGB 251 254 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 248 189 shade: RGB 174 248 189, RGB 175 218 248 and RGB 248 175 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 248 189 shade: RGB 174 248 189, RGB 189 175 248 and RGB 248 189 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 248 189 shade: RGB 174 248 189, RGB 175 218 248, RGB 248 175 233 and RGB 248 204 175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 248 189 shade: RGB 174 248 189, RGB 175 197 248, RGB 248 175 233 and RGB 248 226 175

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 24 / 3

HEX #AEF8BD

RGB 174 248 189

HSL 132.16, 0.84%, 0.83%

LAB 91.6, -34.37, 21.21

 

Complementary color

CMYK 0 / 91 / 19 / 68

HEX #510742

RGB 81 7 66

HSL 312.16, 0.84%, 0.17%

LAB 16.96, 38.16, -16.48

 

CMYK 28 / 0 / 26 / 3

HEX #B3F8B8

RGB 179 248 184

HSL 124.35, 0.83%, 0.84%

LAB 91.77, -33.67, 24.03

 

CMYK 23 / 0 / 20 / 0

HEX #C4FFCB

RGB 196 255 203

HSL 127.12, 1%, 0.88%

LAB 94.98, -28.32, 18.93

 

CMYK 16 / 0 / 13 / 0

HEX #D5FFDE

RGB 213 255 222

HSL 132.86, 1%, 0.92%

LAB 96.39, -19.55, 11.34

 

CMYK 10 / 0 / 5 / 0

HEX #E6FFF1

RGB 230 255 241

HSL 146.4, 1%, 0.95%

LAB 97.91, -10.66, 3.92

 

CMYK 3 / 0 / 0 / 0

HEX #F7FFFF

RGB 247 255 255

HSL 180, 1%, 0.98%

LAB 99.42, -2.61, -0.92

 

CMYK 30 / 0 / 24 / 3

HEX #AEF8BD

RGB 174 248 189

HSL 132.16, 0.84%, 0.83%

LAB 91.6, -34.37, 21.21

 

CMYK 32 / 0 / 26 / 10

HEX #9DE6AA

RGB 157 230 170

HSL 130.68, 0.59%, 0.76%

LAB 85.33, -34.62, 22.19

 

CMYK 34 / 0 / 29 / 17

HEX #8CD497

RGB 140 212 151

HSL 129.17, 0.46%, 0.69%

LAB 78.98, -34.88, 23.24

 

CMYK 37 / 0 / 32 / 24

HEX #7BC284

RGB 123 194 132

HSL 127.61, 0.37%, 0.62%

LAB 72.54, -35.15, 24.35

 

CMYK 40 / 0 / 36 / 31

HEX #6AB071

RGB 106 176 113

HSL 126, 0.31%, 0.55%

LAB 65.99, -35.4, 25.53

 

CMYK 29 / 0 / 24 / 3

HEX #AFF8BD

RGB 175 248 189

HSL 131.51, 0.84%, 0.83%

LAB 91.65, -34.06, 21.28

 

CMYK 27 / 0 / 29 / 3

HEX #B4F8AF

RGB 180 248 175

HSL 115.89, 0.84%, 0.83%

LAB 91.65, -34.81, 28.47

 

CMYK 20 / 0 / 29 / 3

HEX #C7F8AF

RGB 199 248 175

HSL 100.27, 0.84%, 0.83%

LAB 92.74, -28.51, 30.12

 

CMYK 12 / 0 / 29 / 3

HEX #DBF8AF

RGB 219 248 175

HSL 83.84, 0.84%, 0.83%

LAB 94.01, -21.53, 32.04

 

CMYK 4 / 0 / 29 / 3

HEX #EFF8AF

RGB 239 248 175

HSL 67.4, 0.84%, 0.83%

LAB 95.4, -14.28, 34.16

 

CMYK 29 / 0 / 24 / 3

HEX #AFF8BD

RGB 175 248 189

HSL 131.51, 0.84%, 0.83%

LAB 91.65, -34.06, 21.28

 

CMYK 29 / 0 / 16 / 3

HEX #AFF8D1

RGB 175 248 209

HSL 147.95, 0.84%, 0.83%

LAB 92.07, -30.42, 11.58

 

CMYK 29 / 0 / 8 / 3

HEX #AFF8E5

RGB 175 248 229

HSL 164.38, 0.84%, 0.83%

LAB 92.53, -26.42, 1.9

 

CMYK 29 / 0 / 0 / 3

HEX #AFF7F8

RGB 175 247 248

HSL 180.82, 0.84%, 0.83%

LAB 92.76, -21.84, -7.63

 

CMYK 29 / 8 / 0 / 3

HEX #AFE3F8

RGB 175 227 248

HSL 197.26, 0.84%, 0.83%

LAB 87.4, -11.85, -15.61

 

CMYK 29 / 0 / 24 / 3

HEX #AFF8BD

RGB 175 248 189

HSL 131.51, 0.84%, 0.83%

LAB 91.65, -34.06, 21.28

 

CMYK 29 / 0 / 24 / 3

HEX #AFF8BD

RGB 175 248 189

HSL 131.51, 0.84%, 0.83%

LAB 91.65, -34.06, 21.28

 

CMYK 24 / 0 / 20 / 5

HEX #B6F1C2

RGB 182 241 194

HSL 132.2, 0.68%, 0.83%

LAB 90.21, -27.72, 16.75

 

