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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 186 88 it is the complementary color RGB 81 69 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 186 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 186 88 shade: RGB 179 186 83, RGB 196 204 102, RGB 213 222 121, RGB 230 240 140 and RGB 247 255 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 186 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 186 88 shade: RGB 174 186 88, RGB 157 168 69, RGB 140 150 50, RGB 123 132 31 and RGB 106 114 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 186 88 shade: RGB 174 186 88, RGB 186 172 88, RGB 186 145 88, RGB 186 119 88 and RGB 186 92 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 186 88 shade: RGB 174 186 88, RGB 148 186 88, RGB 121 186 88, RGB 95 186 88 and RGB 88 186 108

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 186 88 shade matches the following richer shades: RGB 174 186 88, RGB 189 205 69, RGB 203 224 50 and RGB 217 243 31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 186 88 shade: RGB 174 186 88, RGB 160 167 107, RGB 146 149 126, RGB 131 130 145 and RGB 117 111 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 186 88 shade: RGB 186 145 88, RGB 186 172 88, RGB 175 186 88, RGB 149 186 88 and RGB 122 186 88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 186 88 shade: RGB 127 136 55, RGB 154 166 67, RGB 174 186 88, RGB 188 198 117 and RGB 203 210 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 186 88 shade: RGB 174 186 88, RGB 88 186 119 and RGB 159 88 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 186 88 shade: RGB 174 186 88, RGB 88 175 186 and RGB 186 88 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 186 88 shade: RGB 174 186 88, RGB 88 186 119, RGB 99 88 186 and RGB 186 88 155

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 186 88 shade: RGB 174 186 88, RGB 88 186 149, RGB 99 88 186 and RGB 186 88 126

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 53 / 27

HEX #AEBA58

RGB 174 186 88

HSL 67.35, 0.42%, 0.54%

LAB 72.77, -18.3, 47.64

 

Complementary color

CMYK 51 / 59 / 0 / 35

HEX #5145A7

RGB 81 69 167

HSL 247.35, 0.42%, 0.46%

LAB 35.59, 31.88, -51.37

 

CMYK 4 / 0 / 55 / 27

HEX #B3BA53

RGB 179 186 83

HSL 64.08, 0.43%, 0.53%

LAB 73.11, -16.67, 50.46

 

CMYK 4 / 0 / 50 / 20

HEX #C4CC66

RGB 196 204 102

HSL 64.71, 0.5%, 0.6%

LAB 79.55, -17.13, 49.38

 

CMYK 4 / 0 / 45 / 13

HEX #D5DE79

RGB 213 222 121

HSL 65.35, 0.6%, 0.67%

LAB 85.89, -17.51, 48.24

 

CMYK 4 / 0 / 42 / 6

HEX #E6F08C

RGB 230 240 140

HSL 66, 0.77%, 0.75%

LAB 92.15, -17.81, 47.1

 

CMYK 3 / 0 / 38 / 0

HEX #F7FF9F

RGB 247 255 159

HSL 65, 1%, 0.81%

LAB 97.55, -16.62, 44.98

 

CMYK 6 / 0 / 53 / 27

HEX #AEBA58

RGB 174 186 88

HSL 67.35, 0.42%, 0.54%

LAB 72.77, -18.3, 47.64

 

CMYK 7 / 0 / 59 / 34

HEX #9DA845

RGB 157 168 69

HSL 66.67, 0.42%, 0.46%

LAB 66.22, -17.84, 48.67

 

CMYK 7 / 0 / 67 / 41

HEX #8C9632

RGB 140 150 50

HSL 66, 0.5%, 0.39%

LAB 59.54, -17.24, 49.47

 

CMYK 7 / 0 / 77 / 48

HEX #7B841F

RGB 123 132 31

HSL 65.35, 0.62%, 0.32%

LAB 52.74, -16.45, 49.71

 

CMYK 7 / 0 / 89 / 55

HEX #6A720C

RGB 106 114 12

HSL 64.71, 0.81%, 0.25%

LAB 45.81, -15.38, 48.72

 

CMYK 6 / 0 / 53 / 27

HEX #AEBA58

RGB 174 186 88

HSL 67.35, 0.42%, 0.54%

LAB 72.77, -18.3, 47.64

 

