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Color name
RGB 174 172 195

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 174 172 195 it is the complementary color RGB 81 83 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 174 172 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 174 172 195 shade: RGB 179 172 190, RGB 196 190 209, RGB 213 208 228, RGB 230 226 247 and RGB 247 244 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 174 172 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 174 172 195 shade: RGB 174 172 195, RGB 157 154 176, RGB 140 136 157, RGB 123 118 138 and RGB 106 100 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 174 172 195 shade: RGB 174 172 195, RGB 180 172 195, RGB 186 172 195, RGB 192 172 195 and RGB 195 172 191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 174 172 195 shade: RGB 174 172 195 and RGB 172 172 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 174 172 195 shade matches the following richer shades: RGB 174 172 195, RGB 164 160 206, RGB 155 149 218, RGB 145 137 229 and RGB 135 125 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 174 172 195 shade: RGB 174 172 195, RGB 183 183 183, RGB 193 195 171, RGB 202 206 160 and RGB 212 218 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 174 172 195 shade: RGB 172 182 195, RGB 172 176 195, RGB 174 172 195, RGB 180 172 195 and RGB 186 172 195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 174 172 195 shade: RGB 127 124 160, RGB 150 148 177, RGB 174 172 195, RGB 197 196 212 and RGB 220 220 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 174 172 195 shade: RGB 174 172 195, RGB 195 172 188 and RGB 179 195 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 174 172 195 shade: RGB 174 172 195, RGB 195 174 172 and RGB 172 195 174

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 174 172 195 shade: RGB 174 172 195, RGB 195 172 188, RGB 193 195 172 and RGB 172 195 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 174 172 195 shade: RGB 174 172 195, RGB 195 172 181, RGB 193 195 172 and RGB 172 195 185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 12 / 0 / 24

HEX #AEACC3

RGB 174 172 195

HSL 245.22, 0.16%, 0.72%

LAB 71.18, 5.26, -11.45

 

Complementary color

CMYK 2 / 0 / 28 / 67

HEX #51533C

RGB 81 83 60

HSL 65.22, 0.16%, 0.28%

LAB 34.52, -5.21, 13.24

 

CMYK 6 / 9 / 0 / 25

HEX #B3ACBE

RGB 179 172 190

HSL 263.33, 0.12%, 0.71%

LAB 71.42, 5.93, -8.29

 

CMYK 6 / 9 / 0 / 18

HEX #C4BED1

RGB 196 190 209

HSL 258.95, 0.17%, 0.78%

LAB 77.97, 5.68, -8.77

 

CMYK 7 / 9 / 0 / 11

HEX #D5D0E4

RGB 213 208 228

HSL 255, 0.27%, 0.85%

LAB 84.41, 5.44, -9.24

 

CMYK 7 / 9 / 0 / 3

HEX #E6E2F7

RGB 230 226 247

HSL 251.43, 0.57%, 0.93%

LAB 90.75, 5.21, -9.71

 

CMYK 3 / 4 / 0 / 0

HEX #F7F4FF

RGB 247 244 255

HSL 256.36, 1%, 0.98%

LAB 96.7, 2.96, -4.93

 

CMYK 11 / 12 / 0 / 24

HEX #AEACC3

RGB 174 172 195

HSL 245.22, 0.16%, 0.72%

LAB 71.18, 5.26, -11.45

 

CMYK 11 / 13 / 0 / 31

HEX #9D9AB0

RGB 157 154 176

HSL 248.18, 0.12%, 0.65%

LAB 64.49, 5.51, -11.04

 

CMYK 11 / 13 / 0 / 38

HEX #8C889D

RGB 140 136 157

HSL 251.43, 0.1%, 0.57%

LAB 57.67, 5.79, -10.62

 

CMYK 11 / 14 / 0 / 46

HEX #7B768A

RGB 123 118 138

HSL 255, 0.08%, 0.5%

LAB 50.69, 6.09, -10.2

 

CMYK 11 / 16 / 0 / 53

HEX #6A6477

RGB 106 100 119

HSL 258.95, 0.09%, 0.43%

LAB 43.52, 6.43, -9.78

 

