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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 204 117 it is the complementary color RGB 81 51 138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 204 117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 204 117 shade: RGB 179 204 112, RGB 196 222 131, RGB 213 240 150, RGB 230 255 169 and RGB 247 255 188

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 204 117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 204 117 shade: RGB 174 204 117, RGB 157 186 98, RGB 140 168 79, RGB 123 150 60 and RGB 106 132 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 204 117 shade: RGB 174 204 117, RGB 197 204 117, RGB 204 187 117, RGB 204 163 117 and RGB 204 140 117

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 204 117 shade: RGB 174 204 117, RGB 150 204 117, RGB 127 204 117, RGB 117 204 130 and RGB 117 204 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 204 117 shade matches the following richer shades: RGB 174 204 117, RGB 178 219 101, RGB 183 234 86 and RGB 188 249 71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 204 117 shade: RGB 174 204 117, RGB 169 188 132, RGB 164 173 147, RGB 159 158 163 and RGB 155 142 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 204 117 shade: RGB 204 186 117, RGB 198 204 117, RGB 175 204 117, RGB 151 204 117 and RGB 128 204 117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 204 117 shade: RGB 136 174 64, RGB 156 192 87, RGB 174 204 117, RGB 191 215 147 and RGB 209 226 177

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 204 117 shade: RGB 174 204 117, RGB 117 204 163 and RGB 198 117 204

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 204 117 shade: RGB 174 204 117, RGB 117 175 204 and RGB 204 117 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 204 117 shade: RGB 174 204 117, RGB 117 204 163, RGB 146 117 204 and RGB 204 117 157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 204 117 shade: RGB 174 204 117, RGB 117 204 189, RGB 146 117 204 and RGB 204 117 131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 43 / 20

HEX #AECC75

RGB 174 204 117

HSL 80.69, 0.46%, 0.63%

LAB 78.15, -24.2, 39.99

 

Complementary color

CMYK 41 / 63 / 0 / 46

HEX #51338A

RGB 81 51 138

HSL 260.69, 0.46%, 0.37%

LAB 29.29, 34.06, -43.91

 

CMYK 12 / 0 / 45 / 20

HEX #B3CC70

RGB 179 204 112

HSL 76.3, 0.47%, 0.62%

LAB 78.43, -22.85, 42.89

 

CMYK 12 / 0 / 41 / 13

HEX #C4DE83

RGB 196 222 131

HSL 77.14, 0.58%, 0.69%

LAB 84.8, -22.99, 41.74

 

CMYK 11 / 0 / 38 / 6

HEX #D5F096

RGB 213 240 150

HSL 78, 0.75%, 0.76%

LAB 91.08, -23.08, 40.6

 

CMYK 10 / 0 / 34 / 0

HEX #E6FFA9

RGB 230 255 169

HSL 77.44, 1%, 0.83%

LAB 96.5, -21.72, 38.47

 

CMYK 3 / 0 / 26 / 0

HEX #F7FFBC

RGB 247 255 188

HSL 67.16, 1%, 0.87%

LAB 98, -13.11, 31.22

 

CMYK 15 / 0 / 43 / 20

HEX #AECC75

RGB 174 204 117

HSL 80.69, 0.46%, 0.63%

LAB 78.15, -24.2, 39.99

 

CMYK 16 / 0 / 47 / 27

HEX #9DBA62

RGB 157 186 98

HSL 79.77, 0.39%, 0.56%

LAB 71.67, -24.1, 41.16

 

CMYK 17 / 0 / 53 / 34

HEX #8CA84F

RGB 140 168 79

HSL 78.88, 0.36%, 0.48%

LAB 65.08, -23.95, 42.31

 

CMYK 18 / 0 / 60 / 41

HEX #7B963C

RGB 123 150 60

HSL 78, 0.43%, 0.41%

LAB 58.37, -23.7, 43.38

 

CMYK 20 / 0 / 69 / 48

HEX #6A8429

RGB 106 132 41

HSL 77.14, 0.53%, 0.34%

LAB 51.53, -23.31, 44.16

 

CMYK 15 / 0 / 43 / 20

HEX #AECC75

RGB 174 204 117

HSL 80.69, 0.46%, 0.63%

LAB 78.15, -24.2, 39.99

 