CMYK 0 / 8 / 53 / 27

HEX #BAAC58

RGB 186 172 88

HSL 51.43, 0.42%, 0.54%

LAB 69.93, -6.08, 44.54

 

CMYK 0 / 22 / 53 / 27

HEX #BA9158

RGB 186 145 88

HSL 34.9, 0.42%, 0.54%

LAB 62.84, 8.51, 35.96

 

CMYK 0 / 36 / 53 / 27

HEX #BA7758

RGB 186 119 88

HSL 18.98, 0.42%, 0.54%

LAB 56.42, 22.91, 27.87

 

CMYK 0 / 51 / 53 / 27

HEX #BA5C58

RGB 186 92 88

HSL 2.45, 0.42%, 0.54%

LAB 50.45, 37.48, 20.03

 

CMYK 6 / 0 / 53 / 27

HEX #AEBA58

RGB 174 186 88

HSL 67.35, 0.42%, 0.54%

LAB 72.77, -18.3, 47.64

 

CMYK 20 / 0 / 53 / 27

HEX #94BA58

RGB 148 186 88

HSL 83.27, 0.42%, 0.54%

LAB 70.95, -28.66, 45.04

 

CMYK 35 / 0 / 53 / 27

HEX #79BA58

RGB 121 186 88

HSL 99.8, 0.42%, 0.54%

LAB 69.39, -38.54, 42.8

 

CMYK 49 / 0 / 53 / 27

HEX #5FBA58

RGB 95 186 88

HSL 115.71, 0.42%, 0.54%

LAB 68.21, -46.76, 41.1

 

CMYK 53 / 0 / 42 / 27

HEX #58BA6C

RGB 88 186 108

HSL 132.24, 0.42%, 0.54%

LAB 68.22, -45.73, 30.97

 

CMYK 6 / 0 / 53 / 27

HEX #AEBA58

RGB 174 186 88

HSL 67.35, 0.42%, 0.54%

LAB 72.77, -18.3, 47.64

 

CMYK 8 / 0 / 66 / 20

HEX #BDCD45

RGB 189 205 69

HSL 67.06, 0.58%, 0.54%

LAB 78.99, -22.97, 63.03

 

CMYK 9 / 0 / 78 / 12

HEX #CBE032

RGB 203 224 50

HSL 67.24, 0.74%, 0.54%

LAB 85.12, -27.28, 75.68

 

CMYK 11 / 0 / 87 / 5

HEX #D9F31F

RGB 217 243 31

HSL 67.36, 0.9%, 0.54%

LAB 91.21, -31.04, 85.55

 

CMYK 6 / 0 / 53 / 27

HEX #AEBA58

RGB 174 186 88

HSL 67.35, 0.42%, 0.54%

LAB 72.77, -18.3, 47.64

 

CMYK 4 / 0 / 36 / 35

HEX #A0A76B

RGB 160 167 107

HSL 67, 0.25%, 0.54%

LAB 66.65, -12.19, 30.23

 

CMYK 2 / 0 / 15 / 42

HEX #92957E

RGB 146 149 126

HSL 67.83, 0.1%, 0.54%

LAB 60.88, -5.29, 11.79

 

CMYK 10 / 10 / 0 / 43

HEX #838291

RGB 131 130 145

HSL 244, 0.06%, 0.54%

LAB 54.9, 3.48, -7.91

 

CMYK 29 / 32 / 0 / 36

HEX #756FA4

RGB 117 111 164

HSL 246.79, 0.23%, 0.54%

LAB 49.29, 14.58, -27.65

 

CMYK 0 / 22 / 53 / 27

HEX #BA9158

RGB 186 145 88

HSL 34.9, 0.42%, 0.54%

LAB 62.84, 8.51, 35.96

 

CMYK 0 / 8 / 53 / 27

HEX #BAAC58

RGB 186 172 88

HSL 51.43, 0.42%, 0.54%

LAB 69.93, -6.08, 44.54

 

CMYK 6 / 0 / 53 / 27

HEX #AFBA58

RGB 175 186 88

HSL 66.73, 0.42%, 0.54%

LAB 72.85, -17.89, 47.75

 

