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Color name
RGB 174 189 112

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 189 112 it is the complementary color RGB 81 66 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 189 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 189 112 shade: RGB 179 189 107, RGB 196 207 126, RGB 213 225 145, RGB 230 243 164 and RGB 247 255 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 189 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 189 112 shade: RGB 174 189 112, RGB 157 171 93, RGB 140 153 74, RGB 123 135 55 and RGB 106 117 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 189 112 shade: RGB 174 189 111, RGB 189 183 111, RGB 189 162 111, RGB 189 141 111 and RGB 189 120 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 189 112 shade: RGB 174 189 111, RGB 153 189 111, RGB 132 189 111, RGB 111 189 112 and RGB 111 189 132

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 189 112 shade matches the following richer shades: RGB 174 189 111, RGB 184 206 94, RGB 194 222 77 and RGB 205 239 61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 189 112 shade: RGB 174 189 111, RGB 163 172 128, RGB 153 155 145, RGB 143 138 162 and RGB 132 121 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 189 112 shade: RGB 189 162 111, RGB 189 182 111, RGB 174 189 111, RGB 154 189 111 and RGB 133 189 111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 189 112 shade: RGB 133 149 68, RGB 158 176 83, RGB 174 189 111, RGB 190 202 140 and RGB 206 215 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 189 112 shade: RGB 174 189 112, RGB 111 189 141 and RGB 172 111 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 189 112 shade: RGB 174 189 112, RGB 111 174 189 and RGB 189 111 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 189 112 shade: RGB 174 189 112, RGB 111 189 141, RGB 125 111 189 and RGB 189 111 159

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 189 112 shade: RGB 174 189 112, RGB 111 189 164, RGB 125 111 189 and RGB 189 111 136

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 41 / 26

HEX #AEBD70

RGB 174 189 112

HSL 71.69, 0.37%, 0.59%

LAB 73.91, -17.34, 37.16

 

Complementary color

CMYK 43 / 54 / 0 / 44

HEX #51428F

RGB 81 66 143

HSL 251.69, 0.37%, 0.41%

LAB 33.2, 26.32, -40.7

 

CMYK 5 / 0 / 43 / 26

HEX #B3BD6B

RGB 179 189 107

HSL 67.32, 0.38%, 0.58%

LAB 74.22, -15.92, 40.15

 

CMYK 5 / 0 / 39 / 19

HEX #C4CF7E

RGB 196 207 126

HSL 68.15, 0.46%, 0.65%

LAB 80.67, -16.17, 38.98

 

CMYK 5 / 0 / 36 / 12

HEX #D5E191

RGB 213 225 145

HSL 69, 0.57%, 0.73%

LAB 87.02, -16.37, 37.83

 

CMYK 5 / 0 / 33 / 5

HEX #E6F3A4

RGB 230 243 164

HSL 69.87, 0.77%, 0.8%

LAB 93.28, -16.54, 36.73

 

CMYK 3 / 0 / 28 / 0

HEX #F7FFB7

RGB 247 255 183

HSL 66.67, 1%, 0.86%

LAB 97.92, -13.76, 33.61

 

CMYK 8 / 0 / 41 / 26

HEX #AEBD70

RGB 174 189 112

HSL 71.69, 0.37%, 0.59%

LAB 73.91, -17.34, 37.16

 

CMYK 8 / 0 / 46 / 33

HEX #9DAB5D

RGB 157 171 93

HSL 70.77, 0.32%, 0.52%

LAB 67.34, -17.12, 38.35

 

CMYK 8 / 0 / 52 / 40

HEX #8C994A

RGB 140 153 74

HSL 69.87, 0.35%, 0.45%

LAB 60.65, -16.83, 39.54

 

CMYK 9 / 0 / 59 / 47

HEX #7B8737

RGB 123 135 55

HSL 69, 0.42%, 0.37%

LAB 53.83, -16.42, 40.65

 

CMYK 9 / 0 / 69 / 54

HEX #6A7524

RGB 106 117 36

HSL 68.15, 0.53%, 0.3%

LAB 46.86, -15.85, 41.48

 

CMYK 8 / 0 / 41 / 26

HEX #AEBD6F

RGB 174 189 111

HSL 71.54, 0.37%, 0.59%

LAB 73.9, -17.46, 37.65

 

