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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 207 88 it is the complementary color RGB 81 48 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 207 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 207 88 shade: RGB 179 207 83, RGB 196 225 102, RGB 213 243 121, RGB 230 255 140 and RGB 247 255 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 207 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 207 88 shade: RGB 174 207 88, RGB 157 189 69, RGB 140 171 50, RGB 123 153 31 and RGB 106 135 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 207 88 shade: RGB 174 206 88, RGB 205 206 88, RGB 206 175 88, RGB 206 144 88 and RGB 206 112 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 207 88 shade: RGB 174 206 88, RGB 142 206 88, RGB 110 206 88, RGB 88 206 99 and RGB 88 206 130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 207 88 shade matches the following richer shades: RGB 174 206 88, RGB 181 224 71 and RGB 189 241 54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 207 88 shade: RGB 174 206 88, RGB 166 189 106, RGB 158 172 123, RGB 150 154 140 and RGB 143 137 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 207 88 shade: RGB 206 175 88, RGB 206 206 88, RGB 175 206 88, RGB 143 206 88 and RGB 112 206 88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 207 88 shade: RGB 132 165 47, RGB 158 197 57, RGB 174 206 88, RGB 189 216 120 and RGB 205 225 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 207 88 shade: RGB 174 207 88, RGB 88 206 143 and RGB 191 88 206

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 207 88 shade: RGB 174 207 88, RGB 88 175 206 and RGB 206 88 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 207 88 shade: RGB 174 207 88, RGB 88 206 143, RGB 120 88 206 and RGB 206 88 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 207 88 shade: RGB 174 207 88, RGB 88 206 179, RGB 120 88 206 and RGB 206 88 116

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 57 / 19

HEX #AECF58

RGB 174 207 88

HSL 76.64, 0.55%, 0.58%

LAB 78.65, -28.58, 54.39

 

Complementary color

CMYK 51 / 71 / 0 / 35

HEX #5130A7

RGB 81 48 167

HSL 256.64, 0.55%, 0.42%

LAB 31, 44.16, -58.83

 

CMYK 14 / 0 / 60 / 19

HEX #B3CF53

RGB 179 207 83

HSL 73.55, 0.56%, 0.57%

LAB 78.95, -27.01, 57.01

 

CMYK 13 / 0 / 55 / 12

HEX #C4E166

RGB 196 225 102

HSL 74.15, 0.67%, 0.64%

LAB 85.27, -27.35, 56.07

 

CMYK 12 / 0 / 50 / 5

HEX #D5F379

RGB 213 243 121

HSL 74.75, 0.84%, 0.71%

LAB 91.52, -27.62, 55.03

 

CMYK 10 / 0 / 45 / 0

HEX #E6FF8C

RGB 230 255 140

HSL 73.04, 1%, 0.77%

LAB 96.09, -25.01, 51.99

 

CMYK 3 / 0 / 38 / 0

HEX #F7FF9F

RGB 247 255 159

HSL 65, 1%, 0.81%

LAB 97.55, -16.62, 44.98

 

CMYK 16 / 0 / 57 / 19

HEX #AECF58

RGB 174 207 88

HSL 76.64, 0.55%, 0.58%

LAB 78.65, -28.58, 54.39

 

CMYK 17 / 0 / 63 / 26

HEX #9DBD45

RGB 157 189 69

HSL 76, 0.48%, 0.51%

LAB 72.22, -28.23, 55.24

 

CMYK 18 / 0 / 71 / 33

HEX #8CAB32

RGB 140 171 50

HSL 75.37, 0.55%, 0.43%

LAB 65.7, -27.75, 55.74

 

CMYK 20 / 0 / 80 / 40

HEX #7B991F

RGB 123 153 31

HSL 74.75, 0.66%, 0.36%

LAB 59.06, -27.1, 55.56

 

CMYK 21 / 0 / 91 / 47

HEX #6A870C

RGB 106 135 12

HSL 74.15, 0.84%, 0.29%

LAB 52.31, -26.2, 54.09

 

CMYK 16 / 0 / 57 / 19

HEX #AECE58

RGB 174 206 88

HSL 76.27, 0.55%, 0.58%

LAB 78.37, -28.1, 54.07

 