CMYK 20 / 0 / 53 / 27

HEX #95BA58

RGB 149 186 88

HSL 82.65, 0.42%, 0.54%

LAB 71.02, -28.27, 45.13

 

CMYK 34 / 0 / 53 / 27

HEX #7ABA58

RGB 122 186 88

HSL 99.18, 0.42%, 0.54%

LAB 69.44, -38.2, 42.87

 

CMYK 7 / 0 / 60 / 47

HEX #7F8837

RGB 127 136 55

HSL 66.67, 0.42%, 0.37%

LAB 54.44, -15.21, 41.43

 

CMYK 7 / 0 / 60 / 35

HEX #9AA643

RGB 154 166 67

HSL 67.27, 0.42%, 0.46%

LAB 65.4, -18.24, 48.61

 

CMYK 6 / 0 / 53 / 27

HEX #AEBA58

RGB 174 186 88

HSL 67.35, 0.42%, 0.54%

LAB 72.77, -18.3, 47.64

 

CMYK 5 / 0 / 41 / 22

HEX #BCC675

RGB 188 198 117

HSL 67.41, 0.42%, 0.62%

LAB 77.5, -15.8, 39.37

 

CMYK 3 / 0 / 30 / 18

HEX #CBD293

RGB 203 210 147

HSL 66.67, 0.41%, 0.7%

LAB 82.32, -12.41, 30.5

 

CMYK 6 / 0 / 53 / 27

HEX #AEBA58

RGB 174 186 88

HSL 67.35, 0.42%, 0.54%

LAB 72.77, -18.3, 47.64

 

CMYK 53 / 0 / 36 / 27

HEX #58BA77

RGB 88 186 119

HSL 138.98, 0.42%, 0.54%

LAB 68.41, -43.83, 25.43

 

CMYK 15 / 53 / 0 / 27

HEX #9F58BA

RGB 159 88 186

HSL 283.47, 0.42%, 0.54%

LAB 49.37, 45.5, -40.04

 

CMYK 6 / 0 / 53 / 27

HEX #AEBA58

RGB 174 186 88

HSL 67.35, 0.42%, 0.54%

LAB 72.77, -18.3, 47.64

 

CMYK 53 / 6 / 0 / 27

HEX #58AFBA

RGB 88 175 186

HSL 186.73, 0.42%, 0.54%

LAB 66.73, -23.06, -13.66

 

CMYK 0 / 53 / 6 / 27

HEX #BA58AF

RGB 186 88 175

HSL 306.73, 0.42%, 0.54%

LAB 52.41, 51.05, -28.62

 

CMYK 6 / 0 / 53 / 27

HEX #AEBA58

RGB 174 186 88

HSL 67.35, 0.42%, 0.54%

LAB 72.77, -18.3, 47.64

 

CMYK 53 / 0 / 36 / 27

HEX #58BA77

RGB 88 186 119

HSL 138.98, 0.42%, 0.54%

LAB 68.41, -43.83, 25.43

 

CMYK 47 / 53 / 0 / 27

HEX #6358BA

RGB 99 88 186

HSL 246.73, 0.42%, 0.54%

LAB 43.03, 30, -50.52

 

CMYK 0 / 53 / 17 / 27

HEX #BA589B

RGB 186 88 155

HSL 318.98, 0.42%, 0.54%

LAB 51.59, 47.77, -18.16

 

CMYK 6 / 0 / 53 / 27

HEX #AEBA58

RGB 174 186 88

HSL 67.35, 0.42%, 0.54%

LAB 72.77, -18.3, 47.64

 

CMYK 53 / 0 / 20 / 27

HEX #58BA95

RGB 88 186 149

HSL 157.35, 0.42%, 0.54%

LAB 69.01, -37.72, 10.08

 

CMYK 47 / 53 / 0 / 27

HEX #6358BA

RGB 99 88 186

HSL 246.73, 0.42%, 0.54%

LAB 43.03, 30, -50.52

 

CMYK 0 / 53 / 32 / 27

HEX #BA587E

RGB 186 88 126

HSL 336.73, 0.42%, 0.54%

LAB 50.6, 43.66, -2.43

 

Description

Color code: RGB 174 186 88 | qconv.com Color code: RGB 174 186 88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 186 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 186 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 53 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 53% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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