CMYK 0 / 3 / 41 / 26

HEX #BDB76F

RGB 189 183 111

HSL 55.38, 0.37%, 0.59%

LAB 73.44, -8.36, 37.31

 

CMYK 0 / 14 / 41 / 26

HEX #BDA26F

RGB 189 162 111

HSL 39.23, 0.37%, 0.59%

LAB 67.88, 2.8, 30.18

 

CMYK 0 / 25 / 41 / 26

HEX #BD8D6F

RGB 189 141 111

HSL 23.08, 0.37%, 0.59%

LAB 62.52, 14.31, 23.1

 

CMYK 0 / 37 / 41 / 26

HEX #BD786F

RGB 189 120 111

HSL 6.92, 0.37%, 0.59%

LAB 57.46, 25.93, 16.23

 

CMYK 8 / 0 / 41 / 26

HEX #AEBD6F

RGB 174 189 111

HSL 71.54, 0.37%, 0.59%

LAB 73.9, -17.46, 37.65

 

CMYK 19 / 0 / 41 / 26

HEX #99BD6F

RGB 153 189 111

HSL 87.69, 0.37%, 0.59%

LAB 72.44, -25.56, 35.5

 

CMYK 30 / 0 / 41 / 26

HEX #84BD6F

RGB 132 189 111

HSL 103.85, 0.37%, 0.59%

LAB 71.18, -33.15, 33.63

 

CMYK 41 / 0 / 41 / 26

HEX #6FBD70

RGB 111 189 112

HSL 120.77, 0.37%, 0.59%

LAB 70.14, -39.87, 31.56

 

CMYK 41 / 0 / 30 / 26

HEX #6FBD84

RGB 111 189 132

HSL 136.15, 0.37%, 0.59%

LAB 70.48, -36.48, 21.47

 

CMYK 8 / 0 / 41 / 26

HEX #AEBD6F

RGB 174 189 111

HSL 71.54, 0.37%, 0.59%

LAB 73.9, -17.46, 37.65

 

CMYK 11 / 0 / 54 / 19

HEX #B8CE5E

RGB 184 206 94

HSL 71.79, 0.53%, 0.59%

LAB 79.12, -23.64, 52.4

 

CMYK 13 / 0 / 65 / 13

HEX #C2DE4D

RGB 194 222 77

HSL 71.59, 0.69%, 0.59%

LAB 84.09, -28.6, 65.3

 

CMYK 14 / 0 / 74 / 6

HEX #CDEF3D

RGB 205 239 61

HSL 71.46, 0.85%, 0.59%

LAB 89.42, -33.01, 76.43

 

CMYK 8 / 0 / 41 / 26

HEX #AEBD6F

RGB 174 189 111

HSL 71.54, 0.37%, 0.59%

LAB 73.9, -17.46, 37.65

 

CMYK 5 / 0 / 26 / 33

HEX #A3AC80

RGB 163 172 128

HSL 72.27, 0.21%, 0.59%

LAB 68.64, -10.76, 21.63

 

CMYK 1 / 0 / 6 / 39

HEX #999B91

RGB 153 155 145

HSL 72, 0.05%, 0.59%

LAB 63.56, -2.6, 4.98

 

CMYK 12 / 15 / 0 / 36

HEX #8F8AA2

RGB 143 138 162

HSL 252.5, 0.11%, 0.59%

LAB 58.63, 6.77, -12.02

 

CMYK 26 / 32 / 0 / 30

HEX #8479B3

RGB 132 121 179

HSL 251.38, 0.28%, 0.59%

LAB 53.85, 17.08, -29.17

 

CMYK 0 / 14 / 41 / 26

HEX #BDA26F

RGB 189 162 111

HSL 39.23, 0.37%, 0.59%

LAB 67.88, 2.8, 30.18

 

CMYK 0 / 4 / 41 / 26

HEX #BDB66F

RGB 189 182 111

HSL 54.62, 0.37%, 0.59%

LAB 73.17, -7.84, 36.98

 

CMYK 8 / 0 / 41 / 26

HEX #AEBD6F

RGB 174 189 111

HSL 71.54, 0.37%, 0.59%

LAB 73.9, -17.46, 37.65

 