CMYK 3 / 0 / 43 / 20

HEX #C5CC75

RGB 197 204 117

HSL 64.83, 0.46%, 0.63%

LAB 79.81, -15.26, 42.42

 

CMYK 0 / 8 / 43 / 20

HEX #CCBB75

RGB 204 187 117

HSL 48.28, 0.46%, 0.63%

LAB 75.86, -3.72, 37.57

 

CMYK 0 / 20 / 43 / 20

HEX #CCA375

RGB 204 163 117

HSL 31.72, 0.46%, 0.63%

LAB 69.69, 9.06, 29.61

 

CMYK 0 / 31 / 43 / 20

HEX #CC8C75

RGB 204 140 117

HSL 15.86, 0.46%, 0.63%

LAB 64.06, 21.6, 22.12

 

CMYK 15 / 0 / 43 / 20

HEX #AECC75

RGB 174 204 117

HSL 80.69, 0.46%, 0.63%

LAB 78.15, -24.2, 39.99

 

CMYK 26 / 0 / 43 / 20

HEX #96CC75

RGB 150 204 117

HSL 97.24, 0.46%, 0.63%

LAB 76.65, -33.03, 37.78

 

CMYK 38 / 0 / 43 / 20

HEX #7FCC75

RGB 127 204 117

HSL 113.1, 0.46%, 0.63%

LAB 75.44, -40.75, 35.98

 

CMYK 43 / 0 / 36 / 20

HEX #75CC82

RGB 117 204 130

HSL 128.97, 0.46%, 0.63%

LAB 75.19, -41.78, 28.9

 

CMYK 43 / 0 / 25 / 20

HEX #75CC9A

RGB 117 204 154

HSL 145.52, 0.46%, 0.63%

LAB 75.64, -37.42, 16.87

 

CMYK 15 / 0 / 43 / 20

HEX #AECC75

RGB 174 204 117

HSL 80.69, 0.46%, 0.63%

LAB 78.15, -24.2, 39.99

 

CMYK 19 / 0 / 54 / 14

HEX #B2DB65

RGB 178 219 101

HSL 80.85, 0.62%, 0.63%

LAB 82.42, -31.52, 52.91

 

CMYK 22 / 0 / 63 / 8

HEX #B7EA56

RGB 183 234 86

HSL 80.68, 0.78%, 0.63%

LAB 86.79, -37.75, 64.37

 

CMYK 24 / 0 / 71 / 2

HEX #BCF947

RGB 188 249 71

HSL 80.56, 0.94%, 0.63%

LAB 91.19, -43.47, 74.53

 

CMYK 15 / 0 / 43 / 20

HEX #AECC75

RGB 174 204 117

HSL 80.69, 0.46%, 0.63%

LAB 78.15, -24.2, 39.99

 

CMYK 10 / 0 / 30 / 26

HEX #A9BC84

RGB 169 188 132

HSL 80.36, 0.29%, 0.63%

LAB 73.59, -16.18, 26.24

 

CMYK 5 / 0 / 15 / 32

HEX #A4AD93

RGB 164 173 147

HSL 80.77, 0.14%, 0.63%

LAB 69.39, -7.91, 12.3

 

CMYK 2 / 3 / 0 / 36

HEX #9F9EA3

RGB 159 158 163

HSL 252, 0.03%, 0.63%

LAB 65.33, 1.33, -2.48

 

CMYK 13 / 20 / 0 / 30

HEX #9B8EB2

RGB 155 142 178

HSL 261.67, 0.19%, 0.63%

LAB 61.25, 12.05, -17.08

 

CMYK 0 / 9 / 43 / 20

HEX #CCBA75

RGB 204 186 117

HSL 47.59, 0.46%, 0.63%

LAB 75.6, -3.2, 37.24

 

CMYK 3 / 0 / 43 / 20

HEX #C6CC75

RGB 198 204 117

HSL 64.14, 0.46%, 0.63%

LAB 79.88, -14.86, 42.53

 

CMYK 14 / 0 / 43 / 20

HEX #AFCC75

RGB 175 204 117

HSL 80, 0.46%, 0.63%

LAB 78.22, -23.82, 40.09

 