CMYK 19 / 0 / 15 / 8

HEX #BDEAC6

RGB 189 234 198

HSL 132, 0.52%, 0.83%

LAB 88.8, -21.38, 12.75

 

CMYK 14 / 0 / 11 / 11

HEX #C4E3CA

RGB 196 227 202

HSL 131.61, 0.36%, 0.83%

LAB 87.45, -14.89, 8.8

 

CMYK 8 / 0 / 6 / 14

HEX #CBDCCE

RGB 203 220 206

HSL 130.59, 0.2%, 0.83%

LAB 86.18, -8.27, 4.92

 

CMYK 20 / 0 / 29 / 3

HEX #C7F8AF

RGB 199 248 175

HSL 100.27, 0.84%, 0.83%

LAB 92.74, -28.51, 30.12

 

CMYK 27 / 0 / 29 / 3

HEX #B4F8AF

RGB 180 248 175

HSL 115.89, 0.84%, 0.83%

LAB 91.65, -34.81, 28.47

 

CMYK 29 / 0 / 24 / 3

HEX #AFF8BD

RGB 175 248 189

HSL 131.51, 0.84%, 0.83%

LAB 91.65, -34.06, 21.28

 

CMYK 29 / 0 / 16 / 3

HEX #AFF8D1

RGB 175 248 209

HSL 147.95, 0.84%, 0.83%

LAB 92.07, -30.42, 11.58

 

CMYK 29 / 0 / 8 / 3

HEX #AFF8E4

RGB 175 248 228

HSL 163.56, 0.84%, 0.83%

LAB 92.51, -26.63, 2.38

 

CMYK 59 / 0 / 47 / 5

HEX #63F180

RGB 99 241 128

HSL 132.25, 0.84%, 0.67%

LAB 85.57, -61.54, 43.2

 

CMYK 44 / 0 / 35 / 4

HEX #89F49F

RGB 137 244 159

HSL 132.34, 0.83%, 0.75%

LAB 88.22, -48.51, 31.58

 

CMYK 29 / 0 / 24 / 3

HEX #AFF8BD

RGB 175 248 189

HSL 131.51, 0.84%, 0.83%

LAB 91.65, -34.06, 21.28

 

CMYK 15 / 0 / 12 / 2

HEX #D5FBDC

RGB 213 251 220

HSL 131.05, 0.83%, 0.91%

LAB 95.29, -17.96, 10.8

 

CMYK 1 / 0 / 1 / 0

HEX #FBFEFB

RGB 251 254 251

HSL 120, 0.6%, 0.99%

LAB 99.36, -1.51, 1.07

 

CMYK 30 / 0 / 24 / 3

HEX #AEF8BD

RGB 174 248 189

HSL 132.16, 0.84%, 0.83%

LAB 91.6, -34.37, 21.21

 

CMYK 29 / 12 / 0 / 3

HEX #AFDAF8

RGB 175 218 248

HSL 204.66, 0.84%, 0.83%

LAB 85.01, -7.22, -19.21

 

CMYK 0 / 29 / 24 / 3

HEX #F8AFBD

RGB 248 175 189

HSL 348.49, 0.84%, 0.83%

LAB 78.63, 28.58, 3.6

 

CMYK 30 / 0 / 24 / 3

HEX #AEF8BD

RGB 174 248 189

HSL 132.16, 0.84%, 0.83%

LAB 91.6, -34.37, 21.21

 

CMYK 24 / 29 / 0 / 3

HEX #BDAFF8

RGB 189 175 248

HSL 251.51, 0.84%, 0.83%

LAB 74.99, 20.03, -34.45

 

CMYK 0 / 24 / 29 / 3

HEX #F8BDAF

RGB 248 189 175

HSL 11.51, 0.84%, 0.83%

LAB 81.54, 19.3, 15.29

 

CMYK 30 / 0 / 24 / 3

HEX #AEF8BD

RGB 174 248 189

HSL 132.16, 0.84%, 0.83%

LAB 91.6, -34.37, 21.21

 

CMYK 29 / 12 / 0 / 3

HEX #AFDAF8

RGB 175 218 248

HSL 204.66, 0.84%, 0.83%

LAB 85.01, -7.22, -19.21

 

CMYK 0 / 29 / 6 / 3

HEX #F8AFE9

RGB 248 175 233

HSL 312.33, 0.84%, 0.83%

LAB 79.9, 35.48, -18.36

 

CMYK 0 / 18 / 29 / 3

HEX #F8CCAF

RGB 248 204 175

HSL 23.84, 0.84%, 0.83%

LAB 85.12, 11.43, 20.29

 

CMYK 30 / 0 / 24 / 3

HEX #AEF8BD

RGB 174 248 189

HSL 132.16, 0.84%, 0.83%

LAB 91.6, -34.37, 21.21

 

CMYK 29 / 21 / 0 / 3

HEX #AFC5F8

RGB 175 197 248

HSL 221.92, 0.84%, 0.83%

LAB 79.51, 3.92, -27.57

 

CMYK 0 / 29 / 6 / 3

HEX #F8AFE9

RGB 248 175 233

HSL 312.33, 0.84%, 0.83%

LAB 79.9, 35.48, -18.36

 

CMYK 0 / 9 / 29 / 3

HEX #F8E2AF

RGB 248 226 175

HSL 41.92, 0.84%, 0.83%

LAB 90.53, 0.08, 27.71

 

Description

Color code: RGB 174 248 189 | qconv.com Color code: RGB 174 248 189 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 248 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 248 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 24 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 24% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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