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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 217 83 it is the complementary color RGB 81 38 172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 217 83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 217 83 shade: RGB 179 217 78, RGB 196 235 97, RGB 213 253 116, RGB 230 255 135 and RGB 247 255 154

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 217 83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 217 83 shade: RGB 174 217 83, RGB 157 199 64, RGB 140 181 45, RGB 123 163 26 and RGB 106 145 7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 217 83 shade: RGB 174 217 83, RGB 210 217 83, RGB 217 188 83, RGB 217 152 83 and RGB 217 115 83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 217 83 shade: RGB 174 217 83, RGB 138 217 83, RGB 102 217 83, RGB 83 217 100 and RGB 83 217 137

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 217 83 shade matches the following richer shades: RGB 174 217 83, RGB 180 234 66 and RGB 186 251 49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 217 83 shade: RGB 174 217 83, RGB 168 200 100, RGB 162 183 117, RGB 156 166 134 and RGB 150 149 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 217 83 shade: RGB 217 188 83, RGB 210 217 83, RGB 174 217 83, RGB 139 217 83 and RGB 103 217 83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 217 83 shade: RGB 134 179 39, RGB 158 209 49, RGB 174 217 83, RGB 190 224 117 and RGB 206 232 151

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 217 83 shade: RGB 174 217 83, RGB 83 217 152 and RGB 206 83 217

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 217 83 shade: RGB 174 217 83, RGB 83 174 217 and RGB 217 83 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 217 83 shade: RGB 174 217 83, RGB 83 217 152, RGB 125 83 217 and RGB 217 83 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 217 83 shade: RGB 174 217 83, RGB 83 217 192, RGB 125 83 217 and RGB 217 83 108

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 62 / 15

HEX #AED953

RGB 174 217 83

HSL 79.25, 0.64%, 0.59%

LAB 81.43, -33.66, 59.64

 

Complementary color

CMYK 53 / 78 / 0 / 33

HEX #5126AC

RGB 81 38 172

HSL 259.25, 0.64%, 0.41%

LAB 29.7, 50.56, -63.97

 

CMYK 18 / 0 / 64 / 15

HEX #B3D94E

RGB 179 217 78

HSL 76.4, 0.65%, 0.58%

LAB 81.71, -32.09, 62.09

 

CMYK 17 / 0 / 59 / 8

HEX #C4EB61

RGB 196 235 97

HSL 76.96, 0.78%, 0.65%

LAB 87.98, -32.45, 61.33

 

CMYK 16 / 0 / 54 / 1

HEX #D5FD74

RGB 213 253 116

HSL 77.52, 0.97%, 0.72%

LAB 94.17, -32.72, 60.39

 

CMYK 10 / 0 / 47 / 0

HEX #E6FF87

RGB 230 255 135

HSL 72.5, 1%, 0.76%

LAB 96.04, -25.5, 54.26

 

CMYK 3 / 0 / 40 / 0

HEX #F7FF9A

RGB 247 255 154

HSL 64.75, 1%, 0.8%

LAB 97.48, -17.16, 47.31

 

CMYK 20 / 0 / 62 / 15

HEX #AED953

RGB 174 217 83

HSL 79.25, 0.64%, 0.59%

LAB 81.43, -33.66, 59.64

 

CMYK 21 / 0 / 68 / 22

HEX #9DC740

RGB 157 199 64

HSL 78.67, 0.55%, 0.52%

LAB 75.07, -33.29, 60.25

 

CMYK 23 / 0 / 75 / 29

HEX #8CB52D

RGB 140 181 45

HSL 78.09, 0.6%, 0.44%

LAB 68.62, -32.77, 60.38

 

CMYK 25 / 0 / 84 / 36

HEX #7BA31A

RGB 123 163 26

HSL 77.52, 0.72%, 0.37%

LAB 62.07, -32.07, 59.65

 

CMYK 27 / 0 / 95 / 43

HEX #6A9107

RGB 106 145 7

HSL 76.96, 0.91%, 0.3%

LAB 55.41, -31.11, 57.45

 