CMYK 0 / 0 / 57 / 19

HEX #CDCE58

RGB 205 206 88

HSL 60.51, 0.55%, 0.58%

LAB 80.64, -15.62, 57.24

 

CMYK 0 / 15 / 57 / 19

HEX #CEAF58

RGB 206 175 88

HSL 44.24, 0.55%, 0.58%

LAB 72.55, 0.79, 48.08

 

CMYK 0 / 30 / 57 / 19

HEX #CE9058

RGB 206 144 88

HSL 28.47, 0.55%, 0.58%

LAB 64.78, 17.5, 38.84

 

CMYK 0 / 46 / 57 / 19

HEX #CE7058

RGB 206 112 88

HSL 12.2, 0.55%, 0.58%

LAB 57.48, 34.74, 29.75

 

CMYK 16 / 0 / 57 / 19

HEX #AECE58

RGB 174 206 88

HSL 76.27, 0.55%, 0.58%

LAB 78.37, -28.1, 54.07

 

CMYK 31 / 0 / 57 / 19

HEX #8ECE58

RGB 142 206 88

HSL 92.54, 0.55%, 0.58%

LAB 76.43, -40.08, 51.35

 

CMYK 47 / 0 / 57 / 19

HEX #6ECE58

RGB 110 206 88

HSL 108.81, 0.55%, 0.58%

LAB 74.93, -50.5, 49.22

 

CMYK 57 / 0 / 52 / 19

HEX #58CE63

RGB 88 206 99

HSL 125.59, 0.55%, 0.58%

LAB 74.27, -55.01, 43.08

 

CMYK 57 / 0 / 37 / 19

HEX #58CE82

RGB 88 206 130

HSL 141.36, 0.55%, 0.58%

LAB 74.72, -50.12, 28.08

 

CMYK 16 / 0 / 57 / 19

HEX #AECE58

RGB 174 206 88

HSL 76.27, 0.55%, 0.58%

LAB 78.37, -28.1, 54.07

 

CMYK 19 / 0 / 68 / 12

HEX #B5E047

RGB 181 224 71

HSL 76.86, 0.71%, 0.58%

LAB 83.75, -35, 66.96

 

CMYK 22 / 0 / 78 / 5

HEX #BDF136

RGB 189 241 54

HSL 76.68, 0.87%, 0.58%

LAB 88.92, -40.42, 77.66

 

CMYK 16 / 0 / 57 / 19

HEX #AECE58

RGB 174 206 88

HSL 76.27, 0.55%, 0.58%

LAB 78.37, -28.1, 54.07

 

CMYK 12 / 0 / 44 / 26

HEX #A6BD6A

RGB 166 189 106

HSL 76.63, 0.39%, 0.58%

LAB 73.25, -21.18, 39.24

 

CMYK 8 / 0 / 28 / 33

HEX #9EAC7B

RGB 158 172 123

HSL 77.14, 0.23%, 0.58%

LAB 68.17, -13.43, 23.64

 

CMYK 3 / 0 / 9 / 40

HEX #969A8C

RGB 150 154 140

HSL 77.14, 0.06%, 0.58%

LAB 62.92, -4.07, 6.84

 

CMYK 9 / 13 / 0 / 38

HEX #8F899E

RGB 143 137 158

HSL 257.14, 0.1%, 0.58%

LAB 58.23, 6.48, -10.33

 

CMYK 0 / 15 / 57 / 19

HEX #CEAF58

RGB 206 175 88

HSL 44.24, 0.55%, 0.58%

LAB 72.55, 0.79, 48.08

 

CMYK 0 / 0 / 57 / 19

HEX #CECE58

RGB 206 206 88

HSL 60, 0.55%, 0.58%

LAB 80.72, -15.21, 57.35

 

CMYK 15 / 0 / 57 / 19

HEX #AFCE58

RGB 175 206 88

HSL 75.76, 0.55%, 0.58%

LAB 78.44, -27.71, 54.17

 

CMYK 31 / 0 / 57 / 19

HEX #8FCE58

RGB 143 206 88

HSL 92.03, 0.55%, 0.58%

LAB 76.49, -39.73, 51.43

 