CMYK 11 / 12 / 0 / 24

HEX #AEACC3

RGB 174 172 195

HSL 245.22, 0.16%, 0.72%

LAB 71.18, 5.26, -11.45

 

CMYK 8 / 12 / 0 / 24

HEX #B4ACC3

RGB 180 172 195

HSL 260.87, 0.16%, 0.72%

LAB 71.66, 7.27, -10.69

 

CMYK 5 / 12 / 0 / 24

HEX #BAACC3

RGB 186 172 195

HSL 276.52, 0.16%, 0.72%

LAB 72.15, 9.31, -9.9

 

CMYK 2 / 12 / 0 / 24

HEX #C0ACC3

RGB 192 172 195

HSL 292.17, 0.16%, 0.72%

LAB 72.66, 11.37, -9.08

 

CMYK 0 / 12 / 2 / 24

HEX #C3ACBF

RGB 195 172 191

HSL 310.43, 0.16%, 0.72%

LAB 72.81, 11.66, -6.64

 

CMYK 11 / 12 / 0 / 24

HEX #AEACC3

RGB 174 172 195

HSL 245.22, 0.16%, 0.72%

LAB 71.18, 5.26, -11.45

 

CMYK 12 / 12 / 0 / 24

HEX #ACACC3

RGB 172 172 195

HSL 240, 0.16%, 0.72%

LAB 71.02, 4.59, -11.7

 

CMYK 11 / 12 / 0 / 24

HEX #AEACC3

RGB 174 172 195

HSL 245.22, 0.16%, 0.72%

LAB 71.18, 5.26, -11.45

 

CMYK 20 / 22 / 0 / 19

HEX #A4A0CE

RGB 164 160 206

HSL 245.22, 0.32%, 0.72%

LAB 67.64, 11.08, -22.95

 

CMYK 29 / 32 / 0 / 15

HEX #9B95DA

RGB 155 149 218

HSL 245.22, 0.48%, 0.72%

LAB 64.58, 17.47, -34.38

 

CMYK 37 / 40 / 0 / 10

HEX #9189E5

RGB 145 137 229

HSL 245.22, 0.64%, 0.72%

LAB 61.28, 24.48, -45.72

 

CMYK 44 / 48 / 0 / 5

HEX #877DF1

RGB 135 125 241

HSL 245.17, 0.81%, 0.72%

LAB 58.2, 32.32, -57.32

 

CMYK 11 / 12 / 0 / 24

HEX #AEACC3

RGB 174 172 195

HSL 245.22, 0.16%, 0.72%

LAB 71.18, 5.26, -11.45

 

CMYK 0 / 0 / 0 / 28

HEX #B7B7B7

RGB 183 183 183

HSL 0, 0%, 0.72%

LAB 74.42, 0, -0.01

 

CMYK 1 / 0 / 12 / 24

HEX #C1C3AB

RGB 193 195 171

HSL 65, 0.17%, 0.72%

LAB 78.06, -4.88, 11.83

 

CMYK 2 / 0 / 22 / 19

HEX #CACEA0

RGB 202 206 160

HSL 65.22, 0.32%, 0.72%

LAB 81.42, -8.96, 22.48

 

CMYK 3 / 0 / 32 / 15

HEX #D4DA94

RGB 212 218 148

HSL 65.14, 0.49%, 0.72%

LAB 85.14, -12.9, 33.84

 

CMYK 12 / 7 / 0 / 24

HEX #ACB6C3

RGB 172 182 195

HSL 213.91, 0.16%, 0.72%

LAB 73.65, -0.85, -7.78

 

CMYK 12 / 10 / 0 / 24

HEX #ACB0C3

RGB 172 176 195

HSL 229.57, 0.16%, 0.72%

LAB 72.07, 2.4, -10.14

 

CMYK 11 / 12 / 0 / 24

HEX #AEACC3

RGB 174 172 195

HSL 245.22, 0.16%, 0.72%

LAB 71.18, 5.26, -11.45

 

CMYK 8 / 12 / 0 / 24

HEX #B4ACC3

RGB 180 172 195

HSL 260.87, 0.16%, 0.72%

LAB 71.66, 7.27, -10.69

 