CMYK 20 / 0 / 62 / 15

HEX #AED953

RGB 174 217 83

HSL 79.25, 0.64%, 0.59%

LAB 81.43, -33.66, 59.64

 

CMYK 3 / 0 / 62 / 15

HEX #D2D953

RGB 210 217 83

HSL 63.13, 0.64%, 0.59%

LAB 83.94, -19.36, 63.08

 

CMYK 0 / 13 / 62 / 15

HEX #D9BC53

RGB 217 188 83

HSL 47.01, 0.64%, 0.59%

LAB 76.89, -1.76, 55.6

 

CMYK 0 / 30 / 62 / 15

HEX #D99853

RGB 217 152 83

HSL 30.9, 0.64%, 0.59%

LAB 67.9, 17.4, 45.41

 

CMYK 0 / 47 / 62 / 15

HEX #D97353

RGB 217 115 83

HSL 14.33, 0.64%, 0.59%

LAB 59.56, 37.1, 35.45

 

CMYK 20 / 0 / 62 / 15

HEX #AED953

RGB 174 217 83

HSL 79.25, 0.64%, 0.59%

LAB 81.43, -33.66, 59.64

 

CMYK 36 / 0 / 62 / 15

HEX #8AD953

RGB 138 217 83

HSL 95.37, 0.64%, 0.59%

LAB 79.42, -46.67, 56.85

 

CMYK 53 / 0 / 62 / 15

HEX #66D953

RGB 102 217 83

HSL 111.49, 0.64%, 0.59%

LAB 77.92, -57.52, 54.77

 

CMYK 62 / 0 / 54 / 15

HEX #53D964

RGB 83 217 100

HSL 127.61, 0.64%, 0.59%

LAB 77.51, -60.08, 46.5

 

CMYK 62 / 0 / 37 / 15

HEX #53D989

RGB 83 217 137

HSL 144.18, 0.64%, 0.59%

LAB 78.03, -54.27, 28.86

 

CMYK 20 / 0 / 62 / 15

HEX #AED953

RGB 174 217 83

HSL 79.25, 0.64%, 0.59%

LAB 81.43, -33.66, 59.64

 

CMYK 23 / 0 / 72 / 8

HEX #B4EA42

RGB 180 234 66

HSL 79.29, 0.8%, 0.59%

LAB 86.48, -40.16, 71.44

 

CMYK 26 / 0 / 80 / 2

HEX #BAFB31

RGB 186 251 49

HSL 79.31, 0.96%, 0.59%

LAB 91.53, -46.08, 81.27

 

CMYK 20 / 0 / 62 / 15

HEX #AED953

RGB 174 217 83

HSL 79.25, 0.64%, 0.59%

LAB 81.43, -33.66, 59.64

 

CMYK 16 / 0 / 50 / 22

HEX #A8C864

RGB 168 200 100

HSL 79.2, 0.48%, 0.59%

LAB 76.41, -26.44, 46.1

 

CMYK 11 / 0 / 36 / 28

HEX #A2B775

RGB 162 183 117

HSL 79.09, 0.31%, 0.59%

LAB 71.44, -18.37, 31.22

 

CMYK 6 / 0 / 19 / 35

HEX #9CA686

RGB 156 166 134

HSL 78.75, 0.15%, 0.59%

LAB 66.57, -9.33, 15.41

 

CMYK 1 / 1 / 0 / 41

HEX #969597

RGB 150 149 151

HSL 270, 0.01%, 0.59%

LAB 61.84, 0.75, -0.93

 

CMYK 0 / 13 / 62 / 15

HEX #D9BC53

RGB 217 188 83

HSL 47.01, 0.64%, 0.59%

LAB 76.89, -1.76, 55.6

 

CMYK 3 / 0 / 62 / 15

HEX #D2D953

RGB 210 217 83

HSL 63.13, 0.64%, 0.59%

LAB 83.94, -19.36, 63.08

 

CMYK 20 / 0 / 62 / 15

HEX #AED953

RGB 174 217 83

HSL 79.25, 0.64%, 0.59%

LAB 81.43, -33.66, 59.64

 

CMYK 36 / 0 / 62 / 15

HEX #8BD953

RGB 139 217 83

HSL 94.93, 0.64%, 0.59%

LAB 79.47, -46.33, 56.92

 