CMYK 46 / 0 / 57 / 19

HEX #70CE58

RGB 112 206 88

HSL 107.8, 0.55%, 0.58%

LAB 75.01, -49.91, 49.33

 

CMYK 20 / 0 / 72 / 35

HEX #84A52F

RGB 132 165 47

HSL 76.78, 0.56%, 0.42%

LAB 63.36, -28.32, 54.36

 

CMYK 20 / 0 / 71 / 23

HEX #9EC539

RGB 158 197 57

HSL 76.71, 0.55%, 0.5%

LAB 74.51, -32.4, 62.32

 

CMYK 16 / 0 / 57 / 19

HEX #AECE58

RGB 174 206 88

HSL 76.27, 0.55%, 0.58%

LAB 78.37, -28.1, 54.07

 

CMYK 13 / 0 / 44 / 15

HEX #BDD878

RGB 189 216 120

HSL 76.88, 0.55%, 0.66%

LAB 82.53, -23.98, 44.2

 

CMYK 9 / 0 / 32 / 12

HEX #CDE198

RGB 205 225 152

HSL 76.44, 0.55%, 0.74%

LAB 86.55, -18.5, 33.58

 

CMYK 16 / 0 / 57 / 19

HEX #AECF58

RGB 174 207 88

HSL 76.64, 0.55%, 0.58%

LAB 78.65, -28.58, 54.39

 

CMYK 57 / 0 / 31 / 19

HEX #58CE8F

RGB 88 206 143

HSL 147.97, 0.55%, 0.58%

LAB 74.95, -47.66, 21.59

 

CMYK 7 / 57 / 0 / 19

HEX #BF58CE

RGB 191 88 206

HSL 292.37, 0.55%, 0.58%

LAB 54.57, 57.99, -43.06

 

CMYK 16 / 0 / 57 / 19

HEX #AECF58

RGB 174 207 88

HSL 76.64, 0.55%, 0.58%

LAB 78.65, -28.58, 54.39

 

CMYK 57 / 15 / 0 / 19

HEX #58AFCE

RGB 88 175 206

HSL 195.76, 0.55%, 0.58%

LAB 67.42, -17.27, -23.67

 

CMYK 0 / 57 / 15 / 19

HEX #CE58AF

RGB 206 88 175

HSL 315.76, 0.55%, 0.58%

LAB 55.27, 56.82, -23.96

 

CMYK 16 / 0 / 57 / 19

HEX #AECF58

RGB 174 207 88

HSL 76.64, 0.55%, 0.58%

LAB 78.65, -28.58, 54.39

 

CMYK 57 / 0 / 31 / 19

HEX #58CE8F

RGB 88 206 143

HSL 147.97, 0.55%, 0.58%

LAB 74.95, -47.66, 21.59

 

CMYK 42 / 57 / 0 / 19

HEX #7858CE

RGB 120 88 206

HSL 256.27, 0.55%, 0.58%

LAB 46.22, 40.56, -56.87

 

CMYK 0 / 57 / 27 / 19

HEX #CE5897

RGB 206 88 151

HSL 327.97, 0.55%, 0.58%

LAB 54.38, 53.4, -11.3

 

CMYK 16 / 0 / 57 / 19

HEX #AECF58

RGB 174 207 88

HSL 76.64, 0.55%, 0.58%

LAB 78.65, -28.58, 54.39

 

CMYK 57 / 0 / 13 / 19

HEX #58CEB3

RGB 88 206 179

HSL 166.27, 0.55%, 0.58%

LAB 75.74, -39.71, 3.48

 

CMYK 42 / 57 / 0 / 19

HEX #7858CE

RGB 120 88 206

HSL 256.27, 0.55%, 0.58%

LAB 46.22, 40.56, -56.87

 

CMYK 0 / 57 / 44 / 19

HEX #CE5874

RGB 206 88 116

HSL 345.76, 0.55%, 0.58%

LAB 53.34, 49.29, 7.88

 

Description

Color code: RGB 174 207 88 | qconv.com Color code: RGB 174 207 88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 207 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 207 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 57 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 57% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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