CMYK 5 / 12 / 0 / 24

HEX #BAACC3

RGB 186 172 195

HSL 276.52, 0.16%, 0.72%

LAB 72.15, 9.31, -9.9

 

CMYK 21 / 23 / 0 / 37

HEX #7F7CA0

RGB 127 124 160

HSL 245, 0.16%, 0.56%

LAB 53.46, 9.03, -18.83

 

CMYK 15 / 16 / 0 / 31

HEX #9694B1

RGB 150 148 177

HSL 244.14, 0.16%, 0.64%

LAB 62.37, 6.75, -14.85

 

CMYK 11 / 12 / 0 / 24

HEX #AEACC3

RGB 174 172 195

HSL 245.22, 0.16%, 0.72%

LAB 71.18, 5.26, -11.45

 

CMYK 7 / 8 / 0 / 17

HEX #C5C4D4

RGB 197 196 212

HSL 243.75, 0.16%, 0.8%

LAB 79.67, 3.39, -7.85

 

CMYK 4 / 4 / 0 / 10

HEX #DCDCE5

RGB 220 220 229

HSL 240, 0.15%, 0.88%

LAB 88, 1.65, -4.41

 

CMYK 11 / 12 / 0 / 24

HEX #AEACC3

RGB 174 172 195

HSL 245.22, 0.16%, 0.72%

LAB 71.18, 5.26, -11.45

 

CMYK 0 / 12 / 4 / 24

HEX #C3ACBC

RGB 195 172 188

HSL 318.26, 0.16%, 0.72%

LAB 72.72, 11.11, -5.12

 

CMYK 8 / 0 / 12 / 24

HEX #B3C3AC

RGB 179 195 172

HSL 101.74, 0.16%, 0.72%

LAB 77.04, -9.73, 9.7

 

CMYK 11 / 12 / 0 / 24

HEX #AEACC3

RGB 174 172 195

HSL 245.22, 0.16%, 0.72%

LAB 71.18, 5.26, -11.45

 

CMYK 0 / 11 / 12 / 24

HEX #C3AEAC

RGB 195 174 172

HSL 5.22, 0.16%, 0.72%

LAB 72.79, 7.22, 3.78

 

CMYK 12 / 0 / 11 / 24

HEX #ACC3AE

RGB 172 195 174

HSL 125.22, 0.16%, 0.72%

LAB 76.59, -11.82, 7.92

 

CMYK 11 / 12 / 0 / 24

HEX #AEACC3

RGB 174 172 195

HSL 245.22, 0.16%, 0.72%

LAB 71.18, 5.26, -11.45

 

CMYK 0 / 12 / 4 / 24

HEX #C3ACBC

RGB 195 172 188

HSL 318.26, 0.16%, 0.72%

LAB 72.72, 11.11, -5.12

 

CMYK 1 / 0 / 12 / 24

HEX #C1C3AC

RGB 193 195 172

HSL 65.22, 0.16%, 0.72%

LAB 78.08, -4.72, 11.33

 

CMYK 12 / 0 / 9 / 24

HEX #ACC3B2

RGB 172 195 178

HSL 135.65, 0.16%, 0.72%

LAB 76.69, -11.08, 5.9

 

CMYK 11 / 12 / 0 / 24

HEX #AEACC3

RGB 174 172 195

HSL 245.22, 0.16%, 0.72%

LAB 71.18, 5.26, -11.45

 

CMYK 0 / 12 / 7 / 24

HEX #C3ACB5

RGB 195 172 181

HSL 336.52, 0.16%, 0.72%

LAB 72.52, 9.85, -1.56

 

CMYK 1 / 0 / 12 / 24

HEX #C1C3AC

RGB 193 195 172

HSL 65.22, 0.16%, 0.72%

LAB 78.08, -4.72, 11.33

 

CMYK 12 / 0 / 5 / 24

HEX #ACC3B9

RGB 172 195 185

HSL 153.91, 0.16%, 0.72%

LAB 76.86, -9.75, 2.37

 

Description

Color code: RGB 174 172 195 | qconv.com Color code: RGB 174 172 195 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 172 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 172 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 12 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 12% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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