CMYK 53 / 0 / 62 / 15

HEX #67D953

RGB 103 217 83

HSL 111.04, 0.64%, 0.59%

LAB 77.95, -57.26, 54.82

 

CMYK 25 / 0 / 78 / 30

HEX #86B327

RGB 134 179 39

HSL 79.29, 0.64%, 0.43%

LAB 67.62, -34.53, 61.24

 

CMYK 24 / 0 / 77 / 18

HEX #9ED131

RGB 158 209 49

HSL 79.13, 0.63%, 0.51%

LAB 77.93, -38.29, 68.3

 

CMYK 20 / 0 / 62 / 15

HEX #AED953

RGB 174 217 83

HSL 79.25, 0.64%, 0.59%

LAB 81.43, -33.66, 59.64

 

CMYK 15 / 0 / 48 / 12

HEX #BEE075

RGB 190 224 117

HSL 79.07, 0.63%, 0.67%

LAB 84.76, -27.75, 48.41

 

CMYK 11 / 0 / 35 / 9

HEX #CEE897

RGB 206 232 151

HSL 79.26, 0.64%, 0.75%

LAB 88.48, -21.68, 36.63

 

CMYK 20 / 0 / 62 / 15

HEX #AED953

RGB 174 217 83

HSL 79.25, 0.64%, 0.59%

LAB 81.43, -33.66, 59.64

 

CMYK 62 / 0 / 30 / 15

HEX #53D998

RGB 83 217 152

HSL 150.9, 0.64%, 0.59%

LAB 78.31, -51.39, 21.44

 

CMYK 5 / 62 / 0 / 15

HEX #CE53D9

RGB 206 83 217

HSL 295.07, 0.64%, 0.59%

LAB 56.4, 65.92, -46.26

 

CMYK 20 / 0 / 62 / 15

HEX #AED953

RGB 174 217 83

HSL 79.25, 0.64%, 0.59%

LAB 81.43, -33.66, 59.64

 

CMYK 62 / 20 / 0 / 15

HEX #53AED9

RGB 83 174 217

HSL 199.25, 0.64%, 0.59%

LAB 67.37, -14.33, -29.83

 

CMYK 0 / 62 / 20 / 15

HEX #D953AE

RGB 217 83 174

HSL 319.25, 0.64%, 0.59%

LAB 56.08, 61.95, -22

 

CMYK 20 / 0 / 62 / 15

HEX #AED953

RGB 174 217 83

HSL 79.25, 0.64%, 0.59%

LAB 81.43, -33.66, 59.64

 

CMYK 62 / 0 / 30 / 15

HEX #53D998

RGB 83 217 152

HSL 150.9, 0.64%, 0.59%

LAB 78.31, -51.39, 21.44

 

CMYK 42 / 62 / 0 / 15

HEX #7D53D9

RGB 125 83 217

HSL 258.81, 0.64%, 0.59%

LAB 46.39, 47.45, -62.87

 

CMYK 0 / 62 / 32 / 15

HEX #D95394

RGB 217 83 148

HSL 330.9, 0.64%, 0.59%

LAB 55.15, 58.57, -8.21

 

CMYK 20 / 0 / 62 / 15

HEX #AED953

RGB 174 217 83

HSL 79.25, 0.64%, 0.59%

LAB 81.43, -33.66, 59.64

 

CMYK 62 / 0 / 12 / 15

HEX #53D9C0

RGB 83 217 192

HSL 168.81, 0.64%, 0.59%

LAB 79.2, -42.33, 1.5

 

CMYK 42 / 62 / 0 / 15

HEX #7D53D9

RGB 125 83 217

HSL 258.81, 0.64%, 0.59%

LAB 46.39, 47.45, -62.87

 

CMYK 0 / 62 / 50 / 15

HEX #D9536C

RGB 217 83 108

HSL 348.81, 0.64%, 0.59%

LAB 54.05, 54.44, 13.88

 

Description

Color code: RGB 174 217 83 | qconv.com Color code: RGB 174 217 83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 217 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 217 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 62 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 62% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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