CMYK 19 / 0 / 41 / 26

HEX #9ABD6F

RGB 154 189 111

HSL 86.92, 0.37%, 0.59%

LAB 72.5, -25.18, 35.59

 

CMYK 30 / 0 / 41 / 26

HEX #85BD6F

RGB 133 189 111

HSL 103.08, 0.37%, 0.59%

LAB 71.23, -32.8, 33.71

 

CMYK 11 / 0 / 54 / 42

HEX #859544

RGB 133 149 68

HSL 71.85, 0.37%, 0.43%

LAB 58.88, -18.28, 40.31

 

CMYK 10 / 0 / 53 / 31

HEX #9EB053

RGB 158 176 83

HSL 71.61, 0.37%, 0.51%

LAB 68.71, -20.27, 44.97

 

CMYK 8 / 0 / 41 / 26

HEX #AEBD6F

RGB 174 189 111

HSL 71.54, 0.37%, 0.59%

LAB 73.9, -17.46, 37.65

 

CMYK 6 / 0 / 31 / 21

HEX #BECA8C

RGB 190 202 140

HSL 71.61, 0.37%, 0.67%

LAB 79.09, -14.23, 29.66

 

CMYK 4 / 0 / 22 / 16

HEX #CED7A8

RGB 206 215 168

HSL 71.49, 0.37%, 0.75%

LAB 84.25, -10.91, 22.22

 

CMYK 8 / 0 / 41 / 26

HEX #AEBD70

RGB 174 189 112

HSL 71.69, 0.37%, 0.59%

LAB 73.91, -17.34, 37.16

 

CMYK 41 / 0 / 25 / 26

HEX #6FBD8D

RGB 111 189 141

HSL 143.08, 0.37%, 0.59%

LAB 70.66, -34.78, 16.88

 

CMYK 9 / 41 / 0 / 26

HEX #AC6FBD

RGB 172 111 189

HSL 286.92, 0.37%, 0.59%

LAB 55.9, 37.49, -31.42

 

CMYK 8 / 0 / 41 / 26

HEX #AEBD70

RGB 174 189 112

HSL 71.69, 0.37%, 0.59%

LAB 73.91, -17.34, 37.16

 

CMYK 41 / 8 / 0 / 26

HEX #6FAEBD

RGB 111 174 189

HSL 191.54, 0.37%, 0.59%

LAB 67.52, -16.29, -14.04

 

CMYK 0 / 41 / 8 / 26

HEX #BD6FAE

RGB 189 111 174

HSL 311.54, 0.37%, 0.59%

LAB 57.31, 40.01, -20.46

 

CMYK 8 / 0 / 41 / 26

HEX #AEBD70

RGB 174 189 112

HSL 71.69, 0.37%, 0.59%

LAB 73.91, -17.34, 37.16

 

CMYK 41 / 0 / 25 / 26

HEX #6FBD8D

RGB 111 189 141

HSL 143.08, 0.37%, 0.59%

LAB 70.66, -34.78, 16.88

 

CMYK 34 / 41 / 0 / 26

HEX #7D6FBD

RGB 125 111 189

HSL 250.77, 0.37%, 0.59%

LAB 51.16, 23.59, -39.19

 

CMYK 0 / 41 / 16 / 26

HEX #BD6F9F

RGB 189 111 159

HSL 323.08, 0.37%, 0.59%

LAB 56.77, 37.49, -12.61

 

CMYK 8 / 0 / 41 / 26

HEX #AEBD70

RGB 174 189 112

HSL 71.69, 0.37%, 0.59%

LAB 73.91, -17.34, 37.16

 

CMYK 41 / 0 / 13 / 26

HEX #6FBDA4

RGB 111 189 164

HSL 160.77, 0.37%, 0.59%

LAB 71.18, -29.95, 5.12

 

CMYK 34 / 41 / 0 / 26

HEX #7D6FBD

RGB 125 111 189

HSL 250.77, 0.37%, 0.59%

LAB 51.16, 23.59, -39.19

 

CMYK 0 / 41 / 28 / 26

HEX #BD6F88

RGB 189 111 136

HSL 340.77, 0.37%, 0.59%

LAB 56.05, 34.02, -0.29

 

Description

Color code: RGB 174 189 112 | qconv.com Color code: RGB 174 189 112 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 189 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 189 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 41 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 41% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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