CMYK 26 / 0 / 43 / 20

HEX #97CC75

RGB 151 204 117

HSL 96.55, 0.46%, 0.63%

LAB 76.71, -32.67, 37.86

 

CMYK 37 / 0 / 43 / 20

HEX #80CC75

RGB 128 204 117

HSL 112.41, 0.46%, 0.63%

LAB 75.49, -40.44, 36.05

 

CMYK 22 / 0 / 63 / 32

HEX #88AE40

RGB 136 174 64

HSL 80.73, 0.46%, 0.47%

LAB 66.43, -29.82, 50.71

 

CMYK 19 / 0 / 55 / 25

HEX #9CC057

RGB 156 192 87

HSL 80.57, 0.45%, 0.55%

LAB 73.19, -28.53, 48.27

 

CMYK 15 / 0 / 43 / 20

HEX #AECC75

RGB 174 204 117

HSL 80.69, 0.46%, 0.63%

LAB 78.15, -24.2, 39.99

 

CMYK 11 / 0 / 32 / 16

HEX #BFD793

RGB 191 215 147

HSL 81.18, 0.46%, 0.71%

LAB 82.8, -19.41, 30.98

 

CMYK 8 / 0 / 22 / 11

HEX #D1E2B1

RGB 209 226 177

HSL 80.82, 0.46%, 0.79%

LAB 87.54, -14.02, 22.11

 

CMYK 15 / 0 / 43 / 20

HEX #AECC75

RGB 174 204 117

HSL 80.69, 0.46%, 0.63%

LAB 78.15, -24.2, 39.99

 

CMYK 43 / 0 / 20 / 20

HEX #75CCA3

RGB 117 204 163

HSL 151.72, 0.46%, 0.63%

LAB 75.83, -35.61, 12.33

 

CMYK 3 / 43 / 0 / 20

HEX #C675CC

RGB 198 117 204

HSL 295.86, 0.46%, 0.63%

LAB 60.86, 45.11, -32

 

CMYK 15 / 0 / 43 / 20

HEX #AECC75

RGB 174 204 117

HSL 80.69, 0.46%, 0.63%

LAB 78.15, -24.2, 39.99

 

CMYK 43 / 14 / 0 / 20

HEX #75AFCC

RGB 117 175 204

HSL 200, 0.46%, 0.63%

LAB 68.61, -11.27, -20.65

 

CMYK 0 / 43 / 14 / 20

HEX #CC75AF

RGB 204 117 175

HSL 320, 0.46%, 0.63%

LAB 60.48, 41.91, -16.05

 

CMYK 15 / 0 / 43 / 20

HEX #AECC75

RGB 174 204 117

HSL 80.69, 0.46%, 0.63%

LAB 78.15, -24.2, 39.99

 

CMYK 43 / 0 / 20 / 20

HEX #75CCA3

RGB 117 204 163

HSL 151.72, 0.46%, 0.63%

LAB 75.83, -35.61, 12.33

 

CMYK 28 / 43 / 0 / 20

HEX #9275CC

RGB 146 117 204

HSL 260, 0.46%, 0.63%

LAB 55.27, 29.85, -41.15

 

CMYK 0 / 43 / 23 / 20

HEX #CC759D

RGB 204 117 157

HSL 332.41, 0.46%, 0.63%

LAB 59.88, 39.14, -6.6

 

CMYK 15 / 0 / 43 / 20

HEX #AECC75

RGB 174 204 117

HSL 80.69, 0.46%, 0.63%

LAB 78.15, -24.2, 39.99

 

CMYK 43 / 0 / 7 / 20

HEX #75CCBD

RGB 117 204 189

HSL 169.66, 0.46%, 0.63%

LAB 76.46, -29.83, -0.74

 

CMYK 28 / 43 / 0 / 20

HEX #9275CC

RGB 146 117 204

HSL 260, 0.46%, 0.63%

LAB 55.27, 29.85, -41.15

 

CMYK 0 / 43 / 36 / 20

HEX #CC7583

RGB 204 117 131

HSL 350.34, 0.46%, 0.63%

LAB 59.16, 35.65, 7.34

 

Description

Color code: RGB 174 204 117 | qconv.com Color code: RGB 174 204 117 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 204 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 204 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 43 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 43% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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